How to practice singing, singing lacks confidence.

How to improve your voice? Do your best. Everyone's voice is relatively fixed.

Everything is important. I think you will make progress if you practice more! Do vocal exercises

Breathing skills: abdominal breathing, fast breathing and slow breathing, inhaling but full breathing, is a deep breath pressurized by abdominal muscle contraction. Abdominal muscle contraction increases abdominal pressure, which pushes the diaphragm upward and increases chest pressure, thus making the air in the lungs exhale forcefully. Training method of inspiratory muscle group: 1. The way to hold your breath is to take a deep breath first and then hold your breath. Don't exhale. Hold your breath as long as possible. Slowly, you can exercise the ability to hold your breath for a long time, that is, the ability to fix your chest. 2, the method of counting is to take a big breath first, and then fix the chest after inhaling enough air; Then count to 1, 2, 3, 4, 5, 6, 7, 8, 9, 10 in a very light and thin voice you can only hear until you can't count any more; Then, take a breath and come back, training again and again. This number will be more and more, and the time will be longer and longer. It's best to count above 50 in one breath. The following two vocal exhalation exercises laid the foundation for our voice control. (1) The practice of "lip bounce": When the lips are closed, the lips are impacted with breath to make them make a "beep" sound, so that the lips must vibrate and the lip sound should be loud. The contents to be realized in the practice of "lip-breaking" are: 1) impact the lips with the feeling of slow contraction of the minor abdominal muscles; 2) make the breath flow evenly from beginning to end, not too much gas for a while, and less gas for a while. Uniformity is the most critical; 3) Experience your "lip-flicking" exercise and how long you can play in one breath, which is also the key exercise to control your breath. In addition, "lip exercises" can also be used as vocal cord massage exercises to help tired voices recover as soon as possible. (2) "Humming" practice: it refers to humming through the nasal cavity, which is to prepare for a higher sound in the future, and it is also a bridge to communicate the high and low notes. With "Hum", our voice will be glorious. The practice of "Hum" is to shut up and hum. When you close your mouth, you should feel a little saliva in your mouth, your nose stand up, then inhale deeply and hum. It also needs even and dynamic breathing. Nasal * * * sounds, not nasal * * * sounds, refer to * * * sounds produced through the sinuses, nasal cavities and palatal sinuses, while nasal sounds directly emit sounds to the nose. Remember, when humming, the sound comes from the back and upper part of the nasal cavity and the center of the eyebrows. You can extend your practice every day with a single tone until your eyebrows quiver. When we do these exercises well, we can have simple vocal exercises. Vocal skills: use * * * to naturally lower the larynx and adjust the throat cavity to be thick at one end and thin at the other. * * * This position will amplify the sound. Therefore, before speaking, you should open your mouth wide, let your back neck stand up, let epiglottis stand up, let your tongue stand down, and let your soft palate and uvula stand down. Forming a straight tube. After the sound is emitted from the vocal cords, it rushes to the top of the nasopharynx and rotates around the top of the head. This kind of voice sounds very loud and metallic. This is the "head sound area vocalization method". To test the correctness of this method, just touch the back of the head and the top of the head to know if there is any vibration. Here, I chose a vowel U as the first practice for everyone to pronounce * * *. U (black) can effectively put down the larynx and lay the foundation for smooth pronunciation up and down. U vowels are round and easy to concentrate, which is irreplaceable by other vowels. So we call it analog sound, and other vowels try to sound on the feeling of U vowel, then your voice will be unified and round. We should pay special attention when practicing U sound: (1) Don't press the larynx, let it drop naturally, you can experience it by taking a deep breath; (2) the chin and the base of the tongue should be relaxed, so that the oropharyngeal cavity is not stiff; (3) When pronouncing, you should feel that the nasal cavity, oral cavity and chest cavity are interlinked, like a smooth tube. The correct U vowel can feel the vibration in the head cavity and chest cavity. We usually use a single tone to find the feeling I mentioned above. With the pronunciation basis of U vowel, we can appreciate the breath of singing and realize that vocalization is not only based on the throat (as most people think), but a smooth, mellow, penetrating and lasting sound produced by the organic combination of the head cavity (treble), pharynx cavity (alto) and chest cavity (bass). Take a deep breath before you speak, and then speak slowly with a steady breath. Consciously bow your head forward, lower your jaw back, relax the neck muscles, straighten the back neck naturally, and align the throat and nasopharyngeal cavity. I'll give you a word to practice oral English. Before practicing "cannon", we should make some preparations, that is, the breath