How to draw a three-dimensional picture in painting

question 1: how to draw a three-dimensional picture? To draw a three-dimensional sense, you should learn to transition, distinguish between light and shade, and find the law of change. The dark color should be compared with the light color.

Arrange cables, finalize the design, and distinguish between three sides and five tones (three sides: after being irradiated by light, an object shows different sea light and shade, the light-receiving side is called bright side, the light-receiving side is called gray side, and the backlight side is called dark side. This is three sides. Five tones: highlight, gray scale, light-dark boundary, reflection and projection, which are the five tones. )

Question 2: How is the three-dimensional sense expressed in painting? In terms of the relationship between black, white and gray, it is subdivided into five pieces. Small gray surface, bright surface, gray surface, dark part and reflective surface. Another key is highlight and projection. Projection and highlight are indispensable things. Generally speaking, the draft is written with the boundary line of light and dark, and the line is basically completed. Be sure to pay attention to the boundary line of light and dark, and lead the picture, so as to better handle the relationship between black, white and gray. The dark part should be divided into layers, and the bright part can be covered. If the dark part is bored, it is necessary to see if you have a reflective surface. Don't use a pencil drawing that is too tired, it is easy to get bored. The gray surface must be painted, so as to make the picture look natural.

Drafting is not just a few lines. You should understand it by looking at structure sketch. Therefore, there is no absolute step of light and shade. Painting should be whole and integrated, that is, good painting.

Light and shade should follow the structure. Because light and shade is originally a way to make the whole body behave well, if you don't have the body, or only pay attention to the so-called light and shade painting, the meaning of painting itself will be gone. This is my opinion on shading. My idea is that if you want to have a three-dimensional sense, first of all, you can't rely on the black, white and gray of the picture alone. If something has no black, white and gray, it means that it is not well drawn. Look at structure sketch. You should understand. Structure is the three-dimensional existence of objects. Black and white is a better expression of this three-dimensional concept. Again, it's very important to draw a good structure. To understand what an object looks like, you should not draw what your eyes see. You must understand the structure.

Question 3: How to draw a three-dimensional picture? Hehehe, let me talk about it ~~

First of all, you need to know why an object is three-dimensional. Because every object is supported by a skeleton. . . For a simple example, the building we live in will collapse without the support of the most primitive foundation columns. . . Therefore, if we want to build the volume of an object, we must start with its structure, that is, the "skeleton". . . The structure of a cube is composed of six simple faces, and with light and shadow, the relationship between light and shade is naturally formed along the structure, so you can try to draw the structure sketch of the object first. In fact, even without light and shadow, structure sketch alone can show the volume, and painting can not be separated from structure and light for both exams and art. As for the better effect, it depends entirely on the individual's own expression techniques, which is another story. You can improve your own expression techniques by drawing more and practicing more. . .

Question 4: How can a sketch draw a three-dimensional sense of 25 points? The lack of three-dimensional sense is due to the relationship between light and shade. The solution is to learn to transition, to distinguish between light and shade, and to find the law of change. However, first of all, the sketch should be well made, and the perspective relationship should be found correctly. Not deep enough means that you can only draw a tiger when copying, but you lack your own understanding, so you always can't draw well when you draw. You should learn to understand the use of each color. You need to learn skills to float, which requires more practice and experience. Everyone does this. I painted a plaster for a month, so take your time. Believe in yourself. You can ask me if there's anything that won't happen.

Question 5: How to draw a three-dimensional sense in sai painting is not about what software sai ps painter uses, and other meanings are similar.

You have to practice perspective hard to come up with a three-dimensional sense.

It's time to draw it well. Learn to sketch first, and to draw a three-dimensional sense, you must learn to sketch first, which is the most basic < P > What is sketch? Various problems and understandings about sketch. Such as apparent horizon, perspective and so on.

practice and draw a sketch. Generally speaking, you have to draw a cube first.

Note: Sketching has a three-dimensional effect and elements such as "brightness" and "darkness".

that's about it!

Question 7: How to draw a good sketch in three dimensions? Be good at observing and copying more.

Draw more plaster and skulls, and understand the placement and trend of bones in detail. So that the flesh can be three-dimensional after it is attached.

Sketching mainly relies on the strength of the wrist to draw ~ Don't drive the arm ~ Drive the wrist ~ Relax your hands when sketching ~

When drawing the light receiving part of an object, draw it with thin lines ~ slightly thinner ~ the backlight is thicker ~ relatively heavier ~

Note ~ The object is composed of surfaces ~ Don't draw the lines too dead ~ It's best to integrate the lines into the surfaces ~

You need to observe carefully ~ Only in this way can you draw a sense of space ~ It is suggested that beginners refer to books to draw sketches ~

This will make progress faster ~

The most important thing is to be expert ~ persevere ~ think ~

I believe that as long as you work hard, you will definitely get good grades ~ Thank you ~

Oh ~ that's the so-called grey.

Painting is relative ~ For example, gray and white are heavier than gray ~ Gray and black are lighter than gray ~

Both are relative ~ Compared with black and white, the contrast is greater ~ Compared with black and gray, the contrast is smaller than the former ~

As for the three-dimensionality, the relationship is not in place ~

For example, the dark intersection line is not the same. It's like a sphere ~ light hits the sphere ~ What's the relationship between its light and shade ~ Have time to observe it ~

Question 8: How can painting make the painting look more vivid and three-dimensional? Vivid mainly for color, let go of the brushwork, be bold in color, and don't care too much about subtlety. Stereo or sense of space, we should grasp the relationship between reality and reality, and the near reality is far from virtual

Question 9: How can we draw a three-dimensional sense! You should refer to some books on three-dimensional structure and character structure to improve your understanding of structure. Only in this way can you enrich your picture's expression of light, shadow, structure and sense of distance. It is also necessary to learn sketch. But back to the point, you should copy it first, and then draw more structural analysis diagrams. The third step is to try to match shadows. The fourth step is to practice the color matching of a single subject or multiple subjects in the picture and form the picture.

Question 1: Sketch. Why can't you always draw it? First of all, you should analyze several elements that make up a three-dimensional: 1. The spatial modeling of an object (that is, its own structure)

2. The clarity and fuzziness of the distance from vision

3. The difference of gray scale between the distance and the distance

You can start with simple geometric modeling props and gradually increase the difficulty to train spatial modeling.