Sentences describing ancient inns, sentences describing the appearance and scenery of ancient inns

Sentences describing ancient inns

1. The Zhonghe Hall is square in plan, with three rooms each wide and deep, with corridors on all sides and gold brick paving, with a construction area of ??580 square meters. . The roof has a single eave and four pointed corners. The roof is covered with yellow glazed tiles and has a gilded copper roof in the middle. The hall has doors on all sides, 12 doors with six bowls and three intersecting doors on the front, 4 doors on the east, north and west sides. In front of the door, there are stone steps leading out from the east and west, and three from the north and south. In the middle is a royal road with relief clouds and dragons. The treads and hanging belts are lightly engraved with curly grass patterns. There are green brick sill walls on both sides of the door, with small windows on top. The inner and outer eaves of the hall are decorated with paintings of golden dragons and seals, and the ceiling is decorated with gold-plated dragons on the front. There is a floor-screen throne in the hall. The shape of the doors and windows is taken from the "Mingtang" described in "The Book of Rites of Dadai", which avoids the similarity of the three main halls.

2. Almost all the farmhouses in the village were covered by snow, leaving only a few dark windows, like pairs of wide-open eyes, looking at the snowy world in surprise.

3. The more than one hundred exquisite ancient buildings existing in Wuyi Mountain are mainly ancient residences built in the Ming and Qing Dynasties, with simple, delicate, elegant and gorgeous shapes. The style is deeply influenced by Huizhou architecture. The building structure of the house is mainly made of bricks and wood, with stone wall foundations and wooden column foundations. Overhanging beams and columns are used to expand the building space. It faces north and faces south, leaning against mountains and water. The layout is The central axis is symmetrically arranged, with a hall in the middle and two compartments on the sides.

4. What an elegant and elegant courtyard: there are hundreds of bamboo poles in the east wing; two green pines beside the west wall; more than a dozen pots of autumn chrysanthemums in bud under the southern eaves; and red dates trees in the center of the courtyard. Will be collected.

5. Among the green trees, neat tile-roofed houses and old thatched houses are intertwined, just like a chess piece in full swing.

6. Under the vast night sky. Those huge modern buildings are like a sea ship waiting for a long voyage.

7. There are more modern buildings here, with their straight lines and silver steel windows, giving people a sense of novelty, generosity and comfort.

8. The serf huts are all in obvious decay. The wood was insect-eaten and old to gray. Many roofs are like sieves. Some roofs are invisible except for the rafters, and there are a few horizontal bars in between, like ribs on the skeleton. …There’s no windowpane anywhere. Occasionally, the window openings were stuffed with pieces of cloth or rags. The small balcony with railings under the eaves, for some unknown reason... is tilted and old, and even the paint is peeling off.

9. Walk through Dacheng Gate and come to Dacheng Hall, one of the three main halls in my country. This majestic building with double eaves and nine ridges, staggered brackets and yellow tile roof, looks like a golden palace. There are ten stone pillars side by side in front, each stone pillar is carved with two giant dragons, one at the top and one at the bottom. They are coiling and rising, flying in the clouds and mist, swimming towards the middle; in the middle, there is a orb surrounded by some flames. Oh, two giant dragons are fighting for the orb!

10. Two small Chinese-style apartment rooms, neatly tidied. There is an ancient porcelain vase on the bookshelf, and a pot of evergreen asparagus in winter and summer on the desk. On one side of the wall hung a photo of Tolstoy with a white beard, and on the other side was an eight-inch half-length photo of Lin Daojing and Yu Shuize. This photo is embedded in a refined frame, looking at people with a smile. In short, after they decorated this old-style cabin, it was warm and elegant, as if it had the breath of spring.

11. The Potala Palace is divided into two parts: the White Palace and the Red Palace. The entire building complex has towering buildings and towering pavilions. The roofs of the five palaces are covered with gold tiles, giving them an extraordinary appearance and unique architectural art.

12. High-rise buildings, resplendent, beautiful buildings, pavilions, intrigues, towering into the clouds, carved railings

13. Bixia Palace is the most magnificent building in Daiding The building complex is covered with iron tiles on the roof, and the side walls of the main hall are also made of iron-colored bricks.