should be deep, the mouth should be empty, as if it contained a ball, the nasal cavity should be opened, and the chest cavity and the head cavity should feel connected from top to bottom. When all these are ready, we can speak, and the power of speaking must be under the action of the rebound force of the lower abdomen, which will burst into the mouth. You can hold down the lower abdomen with your hand, and feel the starting point of sound in the lower abdomen. The lower abdomen exerts its strength, and the voice quickly pops up on the eyebrows. In the practice of "Mi" mi sound, the "mi" sound itself is flat, which is the sound made after the upper and lower jaws are closed. In order to make it have a certain singing space, you can use "m i (meter)+(Xu)" in practice, and the sound of "Xu" at the back makes your mouth round and your voice concentrated. When pronouncing "m i (meter)+(sigh)", you must pronounce it within 1 second at the beginning of the practice, and it is required to be as fragrant as above. If you master it skillfully, you can lengthen each sound and practice. Because the "meter" sound often occurs in the nasal cavity, it is necessary to erect the nasal cavity and actively open it to make it emit a * * * sound in the nasal cavity. When this monosyllabic pronunciation is correct, you can add the word "M Mao" and read it alternately with "(m i+ xu)+hat". The pronunciation of "hat" itself is the same as that of "cannon", so the continuous training of opening your mouth and pinching the sound lays the foundation for more sound changes in the future. In other words, no matter what the sound is, the breath basis of our pronunciation cannot be changed. With this foundation, our voice will have endurance. After a period of monosyllabic and disyllabic practice, the breath of pronunciation has been further improved, and some more complicated pronunciation training can be done. You can train some tongue twisters next. Make the previous vocal music practice gradually return to the natural process from the unnatural state. While maintaining the unique charm of dramatic language, boldly use tongue twisters, so that the voice can strengthen its stretching ability and master the language speed control ability. Here is a tongue twister for you: "Eight hundred pacesetters run on the north slope, and artillery pacesetters run side by side. The artillery did not dare to touch the pacesetter, and the pacesetter did not dare to touch the artillery guns. " This tongue twister is a good breathing training material. When you study hard, you can focus on the use of breath in every sound: every word must "explode" with the support of breath. It is elastic under the action of the lower abdomen. The use of qi is from nature to unnatural, and then back to nature, which is a process of sound and gas progress. After the previous fast and slow tone training, the feeling of sound has basically taken shape. Finally, what we need to do is to train the artistic tone of recitation and speech, to stimulate the artistic passion of vocal practitioners through a good poem and some touching stories, and to make the vocal practitioners feel more clear and accurate about the use of breath through the change of fast and slow voice. The description of lyrical voice and the explosive power of passion are the results of testing the quality of early vocal practitioners. As a training process of oral English, everyone has a basic understanding. Of course, in training, some people can make good use of breath when practicing monosyllables or single words. Once they encounter multiple words, it is difficult to produce monosyllabic quality. I can tell you that the easiest way is to say one sentence after another when you start yawning. At this time, the voice is very high and the breath is deep. Although it is a bit fake, it can help you understand before you find a good voice, and it is also an easier exercise to master. Another action when yawning is to put down your throat. The natural sinking of the throat opens the way for sound. At this point, the sound is smooth and pleasant. Of course, I don't want everyone to speak with such a voice, but through a period of intensive training, let everyone experience the correct voice. When you accumulate to a certain extent, the fulcrum of your speech will definitely move down, especially in. Finally, I would like to remind you that no matter how excellent the voice is, no matter how scientific the method is, if the voice is used for a long time and in large quantities, there will still be voice lesions. Therefore, on the basis of training, we must keep in mind the clever, scientific and reasonable allocation of voice use time.

About hoarseness

Eat more things to protect your throat, seaweed soup or something ~

Don't try to sing difficult songs ~

Develop good speaking habits and maintain a certain tone.

Stick to it for a while, and your voice should be better.

The inability to sing high notes has little to do with the maintenance of adolescent voice. The key is natural conditions and acquired training. You can learn Bel Canto, so you can learn to sing with your voice and with that rich falsetto. Then sing the bass. More suitable for your voice. Do not sing if you can't sing. Protect your voice! Practice your voice, like Bel Canto! Turn on your voice, the tone will improve, and the landlord must persevere!