Debate competition analysis

First of all, let’s analyze the topic of the debate. The subject of the action is Jin Yong’s novel. What is discussed here is the question of whether it should or should not be, and it is a choice question. And what is the specific behavior? It’s about getting into middle school textbooks. First of all, analyze the defense topic thoroughly and clearly distinguish the several key points of the defense topic.

Specific to every point: Since we are talking about Jin Yong’s novels, we must first understand the characteristics of Jin Yong’s novels, and then analyze the stage of middle school students as a student group. The most important thing is to start from Analyze its impact in middle school textbooks in terms of advantages and disadvantages. For example, if there are 5 advantages and 3 disadvantages, then the advantages naturally outweigh the disadvantages, which is what it should be. You can search for articles in this area on Baidu. There are many reviews of Jin Yong's novels that you can learn from. These information will be very helpful to you. I would like to recommend an article to you. It may be a bit long, but as a reference, it is still worth reading. "Jin Yong's Novels and Their Characteristics"

Author: Chen Mo

How much do you know about Jin Yong's works?

Honestly, I don’t know how many there are. All I know is that he wrote 15 martial arts novels in one go, namely "Shooting White Deer in the Flying Snow, Laughing Book of Heroes Relying on Bi". ——This is a couplet formed by Jin Yong himself combining the first letters of the titles of his fourteen books. The extra one is the short story "Yue Nu Sword". ——That is:

Fei——"Flying Fox Gaiden"

Snow——"Flying Fox in Snow Mountain"

Lian——"The Secret of Liancheng"

Sky - "The Eight Parts of the Dragon"

Shooting - "The Legend of the Condor Heroes"

Bai - "The White Horse Roars in the West Wind"

Deer ——"The Deer and the Cauldron"

Laughter——"The Swordsman"

Book——"The Book of Swords and Enmities"

God——"The Divine Condor" "The Romance of Chivalrous People"

Xia - "The Journey of Chivalry"

Yi - "The Legend of Heaven and Dragon Sword"

Bi - "Blue Blood Sword"

Yuan - "Yuanyang Sword"

Among the above works, except "White Horse Roaring in the West Wind" and "Yuanyang Sword" are the middle stories ("Yue

Female Sword" is a short story), the remaining 12 are all full-length novels, including "Three Parts of the Condor Heroes" (i.e. "The Legend of the Condor Heroes", "The Legend of the Condor Heroes", "The Legend of Heaven and the Dragon Slayer" and "The Legend of the Condor Heroes"). "The Swordsman" is a multi-volume novel with a length of one million words, while "The Eight Parts of the Dragon"

and "The Deer and the Cauldron" are about 1.5 million words in length.

Jin Yong's first martial arts novel was "Book and Sword Enmity", which was serialized in

"Hong Kong Commercial Daily" in 1955. At that time, Jin Yong was the supplement editor of "New Evening News", and

Liang Yusheng is a colleague. Liang Yusheng's "Dragon and Tiger Fighting in Beijing" became an instant hit, which also greatly increased the sales of "New Evening News", causing various newspapers in Hong Kong to come to Liang. Yusheng wrote a series of martial arts novels for him, so Liang Yusheng was overwhelmed and had no skills.

The boss who recognized heroes with a keen eye asked Liang Yusheng to write martial arts novels for "New Evening News"< /p>

Luo Fu once again acted as a bole and recommended his subordinate Zha Liangyong to be the second leader of the new style of martial arts

This is how Jin Yong started writing about martial arts. Novels. There are also inevitable factors. First, as mentioned above, Jin Yong loved reading martial arts novels since he was a child. His childhood was in China. The first climax of martial arts novels in the 20th century saw the emergence of many famous writers.

Jin Yong was influenced by it, and at this time, it finally took root and blossomed. Secondly, he talked about ordinary writing with Liang Yusheng. Having been discussing martial arts for many years, Liang Yusheng had already become a pioneer. Jin Yong was unavoidable in his skills, so he would go out and fight if he had the opportunity. Third, Jin Yong was writing martial arts novels.

By now, he had already practiced writing movie scripts, so telling stories was no problem for him. Fourth, writing serialized martial arts novels could not only make him famous, but also make a lot of money.

