Hermit poetry

1, the wheat is harvested on the axis and the knowledge is lost. Wang Jian's Tian Jia Xing

2. The early rice is drained by the blue carpet line, and the nepotism shows the new rice. Bai Juyi's Spring on the Lake

3. An egret flies over the quiet swamp, and mango birds sing in the trees in midsummer. Wang Wei's Wangchuan Cabin in Wangchuan Village after Rain Clears Up/Autumn Return.

4. Gaotian is like a ladder, and Pingtian is like chess. Yang Shen's Out of the Suburb

In the deep alley, dogs bark and chickens crow mulberry trees. Tao Yuanming's "Returning to Garden"

6. grow in a cage and return to nature. Tao Yuanming's "Returning to Garden"

7, water wai Tian bamboo fence, money is all sparse. Zhang Shunmin's "Village Living in the Water Surrounding the Bamboo Fence"

8. There is no overnight storage in the warehouse, and the corvee hasn't arrived yet. Wei's "Guan Tian Jia"

9. The old farmer lives in the mountains and cultivates three or four acres of mountain fields. Zhang Ji's Wild Old Songs/Shan Nong Ci

10, the pleasant breeze turned the fields green, and the plum rain scented the fields. Li Shimin's Ode to the Rain

1 1, children and grandchildren never planted land, but also learned to plant melons in the shade of mulberry trees. Fan Chengda's Miscellaneous Seven of Summer Resort

12, at the end of my tether, money is easy to handle. Wang Shouren's "Ordering food by marching customers, please send Tian Nanshan's ci to your bosom"

13, looking out of the front door alone in the wild field, the bright moon is in the sky and buckwheat is like snow. Bai Juyi's Country Night

14. In the morning, I will control the garbage and take the Moon Lotus hoe home. Tao Yuanming's "Returning to the Garden for the Third Time"

15, near Sanjing Road, thousands of trees are planted with fruits. Meng Haoran's pastoral works

16, silkworms have no summer weaving in Sangchong village, and the fields abandon spring ploughing calves. Du Xunhe's "The House where the Subject Lived"

17, ten miles west is ripe with fragrant rice, hibiscus hedge is long with bamboo, and the fruit is green and yellow. Fan Chengda's "Jiangsha Village Road around the Stream"

18, there are no idle fields in the four seas, and farmers starve to death. Li Shen's "Two Antique Poems/Two Peasants"

19, light rain makes many flowers fresh, and thunder begins. Wei's "Guan Tian Jia"

20. Reclaim land in the south and return to the garden. Tao Yuanming's "Returning to Garden"

2 1, thousands of winds and waves don't remember Sue. Thousands of chariots galloped on the snowy and sunny river. Su Shi's The Wind and Waves in Huanxi Sand Don't Remember Su.

22. Once you cry in the city, your tears will return to the field. Jie Yuan's "Complaints of the Minister of Agriculture"

23. When I passed a friend's farmhouse, his children shouted from outside the thorn gate. Li Bai's "Down Mount Zhongnan" is dedicated to Hu Si's kind pillow and bowl.

24, the guest walks the wild field, the house is closed. Yao He's Journey to Zhuang Juye

25, and the spring water is not deep, a few acres is enough. Wang Shouren's "Ordering food by marching customers, please send Tian Nanshan's ci to your bosom"

26. The mountains and plains are green, the rivers are white, and the sound of rain is like smoke. April in rural Weng Juan.

27. Mulberry farming father, lotus hoe with shepherd boy. Meng Haoran's Tian Jia Yuan Day

On the 28th, a fire broke out in Tomb-Sweeping Day, Tian She. Wangjiande cold food

29, home accounted for the climate, * * * said this year. Meng Haoran's Tian Jia Yuan Day

30. Green waves and spring waves are full of clouds. ? Fat. Wei Zhuang's Rice Fields

3 1, my fields and gardens were destroyed by war, and my own flesh and blood became the scum of the street. Bai Juyi's Thought of Looking at the Moon

32, no suitable rhyme, sex autumn mountain. Tao Yuanming's "Returning to Garden"

33. Tianjia hedge has a small winding path. Clouds and trees are open and clear. Zhou Bangyan's "Yu Meiren Hedgehog Winding Path Tianjiaxiao"

