Tao Yuanming's pastoral poems

1. What are Tao Yuanming's pastoral poems? Five homecoming poems?

One:

Few people do as the Romans do. Their nature is to love nature. Fall into the dust net by mistake, thirteen years.

Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. Open up wasteland in the south and return to the garden.

There are more than ten acres of square houses and eight or nine straw houses. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.

The neighboring village of the neighboring village is faintly visible, and there is smoke in the village. Several dogs barked in the alley, and the mulberry tree was barked by a rooster.

The house is clean and miscellaneous, and the virtual room is idle. Growing in a cage? Return to nature.

Two:

There are few chariots and horses in the secluded places when the countryside makes friends with the secular world. This day is still Chai Men closed, and the pure mind blocks the vulgar thoughts.

When complex market music, grass * * *. When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma.

My field is growing higher and higher, and my cultivated land is expanding day by day. Often worried about sudden frost, crops wither like shrubs.

Three:

I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.

The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will.

Four:

Long-term tourism mountain ze, wild forest entertainment. Try to take your son and nephew and put them in the wild market.

Yiyi wandered between mountains and dragons, living in the past. There are remnants in the well, and the mulberry and bamboo rot.

Excuse me, what is this person like? The wage earners told me that "there is no rest after death".

"A lifetime in a foreign land" is really true! Life seems illusory, and eventually it will be empty.

Five:

Alone in a sense of loss, I returned to my hometown with a staff member. The road was bumpy and in shock. The mountain stream is shallow and meets my feet.

I'm drinking my newly cooked wine, and two chickens attract the latest game. When the sun sets, the candle is lit instead.

The height is high and the height is short, and the east is getting white.

2. The name of Tao Yuanming's pastoral poetry also includes the poem [original], which is not suitable for rhyme. Nature likes hills. It will last for 30 years after falling into the dust net by mistake. Birds love the old forest, and the fish in the pond are homesick. After clearing land in the south, they will return to the garden. There are more than ten acres of square houses and eight or nine thatched houses. The shady eaves are in tang qian. The village is warm and far away, even. Virtual rooms have more leisure. After staying in the cage for a long time, it has returned to nature. Translation has been out of tune with the secular temperament since I was a child. My personality is like Shan Ye. I've been away for thirteen years. The birds in the cage are attached to the Woods where I live, and the fish in the pond miss the deep pool where I live. I went to Yuan Ye in the south to open up wasteland and went home to farm the countryside according to my stupid idea. There are more than ten acres of land around the house. There are eight or nine thatched houses. Elms and willows cover the back eaves, and peach trees and plum trees stand in front of the hall. The residential villages in the distance are faintly visible, and the smoke on the trees flutters gently with the wind. Dogs bark in deep alleys and mulberry chickens crow. There are no worldly chores in the door, and there is plenty of free time in the empty room. They were trapped in a cage for a long time. Now I can finally return to nature. "Erdong"-Tao Yuanming once wanted to live in Nancun, not because he heard a lot about his house, but because he enjoyed it for many years in the morning and evening. Today, why did you come here from our service? I don't want to live in Nancun, not because I chose a good house. I thought about it for a long time and moved to Nancun today. Why should a simple room be covered with a wide bed? Wish is enough. Neighbors often communicate with each other and speak frankly about the past. Wonderful articles are the same as appreciation, and difficult problems are analyzed. Second, there are many beautiful days in the Spring and Autumn Period, and there are new poems when you come to the door. Think about it when you have a drink. Your farm work belongs to your own place, and you can cut acacia at leisure. When you put on clothes and laugh, you will never get tired. I won't bully you with hard farming. In the spring and autumn, when the weather is sunny, I climb mountains to enjoy the scenery and recite new poems. After shouting from the door, everyone drinks. During the busy farming season, everyone went home, and I miss it as soon as I have leisure. When I got dressed and walked to the door, I was full of laughter. Don't give up easily. I have to feed myself, and plowing will not be in vain.

3. Tao Yuanming and his pastoral poems, including 120-odd poems, 6 essays and 3 poems, as well as two poems close to four-character rhythm, reading nine chapters of history and painting praise model.

Poetry is the most prominent aspect of the poet's achievements. There are more than one hundred poems with rich contents. The poet lives in an extremely dark society, but he insists on lofty ideals and interests. Some of his works show Geng Jie's persistence in his ambition.

