Tell me about Snow Country and Thousand Crane that Chuanrui Cheng Kang has seen.

Yasunari Kawabata is the best representative of Japanese literary tradition. He inherited the literary essence of Murasaki shikibu's Tale of Genji, and was good at depicting female characters delicately. 1968 won the podium of the Noyol Prize for Literature with three works: Snow Country, Ancient Capital and Thousand Cranes.

Kawabata Yasunari's Snow Country is a very beautiful and sad novel. There are three main characters in the novel-Shimamura, Komako and Yoko. Shimamura is an expert in dance, and Komako once wanted to learn Japanese dance, so they met once. This time, Shimamura came to the northern snow country by train again to meet Komako, and planned to go to the hot spring for recuperation. On the way, she met Meiye, but the girl seemed very shy and unwilling to associate with others, and took care of a sick friend wholeheartedly. However, Shimamura secretly observed the girl through the glass of the window, and the girl didn't seem to pay attention to him. Only once, he saw the girl's eyes from the glass reflection of the window! Looking back, it's gone They got off at the same station, and Shimamura felt that she "seemed to have something to do with herself".

The designated girl Komako met Shimamura at the station. From Komako, Shimamura knew that a man and a woman in the car were the son and girlfriend of Komako's dancer. Later, the author used a lot of pen and ink to describe the pony, which was completely different from the quiet leaves. Although it is also beautiful, it is more lively and lovely. She is attached to Shimamura and talks about everything. She even often comes to Shimamura's room in the middle of the night, leans drunkenly in Shimamura's arms and gulps water. That's why she got drunk while drinking with men at the banquet, but no matter how late it is, she will go back to her cabin on the mountain.

Shimamura once went to the house with her, where she met the leaves again. The author describes the sound of leaves like this: "Shimamura once heard this kind of sound, which is the sound of leaves that children lean out of the window and shout to the stationmaster on a snowy night." At the same time, the eyes of the leaves are described as follows: "The leaves only glanced sharply at the island village and walked through the soil without saying a word." However, Shimamura can't forget this look: "Shimamura went outside, but Ye Zi's eyes are still shining in his eyes. Like a distant lamp, cold and sad. "

In the process of writing contact between Shimamura and Komako, I indirectly wrote about Yoko. This girl is very affectionate. She takes care of her seriously ill boyfriend, but this boyfriend is foal's fiance. But Komako refused to admit that he was alive or dead, and refused to go home when the man was dying, but insisted on sending Shimamura back to Tokyo. But the leaves stuck to the patient's bed until he died. Moreover, from then on, she went to the grave every day. Comparatively speaking, foals are completely different. She didn't admit that her master's son had anything to do with her at all, so she never went to the grave, even when she saw the leaves go there, she showed disgust. Throughout the story, foal is always cold to leaves, and usually doesn't mention leaves. Once Ye finds Shimamura without Foal's knowledge, he will be scolded by Foal.

The next year, Shimamura came here again, but Komako's life remained the same. He still came to the island village drunk. He still came to drink a lot of water in the middle of the night and returned to the cabin on the mountain before dawn. But this time Shimamura met Ye who came to help at the inn. Look at the dialogue between two people:

Island village is a bit embarrassed, said with a wry smile:

"Thank you. Are you here to help?"

"hmm." At the moment of nodding, Ye Zi took a look at Shimamura with her sharp and beautiful eyes. Shimamura felt flustered.

He has seen this girl several times before, which always leaves a very touching impression on him, but he feels particularly uncomfortable when she sits in front of him like this. She looks so serious that she always seems to be in an abnormal state.

"You seem busy, don't you?"

"I have seen you several times. The first time was on the train back. You take care of a patient and ask the stationmaster about your brother. Do you remember? "

"hmm."

"I heard that you are going to sing in the shower before going to bed, right?"

"Oh, how rude, really!" The voice is surprisingly beautiful.

"I feel like I know you like the back of my hand."

"Really, did you listen to Sister Ju?"

"She didn't say anything. Even if she doesn't want to talk about you. "

"Really?" Assists quietly turned his face back. "Chrysanthemum elder sister is a good man, just poor. Please treat her well. "

She finally blurted out with a slight trill.

"But I can't do anything for her."

It looks as if the leaves and even the body are shaking. Island village looking away from her wary face, smiled and said:

"Maybe I'd better go back to Tokyo early."

"I'm going to Tokyo, too."

"When?"

"Any time is fine."

"Well, shall I take you back?"

"Ok, please take me there."

She was nonchalant, but her tone was serious. Shimamura was greatly surprised.

"As long as your family agrees."

"What family? I only have one younger brother who works on the railway. I can decide for myself. "

"Is there any place where I can take refuge in Tokyo?"

