Singing skills

1. 1. Singing is a very pleasant thing. I think the first step is to relax and understand the content of the song you sing.

2. Then, sing along for 2-3 times in a low voice, adjust the state, and let your heart blend with the content of the song.

3. Then I began to sing. I think the most important thing in singing is breath (that is, the perfect combination of breath and voice). It's hard to practice well. I have also heard that there are several ways to practice your breath.

(1) is an exercise method to keep your breath steady: as we all know, you must inhale fully when singing, so where should you inhale? Everyone says we need to use Dantian, but I don't know where Dantian is, but I know it's not difficult to find this feeling. You can feel it under the lungs, that is, under the penultimate rib. Just this position. Inhale here is ok, but how to make him exhale evenly is to practice his thickness and sensitivity, that is, put a heavy object on his stomach (the position mentioned above). Be careful not to crush yourself. At first it was limited to 10 second. /kloc-inhale for 5 seconds and exhale for 5 seconds within 0/0 second. Be careful, be sure to breathe in! ! !

(2) You have practiced for 10 second, and are practicing for 20, 30 and 40 minutes until 1 minute. Of course, the distribution method is 1, and you will feel it after practicing for a long time. . . . . .

Practice stealing gasoline:

You may know that sometimes, a lyric is very long, and you may suffocate, so you need appropriate time to steal gas, but it should not be too obvious. If it is obvious, it can be transmitted to others' ears through wheat, so you should gasp like a dog ~ ~ ~ Don't laugh yet. When stealing gas, you don't have to suck it to the position mentioned above, you can suck it to your chest because there is enough gas there. The best way to practice is. . . . . . . .

Then there is * * * Ming:

Where there are a lot of * * * sounds. Whether the treble has penetrating power depends on the point where * * * sounds. The positions of * * * sounds mainly include forehead, back of head and chest and back. If there are other places where you can * * * sound, you can provide them. . . . . . . . . . . .

4。 It introduces breath and vibrato. I think the quality of vibrato is definitely related to the breath. Without breath, there is no vibrato, even if it vibrates, it will be unnatural. Then you need to practice your breath, practice, and the vibrato will naturally come out. . . . . . . . . .

Two.

Do you know your body and expression when you sing? You may have a vague shape.

An elephant is when you imagine yourself when you sing, and this image is probably the image of the original song you sing. But these are all

Your imagination, the image you imagine is almost perfect. Do you know what you see? You filmed your first official performance with a video camera.

Singing? In fact, you can tell whether you are an amateur or a professional at the first glance or the first sentence. The quality mentioned here also includes the theory of music.

Of course, many professional singers do not have a comprehensive understanding of musical instruments, music history and common sense, but I personally think that,

If you want to be a professional singer, you must carry out these things and live up to the word "career".

Three.

Understand the lyrics

How many times did you read the lyrics in your mind before learning a new song? How many times have I tried to figure out the mind of the lyricist and what he expressed?

Artistic conception? In a song, whether there is a word or a song first, both authors carefully ponder the artistic conception that the other (lyricist or songwriter) wants to express.

And if I come to you, I think it's inappropriate for you to completely ignore their good intentions and sing only by your own feelings. have

Some personality singers like to express themselves according to their own understanding, which is also good (I like it), but I will put the author first.

Understand the intention before playing. Besides, not every song is suitable for you to play casually, and you can't find a more suitable expression for some songs, such as China.

Song.

After you deeply understand this song, your emotional handling will be much better. If you are perceptive, you can't help playing a certain sound.

If you sing heavily, a note will be whispered and a passionate long note will be filled. ...

Is there a difference between talking and singing except melody, rhythm and breath? Yes, that's how you spit. Please feel free to use your way of speaking.

Read "Let me love enough at once" and then sing with your heart ... You will find that your mouth is open to both sides when singing, which should be exaggerated.

Some. If you think it's almost the same, then there is something wrong with your spitting. Therefore, singing is more exaggerated than speaking, so that the words will be clearer and more breath.

Author: 2 18.84.48. Reply to this speech.

