What do you think of Chicago dance drama? Someone told me! Don't say less than 400 words.

The whole movie is set in Chicago sometime in the last century. Madame Rossi, the heroine of Chicago, was one of the many residents in chaos, violence, panic and deception at that time. At the beginning of the film, the film begins with the dancer Kelly who killed her husband and sister. She doesn't directly introduce her story, but shows the process of washing hands and changing clothes. Then the picture turns to the stage. When the announcer invited the dancers and sisters to the stage, Kelly was the only one on the stage, which also hinted that Kelly would go to prison in the future. Off-stage, Madame Rossi, who was eager to become a star, also killed a man who cheated her. It can be said that it is cheating. Doesn't Mrs. Rossi want to be a star through him? In Chicago at that time, use was only a mutual relationship.

Kill people, taste their lives, and pay their debts. After the death of the man, the police who maintained urban justice came to the scene at the first time. During the interrogation of Mrs. Rossi's husband, the light of the flashlight made Rossi enter her own stage. At this time, the stage lights are mainly warm colors, while Mrs. Rossi is immersed in the falsehood of her husband's defense with an arrogant attitude and singing. "Like a tame puppy, he loves me so much." When my husband said something unfavorable, the lyrics began to become "I know he is not smart, and he betrayed me." At the same time, the action began to be violent and flustered. The seemingly contradictory lyrics and different stage emotions show Rosie's silly love and cruel conflict with her husband, and at the same time the picture begins to show obvious contrast. Under the reddish light, on Rosie's right is a rebellious husband who is cheating on his wife under the blue light. A hot and cold light may reflect Rosie's inner contradiction, and Rosie blames all the problems in this relationship on her husband's indifference. She seems to be immersed in pink love, just and loyal.

In the process of Rosie being taken to the police station, another irony of the film appeared in public. Perhaps many viewers here think that media reporters waited a long time to report another murder in Chicago, but what they reported was the appearance of this beautiful woman. At that time, in Chicago, where booing and beauty were the highest concerns, all headlines should focus on attracting the public, and a real journalist's professional ethics was weak in the film, so this was more reflected in the later stage of the film. At this time, Rosie may not have shown the joy of being noticed on the surface, but her heart has begun to sprout deeper teeth.

With funny music, the camera began to shift from a free city to a prison. In a serious prison, criminals who smoke and chat satirize the prison incisively and vividly Subsequently, the appearance of the warden was accompanied by a song and dance, which started the first climax in the prison background. "You are good to your mother, and your mother is good to you." The warden made me think that the warden was a homosexual who liked women with exaggerated love needs and actions. In the warden's stage performance, the main colors of the lights are orange and red, which gives people a double impact of temptation and mysterious psychology on the vision. At the same time, the transformation between cold and gloomy prisons on the stage is an intertwined and inseparable expression of the relationship between reality and fantasy. At this time, Kelly, the female star at the beginning, even said that the infiltration of money was not limited to chaotic Chicago when she sent money and newspapers to the female warden. In a strict prison, it seems that only a piece of paper money can get happiness and desire, and the warden's over-expression of love is limited to money rather than benefits. Finally, the warden shouted to turn off the lights. With Rosie's crying, not only the prison lights went out, but also Rosie's only lucky heart went out.

Rosie's sleep, the beginning of the rhythm. The second climax was accompanied by defeat to rhythmic footsteps in prison. Instead of choosing an ordinary sequel, this film makes the audience understand the truth of educating prisoners to live in prison through more wonderful songs and dances about prison life. The lighting artistic conception of this song and dance is well used. From the very beginning, the dance of the two female hosts began to accumulate the keynote of blue cold light. When the third woman began to dance, the light suddenly turned red, and there were a lot of backlighting and exposure, which showed the rise of the singing and dancing atmosphere and added a little horror and mystery. At the same time, HongLing symbolizes blood, and also shows the method of killing people. At this time, the atmosphere reached a climax and the song had a strong sense of rhythm. Suddenly white light appeared in the center of the stage. With the appearance of the only dance that is not tango, the music began to slow down, the atmosphere began to be quiet, the red ribbon turned into a white ribbon, and the female dancer shouted innocence. Then the picture returns to the red background light and fast music rhythm. Among them, it seems that no one cares and understands whether it is wrong or not. Then the lights began to exchange constantly under the blue and red lights, reflecting the contradictory mentality of these female murderers. At the same time, the picture is magnified in the back, and countless women roar like beasts in cages, behave strangely, and skillfully express the wrong values in revealing performances. Dance was originally a noble body art, but in the eyes of these murderers, it not only became an expression of their venting, but also made their reasons for killing so normal that people felt terrible and fearful. There is another woman whose details are innocent. Why is she screaming? I think maybe innocent women are different from them. She is innocent, unreasonable and helpless. She can only use ahhh to express her inner helplessness.

