How to evaluate the TV series "Choose a Day"

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Source: Zhihu.

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Let's talk about setting first. The screenwriter may not understand the story of choosing a day. The screenwriter actually put the shemale in the good camp and the hell in the evil camp. This classification seems rude. Man and demon, the three races have always been on their side, and various forces are seeking their own interests. Simply using good and evil to distinguish camps is a violent way to forcibly simplify the complex background of heaven's choice itself. The demon race itself is a race, and it will have its own interests. How can it unite with human beings for no reason? (Just because the demon race is a good person? ) When there is a plot that the inferno wants to unite with the inferno, the bad setting of the shemale inferno will naturally collapse. If it is shown from the beginning that the three clans are fighting for their own interests, and the combination of demons and demons is out of the control of terrans, is this plot more reasonable?

In the first episode, after Taizong's death, the black robe led the demons into Tai 'an City, directly threatening the Terran capital. So how was the result of the Northern Expedition of Emperor Taizong reflected? What about the soldiers who agreed to go straight to Taian city? The scene of the Northern Expedition also vaguely shows that mankind has won. What is the internal logic that black robe can lead inferno to directly threaten the top rulers of Terran under the good overall situation? Why do you want to travel thousands of miles from the old city of inferno and snow to Terran? There are popes, archbishops and gods in Tai 'an. The man in black robe has an IQ of 100 million. How could they make such a mistake? The strength setting is gone, and the black robe is gone. Finally, the virgin queen who sacrificed the starry sky failed to stop the black robe, and the black robe was able to return safely to the old town of Moho Xue. Is this reasonable? Can you explain how the black robe came back from the hinterland of Terran?

This fighting scene used to tell the background was not wonderful at first, and the background was not clearly explained as some people said, but it was chaotic and illogical, and the appearance and dispute of the characters were too reluctant.

Let's talk about characterization first.

Characterization is also illogical.

Chen Changsheng's setting in the book is that he is familiar with 3,000 Taoist scriptures, and at the same time, he is familiar with the world and is good at flexible use. This can be seen from the fact that he cited the old calendar of Tiandaoyuan to qualify for the senior high school entrance examination, and the part of the plot in which he fought with Gou from a distance. Is it meaningful for such a teenager to face the beast attracted by the smell of blood when he bleeds for the first time? ! Chen Changsheng is a boy who loves reading, but he is definitely not a pedantic bookworm. Because you can speak dragon language, you can try to reason with wild animals. Is this logical? Who told Chen Changsheng about the dragon language he learned (I didn't understand it until I saw cinnabar in a novel, so it was natural)? Why do you think wolves can speak dragon language? Where is the plot logic? Just to highlight Chen Changsheng's character, this plot is a failure and unnecessary. Did you consider the background of man's struggle with the devil in the story of reasoning with the devil? Chen Changsheng, who makes sense in hell, is naive and pedantic, rather than showing Chen Changsheng's modesty.

The first bloodshed in Chen Changsheng is a key plot, through which we can understand the special role of Chen Changsheng. At the same time, I guarded Chen Changsheng all night and resisted the desire to eat Chen Changsheng, so as to show my brother's image of great wisdom and perseverance, and also pave the way for my future image as a saint. Brother Yu is also a character I like very much. Brother Yu's role in the original work is very different from that in the TV series, but it is not unacceptable. What makes people unbearable is that Brother Yu is a slow talker, and Yu's wisdom is above him (many of his truths are taught by Yu). He can restrain his desire to donate blood to Chen Changsheng. He is a sober man, and he has the courage to face his strong enemy (Jinlong) to protect Chen Changsheng as an infant. Has such an image been portrayed by a screenwriter? I, as the future Ren Huang with a strong ship and a strong gun, am the eternal emperor who carries the dream of completely destroying hell with a strong ship and a strong gun. In this TV series, I am an idiot who yells at the master and asks him for help. Is it suitable?

