Seven perspectives of landscape writing in classical poetry

The seven perspectives of classical poetry are as follows:

First, the front and side

The description of scenery can start from the front and directly describe the characteristics of scenery; It can also be written from the side scenery related to it, revealing the characteristics of things and providing readers with rich imagination space.

Second, the dynamic and static

The combination of dynamic and static is a common technique in landscape writing. In the use of this technique, poets are often ingenious, "every word is the best" and "the realm is the best"

Third, sound and color.

The description of scenery in ancient poetry often involves sound and color, which is the poet's use of senses to describe the scenery from multiple angles, making readers feel as if they were there, and receiving high artistic effects.

Fourth, virtual and real.

We should pay attention to what is real and imaginary in poetry, and what the poet wants to show is real or imaginary.

Verb (abbreviation for verb) point and surface

Everything is interrelated, not isolated, and the scenery described is the same. They are always inextricably linked with the surrounding scenery. Therefore, when poets write landscapes, they don't write the main objects in isolation, but also write related objects around the main objects, combining points and surfaces to make the main images fuller and more distinctive.

Sixth, time and space.

Time, time of day or time of year. There is always an order to write landscapes, far and near, high and low, up and down, inside and outside.

VII. Subjectivity and objectivity

From the subjective and objective perspective of describing scenery, personification is often used.