"No."

"Have you discussed it with her?"

"You mean colt elder sister? She is so hateful that I won't tell her. " After the leaves say this, they may be relaxed and their eyes are a little moist. She looked up at Wangdao Village. Shimamura felt a wonderful attraction, but somehow, in this way, she ignited her passionate love for the pony. He felt that a similar girl of unknown origin eloped back to Tokyo, which may be a deep apology to Komako and a punishment to herself.

"Aren't you afraid to walk with men?"

"Why are you afraid?"

"In short, you should first consider the foothold in Tokyo and what you are going to do; Otherwise, isn't it too dangerous? "

"Women will always find a way." Ye Zi stared at Shimamura, raised her tail gracefully and said, "Can't you hire me as a maid?"

"What? As a maid? "

"I don't want to be a maid."

"What did you do in Tokyo last time?"

"Be a nurse."

"In the hospital or at school?"

"No, it's just a plan."

Shimamura remembered the scene when Ye took care of the master's son on the train, and perhaps expressed Ye's wish in that sincere feeling. He thought and thought, and she giggled.

"So, you want to learn to be a nurse this time?"

"I don't want to be a nurse anymore."

"How can you wander like this?"

"Oh, what floats or not, whatever." Ye Zi retorted with a smile.

This laughter is almost sad, and it doesn't sound like a fool. However, this voice suddenly struck a chord with Shimamura and then disappeared.

"What's so funny?"

"Yes, I only care about one person."

"What?"

"I don't want to do it anymore."

"Really?" Shimamura suddenly had another attack and said softly, "I heard that you go to buckwheat fields every day?"

"hmm."

"Do you think you will never care about other patients and go to other people's graves again?"

"No."

"But would you like to leave that grave and go to Tokyo?"

"Oh, I'm sorry, please take me."

"Foal said, you are a terrible vinegar bottle. Isn't he foal's fiance? "

"What do you say, man? No, no! "

"Then why do you hate ponies?"

"Sister Ju?" Ye Ye looked at Shimamura with sparkling eyes, as if shouting at the person in front, saying, "Please treat Sister Foal well."

I can't do anything for her!

Tears welled up from the corner of the leaf. She grabbed a small moth that landed on the mat and sobbed:

"Sister Xiaoma said I was going crazy."

She suddenly walked out of the room.

Shimamura felt a chill in his heart.

At the end of the story, a fire broke out. The fire broke out in a cinema. Shimamura sent Komako home and was passing through the scene of the fire. Almost all the people at the scene of the fire were evacuated. However, at this moment, a man fell flat from the second floor of the cinema. This man is none other than a beautiful leaf. The last sentence that the pony shouted with the body of the leaf was: "This child is crazy, she is crazy!" " "

Then the dialogue quoted earlier can be annotated as the death of leaves. When we read this novel, we may feel that the author is expressing the clear love between Shimamura and Koko. Although Koko is cute, simple, versatile and even beautiful, these are actually just to set off the leaves hidden in the dark. From the previous conversation, we can know that Ye Zi likes Shimamura and even fell in love with it on the train. However, this introverted and simple girl doesn't have the courage to say it. She clearly knows that this is a hopeless love, even a desperate love. However, Ye Zi fell in love with it without hesitation, just like the moth who would rather be burned to death than light up the night with her body.

It is said that her love is hopeless because there is a powerful sister foal in front of her, and Mr. Shimamura has a wife at home. What's more, Shimamura doesn't know that this lovely girl loves herself deeply. This is purely a secret love, a desperate love, but such a mountain village girl has completely put her feelings on this stranger. The above irrelevant dialogue is actually her love declaration, but this mountain village is completely in the dark. Ye Zi, a beautiful leaf, would rather be a maid in Shimamura's house than wander in Tokyo, and would also like to go to Tokyo with Shimamura, but Shimamura took out various reasons to stop her and couldn't understand her at all. In this case, Ye Zi chose death. It is not impossible for her to be saved in that fire, because almost no one died because of it, except her. The second floor is too low to kill people. But the leaves are upside down. It can be said that she has been tortured by this love. She felt worse about love than death, so she even said she was crazy. The foal knows why she died.

This kind of person who doesn't talk about love is called a show, right? Stuffed there will often do unexpected things. Ye Zi's death was not worth it, because Shimamura was still puzzling until the end, but for Ye Zi, instead of struggling in this hopeless love, she would rather choose a relief, which is also the sadness of this story. I read Snow Country twice before I felt Kawabata Yasunari's ingenuity. Maybe it's the first time for many people to read it, but because I'm a little stupid, I need to read it several times to appreciate the moving part of this story.