A poem describing the uncertainty of the future

On the indefinite poem 1. Seeking controversial ancient poems.

Li Shangyin's Jinse is one of the most controversial poems in the history of China's poetry.

Zhuangzi daydreaming, a saint, was bewitched by butterflies, and cuckoo crowed in the imperial spring. Mermaids shed pearl-like tears on the moon-green sea, and the blue fields breathed their jadeite to the sun.

00 and a moment should last forever, before it comes and goes, I know. 00- Li Shangyin's Jinse 00 Jinse is one of the most controversial poems in the history of China's poetry.

This poem is famous for its obscure meaning and hazy artistic conception, and also for its unique hazy beauty and rich suggestibility, which has attracted poetry critics and annotators of past dynasties to try to uncover her mysterious veil again and again. Most of Li Shangyin's poems are difficult to understand, among which Jinse bears the brunt.

The use of allusions is one of the main reasons why Li Shangyin's poems are difficult to understand. Because Li Shangyin's poems often use allusions sentence by sentence, and when using allusions, they are "often used secretly, borrowed or used flexibly."

Even a code is versatile. So the meaning of a poem is often different from the original allusions.

There is more than one allusion in the poem Jinse, which is integrated by the poet. "After the creation of subjective imagination, there is a brand-new image." It has been separated from the original concept of the lake of historical time and space, and has become an image at present independently. "

This paper will summarize and analyze the comments on this poem by poetic theorists in past dynasties, and try to interpret and appreciate this poem by analyzing the use of allusions in this poem. In the poems before the Han, Wei and Six Dynasties, the relationship between poems and topics was relatively loose, but from the Tang Dynasty, the relationship between poems and topics began to be closely combined. Poetry not only "writes the theme word for word", but also "poetic understanding often relies on the theme to provide clues".

On the other hand, because most of the questions made in Tang and Song Dynasties are clear, "those who have empty questions often imply that the poem is poetic, but there is other meaning." The title of the poem Jinse has also caused a lot of controversy. Many critics think that the title of Jinse is named after the first two words of this poem, but it is actually the same as the untitled poem.

For example, "Lianzhou Poetry": "Yishan is a poem with no title or title, which means something, but it doesn't necessarily mean something." Jinse is a special song. It does the same thing as the three songs of Bi Cheng ... It is no problem to take the first two words as the title. "

Yu Shouzhen and Shi Zhecun also agree with this statement. Although this statement makes sense, it also has flaws.

Since Li Shangyin intends to write untitled poems, why not name a poem whose style and practice are similar to untitled poems "untitled"? Therefore, although "Jinse" seems to take only two words as the title, it should have its meaning. This poem is really different from the general object-chanting poem, but it is not just an untitled poem that simply "intercepts the first two words" to make a comparison and has nothing to do with the literal.

Although what I wrote is related to Joseph, I have something to trust. 00 Appreciate Ji Xiaolan's evaluation: "From the year when I thought about China, I inherited the word' this feeling', and the cover began to have fun, but there were obstacles in it, so I recalled it."

This is an ambitious and talented poet who plays a sad song of life when he recalls his tragic words about you. The whole article is shrouded in a thick sad atmosphere, reflecting the tragic psychology of an honest but inevitably weak intellectual in the declining era; Not only dissatisfied with the repression of the environment, but also unable to resist the environment; Pursuing imagination and feeling empty and disillusioned; I am deeply saddened by my tragic fate and feel disconsolate about the cause of the tragedy.

On the whole, this poem is similar to the poet's own chapter. However, because he did not use the usual way to express his life when reviewing The Passage of Chinese New Year, he turned his tragic life experience and tragic psychology into an independent and well-documented picture.

These pictures not only have vivid and rich images, but also have vague, abstract and hazy connotations. This makes them not only lack the clarity of the usual lyric way, but also more suggestive than the usual lyric way, which can arouse readers' association in many aspects.

However, these vague symbolic images are confined to the scope of "thinking about China" and "disconsolate", so some specific differences in readers' feelings and understanding do not affect the overall grasp of the poet's tragic life experience and situation. The clearness of the overall meaning and the vagueness of the local meaning, the distinctness of the symbolic picture and the obscurity of the symbolic meaning constitute the greatest characteristics of the poem, and the advantages and disadvantages of the poem also lie in this.

00 Ji Xiaolan said, "The middle four sentences are lost, and the so-called' disconsolate' is also." Indeed, the most elusive and uncertain part of this poem is the four sentences in the middle.

If you think about it carefully, it is not difficult to find that the symbolic pictures displayed in these four sentences have the characteristics of trinity of poetry, painting and music in terms of image composition and implication. They all use the language and consistency of poetry to turn various artistic conceptions of Jinse into vivid pictures, thus summarizing his various life realms and feelings in China and conveying his feelings of confusion, sadness, loneliness and melancholy in China. This is similar to the expression of Picasso's masterpiece guernica, a western cubist painter.

We all know that guernica is a painting about the war experience. "The content of this painting is to reflect the widespread violence by symbolic means, and of course it should also reflect the tragedy of guernica. As we can see, the form of this painting is to break the internal and external opposition and establish an uncertainty and ambiguity. " When the painter expresses the pain caused by the war, he manages a process from extreme pain to difficult expression. There are many open mouths in the painting that seem to be shouting, showing great pain, but this is a painting and there is no sound.

Through these open mouths and sticking out tongues, Picasso seems to be saying, I want to express and express this fear, but art can't achieve this goal. All I can do is' I want to express'. Painting can't make sound or speak, so what artists have to do is to show silent cries.

Picasso wants to make his art reach the intensity of direct expression and make it full of power, but painting can't, and he can only express this silent cry. Then we have every reason to think that the poet wants to express his confusion, sadness, loneliness and melancholy, but it is impossible for the poet to shout out "I am confused" or "I am in pain".

Because poetry is valuable in meaning and hysteria.