Tell me about a martial arts movie that impressed everyone.

Let me introduce some martial arts films when I was a child. There was no entertainment at that time. At night, the whole family is surrounded by TV, so is every family!

One: Legend of the Condor Heroes

A classic martial arts film is ugly.

Two: Leng Yue Lone Star Sword

This is a martial arts film that impressed me deeply. What impressed me most was that the people inside were worthy of the name. Sima Changfeng, Bai, Gu, Tianfengnv, Sai and Sai are all very important roles, because he is the only one who can treat the palm injury of blood moth. He has a crush on Bai, but he is too small to be as vicissitudes as Sima Changfeng. It seems to be played by Ma Jingtao.

Three: Tianya Yueming Dao

I always thought it corresponded to the name of Leng Yue Lone Star Sword. Now I only remember Peacock Ridge and Great Compassion House, and Yan Nanfei is a bad person. At that time, I thought the names Fu Hongxue and Mingyuexin were really super nice. How can snow be red? Will Yue Ming care? However, I don't like this film very much, and I'm not impressed, probably because the color is dark and the rivers and lakes inside are too cold.

Four: Amber Dragon

This is a film adapted from Gu Long's White Tiger. John Chiang plays Zhao Xuan in it. People are very cold. Shangguan Baojian killed Zhao Xuan's father and sneaked into Xujiabao. Only in the end will we know. This is a considerable weapon of mass destruction. Fortunately, Americans had not established diplomatic relations with China at that time, or something would have happened. The plot is average, but there are some failures. Finally, a genius named Golden Gun appeared. He lost to Zhao Xuan and gave his golden gun to Zhao Xuan. In fact, he is very good at martial arts, but he came out late. If he had come out earlier, maybe Xu Jiabao would have been fighting for hegemony in the Jianghu. I don't know how Xu Jiabao's outreach work is done. I remember that Wai-Kwok Ng played Xu Jiabao's third son, the worst, and there was a powerful role called Jiumo Hou ~ ~ ~

Five: Dreamland Taoyuan

The film tells the story of the so-called noble decency in Jianghu, uprooting a place called "Magic Domain", and sending Fu Qingyun (the good guy Andy Lau) and Murong Bai (the bad guy) into the magic domain to destroy it, and then succeeding. However, the "magic domain" is not only a magic domain, but also a paradise where people live and work in peace. On the contrary, it is a celebrity decent Jianghu, bloody and ironic. Angie Chiu plays Tang Qi in it. Red sun magic and mysterious yin magic are two super powerful martial arts. Fortunately, Tang Qi wounded Murong Bai's left arm in the final decisive battle, leaving a hidden danger and letting Fu Qingyun succeed in revenge. The second master in "Magic Domain" was played by Ouyang Feng. I haven't seen him since the sculpture, and it's very kind to see his face. I used to sell those stickers when I was a child. I have bought many stickers of "Paradise in Wonderland", which are full of characters and posted everywhere, hehe.

Six: Lu Xiaofeng's "Phoenix Dance for Nine Days"

This is Wan Ziliang's version, "Hero, please follow my dream, hero, please leave my dream". This song sung by Jenny Tseng is also very nice, and the Liu Yun laity in it is still very handsome. Unexpectedly, his enemy turned out to be a man who had a one-night stand many years ago. I don't know how they practice kung fu so badly. Ximen Chuixue's performance is good. It's cold, and Ouyang Ke is full of flowers. I think flowers should be so fat, hehe. Lu Xiaofeng's last trick, Phoenix Dance, was really beautiful in nine days, as if it had been performed once in this film, with a handsome index of 100. I've always wondered about the relationship between Xue Bing and Liu Yunju. Unfortunately, the island finally sank. Two years ago, sigh made a Eric Suen Yiu Wai Yaohui version of Lu Xiaofeng, which was really ugly. However, what I remember most clearly is the part where flowers fly all over the building to catch kites.

Seven: chivalry.

