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Folk paper-cutting is the most popular folk art in China and unique in the world. The reason why folk paper-cutting can still be fresh and natural after a long historical evolution is closely related to the stable social and cultural structure in rural areas of China, the profound cultural accumulation for thousands of years and the contradictory and unified characteristics of its own existence. As one of the basic forms of folk art, folk paper-cutting shows strong folk customs and life breath, and has independent cultural connotation.

Folk paper-cutting comes from life, and the creators of paper-cutting show their understanding of life and nature in this unique art form, which is an expression of inner feelings. Even if it is the same theme, everyone will have different forms of twisting and shearing. This kind of twisting and shearing makes paper-cutting change in the same theme, and it also hides an invincible inner charm. The characteristics of personality are expressed on the basis of universality.

Folk paper-cutting is mainly based on folk activities, and it is intertwined with folk culture such as folk festivals, food, clothing, housing and transportation, agricultural production, animal husbandry, weddings and funerals. As a folk activity, the content and form are relatively stable, the basic pattern stylization method is relatively fixed, and the way of inheritance is passed down from generation to generation, which makes paper-cutting relatively stable in design techniques and pattern expression.

After a long historical evolution, what kind of image and what kind of decorative combination are used to express what kind of meaning, which has formed a kind of thinking imprint and established aesthetic recognition among all ethnic groups. This aesthetic recognition is solidified in people's minds, which fully embodies the characteristics of folk paper-cutting. For example, the birth of a baby son (the birth of a laurel tree), the immediate happiness (the bat is in the eye), and the happiness from now on (the goldfish is full) and so on. They are all expressed in a fixed style like idioms. At the same time, due to the limitation of materials, paper-cutting is difficult to preserve for a long time. Same-sex paper-cutting has become one of the main ways of paper-cutting inheritance, such as "ten catties of lion and nine catties of head, one tail standing behind" and "bend eyebrows carefully, cherry mouth a little", which all reflect the stylization and aesthetic consciousness of paper-cutting. This stylization also makes the content, theme and expression of paper-cutting relatively stable.

However, paper-cutting depends on a living way of inheritance, and the inheritance of decorative symbols depends on people's memory and the needs of folk beliefs and consciousness. As creators and ordinary working people, the intention of paper-cutting is not to simulate a specific object, but to express their subjective judgment on nature and their life prototype. The result of this judgment is a brand-new special structure under the interaction between man and nature. Therefore, the process of paper-cutting itself has transcended art and is closely linked with the expectation of survival emotion. The intervention of human feelings will inevitably make some changes in the performance of paper-cutting as a decorative symbol. In addition to inheriting the stylized meaning of the symbol itself, it also shows the characteristics of variability.

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