34. Spring is early on the lake, and Tian Jiari is not idle. Qiu Wei's On Farmers' Father Lu She

When people don't know the hardships of farmers, they will say that Tanaka Valley was born. Yan's farmhouse music

36. Jojo, Fu Tian, cordially greet each other. Wang Wei's "Farmhouse on the Wei River"

37, the June pattern is not obvious, and the official has been repaired. Nie's Tian Jia

38. Going out of the field during the day and night, the children in the village are in charge. Fan Chengda's Miscellaneous Seven of Summer Resort

39. Father plowed Harada. What about his son? This mountain is barren. Nie's Tian Jia

40. At the end of the year, the hoe plowed out of the vacant room and shouted to climb the mountain to collect acorns. Zhang Ji's Wild Old Songs/Shan Nong Ci

4 1, a thrifty industry, only a few months of food. Huang Xieqing's Poems on Autumn Colors of Tian Family

42. recast the hoe plow, aunt wheeled officer. If there are not enough officials, the house will be sold. Yuan Zhen Tian Jia Ci/Tian Jia Hang

43. Grain Rain plows the fields in the north and south of the village. Xiumailiangang mulberry leaves are cheap. Fan Chengda's "Recent Flowers Come in Spring, Adding Water to the Face"

44. Don't say that the wine tastes weak, and no one is farming. Du Fu's Trilogy of Qiang Village (Part 3)

45, boarded the dome paved by Wanqing in Suqian North. Lu Wengui's Snow on Suqian Road

46, the road is narrow and the vegetation is long, and the evening dew is stained with clothes. Tao Yuanming's "Returning to the Garden for the Third Time"

47. cuckoo flies to persuade early ploughing and hoes to pounce in spring. Yao Nai's Walking in the Mountains, Flying in the Rhododendron and Persuading Early Tillage.

48. The cow sizzles, and the field does, and the dry block knocks on the cow's hoof. Yuan Zhen Tian Jia Ci/Tian Jia Hang

49, the water is full of rice leaves, and the sun shines through the trees and the smoke is low. Ji Xu's new coolness

50. I don't know that the people are hard, and every grain of rice is beautiful. Huang Xieqing's Poems on Autumn Colors of Tian Family

5 1, at noon on weeding day, sweat dripped down the soil. Li Shen's "Two Antique Poems/Two Peasants"

52. Sang Zhe came to Judah to pay taxes, but he was still a seedling after grazing famine. Du Xunhe's Widow in the Mountain/World Bank.

53, holding an axe to cut far and wide, lotus hoe spring pulse. Wang Wei's Pastoral in Spring

After a light rain, people on both sides of the strait collected red beans under the tree and raised their hands. Ouyang Jiong's Nanxiangzi Road Entering South Middle School

55. Tian Jia was idle for a few days, and farming began. Wei's "Guan Tian Jia"

56, green mulberry reflects Pingchuan, and the game is full of laughter. Ouyang xiu's family

57. Beans are planted in Nanshan, and the grass is full of bean seedlings. Tao Yuanming's "Returning to the Garden for the Third Time"

58. The bird bit the wild grass and strayed into the withered mulberry tree. Li Bai's Grass on the Tree

59. When you see rice, it smells good. Huang Xieqing's Poems on Autumn Colors of Tian Family

60. There is no field like I am still dancing, let alone the heart of the field. Once upon a time, Su Daozhi was loyal.

6 1, eat without plowing. Wei's "Guan Tian Jia"

62. The rice root house is like a block. This year, the field is one foot wide. Fan Chengda's Miscellanies of Summer Resort

63. Outside Baishui Tian Ming, after Bifeng came out of the mountain. Wang Wei's New Vision of Sunshine

64. Sunset shines on the market, and cattle and sheep go home along the path. Wang Wei's "Farmhouse on the Wei River"

65, plum apricot fat, wheat cabbage flowers thin. Fan Chengda's Four Seasons Pastoral Miscellaneous Prosperity II

66. Looking at Jinmamen, Laoge Caiqiao Road. Meng Haoran's pastoral works

67. In the fragrance of rice flowers, it is said that there are good years. Listen to the frogs. Xin Qiji's Xijiang Moon Walking the Yellow Sand Road

68. In the third winter, I temporarily learned from Confucian scholars and practiced from my parents. Lu You's Watching Village Children Play on the Stream

69, a curtain of dove rain, a few idle fields, spring hoeing and flowing water. Zhang Yan's "Long-time visitors have crossed the river, traveled in clouds and mountains, and recalled the trip to Hangzhou in spring."

