List poets from the early Tang Dynasty to the late Tang Dynasty.

Four outstanding figures in the early Tang Dynasty: Yang Jiong, Lu, Luo.

Accomplishers of Five-character Rhyme: Song and Shen Quanqi.

Du Jian: Seven-character Rhyme

Four friends of the article (Li Qiao, Cui Rong, Su Weidao, Du)

Chen Ziang and Zhang Jiuling, who flourished the poetic style of the Tang Dynasty (their classical poems went straight into the Han and Wei Dynasties, changed the style of the Six Dynasties and flourished the poetic style of the Tang Dynasty).

② prosperous Tang dynasty

Social School: Du Fu (Poetic History, Poetic Sage)-Realistic chanting of history, depicting the people's hearts in society, touching people's hearts.

Pastoral school: Wang Wei () and Meng Haoran-good at five-character poems, but far and quiet.

Elegance: Li Bai (Poet Fairy)-fresh and elegant, floating in the air.

Frontier schools: Cen Can, Wang Changling, Gao Shi and Wang Huanzhi-generous.

③ Mid-Tang Dynasty

Social school: Zhang Ji (following Du Fu's realistic poetic style), Yuan Zhen and Bai Juyi (famous for his social realistic communication poems).

Pastoral school: Wei-his pastoral landscape poems are elegant and leisurely, and his poems are close to Tao Yuanming.

Weird school: Han Yu (good at writing, majestic)/Meng Jiao, Jia Dao (thin on a suburban island)/Li He (ghost).

④ Late Tang Dynasty

Aestheticism: Du Mu, Li Shangyin, Han Wo.

These are my own notes, typed by keyboard.

Concise ~ if not detailed enough

Please look below.

The appellation of China's poems in Tang Dynasty. It marks the pinnacle of China's classical poetry. Poetry creation in the Tang Dynasty is prosperous, with rich themes, diverse styles, numerous schools, complete systems, and a large number of writers' works of high quality. According to the statistics of the whole Tang poetry, there are more than 48,900 poems, and more than 2,200 authors have names to test. The outstanding achievements of Tang poetry are the result of the poet's inheriting and carrying forward the fine traditions since The Book of Songs and Songs of the South under the historical conditions of further development and reform of feudal politics and economy, relatively open social thoughts and generally high artistic culture, and extensively summarizing the creative experience of predecessors. It shows that China's classical poetry has developed to a fully mature stage.

The development process of Tang poetry has roughly experienced four stages: early Tang, prosperous Tang, middle Tang and late Tang.

(1) early Tang poetry. Poetry in the early Tang Dynasty was still in the afterglow of Sui Chen's period. The poems of Li Shimin, Emperor Taizong and the literati around him are gorgeous and soft. Shangguan Tiqi was wrong and charming. Only a few people, such as Wei Zhi, Wang Ji and Wang Fanzhi, can get rid of this custom. It was not until the four outstanding poets in the early Tang Dynasty that the content and form of poetry were developed. However, it still has not got rid of the influence of "adopting beauty and competing for differences" in the late Six Dynasties. It was Chen Ziang in Wuhou period who really expounded the influence of Chen Liang's poetic style. He advocated "Han Wei style", took retro as innovation, and resisted extravagant poetic style. Shen Quanqi, Song and four friends of the article (Li Qiao, Cui Rong, Su Weidao and Du Fu) have similarities with him in different genres. Most of their works are based on harmony and embellishment, but there are also some excellent works in their other poems. Especially Du Fu's poems. But their main contribution lies in the perfection of the law. Shen, Song and Du are called the founders of five-character poems and seven-character poems by later generations.