Then the film returns to reality. In prison life, Kelly, a famous and rich dancer, lived a moist and comfortable life. Other prisoners washed her clothes. When Rosie gave Kelly clothes, Kelly conveniently gave Rosie money. Rosie refused and was humiliated by Kelly. In this passage, I think we can actually see that Kelly is deeply immersed in the heart of money at first, and there is still a strong spiritual contrast between reason and inner Rosie at this time.

After that, the warden found Rosie a lawyer who had never lost in legend to defend her and ask for money. Since then, it has laid the groundwork for Rossi's later emotional changes. Billy's appearance is even more ironic. In the song and dance, Billy played the shoeshine boy. On the surface, Billy seems to be a warm man who doesn't care about money and pursues love. In the pink light, it seems to give a romantic impression. But the gorgeous dance accompanied by Dancer in Pink Lights has also hinted that Billy's heart is dirty. At the same time, singing and dancing are accompanied by the transformation of the old way of reality, which reflects the identity of a rich man in proportion. At the same time, Billy ignored her in prison and went directly to Kelly, which was a hint of inner greed. Obviously, in the conversation between Billy and Rosie at the end of the clip, Billy who directly asked the supermarket for 5,000 yuan was actually a walking corpse corroded by money.

The scene of Rosie's loyal husband looking for Billy's lawyer is even more dramatic and ironic. When her husband wanted to leave with much less pay, Billy greedily accepted the case. I don't think Billy is short of money, but his inner trap has made him regard getting money as an instinct. After he took over the case, he began to teach Rosie how to lie and how to cheat. Its more purpose seems to be to help him solve his troubles and win popularity, but the real purpose will be written later. In the process of learning to cheat, she began to cut off her hair and wear a blue skirt. Her attitude towards Kelly shows that Rosie's inner feelings began to change, and the main line of the film began to rise after the early stage.

The song and dance pictures of the subsequent press conference made me look more like a star and an agent than a sinner and a lawyer. Rosie was immersed in the desire for attention, as if she had become a star of attention, and just as Rosie was about to say something wrong, Billy's lawyer just stopped her. At this moment, the picture once again turned to the song stage, and Rosie became a doll that could be torn off at will, but how could Rosie be manipulated alone? All the reporters and media behind him appeared on the stage in the form of dolls. The background music on the stage is cheerful and optimistic, and the rhythm is bright and happy. This is not like an interview, but more like a prepared question and answer. In Chicago, people don't care if the truth is true or not. What is justice? Journalists report under false control, people are crazy about the great murderer, Rosie is immersed in the glory of becoming a star, and doll manufacturers are happy to look at their masterpieces. It can be said that the film exposed all the irony in this clip. False reports, crazy pursuits, false boredom and greedy control were all compiled into Chicago at that time.

Later, after Rosie became famous, there was a song and dance description about her heart. In the song and dance, the rhythm of the music is light, and all the backgrounds are black, which reveals Rossi's lonely inner world, and then countless mirrors show their supporters. Flowers in water can be seen in the mirror. All this also implies that Rossi is now false and untrue. Then the mirror disappeared, and Rosie's name-like lights and many real supporters appeared, expressing Rosie's choice to immerse herself in virtual prosperity.

Then Kelly, a washed-up dancer, may suddenly understand the essence of this sentence. She begged Rosie to take her with her and started several dance performances. This dance performance doesn't have much connotation, but it is too similar to Kelly's attitude towards Rosie in the first half of the film, and it is also in sharp contrast with Rosie's emotional changes.