70. When will the deer drive back to Yingdongtian? Ouyang Xiu's Autumn Chest

7 1, the tiller loves the boat, and the spring grass is green and the fields are green; Zhang Ji's "Lumen Down to Business"

72, Mei Qing, Mei Huang, vegetables, fat wheat, ripe silkworms are busy. Zhu Yunming's The First Summer Mountain

73. Compared with Kagami Akira, Noda Chunshui is not surprised to cross gulls. Ten Days of Sunny Spring by Wang Zao

74. The sunflower in the green garden is exposed to the sun. Anonymous "Long song"

75. Sell new silk in February and cut new grain in May. Nie Zhongyi's Ode to Tian Jia/Hurt Tian Jia

76. Li Tian has succeeded, and it is appropriate to collect it in the future. Huang Xieqing's Poems on Autumn Colors of Tian Family

77, cast a dressing gown, temporarily with the garden field. Tao Yuanming's Qu Azuo, which advocated the town army to join the army.

78. It was too late to write the sword, and it was dusk in Yuan Qiu. Meng Haoran's pastoral works

79, the rain is high and white, plowing in the middle of the night. Cui Daorong's Tianshang

80, go out in the morning, the mountain is cold, easy to frost. Wang Shouren's "Ordering food by marching customers, please send Tian Nanshan's ci to your bosom"

8 1, in the middle of the night, Hu er was ploughing the fields, and the cows gradually could not walk. Yan's farmhouse music

82. Seagulls hover under the sand, and egrets fly on the wide beach. Li Zhou and Du Nan.

Prepare chicken and rice for me, old friend, you entertain me on your farm. Meng Haoran's Passing the Village for the Aged

84. In May, although it was hot and windy, there were screams under the eaves. Wang Jian's Tian Jia Xing

85. In August and September, the west wind accumulated and the clouds were yellow. Huang Xieqing's Poems on Autumn Colors of Tian Family

86, Melaleuca trees travel thousands of miles, Shan Ye water sound. Yao Nai's Walking in the Mountains, Flying in the Rhododendron and Persuading Early Tillage.

The Permanent Construction of Wang Changlin Retreat

At the retreat in Wang Changlin.

Author: Chang Jian

Here, in a clear deep lake, the hidden place is just a lonely cloud.

The moon in the middle of the pine forest is shining like a husband.

Maoting has a thick shadow, and the peony garden gathers moss particles.

I also want to reject the secular, and the western hills Luan crane gregarious.

Precautions:

1, Sue: It's like a flower sleeping at night.

2. Xie Shi: Quit worldly fatigue.

3. Luan crane: in ancient times, it often referred to fairy birds.

4. Group: Interaction.

Translation:

The water of Qingxi is unfathomable,

Only lonely clouds live in seclusion.

The moon is slightly exposed in the middle of the pine forest.

Sprinkle the glory of a husband.

Mao Ting Huaying is sleepy,

The peony garden breeds moss lines.

I also want to reject the secular,

Come and associate with the Luan crane in Xishan.

Appreciate:

This is a secluded landscape poem. Wang Changling lived in seclusion, which is a good place to live in seclusion. After spending the night here, the middle four sentences suddenly felt permanent and clear at a glance. In the last two sentences, I wrote my own ambition and decided to jump.

The whole poem is good at writing landscapes in a simple way, which contains profound metaphors, clear images, implicit themes, clear ideas and evocative. You rest under the thatch in the shade of your flowers, and your dewy herbs flourish on their moss beds. It can be seen that they have made great efforts in refining Chinese characters, and they can follow suit.

Xun Baihe said that Zhang Zirong lived in seclusion.

Meng Haoran looked for Baiheyan and Zhang Zirong lived in seclusion.

The white crane is green and rugged, and the secluded people live in seclusion. The terraces are empty, and the forest is fishing.

Years old and young, wind and frost bitter cold bamboo sparse. Seeing this memorable career, I will go back to my home.