View.

For a newspaper editor who is unwilling to be mediocre, this is really a good opportunity that cannot be missed.

"Books, Swords, Enmities and Enemies" is an extraordinary work. It tells the legendary story derived from Emperor Qianlong's visit to the south of the Yangtze River that the author heard when he was young. The clue of Shi Guan's son develops into the plot of the novel. Combining history and legend

, combining the country's temples and rivers and lakes, and combining "book" and "sword"

to set up a basic narrative framework . Chen Jialuo and Qianlong, a pair of compatriots

brothers, one positive and one negative, intertwined with grievances and hatreds, attracted a large number of readers. Jin Yong can

succeed in one fell swoop.

From now on, you can’t take it back.

Then he wrote "The Blue Blood Sword". In addition to still combining historical figures and legendary figures (the protagonist of this book is Yuan Chonghuan's son Yuan Chengzhi), it also combines the characters (Yuan Chengzhi, Xia Chengzhi, etc.) The stories of Qing Qing) and the non-appearing character (Xia Xueyi) are combined into a narrative with present tense and past events and memories in the past, intertwined into a spectacular scenery. A picture of social history and life in the world.

Next is "Flying Fox in the Snow Mountain". The narrative is mainly based on memories of the past

Everyone tells a story, and the centuries-old grievances are included in one day's narrative, creating

The wonderful structural form is refreshing.

In 1957, Jin Yong began to write "The Legend of the Condor Heroes", which made < /p>

Readers were impressed, and from then on Jin Yong was regarded as a "latecomer", surpassing Liang Yusheng,

and became the "leader" of the new martial arts novel world. It is said that Mr. Xia Jian, a famous Taiwanese traveler and aesthetician, originally wanted to write martial arts novels, but after reading Jin Yong's "The Legend of the Condor Heroes", he lamented, "My true destiny has never been born." ", I had no choice but to retreat and go to the United States.

Since Jin Yong founded Ming Pao in May 1959, most of his works

have been serialized in Ming Pao. At this time, he was no longer just writing martial arts novels to earn royalties, but was responsible for attracting readers and subscribers for the new "Ming Pao" and supporting the page and platform. heavy responsibility. The first serialization in "Ming Pao" was "The Legend of the Condor Heroes", which is the sequel to "The Legend of the Condor Heroes". After that, Jin Yong founded the magazine "Martial Arts and History" and used his expertise to write "Flying Fox Gaiden" which was serialized in the magazine. ——"Ming Pao" and the early days of Ming Pao's career can be said to be largely supported by Jin Yong's martial arts novels. Funds come from this, and so do subscribers.

After that, there were "The Legend of Heaven and Dragon Slaying", "The White Horse Roaring in the West Wind", "The Mandarin Duck Sword",

"The Secret of Liancheng" and "The Journey of the Knight".

Later came "The Eight Parts of the Dragon", "Laughing in the Rivers and Lakes", "The Sword of the Yue Girl" and "The Deer"

The Cauldron Chronicles. ——"The Deer and the Cauldron" began to be serialized in October 1969 and was completed in 1972. This is Jin Yong's last novel. After that, he announced that he would stop writing martial arts novels.

In this way, Jin Yong has been writing martial arts novels for 17 years, and at the peak of his career, Riptide

retired bravely, washed his hands in a golden basin, and ended his entire martial arts writing career with his 15th book.

This is what makes Jin Yong unique. The superficial reason is that he no longer needs to rely on martial arts novels to make money, nor does he need to rely on martial arts novels to attract newspaper subscribers. "Ming Pao" has matured. I found my place and gradually took root

. Jin Yong had no motivation and pressure to write martial arts. In addition, the newspaper industry was becoming more and more developed and he was busy with affairs, so he had no time and energy.

The internal reason is that "The Deer and the Cauldron" has reached its peak and cannot be surpassed, and Jin Yong has never been willing to repeat himself, let alone repeat others. In this case , so he had no choice but to talk about going out of the world. Just like most of the protagonists in his works, after a great deal of drama,

he found a place to quietly retire.

