Did you feel the charm of family from the movie "Big Fish"?

I feel that I am in a very good but also very bad era, and all the stories have been filmed more than once. The people behind are likely to fall into the sea of Wang Yang-I mean, one day one will spend his whole life watching all the films produced. And I am lucky, because I caught up with some good movies and heard some good stories, which are probably not going to be filmed again, so it is very meaningful. I think the Chinese translation of this film is better with Big Fish. Although the name is too unpretentious, which is not conducive to the sales of cinemas, I believe that anyone who has carefully watched the film and was deeply moved by it will agree with me. Only the title of the word "Big Fish" can fully express the content of the film and its fantastic color. "Big Fish" is not for everyone, but for everyone who wants to know his father. The movie Big Fish tells a father's life story, full of magic, metaphor and dreams. The first hour and thirty minutes can be regarded as a magical version of Forrest Gump, which will never make people feel bored, but will only be deeply attracted by those colorful fantasies. In the last ten minutes, at the most critical time of storytelling, like fireworks dispersed, flute stopped, stars emerged from the night sky, spotless. You only think that at that moment, you know all the stars, but you can't speak. I don't know how girls understand their fathers. I am a man. I think most men have a similar mental journey: when we were young, our father was almighty God. He has strong arms that can lift us high. His beard stings when he hugs. He can answer all your questions. He knows everything. . . . . . Then, we gradually found that they are not omnipotent. When facing the world, they have a lot of troubles and puzzles like us. They retreat from our lives little by little, because they are not so important, because we can slowly carry the sky with our shoulders. Maybe there will be a fight, because we disdain them to live like that. We feel stronger and smarter than them, and we don't want to go the way they set. Although after many years, we finally understand that they did it out of love, and quite a few of them have been proved to be correct. The war between father and son continued until the family planning policy produced the only heiress in the family. In this battle that has lasted for thousands of years, there is no worst case, only worse. Dad in Big Fish has been a liar for decades. During his decades of bragging career, he repeated his big lie countless times, which made people bored, embarrassed and annoyed. From the standpoint of my son (I was still a son at that time and didn't upgrade to be a father), I think there is every reason to think that having such a father is a natural disaster and misfortune for my family. Paradoxically, before his son became a father, it seemed that the whole world was against him. Everyone is on the side of the liar's father. They knew it was a lie, but they were unmoved, as if encouraging their old father to make a fool of himself. And the old father seems to have more reasons to continue his big lie. All fathers will die one day. Maybe my son will smash the house because of a quarrel and fly away, but that day he will always come back and the war between people will always be reconciled. All fathers are very patient. They are old and have enough time to wait for reconciliation. All sons will ask a question and grow up and work for many years. Facing their dying father, they all want to ask the same question: Who is this dying man? What did he do? What is his life like? Because the son is the bone of the father's bone and the flesh of his flesh, people always ask themselves: Where am I from? We can't get out of myths and legends, so we lose our focus rationally. In Big Fish, the liar's father still answers with his fairy tales, and the son has to find out the truth by himself and who his father really is and what he did. Go find the big fish, the biggest catfish that his father has said many times, the catfish that no one can catch. I can swear to god that at the end of the film, my father really turned into a big fish, and I'm sure it's true. It has nothing to do with my tears. Even in the flickering tears, I insisted that what my father said was true. In this world, only outside the person you love, you need to distinguish between true and false. There are all kinds of stories about things in life. The truth is probably the most boring and unacceptable. And those who paint their lives with rainbow colors deserve respect and trust because of their love. Remember the son finally said:

Have you ever heard a joke and forgotten why it's funny because you've heard it too many times?

But when you listen to it again, all of a sudden, it becomes brand new.

So you remember why you liked it.

I think that was my father's last joke.

Father told the story so many times that he became a story.

In this way, behind him, the story is still circulating and he has become an immortal legend.

At the end of the film, a big fish suddenly jumps out of the water, full of vitality and infinite freedom, while dreamy blue fog hangs over the river. And the endless river continues to flow endlessly in silence, as if it were illusory and real. The transformation of father-son relationship and the meaning behind the story are what we should reflect and accept in enriching fantasy colors and plots. "Laughing is also a day, and crying is also a day." Edward's choice to believe in such a fantastic life also depends on his optimistic attitude towards life. Behind each of Edward's fantasy stories are the most realistic characteristics: courage, sincerity, enthusiasm, tenacity, self-confidence, and optimism that can always see the light from adversity. Edward's optimism is not supported by hope, but by positive action. Without these actions, his life can only be a mediocre bubble. The film's ingenious character setting supports the story. William? As Edward's son, Blue is a journalist, and his professional feature is the pursuit of truth, which just runs counter to Edward's story and shows the inevitability of the estrangement between his son and his father. Sandra's goddess image determines the general direction of the story. Edward's pursuit of Sandra shows his loyalty to love. Edward and his wife Sandra sat in the bathtub and described a faithful love. We can see that Sandra has given her husband unlimited trust and listening in her life. She is quiet and warm, but she can't restrain the sadness of the years. Witch, circus leader, giant, conjoined female singer. Most of the bizarre plots in the story come from them. The great contrast between appearance and personality brings more drama to the story, but their appearance gives each story a special meaning. It can be seen that in his heart, there are more beautiful things in this world, and his inner softness and kindness constitute a warm and moving part of the story. The poet Nord's love for Ashtown is in sharp contrast with his desire for quick success and instant benefit, and Edward followed him to Ashtown along the old road. They are all the same, like two goldfish eager for freedom and openness, growing constantly. Ron, the fat man who is looking for witches with him, is in sharp contrast with Ron and Edward who have also seen the cause of death of glass eyes, highlighting Edward's clear and optimistic attitude towards life, and different characters have shaped their different fates. Jenny is more like a witness in the story, which makes William believe the existence of Ashtown. Jenny's story gradually eliminated the gap between father and son, paved the way for her son to come to the end of the story, and made the end really touching.