-

2 How to sing a song well (very professional)

It is smoother and more suitable for expressing emotions.

Singing Chinese songs is still standard. For example, the differences between "Z, C, S" and "an, ang" and "L, N" are easily confused. Hong kong and Taiwan singers

Sometimes you deliberately sing individual words without rolling your tongue, or your tongue can't beat you, or you think that's not nice, or

They don't know pronunciation at all. I didn't have a clear idea when we covered their songs. I don't have to correct them in order to imitate them.

. But if you want to sing your own style or competition, you have to correct it.

4. Describe the method of practicing Bel Canto.

Sound should be rooted in the lower abdomen. Imagine that sound passes through the back spine, to the back of the head, and to the back of the mouth. The whole sound should be upright and backward. Please find

Look for the feeling that you take a big bite of an apple, show your upper teeth and make a "hmm" sound at the same time. Feel that the sound is there.

The position of the back of the mouth and the upper part of the nasal cavity is the * * * sound point of Bel Canto. Next, sink your breath, expand your lower abdomen, and exert a little force on your lower abdomen.

First, talk in the position just now. The male voice is under the pressure of Adam's apple, and the female voice pays more attention to the position of the voice behind the head. You will find that the voice is much louder than before.

Yes Practicing against the wall often helps to make sound, because leaning against the wall can touch your back spine, making it easier for you to find your own feelings, and your chest can also sing harmoniously.

The wall vibrates, which makes it easier for you to find the feeling of chest. Start with the practice of "Mi Ma" and gradually increase it, which will help to practice high notes.

Interest; Practice from high to low, and repeat it, and one day you will find the feeling. Bel canto pays attention to "transparency" and often imagines that his voice is vertical.

Standing, not flat; In addition, we also pay attention to the "* * * sound". After the sound passes through the chest or above, it will be round and full. ask

To understand * * *, you can do this: close your mouth and make a "hmm" sound, feeling a little affectionate. If "hmm" takes a long time, you will feel head and head.

The chest is vibrating. If the breath is good, the sound will add a lot of color to your voice. Listen carefully to some tall Americans and you will know what it is.

It's called thoracic cavity (foreigners' chest structure is more likely to produce * * *).

In addition, I also want to mention the vital capacity. Singers need a lot of lung capacity to sing, such as some long, stuffy melodies, don't finish singing.

After that, I was flushed and panting. Lung capacity can only be maintained by regular exercise. Also, mastering certain skills can make up for some vital capacity.

The phenomenon of inadequacy. First of all, you should practice your breath. Good vocal methods can control the flow of sound through your voice, such as singing "... not afraid of you."

Betrayed me ... "This sentence, a singer with unstable breath may sing the word" fear "by blasting, and once put the original lung.

The gas that is not active enough has run away, and it is strange that there is a long sentence that does not breathe or suffocate him. And singers with good breath can control these sonic booms.

Quantity, the microphone will not appear some flapping sound when singing. So I suggest that you put a candle in front of your mouth when practicing your voice, and try to keep it when practicing your voice.

Shake it! In this way, your qi will stay in your body for a long time. Think about whether you keep exhaling for a long time or can't hold your breath.

How long will it take? Of course, this also requires the singer to relax and not be nervous. When you are nervous, your heart beats faster and your breathing is more unstable.

I can only say so much here, it depends on my feelings. However, I want to remind you that vocal music training is the basis of singing popular songs, and never use vocal music training.

A straightforward interpretation of pop songs would be too artificial, just like Yan Weiwen's "Nothing".

As for the use of voice in pop songs, my opinion is that it is ok to shout "Break" as long as it conforms to the artistic conception of the song, but these are absolutely forbidden in Bel Canto.

So we should learn from each other's strengths, because we don't practice Bel Canto to sing Bel Canto, but to sing pop songs, just like martial arts.

Ma Ping, have you ever seen a squat fighter?

Some friends say this expression is difficult to understand. If you want me to say who is transparent in the hands of pop songs, it is easier to understand by feeling. This is also a fact.