Of course Jin Yong did not, could not, and could not go into seclusion. Not only did Ming Pao continue to prosper and expand, but the influence of his martial arts novels also remains long-lasting. In order to be

responsible to readers and more importantly to his own reputation, Jin Yong

began to revise his old published works from 1972 onwards. ——All of his novels are serialized in

newspapers and magazines. They are written and published at the same time. It takes several years to write, and there are inevitably some careless mistakes

at least not as good as written. After finishing, revise and publish again so rigorously. ——It is said that Jin Yong paid a high price to hire Ni Kuang and other four martial arts novelists to be his consultants and "shooters" to help him revise his old works. The remuneration for reviewing and correcting a manuscript is much higher than the remuneration for writing the manuscript.

Ten thousand.

The revision work took 10 years. This is also the only thing seen among all martial arts novelists

. This is probably one of the reasons why Jin Yong's novels surpass others -

Mainland readers see his revised version. As for the original work

it is difficult to see what it is like. If you want to compare, there is no way to talk about it. According to common sense, the revised work will always be more rigorous and refined than the unrevised work.

However, older readers in Hong Kong and Taiwan have different opinions on this. Some people also say that the changes

are not as good as before. ——Then take a step back, at least it can be said that Jin Yong is serious and responsible,

Sincerity is commendable. It is necessary to not only retreat bravely from the rapids, but also polish the old work.

What’s so good about Jin Yong’s novels? Why can he come from behind, but those behind him can't surpass him? Why are his works still selling well after he stopped writing for more than 20 years?

Why from Nobel Prize winner Dr. Chen Ning Yang. University of Mathematics

Professor Hua Luogeng, as well as red scholar Professor Feng Qiyong, modern literature historian Yan Jia

Professor Yan, classical literature expert Professor Zhang Peiheng, as well as primary and secondary school students in the school

p>

Love Jin Yong’s novels? Why was there a craze for "Jin Studies" in Taiwan in the 1980s, and only his novels became a "discipline"? Why did young scholars in mainland China in the 1990s select him as one of the "20th Century Literary Masters"? Why does Mr. Yan Jiayan say that Mr. Jin Yong’s novels represent a “quiet literary revolution”! ...

These issues are all worthy of study - this itself is the basis for the existence of "Jin Studies"

and the main topic of "Jin Studies" - those who think that studying Jin Yong's novels

Those who are "flattering" or "grandstanding" are too subjective and arbitrary.

Moreover, they are too ignorant of martial arts novels and Jin Yong's novels.

Stop gossiping. The beauty of Jin Yong's novels lies in their elegance and popular appeal. It breaks the boundaries between elegance and vulgarity, and transcends the limitations of this genre. It is unique in its own way, constantly seeking novelty, and is grand yet subtle and refined. .

Jin Yong’s novels may seem like martial arts novels, but in fact they are quite different from ordinary martial arts novels

This is exactly its secret: it allows laymen to watch the fun and insiders to watch the door, so that each can find his place and get what he needs. ——General martial arts novels,

There are only three elements of martial arts, speed and legend: including martial arts and fighting;

Chivalry and chivalry; strange things and strange writings wait. In the long-term development, its basic narrative pattern was gradually formed. It's nothing more than revenge, treasure hunting, hegemony, resistance to enemies, love changes, exploration, etc. unfolding.

——Of course there are some such elements in Jin Yong's novels, but what makes them unique is that none of Jin Yong's works completely follow a certain fixed pattern. The pattern is spread out into chapters. On the contrary, each of Jin Yong's books contains these elements and uses them as a building material to build Xiangji's new story model and his artistic world. .

To put it simply, the characteristics of Jin Yong's novels are "the martial arts are very martial, the chivalry is very

shaan, and the strange is very strange."

This includes three levels, one is martial, chivalrous, and strange; the other is non-martial.

Not chivalrous, not strange. The third is the combination of the two and deepens it, that is, "very martial, very

team, very strange".

Let me first say that Wu is very Wu.

It means that Jin Yong’s novels not only contain a large number of descriptions of martial arts and fighting - if

were not so, it would not be martial arts novels - but also contain a large number of original martial arts and their < /p>

The martial arts scenes have been carefully designed and modified by the author. Everyone knows and thinks that the martial arts fights in martial arts novels are just "paper talks" anyway, and they are just "freehand". No one takes it seriously, no one takes it seriously.