Make an appreciative comment

Meng Haoran (689-740), male, Han nationality, was a poet in the Tang Dynasty. His real name is unknown (he once said his name was Hao). Born in Xiangyang, Xiangzhou (now Xiangyang, Hubei), the world is called Meng Xiangyang. Awesome, not very virtuous, likes to help people in trouble and works in poetry. When I was forty years old, I went to the capital, and Tang Xuanzong recited poems. In the words of Mingjun, I never abandoned you. Why did you falsely accuse me? After his release, he lived in seclusion in Lumen Mountain and wrote more than 200 poems. Meng Haoran and another pastoral poet, Wang Wei, are also called Wang Meng.

Du Fu and Zhang Zhizi have a tryst.

When we met, I talked about Zhang Zhizi's seclusion.

Author: Du Fu

Original text:

See you when you are a son, and invite someone to stay overnight.

Ji Tan's hair is long, and the spring grass deer is yo yo.

Du wine is partial to persuasion, and there is no desire or desire.

Qiancun Mountain Road is dangerous, so don't worry about getting drunk.

Appreciate:

There are two original works. The first one is the Seven Laws, which I almost wrote when I first met Zhang Jun and described him as a person. This is the second song. I know Zhang very well, so I met you when I was driving the sidewalk. Du Shi Jing Quan thinks that we should wait until the number is clear, while Du Shi's Detailed Notes thinks that communication is not once, but all.

Although it is a social work, it can be seen that the author is human and funny. This poem is both straightforward and allusive. Straightforwardness and allusion are two common expressions in ancient poetry. If you can't tell them apart, you won't understand poetry. Here, it is very close to each other. If you look directly, it is almost close to the vernacular; If you look at it as a classic, most of them are allusions, and the so-called words have no source. But this is a sign, and it is not surprising that Du Fu's poems often do this. It is really rare to be funny.

If you translate your son into vernacular, he should say this person or this gentleman, but his son saw Shi Mao. The third sentence, there are many carp swimming around in the pool; The fourth sentence deer is eating grass over there, twittering; But snapper (zhān felt) flounder (dial), yo yo Luming Literature, wild apple, look at Shi Mao. It's hard and pedantic to use classic idioms, but I have no feeling here. Therefore, the senior evaluation: 34 exile six arts is very exquisite. Moreover, Luming Literature's original poem is intended to entertain guests, so although this fourth sentence was written in a real scene, it is already full of affection in the scene, connecting the preceding with the following.

Du's wine couplet is almost colloquial, but it also uses allusions to describe the surname of the guest and the host appropriately. Du Kang was the inventor of wine. For the pears of Zhanggong Otani, please see Pan Yue's Idleness. He said, the wine belongs to our Du family, but you just came to persuade me; Pears belong to your family, so you can eat them while picking them in the garden, instead of looking outside. The clever use of allusions once again shows the master's feelings. It's already a natural article, especially when it's so light and natural. Du Shi Jing Quan said: Clever, but hidden. Comfort is a kind of humor.

Poetry is also written through layers. It is a universal law that articles should be closely related to the real feelings at that time. But this reality cannot be ignored. In some places, it is better not to conform. There is more than, more than, not very consistent here. Only when they are not very consistent can we express our emotions perfectly, which is a further reality. At the end of this poem, there is danger on the mountain road in front of the village, so don't worry about getting drunk. I think the mountain road in Qiancun is very dangerous. I am drunk again and stumble back, as if the blind man was blind in the middle of the night, and there is no reason to worry. Therefore, the last sentence of this poem should really be regarded as a drunken dream, but he did not say that he should be worried, but said that he was not worried. Should worry conform to reality, or should not worry conform to reality? We should say that sadness is real; You know, worry-free is not a real feeling, but it can further express the theme-the host is affectionate, the guests are grateful, and the host and guest are extremely happy.

In this case, then whether Lao Du was worried or not that night, he definitely said that he was not worried. Therefore, in addition, there could have been a more natural and reasonable explanation. I am drunk, so I don't know how to worry; But it has long been denied by the predecessors. In Du Fu's poetry criticism, Li Tiansheng was quoted as saying: The last two sentences refer to the agreement with Zhang Shen, so it is dangerous to forget the mountain road when you get drunk. Clouds are shallow if they are drunk and don't know. What Li said is quite right. Du Fu was about to express his dumping and gratitude to his master with worry. If he describes himself as a drunken fool first, his poems will be completely lost, not only ruining the scenery. This sentence is also the meaning of the first couplet. Inviting people to stay late is the main sentence in this poem.