The poem "He Zhu Guo Bo" said: "Fang Ju opened Lin Yao and Song Qingyan watched the platoon; With this beauty, it is outstanding for the cream. " The eighth song of "Drinking" said: "Loose in the East Garden, the grass has no posture; First frost is different and can see the high branches. "

The blooming chrysanthemums and the immortal pine trees under the frost are the symbols of the poet's unyielding character: the poet also sang praises to many people who are steadfast and persistent in poverty in seven poems about the poor and in painting hymns on fans. It is precisely because of this character that the poet shows a detached attitude towards the decadent ruling class.

The first song of Ode to the Poor said: "All ethnic groups have their own support, and they come alone; The air is warm, when will I see the afterglow? " This solitary cloud floats in the clear sky, symbolizing the poet's situation and destiny. It is lonely and will disappear silently, but it also shows the attitude of the poet. It wants to stay away from dust and remain free and noble forever. On the other hand, it also shows strong dissatisfaction with the dirty reality.

In "Twenty Drinking Songs", he used intoxicating language, or accused the society of right and wrong being reversed and sharing the same reputation (the sixth song), or exposed the crisis of political trap (the seventeenth song), or despised worldly hypocrisy and fraud (the twelfth and nineteenth songs). In the last song, he said, "How can six people have no relatives! Driving all day and not seeing what you care about? " Although he beautified Confucius, he was more angry and deeply saddened by the decadent style of pursuing fame and profit. Tao Yuanming's interest and personality finally made him completely break away from the upper class of the political class and return to the countryside.

He wrote many pastoral poems. His pastoral poems are full of hatred for dirty society and love for pure countryside.

For example, the first song of "Returning to the Garden": Less should not be vulgar, and naturally love Qiushan. I sneaked into the official career network and have been away from the game for more than ten years.

Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. I want to open up wasteland in Minamino and keep my humility to the fields.

There are more than ten acres of square houses and eight or nine straw houses. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.

A warm and distant village, the smog in the Yi market. Several dogs barked in the alley, and the mulberry tree was barked by a rooster.

The house is clean and miscellaneous, and the virtual room is idle. Trapped in a cage without freedom for a long time, I finally returned to the forest today.

The poet dismissed the upper class of the ruling class as a "dust net", regarded those who devoted themselves to it as "birds in a cage" and "fish in a pond", and said that retiring from the countryside broke out of the "cage" and returned to "nature", which showed his contempt for ugly society. The poet described the pure and beautiful rural scenery in detail, revealing the author's heartfelt love between the lines.

Here, the simple and quiet rural life is in sharp contrast with the hypocrisy, fraud and mutual struggle of the upper class, which has a particularly attractive force. When the poet has not left his official career, there is always a feeling of "being imprisoned for a while", and his mood cannot be calmed down. He "looked at the clouds and was ashamed to swim in the water."

But when he left the dirty reality and returned to the countryside, he felt that he had a home. "Drinking" No.5: Building a house is based on human feelings, and there are no horses and chariots.

What can you do? The heart is far from being self-centered. Picking chrysanthemums under the east fence, leisurely see Nanshan; The mountains are getting better and better, and the birds are back.

That makes sense. I forgot what I wanted to say. The poet avoided the noise of powerful horses and chariots, and gained a free and quiet mind in his leisurely life.

Although the poet's pastoral life is far from the ruling class, it is closer to the lower literati and farmers. Here are like-minded friends who talk about the article and admire: "The neighboring songs come from time to time, and the words have passed; Wonder * * * appreciation, doubt, analysis "; There is a simple peasant saying called Sang Ma: "When the market is revived, the grass is full." There is no miscellaneous words when you meet, and the road in Sang Ma is long "; There is a banquet in the neighborhood: "I am a newly cooked wine, and the local government only invites chickens"; There is also family happiness: "relatives are in the same place, and children and grandchildren still protect each other. "

Therefore, his pastoral poems are rich in real life content, which is one of the reasons why his pastoral poems are moving. What is particularly commendable is that his pastoral poems also reflect the content of working life.

For example, the third song of "Returning to the Garden": beans are planted in Nanshan, and the grass is full of bean seedlings. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.

The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will.

We can clearly see the image of a laborer coming back from a grassy path in the moonlight. The poem "Nostalgia for Tian She" said: "Even the plains are far away from the wind, and good seedlings are new; Although I have not measured my service years, I am happy with many things. "

There is a feeling of joy in the description of field scenery and farming activities. Because the poet personally participated in agricultural labor and sincerely loved it, labor was fully praised in literary creation for the first time.