But Jin Yong’s novels are not so simple. He wrote various "tricks" about martial arts and fighting.

One of the tricks is the "literary and artistic transformation" of martial arts.

For example, the protagonist Chen Jiaqia's Baihua Fist in "The Book of Enmity", such as

The song and dance "Ding Jie Niu Palm", and Yu Yutong's golden flute Kung Fu; in "The Legend of the Condor Heroes

Huang Yaoshi playing the flute and Ouyang Feng playing the kite have become "internal strength mutual exchanges",

"The Legend of the Condor Heroes" Zhu Ziliu, a scholar of Zhongdali University, actually used a writing brush as a weapon, and used various fonts such as Zhen, Cao, Li, and Zhuan in calligraphy, as well as the writing techniques of inscriptions and inscriptions as martial arts

Routine; "The Legend of Heaven and Sword of Dragon Slaying" is a logical sequence, so Zhang Sanfeng, the founder of Wudang Sect

, in his sorrow and anger, casually wrote "The supreme king of martial arts, slaying dragons with precious swords, this is the name of the world, no one dares to disobey" "If you can't rely on the sky, who can compete with you?" These twenty-four words turned into a set of exquisite martial arts routines that impressed the arrogant Golden Monkey King Xie Xun.

In "Liancheng Jue", they simply use the names of "Tang Poems" and "Sword Techniques"; in "Quick Travel",

it goes a step further and combines internal strength, boxing techniques, sword techniques, and Qinggong. Etc. are all contained in the poem "Quick Travel" by Li Bai, a great poet. It can be said to be "seamless". In "Laughing

The Four Friends of Meizhuang" Huang Zhonggong, Bai Baizi, Bald Biweng, and Danqing Shengbu

As their names suggest, they are obsessed with piano, chess, calligraphy, and painting. Arts, and turn the rudder with the wind, and accordingly create a set of piano, martial arts, chess, calligraphy, and painting skills. There are countless examples like this, which are eye-opening. As for the hero in "The Deer and the Cauldron" learned the "Three Heroic Moves" from Hong Antong, the Dragon Cult King. ", as well as the "beauty moves" I learned from the leader's wife Su Quan. Of course, "wu" is not a bad idea, and "dance" is more appropriate.

In this way, martial arts, literature and art become one, and martial arts fights in novels sometimes

become "artistic performances", such as the aforementioned "The Legend of the Condor Heroes" In

Huang Yaoshi, Ouyang Feng, and Hong Qigong's three skills of Xiao, Zheng, and Xiao compete with each other, just like

a concert; in "The Legend of the Condor Heroes" Zhu Ziliu's fight with the Mongolian King Yu Huodu became a calligraphy performance

; then Yang Guo used ancient tomb sect martial arts to fight side by side with Xiao Longnu, and they fought together

Jinlun Dharma King, then It became a dance competition; and in "The Swordsman" Linghu Chong went to Gu

for a competition in Shanmeizhuang, and successively competed with Dan Qingsheng, Bald Pen Weng, Hei Baizi, and Huang Zhong

The fight between the public and the public is like an art-culture exposition!

Watching the martial arts fights in Jin Yong’s novels not only has the intensity of martial arts, but also the beauty of literature

and you can also learn a wealth of cultural knowledge. How can you not be impressed? Shoot the case

Amazing.

What is even more amazing is the "philosophicalization" of his martial arts.

The description of martial arts in Jin Yong's novels is, on the one hand, about its form and its beauty; on the other hand,

it is about its spirit and its depth.

Chen Jialuo's "Hundred Flowers Mistaken Boxing" is not made up, it is a combination of various boxing techniques

It creates the magical effect of "a hundred flowers are easy to defeat, but a typo is difficult to defeat". The truth is

convincing. The later Ding Jie Niu Zhang was derived from a fable in Zhuangzi

It is a fable, but it is full of wonderful meaning and makes people think about it again and again.