② Tang poetry. On the basis of "Shen" and "Song", the poets in the prosperous Tang Dynasty further combined the correct direction with the perfect form. From Kaiyuan of Xuanzong to Tianbao, poetry flourished in an all-round way, and a large number of famous artists appeared. Their works are exquisite and beautiful, vigorous and fresh, with fantastic images and harmonious rhythm, showing the artistic characteristics of the times. Frontier poems and pastoral poems occupy a large proportion in the poems of the prosperous Tang Dynasty. Frontier Poetry School is represented by Gao Shi, Cen Can, Li Jie and Wang Changling. Their works are full of atmosphere and tragic artistic conception, and they often use seven-character songs or seven-lines. Wang Wei, Meng Haoran, Chu Guangxi and Chang Jian are the most famous pastoral poets. Their poems mostly reflect the thoughts and feelings of leisure and seclusion, with light colors and deep artistic conception, and they mostly use five-word laws and five-word old sayings. This school of poets took a big step forward in exploring natural beauty than the poets of the Six Dynasties. Among them, Wang Wei has the highest achievement. Li Bai and Du Fu are the symbols of the highest achievements of poetry in the prosperous Tang Dynasty. Li Bai's masterpieces were mostly before the An Shi Rebellion. Rich in content and subject matter, magnificent in momentum, rich in imagination and elegant in style, it reflects the social life and the psychology of the times in the Tang Dynasty in many ways and at many levels. Du Fu's poetry is a history of poetry in troubled times, which faithfully records the turmoil of the country and the suffering of the people. Broad and profound, depressed and frustrated; The first sound of the new Yuefu movement. In terms of poetic language, meter and skills, he is good at learning from many teachers, extensively absorbing the experience of predecessors and contemporary authors, forming his own unique style, and opening up many roads for the development of later poetry. In addition, Yuan Jie, Shen Qianyun, Meng Yunqing and others are also quite distinctive poets in this period.

③ Poetry in the Middle Tang Dynasty. At the beginning of the middle Tang Dynasty, the country declined, and the poetry circle was also depressed. The works of Liu Changqing and Wang Wei, ten talented poets in Dali, are exquisite and elegant, but their contents are superficial. Lu Lun and Li Yi have some desolate frontier poems with bold artistic conception. The most outstanding figure in this issue is Wei, whose pastoral poems are elegant and free, while his Yuefu songs are satirized in aestheticism. In addition, Yung Wing, Gu Kuang and Dai Shulun also have excellent articles reflecting the sufferings of people's livelihood. Yongzhen's innovation and Yuan and Zhongxing revived the poetry circle. Bai Juyi, Yuan Zhen, Li Shen, Zhang Ji and Jincon advocated the New Yuefu Movement and created a large number of political allegorical poems that widely reflected the reality and criticized the current politics, with a leisurely style. Han Yu, Meng Jiao, Li He and Jia Dao are famous for their strange and steep sculptures. Han's poems are heroic, Meng's poems are profound, Li's poems are beautiful and Jia's poems are austere. In addition, Yao He's poems are strange and bitter, while Lutong, Liu Cha and others are good at strange rise. Apart from these two schools, Liu Zongyuan's poems are either elegant or sad. Liu Yuxi's poems are concise and implicit, with beautiful artistic conception and harmonious rhythm. The innovative spirit and personality style of poets in this period are outstanding.

④ Late Tang poetry. The poetic style of the late Tang and Five Dynasties became more and more delicate. Although there have been writers and works with great influence in the history of literature, they generally lack the broad spirit and muddy realm in the middle of the prosperous Tang Dynasty. Outstanding poets Li Shangyin and Du Mu made unique contributions to the art of poetry. His poems are full of emotion and profundity, but when he is hurt, he is worried about the country and the people, deeply sad and has a sense of decline. The writing is clear and elegant, but the style is low. He also has a good show, but the overall style is light and thin. Since then, most poets have imitated their predecessors and made no great breakthrough in art. The famous poets are Pi Rixiu, Lu Guimeng, Nie, Du Xunhe, Luo Yin, Han Wo and others.