Some of his pastoral poems also show thoughts and feelings that only laborers can understand. For example, the second song of "Returning to the Garden" says: "Sang Ma is getting longer, and my territory is getting wider.

Often worried about sudden frost, crops wither like shrubs. "Showed his close attention to the crop harvest.

The poem "Harvest Early Rice in the Western Heaven" says: "Life belongs to the Tao, and food and clothing are solid. Don't camp at all, for safety? In spring, I try to do business, and my working years are considerable.

Be a little diligent in the morning, but still be negative during the day. There are two buildings in the mountains, and the atmosphere is cold first and then hot.

Tian Jia is not bitter, Fu is hard to quit. It not only shows the idea of relying on labor life, but also forms a sharp contrast with the parasitic view of the exploiting class; But also shows a tenacious attitude of not being afraid of difficulties and persisting in cultivation.

These are beyond the ideology of ordinary literati, which makes his pastoral poems shine with progressive ideas. Tao Yuanming also has some pastoral poems describing his rural poverty.

"Shi Pang Master Book Deng Zhizhong" said: "Hungry in summer, sleepless in cold nights; Cocks crow at night and move in the morning. " "Meeting Work" said: "When you are weak, you will be hungry for a long time; How dare you be greedy? " Although these poems only describe his own hunger and cold situation when he suffered natural disasters in his later years, we can also imagine the more tragic life scene of farmers at that time.

Tao Yuanming's thoughts and feelings in rural life are extremely complicated. "Reading Qu Family History" says: "Learning moral education will be timely; If there is a contract, you don't want it! " He also.

4. The article or poem Peach Blossom Garden, which best expresses Tao Yuanming's longing for rural life, has the largest number of pastoral poems and the highest achievements. This kind of poetry fully shows the poet's lofty interest in disdaining fame and fortune and his noble integrity in keeping his ambition. It fully shows the poet's extreme hatred and complete break with the dark officialdom; It fully shows the poet's love for simple pastoral life, his understanding of labor and his friendly feelings for working people. It fully shows the poet's pursuit and yearning for the ideal world. As a scholar-bureaucrat, such thoughts, feelings and contents are unprecedented in the history of literature, especially in a society with strict gate system and concept. Some of Tao Yuanming's pastoral poems also reflect his difficult situation in his later years. We can indirectly understand the miserable life of the peasant class at that time. Tao Yuanming's Poem of Peach Blossom Garden was written in the early years of Southern Song Dynasty. It depicts a utopian ideal society and shows the poet's complete denial of the existing social system and infinite yearning for the ideal world. It marks that Tao Yuanming's thought has reached a new height. Tao Yuanming is the pioneer of pastoral poetry. The language is simple and natural, and the artistic conception is lofty. It opened up a new world for China's poetry circle and directly influenced the pastoral poetry school in Tang Dynasty. Tao Yuanming's existing articles include 3 poems, 5 rhymes and 4 essays, 12 * *. The leisure fu in ci fu is another fu after Zhang Heng's "Ding Qing Fu" and Cai Yong's "Jing Qing Fu". The content is to spread the dream of love, which has no meaning. Gui Xi Ci is a political declaration that Tao Yuanming publicly broke with the upper class when he resigned and retired. The article used a lot of space to write about his infinite joy of leaving the officialdom, imagine his infinite joy after retiring to the countryside, and show the author's yearning and love for nature and seclusion. The article skillfully integrates narrative, discussion and lyricism to create a vivid, natural and fascinating artistic realm. The language is natural and simple, washing away the strong local flavor. The rhymes include Painting Praise on the Fan, Reading History, Nine Chapters, Sacrifice to Sister Cheng, Sacrifice to My Brother and Self-sacrifice. Prose includes "Biography of Meng Fujun, General of the Western Expedition to Jin Dynasty", also known as "Biography of Meng Jia", which is a biography written for Meng Jia, the ancestor of foreign nationalities; In addition, there are Biography of Mr. Wu, Peach Blossom Garden and Yan Zi. Generally speaking, the number and achievements of poetry are not as good as Tao's. Children in the Southern Dynasties compiled Tao Yuanming's works into 8 volumes, and Yang Xiuzhi in the Northern Qi Dynasty added them as Tao 10 volume. In the Northern Song Dynasty, Song Yao reprinted the Collection of Tao Qian 10, but all the above volumes have been lost. The existing versions mainly include the photo books of Guangxu period in Qing Dynasty, Ge Library 10 and so on. The annotations mainly include the Collection of Tao Yuanming annotated by Li Gonghuan in Yuan Dynasty and the Collection of Realms annotated by Tao Shu in Qing Dynasty. Peach Blossom Garden forced the poet to return to poetry to build an ideal society, which is a reflection of his ideological tendency. In addition to pastoral poems, Tao Yuanming also has poems praising warriors, poems full of patriotic enthusiasm and poems isolated from the world, which shows the complexity of his poetic thoughts. Tao Yuanming's poems are mostly based on pastoral scenery and ordinary life, and are expressed frankly by using simple language and simple painting methods. That's why.