This is also a very classic film in Tony Leung Chiu Wai, Shi Zhongyu, Shi Tian, Dingpusan, Dingbusi, hehe, but it has changed a lot from the original. I've always thought that the scene where Dong Er got married in the valley and then Shi Zhongyu went to see him was very similar to the scene where the little dragon girl got married in the loveless valley.

Eight: Four famous arrests

I can't find the old poster. As a supplement.

It's a movie with a comprehensive memory. I watched it all summer, and almost no episode was missed. The four great masters, desperate for life, cold-blooded and ruthless, are all disciples of Zhuge Shenhou. It is worth mentioning that Huo Yuanjia's father, Mr. Dong Piao, who played Zhuge Shenhou, passed away some time ago. He seems to have several wives, hehe. This film is based on the martial arts. The ruthlessness is played by Wai-Kwok Ng, the third young master of Xujiabao (that is, Liu Xiaoqing's ex-husband) in Amber Dragon. I'm still a little uncomfortable that he changed from a bad role to a good one. The pursuit of life in it seems to be played by Zhen Chen, and there are many conspiracy cases, but in the end it is actually to kill the emperor and subvert the regime. The emperor had a son before, but when he found that his blue eyes were considered unlucky by the minister, he abandoned him. Later, the child grew up and began to take revenge. But he is actually a puppet with an old man with the best kung fu behind him. Finally, he was killed by four famous arrests and various gods.

Nine: Jade-faced flying fox

The first time I saw this movie, I thought it was a juvenile version of Chu Liuxiang, a martial arts movie with many handsome guys and beautiful women. It seems that all the important people in it, good or bad, are younger than Chu Liuxiang, hehe. I think this is the most relaxed and comfortable martial arts film I have ever seen. Although there are many conspiracy traps, it is not a big problem for those young people who are full of fighting spirit and hope. I think this film is tailor-made for Wu Dairong, and he is too suitable to play the role of Zhuo Bufan. "Jade-faced flying fox is extraordinary, and I will never give up until I reach my goal." He is very handsome. However, Zhuo Bufan's appearance is rather embarrassing. In order to catch the thief, he sneaked into the prison to be undercover. Bian Xiuzhe, the bad character in it, was much more handsome when he appeared. Two ppmm walked in front with guqin in their arms, and a musician made a grand appearance. He began to befriend Zhuo Bufan and took out two swords of Lieutenant Mo Xie. As a result, two peerless swords were broken at the same time, which I think is a bit exaggerated. How did the cow's two swords come out so easily and then end?

Ten: Lotus strives for hegemony

I must be super excited to recall this martial arts film. This is a martial arts film that I have seen at least five times except sculpture. In my opinion, it should be the second classic after shooting sculpture. I brought this martial arts film when I came to America. This movie should be a combination of the legendary swordsman and meteor butterfly sword. Compared with the shooting of the condor heroes, it lacks political color and is a more pure martial arts film. The screenwriter of this film is really super strong, the plot is compact and there are many suspense. There is a "Dark Flower" style, and the actors' performances are also in place, but some actors dress a bit like Japanese samurai, hehe. Shen Chong, Ye Qun, Gao Xiang and Tang Yang all have distinct personalities. Because they are killers, they are all lonely. In their eyes, rivers and lakes should be lonely. Coupled with the ethereal music that runs through the film, the rivers and lakes in this film are a bit chilly and lonely. Autumn is similar to the eldest sister in meteor butterfly sword, and also like the proprietress of Longmen Inn. I especially like to see her riding a cow (like a cow) in that desolate desert (like a desert), accompanied by very comfortable music, which makes me feel that the rivers and lakes here are particularly clean. Qiu raised these killers, and Ye Qun loved her deeply, but she had a special liking for Nangong Sword. In the end, they were almost far away from the Jianghu, but Ye Qun died in her arms and sighed. Bai Yuchuan is a great attraction. She was played by a mm, because she had to match the transsexual plot after practicing Sunflower Collection, which was similar to that of the legendary swordsman, but also included the elements of Brokeback Mountain. Ha ha, the funny thing is that Bai Yuchuan just wants to become a woman, because one of his men who followed him since childhood is gay and has always had a crush on Bai Yuchuan. So I often put some Datura flower powder in Bai Yuchuan's food, so I think that although Bai Yuchuan is the worst person, she is also a very sad person. The trap she designed after her later transsexuality was really vicious and chilling. The music in the film is also worth mentioning. Hearing the beginning and end of the movie is my favorite. The lyrics of "Jianghu Road" and "Looking Back at the World of Red Dust" sung by Tam gg are well written, revealing a sense of vicissitudes.