The poetry system in the Tang Dynasty is diverse, and the whole China classical poetry after the Song Dynasty is not within its scope. Ancient poems in Tang Dynasty can be lyrical, narrative and argumentative. Due to the influence of modern poetry, the ancient poems in Tang Dynasty were either integrated into metrical sentences or deliberately opposed to metrical sentences, which was different from the purity of ancient poems before Jin and Song Dynasties. In the early Tang Dynasty and the Five Dynasties, it still inherited the variant of Qi and Liang Dynasties, which was transformed by Chen Ziang, developed by Zhang Jiuling and Li Bai, and finally flourished in Du Fu. Seven-character unconventional songs and ancient poems are in parallel with the traditional songs which are refined and accurate and tend to be legalized. Yuefu is a special kind of classical poetry. Many Yuefu in the Tang Dynasty broke up in discord, or borrowed old inscriptions to write new ideas, or set up new ones to remember new ones. Li Bai, Du Fu, Yuan Zhen and Bai Juyi achieved the highest results. The Five-Seven Rhythm is a new poetic style in the Tang Dynasty. After Wang Ji and four outstanding figures in the early Tang Dynasty, the Five Laws finally realized the system standardization in Shen Song. The Seven Laws rose late, and the authors were Shen, Song and Du. Through the development of Wang Wei, Gao, Cen and others, Du Fu's realm has been greatly expanded. Since then, the five-seven-character method has developed in parallel. Ten talented people in Dali, Jia Dao, Yao He, Xu Hun, Zhao Wei, etc. They are all famous legal scholars. In the late Tang Dynasty, the beauty of timbre and language skills of Li Shangyin's Seven Rhymes developed to a more mature stage. Metric poems have rhythmic lines, and most writers tend to blow their own horn. There are few excellent works. Du Fu's local arrangement and writing of major themes are neat and beautiful, and his achievements are very high.

The quatrains in the Tang Dynasty were used to sing in harmony with music, and their creation flourished until the end of the Tang Dynasty. The quatrains before the prosperous Tang Dynasty have delicate images, vague meanings, simple scenes and long lasting charm. Li Bai, Wang Wei and Wang Changling are the best experts. The quatrains in the middle and late Tang Dynasty were euphemistic and tortuous. Du Mu and Li Shangyin are its representatives. In addition, Du Fu's quatrains are integrated with arguments. Liu Yuxi and Bai Juyi's imitation of folk songs, Zhi Zhu's Ci, Yang Liuzhi's Ci and Langtaosha are humorous and lively, and their intonation is often abrupt, adding a new style of quatrains.

The compilation and research of Tang poetry has a great influence on later generations and is regarded as a model. The compilation, annotation, evaluation and research of later generations never stopped. Selected Poems of Tang Poetry include Tang Yin Tong Qian by Hu Zhenheng in Ming Dynasty and Quan Tang Poetry by Patten in Qing Dynasty. Judging from the anthology, there are ten kinds of Tang poems selected in the Tang Dynasty. In the Song Dynasty, a large-scale collection of poems, Wenyuan Huaying, edited by Li Yun and others, has preserved a lot of Tang poetry materials, and Hong Mai's Ten Thousand Poems of Tang Poetry is a detailed compilation of quatrains, which has great influence. The monographs of comments and research in past dynasties are also extremely rich. Tang Mengbang's Skill Poems, Zhang Wei's Poet's Subject-Object Diagram, Ji Gong's Chronicle of Tang Poetry in Southern Song Dynasty, Taosun Ao's Mi Weng's Poetry Review, Yan Yu's Canglang Poetry Talk, Yuan Xinwen's Biography of Tang Talents, Wang Ming's Poetry Talk, Hu Yinglin's Poetry Talk, etc. On the other hand, Hu Zhenheng's "Tang Yin Gui Qian" in Ming Dynasty made a comprehensive study of Tang poetry on the basis of summarizing the achievements of predecessors and made great contributions to the establishment of Tang poetics. Modern research monographs include Wen Yiduo's On Tang Poems, Cen's Reading Notes on Tang Poems, Fu Xuancong's Examination of Tang Poems, Ren's Poems and so on.