5. Tao Yuanming writes pastoral poems. There are five poems about his return to the garden.

It's about rural life. Copy it for you.

Tao Yuanming, one of the five songs in Returning to the Garden, has no rhyme and loves autumn mountains. I sneaked into the official career network and have been away from the game for more than ten years.

Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past. I want to open up wasteland in Minamino and keep my humility to the fields.

The house is surrounded by about ten acres of land, thatched cottages. Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital.

The neighboring village of the neighboring village is faintly visible, and there is smoke in the village. Several dogs barked in the alley, and the mulberry tree was barked by a rooster.

There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely. Trapped in a cage without freedom for a long time, I finally returned to the forest today.

Growing up, I was not attractive to secular temperament, but my personality was originally like Shan Ye. It will be 30 years to be wrongly trapped in the world's net.

Birds in cages are attached to the Woods where they lived, and fish in ponds miss the deep pools where they lived. Go to southern vilen to open up wasteland, and go home to farm and go to the countryside according to your foolish idea.

There are more than ten acres of land around the house, and there are eight or nine thatched houses. Elms and willows cover the back eaves, and peach trees and plum trees stand in front of the hall.

In the distance, the residential villages are faintly visible, and the smoke on the trees flutters gently with the wind. Dogs bark in deep alleys, and mulberry trees crow.

There are no worldly chores in the door, and there is plenty of free time in the empty room. Trapped in a cage for a long time, now I can finally return to nature.

Second, there are few people in the wild and few wheels in the backcountry. Cover the door during the day, thinking about wine.

When there are many people in the market, grass grows all over it. When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma.

My field is growing higher and higher, and my cultivated land is expanding day by day. Often worried about sudden frost, crops wither like shrubs.

Three kinds of beans are under the south mountain, and the grass is full of bean seedlings. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.

The narrow path covered with vegetation, the night dew wet my clothes. It's not a pity to get wet, but I hope it won't be against my will.

Note 1 hoe: carry a hoe. Oh, take it.

2 long vegetation: overgrown with vegetation. Nanshan: Lushan Mountain in Jiangxi Province.

4 morning edge: get up in the morning. 5 wet: wet.

At the foot of the southern hillside, there is my bean field, which is overgrown with weeds and the bean seedlings grow sparsely. Get up in the morning to clear the weeds in the field, and go home to rest under the stars and the moon.

Vegetation covered the narrow road home, and the dew at night wet my rough coat. It's a pity that clothes are wet, as long as they don't go against your will. I planted beans at the foot of Nanshan, and the weeds in the field were covered with peas.

These two sentences are about planting beans in Nanshan, with lush grass but sparse bean seedlings. The first sentence is very plain, just like an old farmer standing there talking, which makes people feel very cordial.

Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. In order not to make the bean field barren, the poet went to the fields early in the morning and came back in the moonlight at night.

Although it was hard, he didn't complain, which can be seen from the beautiful scenery of "the moon and the lotus returning home". The narrow path covered with vegetation, the night dew wet my clothes.

It's not a pity to get wet, but I hope it won't be against my will. The road is narrow and the grass is long, but the clothes are wet. What's the pity? This sentence seems dull, but this kind of dullness just reflects the ending sentence "but I don't want to violate it", which makes "I don't want to violate it" fully emphasized.

The "wish" here contains the meaning of not losing yourself in the dirty real world. The language of this poem is very plain and natural.

"Planting beans in Shannan" and "Dew on my clothes" are all random, without any modification. This natural and simple poem is integrated into the artistic conception of the whole poem, which turns spoken language into poetry, harmoniously unifies simple spoken language and poetic mellow beauty, and forms the artistic characteristics of Shi Tao's simple and mellow beauty.