Http://61.156.7.14/upload/RM/Lotus Zhengba.rm This is the title song of Lotus Hegemony. I believe many people will recall after reading this title!

The following are all movies, and they are also familiar classic martial arts.

I. the legendary swordsman

Hong Kong's martial arts movies have experienced the martial arts movies in the 1960s and 1970s, and the fantasy martial arts movies of Tsui Hark in the early 1980s. In the early 1990s, the martial arts films finally made their mark and became the brightest memory in the history of Hong Kong films in the 1990s. The legendary swordsman, produced by 1990, is a classic that started this martial arts movie tide.

Jin Yong's original work, Tsui Hark's adaptation, Hu Jinquan's martial arts implication, Cheng Xiaodong's martial arts guidance, Samuel Hui's comic martial arts performance and David Henry Hwang's music make this work a classic. This new martial arts film has been surging for many years. ...

When the sea laughs, the tides on both sides of the strait rise and fall, and they just remember now ... isn't this the footnote of Hong Kong martial arts movies?

Second, Dong Fangbubai in Jianghu.

Abandoning Hu Jinquan's inn-style martial arts world, Tsui Hark made Ling Huchong and them really go to Shan Ye, and the expanded space also brought a broader vision and influence to the martial arts world. Jet Li's performance in place of Samuel Hui combined realism and freehand brushwork. Cheng Xiaodong also put Nine Swords of Dugu on the screen, and Brigitte Lin's beauty in his later years was even more amazing.

It can be said that this work makes Hong Kong martial arts films stand on the land of "Dong Fangbubai" again.

Third, Huang Feihong people should be self-reliant.

Huang Feihong series is a series of works full of Tsui Hark's feelings of home and country. Tsui Hark put Huang Feihong in the background of the late Qing Dynasty, and combined the internal and external troubles of China politics with Huang Feihong's sad feelings at that time, thus creating a more classic image of Huang Feihong.

Of the three Huang Feihong series directed by Tsui Hark and starring Jet Li, the second one is undoubtedly the most classic, because with the participation of Donnie Yen and Yuan Heping, the criticism of ignorant and narrow nationalism has become more prominent. And Donnie Yen's Nalan Yuanshu is also Huang Feihong's best opponent in the Huang Feihong series-but not the so-called villain, but the two have different human natures and have to embark on the road of hostility. Nalan Yuanshu was loyal to the rule of the Qing Dynasty, and Huang Feihong's vision has expanded to the background of China. In order to maintain their ideals, they had to be at daggers drawn. ...

Fourth, the iron horse of young Huang Feihong

Donnie Yen is a martial arts master excavated by Yuan Heping. As early as 1984, Zhen showed his skill in the director's Laughing Tai Chi. In "Men Should Strive for Self-improvement", he cooperated with Yuan Heping to make the role of Nalan Yuanshu proud and sad. In this collaboration with Yuan Heping, Donnie Yen shines again, not to mention Yu Rongguang and Ren Shiguan.

The film tells the story of Huang Feihong's youth, mainly about the infighting between Ma Tie, Huang Linying and the scum of the government, and profoundly reflects the sufferings of the people in dire straits. The chivalrous spirit is good, and the martial arts scenes are wonderful, such as Donnie Yen's continuous kicking of the shadowless foot with three legs, and the decisive battle between Donnie Yen, Yu Rongguang and Ren Shiguan at the end of the film. ...

