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A dream of red mansions ~ how to evaluate xiren and qingwen?

Comprehensive evaluation method

A negative

See clearly the hypocrisy of the attack.

The daughters of many families in the Red Chamber are controversial to almost everyone. If it's about Daiyu, I don't have to argue with others, because Daiyu's behavior has gone beyond morality. Whether she likes it or not depends on her personality, and there will be no result in the end. However, I have to say that this person's character is flawed. This is not a question of liking her or not, but a question of right and wrong. I hope readers all over the world will not be deceived by hypocrites and be complacent.

I remember the first time I saw A Dream of Red Mansions, I was deceived by the "tenderness" of xiren. But when I really read it carefully, I found that the author was indifferent to xiren between the lines. Xiren's character can be summed up in two words: hypocrisy and servility.

The name of xiren is very particular: attack, attack! Moreover, the attack types combined with the word "attack" are generally "sneak attack" and "covert attack". As for the hypocrisy of the attack, as long as a few facts can explain:

1. The biggest hypocrisy of Xiren is to pretend to be pure and reasonable in front of Mrs. Wang. But what Mrs. Wang was most worried about happened to herself. It doesn't matter what happened to her. She actually called "fight poison with poison" and slandered others with her own crimes.

2. Sixty-third time, Fang Guanguan was drunk and helped her sleep beside Baoyu. When she got up the next morning, she accused Fang Guan of being "not shy".

3. After Qingwen was driven away for the 77th time, he told Baoyu that he would have a chance to call Qingwen up in the future, while packing Qingwen's clothes. , want to send them out. Obviously, she didn't intend to let Qingwen come back-if this can be regarded as one of the virtuous, I can easily understand why Sean Xiaohui has charmed so many people;

After Mrs. Wang valued it, xiren "respected her more and more" and did not sleep in Baoyu's room, leaving the danger to others.

Aren't these facts enough to show the hypocrisy of xiren?

Maybe you want to say that the book doesn't say that xiren sued qingwen. How do you know it must be an attack? Now let's talk about whether Xiren told Qingwen or not.

Qingwen's death, of course, ultimately boils down to "the evil of feudal society", but there are two direct executioners, one is Mrs. Wang and the other is Huaxi Ren. The author didn't write clearly the plot of Xiren suing Qingwen, Fangguan and Si Er, perhaps because she is a docile "daughter" after all. Maybe it's because of the loss of the manuscript. But we can already see from Baoyu's crying in the back that all the arrows are pointing at xiren. Baoyu asked her why everyone else knew that "you and Musk Moon and Qiuwen can't fight one-on-one", but Aaron couldn't answer for a long time. Later, he even said that Mrs. Wang might have forgotten, and it was not too late to punish her in two days. Is this an excuse to cheat a three-year-old child? Does Mrs. Wang have to tidy up the girls in batches? It doesn't hold water at all. This is a clear hint to the attacker.

Maybe you have to ask again: the relationship between xiren and Baoyu is within the scope of etiquette, because she has long been designated as Baoyu's concubine by the grandmother, so it is not dangerous for her to be intimate with Baoyu, but it is indecent to others. I have three points to say about this problem:

First of all, after Qingwen was driven away, Baoyu asked Xiren why he couldn't "single-handedly attack you and Sheyue and Qiuwen" instead of "single-handedly attack you". It can be seen that the usual intimacy, musk and autumn lines also have a share. They are not concubines by default. Why didn't xiren sue them? Is it immoral for Qingwen, Fangguan, Si Er to make out with Baoyu, and is it harmless for Musk Moon to make out with Qiuwen? It can be seen that xiren's move is inevitably suspected of being a party member.