Tao poetry is plain and interesting. The interest of Tao poetry comes from freehand brushwork.

"Go home with the moon hoe", the poet who returned from work is alone, but accompanied by the bright moon. The poet under the moon walked through waist-deep grass with a hoe on his shoulder. Returning to the countryside on a moonlit night, what a beautiful picture! It is full of the poet's happy mood and seclusion pride.

The plain language of "planting beans in Nanshan" and the beautiful sentence of "bringing lotus home in the moon"; The first sentence is real, and the last sentence is empty. The whole poem is soft and perfect with the mutual complement of simplicity and reality.

Fourth, I went to Shanze for a long time and enjoyed myself in the wild forest. Try to take your son and nephew and put them in the wild market.

Wandering among the mountains, unwilling to live in the past. There are remnants in the well, and the mulberry and bamboo rot.

Ask people who get paid, this person is different. The wage earners told me that there was no death.

Abandon the city for a lifetime, really. Life seems illusory, and eventually it will be empty.

Fifth, feel sorry for yourself, the calendar is rough. The mountain stream is shallow and meets my feet.

I'm drinking my newly cooked wine, and two chickens attract the latest game. When the sun sets, the candle is lit instead.

The height is high and the height is short, and the east is getting white.

6. Tao Yuanming's poem "Returning to the Garden" has five original poems "Returning to the Garden". Tao Yuanming has no rhyme, and heaven loves autumn mountains.

I sneaked into the official career network and have been away from the game for more than ten years. Birds in cages are often attached to the forests of the past, and fish in ponds yearn for the abyss of the past.

I want to open up wasteland in Minamino and keep my humility to the fields. The house is surrounded by about ten acres of land, thatched cottages.

Willow trees cover the eaves, and peach trees cover Li Lieman in front of the hospital. The neighboring village of the neighboring village is faintly visible, and there is smoke in the village.

Several dogs barked in the alley, and the mulberry tree was barked by a rooster. There is no dust and sundries in the yard, and the quiet room is comfortable and leisurely.

Trapped in a cage without freedom for a long time, I finally returned to the forest today. When I was a teenager, I didn't cater to the secular nature. Nature loves mountains and rivers (life).

Tao Yuanming has been trapped by mistake for decades. Birds in cages are attached to the Woods where they lived, and fish in ponds miss the deep pools where they lived.

Go to Yuan Ye in the south to open up wasteland, stick to stupidity, and return to my hometown to live an idyllic life. There are more than ten acres of land around the house, and there are eight or nine thatched houses.

Elms and willows cover the back eaves, and peach trees and plum trees stand in front of the hall. Far away, the inhabited village is faintly visible, and the smoke in the village rises gently with the wind.

Dogs bark in deep alleys, and mulberry trees crow. There are no worldly chores in the door, and there is plenty of free time in the empty room.

Trapped in a cage for a long time, now I can finally return to nature. Poetry annotation (1) adapts to the secular: adapts to the secular.

Rhyme: artistic conception and demeanor. (2) Dust net: refers to the earthly world, where the official life is dirty and introverted, just like a net.

This refers to official career. (3) Thirty years: Wu thinks it is "thirteen years".

From the 18th year of Yuan Dynasty (393) when Tao Yuanming entered Jiangzhou, to the first year (405) when Peng returned to Tian, it happened to be thirteen years. (4) caged birds: birds in cages.

Pond fish: fish in the pond. Birds miss the old forest and fish miss their hometown, which means they miss their hometown.

(5) Ye Nan: A book is Nanmu. International: between.

(6) awkward: positive. There are two words in Pan Yue's Preface to Idle Residence: "clever official" and "clumsy official". Smart officials are good at making profits, and clumsy officials are upright and upright people.

Clumsiness means integrity. (7) Fang: pronounced "Fang".

There are more than ten acres of land around the house. (8) sunshade: sunshade.

(9) Luo: list. (10) dull: dull appearance.

Yiyi: gentle eyes. Market: village.

(12) Both of these sentences use the meaning of "cock crow is high in the tree, and dogs bark in the palace" in the article "cock crow" by Han Yuefu. (13) family: family.

Trivia in the world. (14) Virtual room: a quiet room.

Leisure: leisure. (15) Fan: Fence.