The protagonists in Jin Yong's novels possess great mastery of martial arts. They all draw from hundreds of schools of thought, and

are also unique in their own way. Chen Jialuo learned "Baihua Cuo Quan", which was already based on Baijia Quan

method, but it was still not enough, so he was asked to learn "Understanding Niu Zhang" again; "Bi

The protagonist Yuan Chengzhi of "Blood Sword", his master is the best sword in the world, but still

In addition to learning his own martial arts, he also dabbles in Taoist Musang's light skills and hidden weapons ;More

Learn and learn from the evil martial arts of the Golden Snake Master, in order to truly achieve "cultivation both internally and externally, both good and evil", so as to truly stand out from the crowd. Guo Jing in "The Legend of the Condor Heroes" was the first to worship the Seven Monsters of Jiangnan as his teacher. He studied internal martial arts with Ma Yu, the leader of the Quanzhen Seventh Son. He then became a disciple of Hong Qigong, and then studied the art of mutual fighting with Zhou Botong and "Jiu Yin Zhen". Sutra"; Yang Guo in "The Legend of the Condor Heroes" is Dongxie, Xidu, and Beibei.

Having learned the martial arts of Zhong Shen Tong and the Ancient Tomb Sect, coupled with the sword skills of Dugu Qiufei, and

many years of training, he has become a top master... There is no need to cite the following examples.

It's all the same. This is nothing more than "the Dharma that reaches everyone can reach it", so as not to "the Dharma

is above, but it can be found among them", or even "the Dharma can only be found among them, but it can only be found below". It shows that when writing the story of characters practicing martial arts, the author really worked hard and used his brain, which is different from the common martial arts novels in which people go up the mountain to learn skills and become masters under the same teacher. , or a chance encounter in life

The way of writing is very different when you get a secret and get it quickly.

The difference is that Jin Yong's novels attach great importance to the principles of martial arts.

In "The Legend of the Condor Heroes", Yang Guo discovers the swordsman who seeks defeat alone. The four swords among them

and the brief descriptions are very meaningful, such as At the age of twenty, there is no sharp sword

; at the age of thirty, the crape myrtle sword is weak; at the age of forty, the skill is useless, and the heavy sword has no edge; after the age of four

it is no longer Being stuck in things, bamboo and wood can be turned into swords... This is not only the fourth level of "kendo", but also the fourth level of "life". The profound meaning makes people think about it again and again

3. Another example is Zhang Sanfeng teaching Zhang Wuji "Tai Chi Sword" in "The Legend of Heaven and Sword of the Dragon", and Feng Qingyang teaching Linghu Chong "Dugu Nine Swords" in "The Swordsman", all of which are full of philosophy

The martial arts explanation should be a great inspiration to interested readers.

Even in "Xia Ke Xing", Shi Potian "ignorance and no desire means no obstacle" to decipher the "mystery of Xia Ke Xing martial arts" that no master in the world can decipher

It's just made up to scare people, but

it has deep insights.

Another point is the "personalization" of martial arts.

This is also one of Jin Yong's "unique skills". Which tree blooms with which flower, and which person

says something. Jin Yong added another one, asking which person to practice what kind of martial arts and use what kind of Kung Fu.

Chen Jialuo and "Hundred Flowers Fist" in "The Book of Swords and Enmities" are a "combination of human and martial arts".

Although this set of martial arts was taught by his master Yuan Shixiao , but Yuan Shixiao never had to use this, so "Hundred Flowers Fist" became Chen Jialuo's "registered trademark", writing that he had the intelligence and beauty of "Hundred Flowers", but Another character, psychology and life that make mistakes again and again. Although Guo Jing in "The Legend of the Condor Heroes" has learned a lot of martial arts, the most

suit for him, or the most suitable for him, is the set of "submission" that is "the most masculine in the world"

Eighteen Palms of the Dragon". Because it is upright, simple, simple and honest, which is in perfect harmony with his personality. Same as before, after Hong Qigong taught this set of martial arts to Guo Jing, he rarely used it himself

In addition to being masculine and upright, Hong Qigong was also clever and clever

sensitive side ("dog-beating stick method"), so he taught Huang Rong the Xiaoyaoyou martial arts and the "dog-beating stick method that is the most skillful

in the world", because Huang Rong's dexterity was also right This is consistent with

this approach.

