The grapes of erhu are ripe,

Mature grapes are a piece of music with Xinjiang flavor, and the style determines the skill and difficulty of the music. I am an undergraduate majoring in erhu. I will analyze music from the following aspects, hoping to help you. First of all, let's talk about its creative background: "Grape Ripe" is an erhu song adapted from Xinjiang Uygur music material in the 1980s. It depicts the scene of Xinjiang people singing and dancing to celebrate the harvest when the grapes are harvested. The whole song is rigorous in structure and fresh in tune. Secondly, let's talk about its musical characteristics: a large number of variable tones are used in music, which embodies the unique characteristics of Xinjiang music. And the whole song combines many techniques of erhu's left hand. The whole song is warm and cheerful. Its musical personality is very active, and its melody is very smooth and jumping, which fully shows the happy mood of Xinjiang people to celebrate the harvest. The particularity of the "5" glide in the whole song is the finishing touch for music. Finally, let's talk about playing skills: there are a lot of variable tones in the music, and it is necessary to clarify the relationship between each interval. The first paragraph: the first sentence of the music: 1 1 34 5 #4 55, the pitch between the first 3-4 must be guaranteed. In the past experience, as long as the interval relationship between the first 3-4 is wrong, the flavor of the whole song will be destroyed. Pay attention to the problems of 4 and #4 in tune. Another place, 5-B7, must also be taken seriously. Many people unconsciously follow 5-7, which will seriously destroy the unique flavor of music. Here's a tip on how to control the pitch of 3-4: After the second finger of the left hand determines the position of 3, the third finger of the left hand slides down close to the side of the second finger of the left hand, so that the sound is the most accurate. Just try it. In addition, we must deal with the relationship between strength and weakness according to the requirements of spectrum. The first paragraph, 34 56 543 4, is played strongly for the first time, and must be played weakly when repeated, otherwise it will destroy the artistic conception of the music. Similar intensity processing must be processed according to the content marked on the spectrum. In addition, it is recommended to practice slowly in the first paragraph and improve the speed bit by bit. It is not recommended to follow the original speed as soon as you get up. The second paragraph: the second paragraph should be slower. This paragraph is very lyrical, so you should be lyrical. Use medium speed, but not too slow. The general principle is slow without delay. At the same time, we should have the jumping and cheerfulness of Xinjiang music. This section needs to carry a long bow to fully display the timbre of erhu. The third paragraph: The third paragraph can actually be regarded as a variation and reappearance of the first paragraph, but it is faster than the first paragraph. This paragraph should pay attention to the fact that there is a plucked string in the middle, so you should take it out and practice it alone, because it will be awkward to practice at first. Be sure to experience it slowly. The sound group of the last four sixteenth notes of the whole song must be fast and not chaotic. That is to say, at the same time of high speed, the pitch and duration of each sound should be explained clearly. Don't mess up all the notes for speed. The above is my analysis of this piece of music. For detailed inquiry, please add QQ: 286249858 for detailed inquiry.