Fan Long: Birds store tools, which is a metaphor for official career. Return to nature: refers to return to farming and gardening.

These two sentences mean that I am like a caged bird, returning to nature and free. The theme of the poem echoes from beginning to end, and at the same time, it is the pen to point the topic, revealing the theme of "returning to the garden"

But this kind of echo and direction does not feel reluctant at all. The whole poem, from the intense boredom of official life to the beautiful rural scenery and the joy of a new life, naturally reveals a feeling of relief.

Second, there are few people in the wild and few wheels in the backcountry. This day is still Chai Men closed, and the pure mind blocks the vulgar thoughts.

When complex market music, grass * * *. When we meet, we don't talk about worldly affairs, only that the garden is long in Sang Ma.

My field is growing higher and higher, and my cultivated land is expanding day by day. Often worried about sudden frost, crops wither like shrubs.

Poetry annotator: refers to making friends with people. Martingale: A belt around a horse's neck when driving.

This sentence means living in a secluded place with few chariots and horses. Qu: A secluded place.

Street song: still in the countryside. Parker: Pull it out.

Poetry translation: there are few secular friends in the countryside, and there are few cars and horses in the secluded lanes. During the day, Chai Men was closed, his heart was pure, and vulgar thoughts were cut off.

Often set foot in remote villages, through the grass to communicate with each other. When we meet, we don't talk about worldly things, but only about the growth of rural mulberry mothers.

My field grows taller and taller, and my cultivated land is wider and wider. I often worry that frost and snow will suddenly come and crops will wither like weeds.

This is the second poem in Returning to the Garden, which is intended to write about the tranquility of rural life. Write "Jing" from the front first.

Living in a remote country, there is little secular communication and entertainment, and few guests visit. It is precisely because there are no ordinary people to disturb, so "cover the door during the day and think in the empty room."

Chai Men, with the door left unlocked, has a quiet bedroom, which separates the worldly noise from the worldly distractions. However, when Chai Men opened to the outside world, poets often talked about Sang Ma with their neighbors.

But in the poet's view, it is not the secular "personnel" who associate with simple farmers; The word * * * is not a "miscellaneous word". Compared with officialdom full of cleverness and hypocrisy, there is a new world here.

-This is external "movement" and internal "quietness". Country life also has its joys and sorrows.

"Sang Ma's days are long and my land is vast", which is gratifying; At the same time, it is "always afraid of frost, just like grass." However, this joy and fear are not "dust thoughts".

On the contrary, this simple joy and fear means that rural labor makes the poet's mind clear and pure, and his feelings simple. -this is the "movement" of the heart to further demonstrate the "quietness" of the heart.

Poets either speak from the front or from the side, so that readers can feel the tranquility of the countryside and their own state of mind. Yuan Haowen once said, "Is this man a poem? He wrote it straight on his chest. "

In this longing, the poet described a quiet and pure world. Three kinds of beans are under the south mountain, and the grass is full of bean seedlings.

Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night. The narrow path covered with vegetation, the night dew wet my clothes.

It's not a pity to get wet, but I hope it won't be against my will. Poetry notes 1. Nanshan: refers to Lushan Mountain.

2. Xing: Get up. 3. Waste: adjectives as nouns refer to weeds in bean sprouts.

4. hoe: carrying a hoe. Oh, take it.

5. Narrowness: narrowness. 6. Long vegetation: full of vegetation.

7. wet: wet. Foot 8: Worth it.

9. Dan: Only 0. 10. Wish: refers to the desire to practice in seclusion and not go with the flow. 1 1. Violation: violation.

There is my bean field under the slope of Nanshan, where weeds are overgrown and bean seedlings grow sparsely. Get up in the morning to clear the weeds in the field, and go home to rest under the stars and the moon.

Vegetation covered the narrow road home, and the dew at night wet my rough coat. It's a pity that my clothes are wet, as long as it doesn't go against my wish to return to farming.

The central idea of the poem is to plant beans at the foot of Nanshan, and the grass is full of beans and seedlings. These two sentences are about planting beans in Nanshan, with lush grass but sparse bean seedlings.

The first sentence is very plain, just like an old farmer standing there talking, which makes people feel very cordial. Get up early in the morning to get rid of weeds, and come back with hoes in the moonlight at night.

The poet got up early in the morning to prevent the bean field from being deserted.