The Iron Horse of Young Huang Feihong 200 1 was released in the United States and once entered the top ten box office.

Five, Zhongnanhai bodyguards

Zhongnanhai Bodyguard is a film deeply influenced by the Hollywood work Bodyguard, with China's kung fu. It is also a fashionable martial arts film-the story of the film is set in a modern urban life, but their martial arts are still similar to those of ancient costumes.

Jet Li plays a female witness who came to Hong Kong from the mainland to protect her, but she fought with some killers and shot one in Hong Kong, so she was retaliated by the killer's brother Wang Jianxing (played by Ni Xing). They fought a life-and-death battle in a secret room full of leaked gas ... The martial arts were very vivid, and the chivalrous spirit of the police played by Li was also vividly displayed, which was even better than in Letter to Dad.

Six, Jason Wu hero

The most classic film co-produced by Jet Li and Yuan Heping, whether it is several martial arts scenes in the film or the chivalrous nationalism spirit revealed in the film, can be said to be the highest peak in Hong Kong martial arts films. Can we still describe this classic in words?

In 2006, Jet Li cooperated with Yuan Heping again and released Huo Yuanjia. However, due to preaching outside the plot, less martial arts and abrupt scene change, this work can only be a box office success rather than a word of mouth. I have to miss The Hero of Jason Wu ten years ago.

Seven, kung fu emperor Fang Shiyu.

In the late 1970s and early 1980s, Hong Kong's martial arts movies were popular with comic martial arts, that is, martial arts comedies combining kung fu films and comedies. The new martial arts wave initiated by Tsui Hark in the 1990s reduced the comedy elements in martial arts films, but increased the feelings of home and country.

On the other hand, the Jade Road of the Kung Fu Emperor directed by Liu Zhenwei, on the basis of Tsui Hark's feelings about home and country, added comedy elements in the opposite direction, making this work humorous and romantic.

In addition, this work also makes Chiu Man-Cheuk, a supporting role, gradually become a martial arts star. Haha, I quite like Michelle monique Rice in it.

Eight, knife

Zhang Che's classic One-armed Knife, which was remake in 1960s, is also Tsui Hark's work from freehand brushwork to realistic work, shine on you is better than blue.

It is no longer a romantic river's lake, but a river's lake full of buying and selling, killing and unknown fate. No one in this game is a permanent winner, only a temporary winner. "Knife" tells such a martial arts fable in a realistic way-abandoning the romantic feelings of home and country in Huang Feihong's era and returning to the extremely sinister, oppressive and suffocating Jianghu world.

Nine, the ashes of time

Wong Kar-wai's martial arts fables retain the consistent style of Wang's films, but through the coat of martial arts, they show the alienation dilemma of modern people's love, life and morality, and also leave many classic lines.

This is a martial arts film that is least like the martial arts world. However, we can't deny that the martial arts world conveyed in the film is a metaphor for our real life, including characters and lines.

X.xinlongmen inn

In the 1960s, the remake of Hu Jinquan's classic "Longmen Inn" was superior to the previous one in terms of aesthetic feeling. With the addition of the role of Jin Xiangyu, the film was full of the flavor of a woman in the Jianghu, and the decisive battle in the desert was even more thrilling and exciting.

However, personally, Tsui Hark's remake did not surpass Hu Jinquan's old work (the knife surpassed the one-armed knife). Even in the character image, the new work mainly divides the young Xia Xiao Shaozi in the old work into Zhou Huai 'an and two roles, and Qiu Zechao, who plays it, surpasses the old work.

Hong Kong's martial arts films declined in the middle and late 1990s, and entered the era of science and technology. The martial arts in the era of science and technology have lost their pride in the early 1990s and their original sense of ease, but have become pure scientific and technological victories and thin figures.

In 2003, Liu Jialiang directed Drunken Monkey, and in 2005, Tsui Hark directed Seven Swords. It's all a tribute to the Hong Kong martial arts films that I yearned for in 2005. However, these films have lost their luster.