14. It is both classic and cheerful, with a steeple-shaped sloping roof, plastered wooden frame and column decoration, natural building materials and climbing vines that complement each other. It is classic but not fashionable.

15. The hall is paved with gold bricks, and there is a carved gold lacquer throne sitting from the north to the south. There is a warm pavilion between the east and west ends, with two panel doors and wooden reliefs of Ruyi Yunlong and Mingjin Pilu Cap. The method of reducing columns was adopted in the building. Six golden columns were removed from the front eaves of the hall to make the space spacious.

Sentences describing ancient inns (2)

16. Buildings, a group of buildings rising like dense forests, as tall as banyan trees in the south, as tall as poplars in the north, and as white as cedars, The bamboos are as bright green as bamboos, golden as ginkgo in late autumn, and red as kapok trees full of flowers in late spring... twenty layers, twenty layers, forty layers, fifty layers... even three days The high speed on the first floor soared up, like countless huge exclamation points, and heavy rain splashed down around me. I ascended, descended, rotated, looked down, looked up, and stared straight down. While admiring it, I was inevitably accompanied by a sense of dizziness and weightlessness.

17. The Yangxin Hall is an I-shaped hall. The front hall is three rooms wide, 36m wide, 3 rooms deep, and 12m deep. It has a mountain-style roof with yellow glazed tiles, and a roll-up shed to hold the building in the Ming and West rooms. In the front eaves and columns, two square columns are added to each room, making the appearance look like 9 rooms. The name of the Hall of Yangxin comes from Mencius' "Keep your heart and nourish your nature to serve heaven", which means to cultivate your nature. In order to improve lighting, Yangxin Hall became the first palace in the Forbidden City to be equipped with glass. The emperor's throne is located in the middle of the Ming Dynasty, with a plaque "Zhong Zheng Ren He" written by Yong Zheng hanging on it. There is a throne in the "Dongnuan Pavilion" on the east side of the Ming Dynasty. To the west, this was once the place where the Empress Dowager Cixi and Ci'an listened to government affairs behind the curtain. The Xinuang Pavilion on the west side of the Ming Dynasty is divided into several rooms. There is a small room where the emperor reads memorials and talks secretly with ministers. Wu is a place specially designed for the emperor to worship Buddha and rest.

18. The room is very tidy, with a simple bed placed in the corner. There is a checkerboard pattern curtain on one end, but there is only a painted wall on the other end. The floor was paved with mud bricks and was spotless, but it was very damp, as if it would never dry out after being washed last time. The window of the basement faced the street. To avoid children throwing stones, a blind was installed, and it was hung with strange-shaped weeds collected from the fence, the edge of the ditch and the fields... Herbs were hung everywhere in the house, and the light was blocked; as the herbs dried, they gave off an unpleasant smell.

19. The shadows of the trees moved on the carpet, and the fragrant smoke from the Daxuan furnace continued to rise. The wall clothes on the east side are bathed in the sun's rays, and the golden brocade attached to them reflects a dazzling brilliance. An ink dragon by Chen Suoweng hangs in the middle hall, with its teeth and claws spread out and about to fly down. On the west wall is a landscape painting of horses and horses. The soft and soft brushwork is almost protruding from the silk surface, making people forget that they are sitting in a house in Beijing.

20. When we came to the main bridge, the railings were milky white. Fifteen electric poles stand on the bridge deck, each pole is equipped with four cup-shaped lanterns, like an upside-down tea cup. The milky white lampshade and the blue sky complement each other and look very harmonious. I think, at night, these lights will emit light

21. Great construction, nail head phosphorus, Guidian Orchid Palace, Feige Liudan, Hongtu Huagu, towering into the sky, red and red couplets carved with regular script

22. The serf huts are all in obvious decay. The wood was insect-eaten and old to gray. Many roofs are like sieves. Some roofs are invisible except for the rafters, with a few horizontal bars in between, like ribs on a skeleton. …There’s no windowpane anywhere. Occasionally, pieces of cloth or rags were used to plug the window openings. The small terrace with railings under the eaves, for some unknown reason, is tilted and old, and even the paint is peeling off.

23. It was a low and dilapidated south room. There was no sunlight all year round, and it was dark and damp. The wall coverings had long since fallen off, and the walls were uneven.