Yang Guo in "The Legend of the Condor Heroes" created his own set of "Ecstasy Palms", which is of course

part of his character. In "The Legend of Dragons", Xiao Feng is a "great hero" and he is very capable of any martial arts; Duan Yu is "sometimes good and sometimes not good"

Also It's a subtle reminder of his character of wanting to defend rather than fight.

Linghu Chong in "The Swordsman" is just the right person to practice the "Nine Swords of Dugu" that is free, flexible, flexible, and adaptable. The protagonist Wei Xiaobao in "The Deer and the Cauldron" naturally has the most experience in the escape technique of "greasing the soles of the feet".

Let’s talk about heroes and non-heroes.

One of the reasons why martial arts novels are called "adult fairy tales" by Mr. Hua Luogeng

is that martial arts novels have the opposition between good and evil, black and white, and good and evil.

Chu is suitable for the "childlike heart" and "childlike consciousness" of (Chinese) adults (scientific name is "child

child cognitive psychology").

However, invisibly, this black and white rule has also become a huge limitation of martial arts novels

It can only remain at the level of "fairy tales" ,

It is difficult to enter the "elegant hall" - that is, "literature" that becomes "human science".

The characteristic of Jin Yong's novels is that they make great fuss between heroes and non-xiaxia. Not only

maintaining the fast stance of martial arts novels, but at the same time not completely sticking to the traditional concept of chivalry

thus creating a unique image of chivalry.

We can look at this combination of Kuai and non-Xia from two aspects. On the one hand

On the one hand, the general trend in Jin Yong's novels is gradually shifting from the image of a simple knight to

The combination of fast and "evil" gives people the impression that the more Jin Yong's novels are written, the more he writes. The more "chivalrous spirit

gradually disappears, the evil spirit gradually grows"; on the other hand, it is to combine Kuai's conceptual model with specific

personality image to write living martial arts characters to avoid the common problems of conceptualization and formulaization.

Let us first look at the first point, that is, the basic trend of the image series of the protagonists in Jin Yong's novels

is the transformation from chivalrous to "evil". The image of Chen Jialuo, the protagonist of his first book, is completely different from the image of Wei Xiaobao, the protagonist of his last book. Comparing the two, we It is not difficult to see the creative direction of Jin Yong's novels.

Let me first explain here that "evil" does not mean "evil". It is important to distinguish this point.

The so-called "evil" is not quite the same form as "righteousness" in the general sense - the orthodox and ideal personality model and its moral norms. In a sense, it can be said that "evil" (note that the evil here refers specifically to the kind of evil in Jin Yong's novels, not in a general sense) (meaning "evil style") is an expression of "popularity". Its theory

is actually simple and clear, that is, "people are half angels and half devils

ghosts." A more popular statement is that there are neither outright "good guys" nor outright "bad guys". Everything is relative, and human nature itself

is complex. , contradictory. The traditional concept, especially the concept of traditional martial arts novels

is to write chivalrous protagonists as "ideal embodiments" and "moral models"

"educational models", that is, thoroughly good people , a pure "angel"; on the other hand, everything is the opposite, and it is the other extreme. The Jin Yong novels we are going to talk about are not like this. Among them, The distinctions between characters are not so absolute, and they are becoming richer and more complex. On the surface, they seem to be becoming more and more "evil".

Let’s look down and see that the starting point of the protagonist Chen Jialuo in the first book is not complete

It is all the usual chivalrous concepts. Chen Jialuo’s master Yuan Tuxiao was nicknamed "Tianchi Weixia".

The word "weird" is subtly different from the usual "well-known and upright people". Fortunately,

this master and apprentice can generally be regarded as true knights, different from ordinary Xia can't see any difference.

The image of the protagonist Yuan Chengzhi in the second book has undergone subtle changes. Of course he himself

is an upright disciple of a noble family, but the author seems to have deliberately asked him to learn from it.

The evil martial arts such as "The Secret Book of the Golden Snake", and through the unfolding of this martial arts and the story of this

character, it is not difficult to see the author's understanding of the "Golden Snake Man". One

evil character shows great care and sympathy, and at the same time, the protagonist Yuan Chengzhi also

feels close to him in his heart. As a result, Yuan Chengzhi's status and Chen Jialuo's status have undergone a more obvious "displacement".