An effective method. Personally, I think you should listen to May more as a female singer, because she is naturally transparent. There are many male singers.

Pondering over "Man Wenjun". He really sings by breathing. In addition, Jacky Cheung smells good, but for teaching, Man Wenjun is more.

Fit.

triple

This is my friend's favorite question, in their words, because the treble is "enough to drag", hehe! Thirdly, good singing should be comprehensive.

In many ways, it can't be said that the higher the treble, the better the singing. Indeed, a good high-pitched voice can add rendering power to the climax of the song, but advise friends.

Author: 2 18.84.48. Reply to this speech.

-

3 How to sing a song well (very professional)

Children should not only know the value of high notes, but also ignore low notes. In fact, the full bass is also very infectious.

3 singing skills

When singing high notes, the breath must be based on the lower abdomen and Tian Dan, and the "Tian Dan breath" emphasized in Beijing dialect also refers to this vocal position.

Looking for feelings 1: What would you do if you were a girl and suddenly there was a mouse on your shoe? It is estimated that there will be a long sound of "ah ~", there will be

The phonation position of falsetto. When you are calm, you can look at "ah ~" and most of them will never "ah" again. Why? Because you accepted it.

At the moment of being frightened, your lower abdomen is tense. Think about the feeling of being scared. Are you nervous all over? ) Because of this root.

The pitch, coupled with a strong airflow (which can be understood as the breath of singing), goes straight to the throat and the voice is not high. So, you can sing high notes.

Feeling is understood as "tension" and "cheer up". Remember that everything is based on the lower abdomen. Singing high notes is not to hold your head high, but to feel the center of gravity.

Bounce down.

Feeling 2: Have you ever seen a rubber hose? What should I do if I want the water in the pipeline to skyrocket further? Tighten the front end of the water pipe, the gap becomes smaller, the pressure increases and the water flows rapidly.

Go further. Actually, high notes don't have to be big. Some singers are very loud when they sing high notes. We say this is strength and vital capacity.

Singing is not about breath and skill. Imagine the faucet theory, and you should be able to realize some truth.

Feeling 3: There is a big stone on the ground. Lift it. As soon as I bent down, I counted: "One, two, three, go …" I thought.

You must have used the word "go" with your breath. I won't say much, just feel what's heavy around me ... hehe! These are just some things I created.

The way to make you feel the breath is informal, but it is effective.

I also want to tell you that the ability to express high notes is related to your voice conditions. If your voice is naturally high, it is a great advantage, such as "Sun Nan"

"It is a typical treble, and the treble will not be so hard to explain. Singers with poor voice conditions rely on a lot of breath and methods, but whether it is

Whether the sound condition is good or not, the sound is sung through the breath, just like a cigarette passing through a filter. It will be more beautiful if the sound is filtered.

In addition, I also tell you a psychological method. Imagine that you are singing in the face of the vast sea when you are in high notes, and you can't see the sea and the sky on the side. This wind.

Isn't the light worth shouting?

Bass

Generally speaking, the bass should be full and affectionate. But like the treble, many people lack the * * * sound of the middle and low notes. The bass is wide by the chest.

The sound structure can only be reflected, and it is innate. In my experience, it is difficult to practice a lot of bass, but you can play a few.

Nice scale. If you must record songs with rich bass, you can record them directly without brushing your teeth or washing your face in the morning, and the sound will go down a lot. So, in

People who lack bass try to avoid this kind of songs, foster strengths and avoid weaknesses. People with rich bass must make good use of their potential and sing bass well.

Very charming!

When singing bass, relax your chest and throat. You can strengthen some * * * sounds by sighing, or you can add some breath in a really low place to produce oral * * * sounds.

You'll feel louder. But in any case, people with rich voices have much more room to play.

Singing alto should be polished, including enunciation and breathing, which is aesthetic. Of course, it has something to do with feeling singing. Listen to the alto of Cai Qin.

Sanctity and style

Many singers only pay attention to sentences and the details of sentences, and put the details of singing on the top of "sentences" instead of the whole song.