7. There are more than 35 ancient poems about rural life: 1 Tianjing Shayuan, Ma Zhiyuan, an old tree with withered vines, a faint crow, a small bridge with flowing water, an ancient road with westerly winds, the setting sun, a heartbroken man at the end of the world, a lonely phoenix tree in a deep courtyard, a clear autumn in a deep courtyard, a steep path in a cold mountain and people in Bai Yunsheng. And the pale blue in remote mountainous areas, we opened your window in the garden and fields, holding our cups to talk about mulberry and hemp, and waited until the mountain holiday, the residents of Zheng 5 District, I came again at chrysanthemum time: the fragrant pond was as clear as a mirror, and the fishing rafts were not lost in the wind. There are several reed flowers floating in the water, and the sunset lake on Ban 'an Mountain is low. There are thousands of frost on the ground, and fish weave streams with waves. It has its own fishing platform, which can send autumn colors across the west of the city. 6 Pu's "patio sand autumn" sets in the lonely village. White grass, red leaves and yellow flowers. Returning home and living in Wei and Jin Dynasties, Tao Yuanming was rare in the wild and few in the backcountry. Covering Fei Jing during the day, I want to forget the dust in the empty room. When I returned to the market, I pulled weeds. There is nothing to talk about when I meet you. Sang Ma has a long way to go. The days in Sang Ma are very long, and my land is very wide. Often afraid of frost, scattered with the grass. Returning to the garden and living in Wei and Jin Dynasties, Tao Yuanming lived in humble places and returned home. There are 10 square houses and 89 thatched houses. It's behind Liu Yin and in front of Luotang in Li Tao. The village is very warm and far away, and there is smoke in the yiyi market. In the deep alley where dogs crow and mulberry trees crow. The house is clean and messy, and the vacant rooms are idle. After staying in a cage for a long time, you will return to nature. Pastoral word is that I missed Tang Li Bai Jia Yi for three years, and I left in Wanli, Ban Chao. I haven't met anyone in their thirties yet. It was very late when I wrote the sword, and it was dusk in Yuan Qiu. Pregnant in the morning, sitting in the daytime is often confused. I envy the red owl in the sky, and I fight for the shame of chickens. I don't know any friends in the countryside, but I have no relatives in the end. Who can recommend Yang Xiong to Ganquan? In spring, I can make a spring pigeon on Tang's house. A glum traveler. Going to the countryside means that Tang lives on the water of Qi, and there are no mountains in the east. The sun is hidden outside the mulberry trees, the river is bright and the well is clear. The shepherd boy looks at the village, and the hound returns with the people. What is it when it's quiet? The gardens in Fei Jing are closed during the day. Autumn means that Tang Geng is lonely and dark, and it rains cats and dogs. It flooded the ancient forest road. Dongli flowers bloom. The four seasons are full of Fan Chengda plums, golden apricots, white wheat and thin cauliflower. No one has ever fallen on the fence, only dragonflies and butterflies are flying. The Four Seasons Garden is full of garden flowers. In the Song Dynasty, the blackbird in Fan Chengda had gone to the forest to fly. Children are like leaves, weaving ducks and returning alone. The Four Seasons Garden is full of garden flowers. The clay mirror of the newly-built field in Fan Chengda in Song Dynasty was flat. Cattle and sheep went home along the path. A rough old man was shut in the door of a thatched roof, leaning against a stick, thinking about his son, the shepherd boy. Where are the roaring pheasants? Full ears of wheat, sleeping silkworms, peeled mulberry leaves, hello, no wonder I long for a simple life and sing "decline"

8. Why is Tao Yuanming called an "idyllic poet"? Yes, because he was the first poet in the history of China literature who wrote a lot of pastoral poems. Look at his "Return to the Garden" and so on, all in this pastoral style. Here, let's talk about pastoral poetry and landscape poetry. They deliberately go to the suburbs to feel the nature, then express their feelings and write beautiful poems. Pastoral poets, on the other hand, don't go out at all, and they can enjoy farming at home. You can also write beautiful poems. As the saying goes, there is no shortage of beauty in the world, what is lacking is the eyes that find beauty. Tao Yuanming, an idyllic poet, doesn't have to look for beautiful scenery, because he thinks beautiful scenery is around him. Many poets after him, such as Wang Wei, only dare to call themselves landscape poets, but dare not call themselves pastoral poets, because they know that their realm will never catch up with Tao Yuanming, because they are looking for beauty, not finding it.