Hu Fei, the protagonist of "Snowy Mountain Flying Fox", is basically a kind of lead in the book.

The story in the book is about the competition between his father Hu Yidao and Miao Renfeng. And the people and things in the sky

Longmen. The impression given by this book is that it is really difficult to distinguish between good and evil.

The struggle and revenge of the four families of Hu, Miao, Fan and Tian for a hundred years is really shocking.

They were originally sworn brothers, but they turned against each other due to a misunderstanding.

Tian was not as good as Fan, Fan was not as good as Miao, and Miao was not as good as Hu. The two important wars in this book took place between two pairs of good people, namely Hu Yidao and Miao Renfeng, and Hu Fei and Miao Renfeng. This is called Where do people start talking?

Guo Jing in "The Legend of the Condor Heroes" can be regarded as "rectifying chaos" for once, and returned to the right path from the unclear path of

Hu Fei and others. However, the sympathy for "Dong Xi"

in the book, the love for Zhou Botong, and even the description of the only rhyme hero Hong Qigong are also full of chivalry. , two parts evil and one part vulgar.

The next protagonist of "The Legend of the Condor Heroes", Yang Guo, is completely different from

Guo Jing. It can be said that he has embarked on an "evil path" since he was a child. He recognized Ouyang Feng as his adoptive father,

spoke the language of the hooligans in the market, rebelled against the master (Quanzhen Sect), violated the moral code (falling in love with

his master Xiao Longnu), had an extreme personality, Full of evil spirits. This man was so self-righteous that he joined forces with King Jinlun and almost assassinated Guo Jing. He only returned to the right path after an extremely long and painful life of tempering and transformation.

Such an image of the "Condor Hero" is really rare.

"Flying Fox Story" once again attempts to write about the "real knight" Hu Fei, and wants to "set things right

from chaos." But the effect is average. In "The Legend of Heaven and Dragon Sword", the situation becomes even more interesting:

The protagonist's father Zhang Cuishan is a well-known and upright Wudang disciple, but his mother Yin Susu is

the head of the heretic Tianying Church; He is the founder of the Wudang lineage, but his grandfather is the white-browed eagle worker of the Demon Sect and the leader of the Sky Eagle Sect; plus Zhang Wuji's adoptive father, the Golden Retriever Lion King, Xie Xun, makes Zhang Wuji is obviously half angelic and half demonic. And

Emotionally, he seems to be more inclined to the evil sect of the Brain Cult, and finally became a member of the Demon Cult

—actually Manichaeism, that is, the Ming Cult. leader.

The subsequent protagonists either have no apparent good or evil, good and evil, or they combine good and evil into one.

For example, Shi Potian in "Xia Ke Xing" and "Liancheng Jue" Di Yun, Li Wenxiu in "White Horse Roaring in the West Wind", Yuan Guannan and Xiao Zhonghui in "Yuanyang Knife",

A Qing in "Yue Nu Sword"...etc. The characters are not at all righteous or evil, or chivalrous or non-chivalrous. This is also an interesting phenomenon in Jin Yong's novels.

The next "Dragon" (we will talk about it specifically later), and "Swordsman"

Jianghu, etc. are even more "the righteous may not be right, and the evil may not be evil" , and "there is evil in the righteousness, and there is righteousness in the evil". Linghu Chong in "The Swordsman" was oppressed by the "decent" forces and deceived by hypocrites. Only the evil character Tian Boguang had a good relationship with him. . The Sun and Moon God Cult in this book is very similar to the Ming Cult in "Yi Tian

The Ming Cult, which is also known as the Demon Cult. The difference is that the Sun and Moon God Cult is more complex

Miscellaneous, the yin and yang of the East is unbeatable, and I am allowed to be cruel and tyrannical, but there are many flatterers and sycophants below. There are only those who live in seclusion, or at a lower level or more peripherally.

There are some really good people in the organization. The problem is that you can't find many good people in this book, especially among the "Five Mountains Sword Sect".

When it comes to "The Deer and the Cauldron", as mentioned before, the protagonist is even more of a tacky hooligan and gangster. Search for information on this yourself! There are too many words and cannot be submitted. . .