Draw an undulating line for the whole song, and you will know where to keep a low profile and where to keep a high profile. Set your sights higher, just like your position on a football field.

Feeling the same, staring at the part, how to effectively cooperate with the long pass attack?

Don't talk about style unless you have certain strength. In the early stage of singing, I am in favor of imitation, but not single, and sing more songs of singers of various styles.

It is a good thing that you have mastered some initial experience in singing, singing and breathing. When you are mature, you can add your own practices and feelings.

It is natural to re-explore your own style.

Singing requires input, but there is a degree of input. It's not that you are "hard" involved, too sad or too happy. On the basis of understanding the meaning of words, there are

A measured investment is enough. For example, there are some similar words: "... how can you make me sad ...", and I have met people who sing in great pain, like that.

It's not contagious, but it's interesting. But I've also seen a really lovelorn friend sing this song in karaoke, and he was expressionless when he sang it.

Author: 2 18.84.48. Reply to this speech.

-

How to sing a song well (very professional)

Singing is very calm, the voice is vicissitudes, and the helplessness and loneliness of the song have infected everyone at the scene. I think this is just right.

Be measured, there is no need to cry. But how many people can perform this at any time? It depends on the singer's musical feeling.

4 singing skills

Let me give you another example: some friends will unconsciously exaggerate the characteristics of a star when imitating a singer. For example, when they imitate Jacky Cheung, they will be under too much pressure.

The sound makes that strange coarse sound (a feature of early Jacky Cheung, which seems to be rare now); When you imitate Leslie Cheung, you will

Exaggerate his Lickitung accent; When imitating Faye Wong, it is that kind of stuttering strange sound that makes people feel funny. Actually, listen carefully.

The original song is not so exaggerated. I have heard a friend who sounds like Jacky Cheung sing, and every time he sings Xueyou's songs, he is not sure of his discretion.

Later, I advised him to be more authentic, but more like the original singer. In fact, sometimes it's good to ask a friend for advice.

In addition, people with rich emotions sing better than those with dull emotions. It also needs the singer's life experience to resonate with the emotions in the song.

Rich. The more you experience, the more thoroughly you understand.

This is what many friends pursue, hehe! I don't think Tik Tok is professional enough. But vibrato is just an expression in songs.

This is just a way. Can't you sing a good song without vibrato?

The essence of vibrato is that when songs are interpreted with breath, the strong airflow impacts the vibration of the mouth and the back of the nasal cavity, and the lower abdomen gives breath pressure.

It will produce airflow. I don't agree that pop music must produce vibrato so rigidly. Some singers have a trembling Adam's apple (Andy Lau)

And a tight and loose throat (Jeff Chang Shin-Che Shenche) "sends out" vibrato. These are some tricks or a style, but in many climax parts.

They also have the vibrato of strong air currents. Therefore, breathing is the most basic. With the breath, there will naturally be the impact of airflow to produce vibrato.

. For pop songs, some low-key places don't need every word to breathe like a folk song, sometimes like a whisper, sometimes like an A.

Sigh helplessly, there will be no strong airflow to support your vibrato, and you need to use some tips to decorate your ending. I think pop songs.

The vibrato performance of songs is not completely supported by breath. Sometimes it's good to shake the Adam's apple and control the voice in your throat, as long as the whole is in the song.

As long as it doesn't affect the atmosphere.

If you don't have Tik Tok's friends, you must be drooling over Tik Tok, so let's start with imitation-imitating ambulance calls. Interesting, isn't it? Just no vocal music.

With the teacher around, a method of introspection, of course, does not belong to the conventional vocal music practice. A kind of "scream" sliding sound with alternating high and low cycles (slight

Fast), he can make you feel the trembling of Adam's apple, and slowly change the pronunciation of "whoops" into the pronunciation of "uh-huh", and then slowly become "you"

~ "Pronunciation, and then sing some songs ending with" you "... Hehe, this is just a vibrato way to feel the Adam's apple shaking, which is different from breathing.

Similarly, vocal music teachers will be angry when they read it! But everything needs to be done step by step. Try it slowly.