Let's talk about road planners. The planner has no reason to stop Chen Changsheng from going to Kyoto. If Chen Changsheng doesn't go to Kyoto, he can only live to be 20 years old, but if he can go to Kyoto to get Zhou Du Fu's notes and try to change his fate, he may live longer. Therefore, the Taoist here has no reason not to leave this part of Chen Changsheng's plot, which is logically flawed. Put yourself in others' shoes. Anyway, it's only a few years to live well. Why not take a gamble? Is your business boat very Chen Changsheng? It's better to struggle than to survive, right? But in fact, does this commercial ship care about Chen Changsheng? Don't care. In the TV series, Chen Changsheng saved Xu Yourong with his own blood. Is it a reproachful and caring look after finding out? That's obviously a warning look! Here, I express my admiration for acting skills. The Taoist priest is a die-hard loyal to Emperor Taizong, and he just wants to help the rest of my brothers ascend to the throne. Chen Changsheng is an important pawn to kill Tianhai. Chen Changsheng doesn't go to Kyoto, how to realize the plan of planning a Taoist priest? The portrayal of Taoist priests is a failure. Road planners have their own insistence. He is a man with ideals and a sense of mission (exorcism, helping others to ascend to the throne). Road planners are not good people, but they are definitely not people who hide the knife in the smile and play the fool and pretend to be cruel, let alone people who are hesitant. So the Taoist here can't bear to part with it. It's disgusting. The tactician has changed from a fanatic who does everything for his ideal to a hypocrite.

Let's start with the characters in black robes. Black robes are a good layout. His image is cold and wise. Joo Won?'s death is a climax of this book, and it also reflects the originality of Black Robe. Such a wise man, there is no reason for such a figure as Princess Inferno to go deep into the hinterland of Terran and kill a Xu Yourong who may not be able to kill him. Moreover, what is Conan's strength? Why can he March straight ahead, bypass the north, deceive the Four Saints and all the storms, and hit Xu Yourong directly? As the next generation saint of Nanxizhai, Xu Yourong has no one to protect him. What about the agreed Nanxizhai sword array? Apart from Conan's easy retreat after meeting Qiushan Jun, the normal logic is that Qiushan Jun put all his eggs in one basket, resolutely tried to stall the guest, and even Xu Yourong set fire to Xie Jing to fight back against Nanke, waiting for many Terran masters who came later to kill the Nangong on the spot. Instead of saying hello. But also in the case that Qiushan Jun's beloved Xu Yourong was seriously injured in the Nangong, Qiushan Jun didn't want to help Xu Yourong newspaper! Qiushan Jun is a modest gentleman, but Qiushan Jun is not indecisive. He doesn't even care about the overall situation of man's struggle with the devil. Is the plot set by the screenwriter reasonable here? Under the background of the shemale struggle, are the actions of these plot characters reasonable?

There are many such problems.

Why were Xu Yourong and his grandfather hunted by demons in the barren hills? Does the minister travel without bodyguards?

Because my grandfather was saved on the road, I gave Xu to a mountain village savage casually. This granddaughter is the only one in the world who has the descent of Tianfeng (another descent of Tianfeng is the first master of Terran at present, the Queen of Heaven and Sea).

Xu Yourong's grandfather and Jianchuanli were ministers in the same hall, but they didn't know each other after they met. Do they stand far in court?

The French king declared himself a vassal in the same room after Tianhai. How can he embody the equality between theocracy and kingship? In the future, when the commercial boat is aimed at Chen Changsheng, how will the Anglican church be at loggerheads with it, and what position will it take to keep Chen Changsheng? When people object, is it more appropriate for the Pope to enter through the main entrance with a ceremonial ceremony and announce his support for Tianhai?

Why did Chen Changsheng decide to go to Beijing, and Tianhai immediately found the nemesis? Is it more natural and reasonable for Chen Changsheng to feel the existence of Nemesis when he plays the Star of Destiny?

Is it unreasonable for members of the Golden Jade Law Demon God to bring inferno assassins?

Is it reasonable for the inferno assassin to enter Tai 'an City lightly and kill the demon princess in the street, treating Tuesday as sacred as nothing?

As an art-worshiper, inferno likes to study the races of the stars and the moon, so is it reasonable to become a caveman?

Too much is unreasonable. Logic is difficult to be self-consistent. Is it realistic to talk about an actor's acting skills without a logical script and a plot that shows his character?

Compared with the notes on grave robbery, The Ancient City is a positive example and a counterexample, which may be worth learning.

The plot is illogical, ignoring the strength setting, and even some plots are contrary to the basic setting of the dispute between shemale and shemale. Forcing some characters to appear in unreasonable places. Part of the plot is not helpful to the characterization.