Summarize the image of the wolf in Wolf, and tell me the moral of this story.

The image of the wolf: greedy, cunning and fierce. This story fables that a villain like a wolf, no matter how cunning, will eventually fail.

Qing Pu Songling's Wolf;

At dusk, a butcher came back with meat, and a wolf came to see the meat. It seemed to be drooling and followed for miles. Sudden fear shows that it is a blade, but not as good as it is; Walk, walk, walk out of it. If you don't plan to slaughter, instead of hanging a tree and taking it early, think about the wolf's meat.

Then hook up the meat and hang it between the trees, showing that it is empty. The wolf is the only one. Tugui was so embarrassed that I went to get the meat and looked at the giant hanging from the tree in the distance, like a hanged man. Big scary, wandering myopia, then the dead wolf is also.

Looking up carefully, I saw that the wolf had meat in his mouth, which stung the wolf's upper jaw like a fish swallowing bait. At that time, the price of wolf skin was high, more than ten gold. It is ridiculous to ask for fish from the wood, and the wolf will suffer.

Interpretation of vernacular:

A butcher sold meat and went home. It is getting late. Suddenly a wolf appeared. The wolf has been peeping at the butcher's meat, and the saliva in his mouth seems to be coming out, so he followed the butcher for several miles.

The butcher was (very) afraid, so he showed the wolf the butcher knife. The wolf shrank back a few steps, but when the butcher walked on, the wolf followed. The butcher had no choice, he thought, the wolf wants meat, and the wolf wants meat. It's best to hang the meat on the tree (so that the wolf can't reach it) and come back for it tomorrow morning (when the wolf is gone).

So (the butcher) hung the meat on the hook, stood on tiptoe (hung the meat on the hook), and then showed the wolf the empty burden. The wolf stopped. The butcher went home (safely).

At dawn the next day, the butcher went to get the meat (where the meat was hung yesterday) and saw a huge thing hanging on the tree in the distance, just like a person hanging on the tree. (Butcher) Surprised. He wandered around carefully, trying to get close to the tree, and it turned out to be a dead wolf.

The butcher looked up carefully and found that the wolf had meat in his mouth, and the hook for hanging meat had pierced the wolf's upper jaw. Like a fish biting the bait. Wolf skins were very expensive in the market at that time. It was worth a dozen taels of silver, so the butcher took it back. Like climbing a tree to catch fish, wolves want to eat meat, but the result is a disaster. That's ridiculous!

This article comes from Pu Songling's Strange Tales from a Lonely Studio in Qing Dynasty.

Extended data writing background:

Pu Songling was born in a scholarly family. In his early years, he also wanted to use the imperial examination to be an official. Unfortunately, he tried again and again and could only make a living by teaching. He has been interested in folk ghost stories since childhood.

It is said that Pu Songling once opened a teahouse in front of his house in order to collect materials. People who come to drink tea can use a story instead of tea money. Pu Songling collected a large number of bizarre stories in this way, and after finishing and processing, they were included in Strange Tales from a Lonely Studio.

According to the notes of the Qing Dynasty, "Three Borrowing Lu Bi Tan", Pu Songling spread a mat on the ground next to the avenue every morning and set up a yancha, waiting for passers-by to collect anecdotes. Every time I hear something, I whitewash it when I go home.

In the first year of Kangxi (1662), Pu Songling began to write stories about foxes and ghosts at the age of 22. In the spring of the eighteenth year of Kangxi, forty-year-old Pu Songling compiled the manuscript into a book Strange Tales from a Lonely Studio for the first time, with a preface in the south. Since then, it has been added frequently.

It was not until around 239 and 46 years of Kangxi that there were several addenda in the book. The writing of Strange Tales from a Lonely Studio lasted more than forty years, and Pu Songling devoted most of his energy.

About the author:

Pu Songling (1640- 17 15), a writer of the Qing Dynasty, was nicknamed Liu Xian, Jianchen, nicknamed Liu Quan Jushi, and was known as Mr. Liaozhai, a native of Zichuan, Shandong Province (now Zibo, Shandong Province).

Pu Songling was keen on fame and fame all his life, and was addicted to the imperial examination. However, except for 19 years old, he was admitted to Zhongxian, Fufu and Daodao for three consecutive times, and he was repeatedly frustrated and frustrated.

He took the exam for forty years while teaching. It was not until he was seventy-one that he made up a tribute and died four years later. The rough experience of life made Pu Songling have a certain understanding of the political darkness at that time and the disadvantages of the imperial examination. The poverty of life made him have a certain understanding and experience of the lives and thoughts of working people.

So he wrote many works with his personal feelings. Today, in addition to Strange Tales from a Lonely Studio, there are also Collected Works from a Lonely Studio and poetry collections.