The film goes on to tell the story of another woman murdered by a lawyer, and the same woman is still being madly interviewed and reported by reporters during childbirth. Lawyers who pursue interests also begin to shift their focus to new interests. Here, Rosie's helplessness in prison is in sharp contrast with the interview schedule of reporters outside the prison. Rosie's psychology changed subtly again, and then Rosie began to make up lies about having a baby to gain public attention. Her strategy succeeded, so she got public attention again and the judgment day was advanced. When Rosie was interviewed in the hospital, the background music was always funny and fast-paced. Among many interviewers, the film gave a close-up of Rosie's husband. The man who used to defend her and find a lawyer now cries that I am the father of the child, and I am too young to bear it. Do people care who their father is? Does Rosie care? Does Chicago care? At this moment, the reporters saw the new title, while Rossi only saw the skin wrapped in another layer of desire. At the end of the clip, Rosie and her husband look at each other in the car, which is meaningful. Rosie may have some feelings in her heart, which is revealed from her eyes at this moment. Later, I won money to fight a song and dance battle for Rosie's husband, which was the only male song and dance performance in the film. There was no excessive action in the performance, and the lyrics just repeated that I am transparent. From the beginning to the end, it is not difficult to find that it seems that her husband's appearance is a bit redundant, and the film does not give her too many shots, but in fact, it is from her husband's sending and receiving to hiring a lawyer that all the main plots are actually promoted by this transparent husband. The man's inner cry is not only that Rossi didn't see his efforts, but also that Rossi put him in this relationship.

Under the urging of gorgeous support, Rosie lost herself in practice, and she had a conflict with her lawyer. Ironically, contradictory ideas are exactly what two people used before. Lawyers used Rosie's fame to make money, and now they continue to extract the residue after discovering Rosie's residual value. Rossi created his reputation and defense with lawyers, and now he finds that lawyers only care about interests. In the film, Rosie said that they all care about me, so I will not be executed. Lawyers say they prefer you to be executed because it's more interesting to report. After the conversation, the camera gave Rosie a close-up of her eyes. Looking closely, it is not difficult to see that Rossi's eyes are not only angry but also fearful and helpless, which makes people feel sad.

With a burst of noise, the film admitted through Kelly that the innocent would be hanged. Then the picture moves to the execution ground, and another musical hints at the fate of innocent women. This song and dance venue is slightly different from before. The background of the whole venue is red, and the red lights cover all the audience and walls. Only the guillotine is white, and then the stage and reality cross each other, suggesting the death of innocent women. The white clothes and lights of innocent women on the stage are in sharp contrast with the itinerary of the red audience. Are most of them true? Are most of them right? I believe that the applause at the scene when an innocent woman died has left a correct answer in the hearts of the audience. Ironically, why is it just an institution and a group of people? Numb cities have caused the death of innocent people, and numb humans are cheering for the loss of truth!

The prosecution of the innocent made the frightened Rossi look for a lawyer again. Before the trial, the lawyer also used a song and dance to ease Rosie's fear, but the song and dance was in a different place. Choose in court. I think this is the most ironic scene of this movie. The court, which should be tall, magnificent, just and fair, is mysterious and elusive under the purple light at this moment. The lyrics reveal the deep-rooted corruption in Chicago everywhere. In the whole court, there is a lot of desire and money. A few days ago, there was a deal. It is not difficult to consider whether Rosie and her husband's last hug is affection or use. Rosie, who is sick of ointment shortage, has been eaten into a terrible city monster. Later, during Kelly's correction, the lawyer used his ability to tell the truth, lies and lies to win the trial for Rossi.

Then the media has distributed one of the prepared newspapers with two results. In fact, the media doesn't care about Rosie's life and death at all, only about the popularity of the report. Then another street shoot dragged the characters of the whole movie to another murderer. In court, Rosie, who didn't get the attention she wanted, was angry and at a loss. The lawyer who just wanted to win the case was different, and her favorite husband left after learning that it was just a performance and a lie.

At the end of the film, Rosie meets Kelly again in an unknown failed performance, and they finally form a group. The film ended with their dance and cheers from the audience.

From beginning to end, as the protagonist, Rossi's emotional changes are obvious. From the beginning, she only expected to be a star. Later, her real obsession like a pervert was not just the object of irony in the film. In the film, the reporting direction of the media, the corruption of the court, the erosion of people's hearts and the chaos of the city are all typical examples of irony in the film. The experience of each protagonist in the film is a microcosm of the society at that time. Kelly used to be a citizen who pursued fame, but it is impossible to guess whether it was created by the same experience as Rosie. Similarly, the wrong values in the film run through imperceptibly, from the dance of killing art to the cheers of innocent people's death. All kinds of incredible anti-human events have been reflected and fed back in the film, forcing people to really think about the current situation in Chicago at that time. Today, this film still has a strong educational significance. The minimum standard for us to avoid situational knowledge in films can only be solved if we dare to expose the problems. I think this may be the ultimate significance of the film author's courage to make such a film full of curiosity and connotation.