Secondly, I think there are many problems in the sexual relationship between xiren and Baoyu. The book says, "xiren always knew that the old lady gave herself to Baoyu, and now it's not a gift." It seems that she didn't go beyond etiquette. But when I think about it carefully, where does the book say that Grandmother Jia has "married Baoyu" her? In addition to her own thoughts, Mrs. Wang also thinks so. Does Jia really think so? Just look down. The seventy-eighth time, Mrs. Wang reported to the grandmother that Qingwen had been driven out, and the grandmother said, "But Miss Qingwen is very kind to me. Why did she get up like this? I mean, these girls are all slick-faced, and they are inferior to him in speaking and sewing. Only he can be used by Baoyu in the future. Who knows that it has changed. " Please note: "In the future, only he can serve Baoyu." . What do you mean "only him"? Obviously, Qingwen, not Aroma, is saying that the old lady wants to "make friends" with Baoyu. On the twentieth occasion, Baoyu's wet nurse, Mammy Li, scolded Aaron for "coaxing Baoyu", "pretending to be sycophantic" and "matching a boy", and Aaron was "ashamed and wronged". What is "shame"? Always do what you have done wrong, otherwise where does the "shame" come from? If you use this to scold Qingwen, Qingwen will go on the rampage, but there is no "shame". As for the "grievance", I think it comes from the words "matching the boy", otherwise the author would not deliberately add a "matching the boy" after "coaxing Baoyu" and "pretending to be sycophantic". Although Mammy Li is disobedient, it is not unreasonable for her to scold Xiren.

In my opinion, it is really intentional for xiren to have sex with Baoyu. People like her naturally think that being a father's mother's sister in the government is a good way out. But the old lady didn't mean to, so everything will be arranged by herself.

Third, the relationship between Qingwen and Baoyu is very clear, and there is no danger that Mrs. Wang is worried about. Xiren doesn't know?

B positive

Attack others.-I'm not teaching you to be attractive.

A Dream of Red Mansions can be said to be a book about ourselves, so you can't deny many things and people.

For attacks, many people's views are nothing more than "pugs" and the like. There was a post in the vigil saying it was a "whore", which made people feel that the attack was really not a taste. But xiren's obedient lifestyle makes me feel that these views do not affect the popularity of other people in the Grand View Garden, whether they are masters or servants, including Daiyu, Baochai and Qingwen. So I want to say: nothing you say is useless!

Since a dream of red mansions is realistic, that is to say, our views on people who are similar to "attacks" do not affect the popularity of people who are similar to "attacks" in our life circle. On the contrary, in some aspects, we have satisfied the vacancy in some aspects of our hearts. For example, "Mrs Wang" needs her understanding, "Baoyu" needs her care, and so on. In this way, the "good" way of attacking people is printed in our daily life. I think this is what the author finally wants to tell us, and it can't be settled by "breaking a book".

The beauty of xiren is that she can meet what we need most, which is why her charm is too conspicuous in the eyes of "smart" people. But the book belongs to the book, and the person belongs to the person. The author knows very well. I'm afraid our readers don't think so! The author describes the most ordinary or closest person in our life, but from the book to our eyes, it has become a "charm", or simply a "broken seat", which is too unreasonable, or we are hypocritical enough!

Xiren does have a tendency to flatter, but here I want to ask: as an ordinary person, what would you do if you wanted an untruthful answer? If you can't be like Lin, Baoyu or Qingwen, then don't say anything!

Since Xiren's "hate" is in the book and "love" is still around us, which one should we choose for her? For the latter, the author may not hint at our choice trend, otherwise you are not "good" enough.

Some people say that the end of the attack is the author's answer, so I think the whole Jia family is gone. Is there still her share? Why do you use flattery to describe it?

In fact, many women in the Grand View Garden have no self-awareness.

At that time, women's egos were always strangled. Many things they did, although they seem to have lost their dignity or can't understand now, are the way to survive in their hearts.

Besides, xiren has always been a notebook, down-to-earth, and although she does not have Baochai's aristocratic temperament, she is also a person who does a good job in the world. I can't agree to describe such a woman who is trying to survive with flattery.

I don't like Daiyu. Although she is brilliant and independent of the world, how much trouble has she caused others? If there is such a person in your life, I wonder how you will get along with her? If you don't know how to survive, you will only feel sorry for yourself and daydream. Without a positive attitude towards life, you can only raise it in the boudoir.

I don't like Qingwen, I don't know how to converge and hide, and I'm too ostentatious. Even if I know that she is a careless person, such as xiren, she always tries to steal the white, and I'm afraid I can't laugh.

