Legend of Sword and Fairy IV Reviews and Feelings

People are nostalgic, and one of their behaviors is to make existing things into a series, hoping that the emotion will last. Immersed in the touching memories of the past, I sometimes suspect that the producers are purely motivated by commercial interests, but no matter which party, they only put nostalgia and sincerity on the table, smiling at each other almost meanly.

I'm not a nostalgic person, I'm just used to it. I'm used to RPGs where you and I are slashing each other, I'm used to plots where the love between children requires one person to be killed, and I'm used to it not having to pay much money. It can be exchanged for dozens of hours of pleasure - this is the first genuine Fairy Sword series I bought myself - the first generation forgot when I played it, and it goes without saying that it is of all kinds; the second generation borrowed a girl's genuine disk to play, the only thing The impression is that the clearance time is super short; I borrowed my cousin's original game to play the game, and the cumbersome maze and skill training system made me give up twice and ended up reading plot novels; I didn't try the third generation Gaiden at all.

So when I hold the fourth generation purchased at the original price of 69 yuan, I don’t feel any so-called pride or joy. Some are just - Fairy Sword, you're still living, in my heart.

System Chapter:

After successfully installing and entering the game, the first impression is - this is Online games, this is CS. I believe that many players find the way of walking awkward. It's not that this is bad, I'm just dissatisfied that I can't appreciate the character's figure from multiple angles

The combat adopts the popular semi-real-time system, which is very welcome. This way it can be fully reflected. Secondly, because I am a "Youcheng" handicap player

When it comes to dissatisfaction, I only talk about reading the map of this generation. After I applied the 1.1 patch, it took 15 seconds to enter the XX faction (sorry, I am very bad at remembering names. Below you will find that I will call things in the game by various nicknames). Some people may say that it is normal to spend some time reading a big map, but compared to the third generation, although it takes some time to enter a new scene for the first time, then as long as you enter a scene you have already visited, you will be in in a flash. The difference It's too big - every time the fourth generation enters a scene, the disk reading speed does not change. This resulted in me really not having the patience to visit every house, and I was no longer willing to endure more than ten seconds of city reading for a small prop.

Pictures:

In fact, I am very reluctant to talk about the picture problems of the game, although this is a world where lust is sold everywhere, such as Super Girl and X-Man. The picture is flesh and blood, stimulating eyeballs and adrenaline. A really good game is about personal immersion, not watching a CG.

If there is anything in Xiansi that provokes my visual nerves, it is the dragon who talks so well. The scene is grand and can be said to be more poseable than the dragon god in "Dragon Ball" It’s much more beautiful:)

Music:

I believe many people are deeply impressed by Chen Zhou’s song "The Fairy Sword", and I am no exception. It's a pity that I didn't know this song was from Sensan Gaiden before, because my first thought of it was that it was an episode of a domestic martial arts series.

The song is a good song, and the matching plot is: a wife who abandons her husband to seek immortality alone is no match for the meanness and even regrets of her father-in-law, mother-in-law, and concubine. The feeling was plain, of course, without any abruptness, and it was just over. If the concubine took poison and committed suicide, it is also within the scope of conceivable that the wife would have no support for her life. In short, in this plot, from a personal perspective, the song trumps the plot.

As for the original soundtrack, my personal preference is Buzhoushan’s _古_. The melody is long, and the female voice in the long section is still complaining and sighing, giving rise to the feeling of turning over and over again.

Other articles:

Originally I wanted to talk about the plot, but I found that whether it was due to my age or my mentality, I felt that there was nothing in this generation’s plot that could give me an unexpected feeling. Everything is logical and predictable. There is no need to ridicule that it is God, it is just the scope of personal perception. So let’s talk about the characters.

Savage, a silly boy travels into the world. My father and mother.

When the female thief saw that tomb robbing was harmful to yin, virtue and yang life, she realized that it turned out to be the producer's comment on " The irony of "Tomb Robber Notes"

Miss, she has become a demon, she has become a demon, she has inherited the glorious tradition of the fairy sword, and beautiful women have become the demon queen out of habit!

Little Cool Brother, alas, being cool is useless. You are destined to be a young man who betrays the sect for the sake of truth

Old Cool Brother, this generation is doing well. So hurry up and sign the contract for the sequel

Goddess Empress, even though you only have a few minutes of appearance time, you can decide the life and death of mankind and maintain ecological peace in an instant. Well, God is indeed invincible

Xu is accustomed to liking women like Lin Yueru, and emotionally prefers female thieves. I love her red outfit (by the way, I am particularly impressed by the uniforms of the XX faction. I suspect that they deliberately found a reason to wear blue outfits to match the lantern viewing scene). She smiles heartily every time she bangs Savage. When I saw her grave at the end of the film, what came over me was not sadness, but a sense of relief - life is a burden, and for people who depend on each other, the one who goes first is happy.

The real story will not end until the sequel. Here I have to worship or condemn the production staff: they left too many tails, making it clear that the sequel is a way to make money and cheat money.

Okay, then let the story of the fairy sword continue, carving out various colors and even blanks in the memory.

A hundred years later, with blind eyes and bright head, there are no mandarin ducks or immortals.