Baochai admired it. She should be so considerate, always remember that she is in an environment, not obsessed with the muddy world, and I am alone. But if it belongs to Rainbow Xifeng, it is not desirable, too picky and too calculating. Baochai's open-mindedness is my favorite. If modern women can have Baochai's personality, they will certainly achieve something.

Qingwen's life is a poem, a lyric poem full of youthful vitality. Wen Qing, "Wen Qing" is also. Qingwen image is the darling of Cao Xueqin's mind, and it is a combination of realism and romanticism. In the process of shaping this image, Cao Xueqin, on the basis of real life, made this character's personality particularly distinct through meticulous ideological activities, rich artistic imagination and appropriate exaggeration, making her life look particularly beautified and poetic. In Qingwen's sharp talk and laughter, in the opening and closing of her eyebrows and eyes, she always reveals beautiful passion and dazzling brilliance. Cao Xueqin put this flawless white statue on the gorgeous carpet of the Grand View Garden, which made readers feel a little spring breeze and warmth of the feudal fortress family. Among the obedient slaves who framed each other, I saw a frank, straightforward, naive, strong and rebellious figure who dared to laugh and curse. Although she is humble, she is a capitalized "person"!

Qingwen is such a character. We don't know her family background or even her last name. As far as we know, she is a lonely little girl without parents. She has no "education" in her family, and she is headstrong, strong and irritable, with a "wild spirit". Later, she was "filial" by Lai Da's mother and entered the gorgeous living room of aristocratic society with lovely wild spirit. She didn't know that little land, didn't know the level, didn't know the rules of feudal aristocratic families eating people, and didn't know that set of slave morality. She climbed up with that set of morality and saved her life. Such a rebellious character, Cao Xueqin deliberately sent her to Yuan, thus giving her a fully developed environment.

Readers of A Dream of Red Mansions know that Qingwen is the first beautiful girl in Jiafu. But Cao Xueqin's description of Qingwen's beauty is different from that of Xiren and Pinger. Aroma and Pinger have silks, satins, jewels and heavy makeup, but Qingwen does not have these vulgar riches. "Water snake waist, cut shoulders", "the fragrance of the hairpin is loose, and the shirt hangs and withers, which is a state of spring sleep." Cao Xueqin used only a few strokes of pen and ink to convey Qingwen's natural beauty to readers. She is like "an orchid with a tender arrow", and Baoyu praises Qingwen's image in this lyric language. This not only describes Qingwen's beauty, but also describes her pure spirit. But in Mrs. Wang's eyes, she is "a bit like Sister Mei Yan Lin". It is true that Qingwen not only resembles Lin Daiyu in spirit, but more importantly, her personality is basically the same as Lin Daiyu in the pursuit of liberation and freedom. Mrs. Wang hates Qingwen, even as Baoyu's girl, she can't tolerate it. Then, it is not difficult to understand that Lin Daiyu can't be her daughter-in-law.

Qingwen's personality is that she is a loner; Hate, dare to love and hate, dare to laugh and dare to scold, resist authority and despise the spirit of freedom and equality of hierarchy. Between her breath, there is always a sword-like irony, mercilessly exposing the darkness and ugliness around her, as well as those "sneaky activities." In episode 31, Qingwenkong fell and broke a fan bone, so he quarreled with Baoyu. Aroma said, "It's all our fault." . Qingwen heard her say the word "we"; Just sneered a few times: "I don't know who you are, don't teach me to be ashamed of you!" " ..... even a girl hasn't earned it yet, but she's just like me. Where can we be called' we'? "Another time, because search asked Xiaohong to get her purse, Xiaohong was sent by a'm and got carried away. Qingwen saw it and sneered, "What a strange way! It turned out that I climbed up the tall branch and refused to accept what we said. I don't know if I said a word or two, so I took her off! This semi-bitterness is nothing; After that, you should be obedient! If only you had the ability to leave this garden from today and grow far on the high branches! When the Taiguan Garden was robbed, Xifeng took Wang Shanbao's family and went to the Red Chamber. "。 Those who attacked Sheyue were trembling and obedient. They all came out first to open the box and "let the search". Only Qingwen took a rebellious attitude; At first, she did not open the box. Later, she "came in holding her hair, opened the box with a clear voice, threw the foundation on the ground with both hands, and poured everything out." In these words, Qingwen's sharp satirical genius is revealed, and this kind of genius irony is a powerful weapon to express the spirit of resistance in feudal times. Her satire not only stung the hearts of a group of attackers such as Qiu Wen, Xiao Hong and Wang Shanbao, but more importantly, she pointed her finger at the feudal ruler Mrs. Wang. At the same time, it also shows how pure and kind Qingwen's heart is, and there is no room for ugliness, ugliness and injustice in her heart. She despised Xiaohong and Xiaohong took the opportunity to climb up. She laughed at the attacker who always dreamed of being a little wife. She despises the mode of flattering Mrs. Wang in autumn and asking for small favors. She hates her evil wife Wang Shanbao. "Who is nobler than who? I am not influenced by this tone when I hit my wife. "Her idea of freedom and equality, her fierce fighting spirit that does not avoid danger, really stand out among women in Jiafu! As a result, she was surrounded by feudal evil forces and rumors flew to her from all directions. As soon as the embroidered spring bag incident came out, Wang Shanbao's family seized this good opportunity and falsely accused Mrs. Wang: "Nothing else was returned, but my wife didn't know that the first one was Qingwen in Baoyu's room. Because that girl is more beautiful than others, she has grown into Qiaozui Zhang ... You don't guess, she just curses with her eyes open and her voice is strange, which is a big scandal! "Because the feudal rulers hated the rebel side, coupled with the slander of the villain, this pure and brave Qingwen was soon destroyed in the storm.

This spiritual trait of Qingwen gained a high sense of * * * and * * in Jia Baoyu, a rebel of the feudal family. She is Jia Baoyu's ideological friend. Although their class, status and upbringing are different, Baoyu's attitude towards Qingwen is different from that of other maids. Their friendship reached its climax in two lyric descriptions of Tearing the Fan and Mending the Fur.

First-class figures such as Xiren, Musk Moon, Bi Hen and Qiuwen are Baoyu's lifelong confidants. They are good at making beds and are provided with water and tea. They are only considerate in this respect and strive for the stable status of concubines and maids. Qingwen doesn't care about these positions. She wants to be Baoyu's spiritual friend. After Baoyu was beaten by Jia Zheng that time, the whole family was in chaos, and everyone's mood and attitude were different. Daiyu's sympathy is beyond words, but "tears filled her eyes and her eyes were swollen." When Daiyu left, Baoyu gave her two old handkerchiefs to show his love. In the process of their love, this is a very confidential task. It is Qingwen who undertakes this task. Later Qingwen died; Baoyu said sadly to Daiyu, "You have always treated her best." This sentence reveals the deep feelings of Daiyu and Qingwen, and also shows that in that feudal fortress, this pair of lovers and that friend are closely combined in the spirit of resistance.

The death of Qingwen brought unspeakable blows and pains to Jia Baoyu's spiritual life. Qingwen's death implies the inevitable fate of Lin Daiyu's death, and also shows Jia Lin's strong anti-feudal tendency in the love tragedy. Jia Baoyu wrote his incomparable resentment and sadness with beautiful writing in "The Daughter of Lotus". The Daughter of Lotus is a movement against feudal forces. "Unexpectedly, the dove bird hates its height, and the eagle bird capsizes. The bell is jealous of its stench, and the orchid is actually jealous ... high standards are jealous, and the boudoir is more annoying than Changsha; Zhen Lie is in danger, and the harem is worse than Haneno. " He lambasted the villain of Fox Dog Party, and he hated the cruelty of feudal rulers. He regarded Qingwen as Jia Yi who was "jealous". As a whale whose virginity is at stake, this evaluation is very high.

Qingwen, whose heart is higher than the sky, is inferior to others. In that feudal aristocratic family, she really flew like a petrel and died like a flash in the pan, which not only aroused readers' infinite sympathy, but also aroused readers' strong aversion to feudal society. Her noble quality, her rebellious spirit, her natural beauty and her harsh environment, just like Baoyu said, are a pot of orchids, accompanied by a tender sword, sent to a pigsty!