24. This is a Tibetan flat-roofed building with civil structure. The Sutra Hall was very dark, which added to its mystery. There were many large pillars inside. A few classmates and I curiously counted them, and there were actually one hundred and sixty! If you look closely, each pillar is wrapped in a colorful blanket, intertwined with embroidered ribbons, and has various cut-and-paste Buddhist stories on it. The hall has a wooden floor with carpets on it, where the lamas meditate and chant sutras. The roof of the main sutra hall is unique, with various inverted bells, exquisite and unique pagodas, as well as ingenious gold and golden deer, etc., which make the main sutra hall decorated with a magnificent and religious atmosphere.

25. Huizhou architecture has gray tiles, white walls and a tall gatehouse. The walls of the gatehouse have exquisite carvings, and the carvings on the roof are even more exquisite and beautiful. There is a set of water systems throughout the building. , coupled with the green trees and the echo of the mountains, it makes you feel like you are in a fairyland.

26. Romantic and solemn temperament, high-ceilinged foyer and grand door, circular arched windows and corner stone masonry, all show elegance and elegance.

27. However, after moving here, when I saw the balcony with iron railings and painted light green, a sudden joy filled my heart, as if the child had gained hope. Like a long-standing toy. Yes, I like balconies. In the middle of an increasingly crowded city, a balcony is like a small island protruding from the vast ocean. From here, you can look at the turbulent sea with a calm mood and overlook the sea. The jagged roof at your feet overlooks the people rushing back and forth in the middle of the house. A lamp in front of you, a piece of bamboo clothes, an old man sitting at the door with his eyes closed and meditating, and the flash of red clothes in a certain window will all arouse your mysterious reverie.

28. Uighur residences are mostly built into courtyards, and doors should not open toward the west. The house is square in shape with a deep front porch. The courtyard is planted with many flowers, grapes, and fruit trees, and is kept very clean. Indoors, earthen kangs are built, tapestries are hung on the walls, niches are opened, and they are decorated with various floral patterns.

29. It is fresh and unconventional, with white plaster walls combined with light red roof tiles, continuous arches and corridors, and a living room with tall and large windows, which makes people's hearts flutter.

30. The architecture of the Forbidden City is magnificent and majestic. The layout is rigorous and has reached the artistic peak in the history of Chinese architecture.

Sentences describing ancient inns (3)

31. The inside of the house is also very different from ordinary farmhouses. In most farmhouses, there is a broken bed in the pawn room, with chopping boards, pans and other sundries placed on the bed. This place has the style of a landlord's house, with a table and an Eight Immortals table in the middle, and a grand master's chair on each side, with red cloth cushions on the chairs. The big self-ringing clock on the table was polished to a bright shine. The partition doors on both sides were hung with white curtains, and the furnishings in the inner room were blocked.

32. When I looked up, I first saw a large red gold plaque on Kowloon Green Ground. On the plaque were written the three characters of Dou Da, which is "Rongxi Hall", followed by a line of small characters: "A certain year, month and day, The book was "gifted to Jia Yuan, Duke of Rongguo", and there were "treasures worth tens of thousands of Chenhans". On the large red sandalwood carved chi table, there is a green bronze tripod about three feet high, hanging to be leaked and followed by the large ink dragon painting of the dynasty. On one side is a golden dragon (wěi) and on the other is a glass (hǎi). There are sixteen nanmu chairs in two rows underground, and there is also a pair of couplets, which are ebony couplets inlaid with chiseled silver writing.

33. The Jiaotai Hall is square in plan, with three rooms each in width and depth. It has a single eaves and four corners with spires, a gold-plated copper roof, yellow glazed tiles, double-raised and five-stepped dougongs, and beams decorated with dragons, phoenixes, and dragons. Seal color painting. There are four open rooms on the four sides with open doors, six bowls of water chestnuts on three sides, four dragon and phoenix skirt panels on each side, sill windows on the south side, and walls on the other three sides. The top of the hall is a caisson with a dragon holding beads, and the floor is paved with gold bricks. There is a throne in the bright room in the hall, with a plaque "Wuwei" written by Emperor Kangxi hanging on it. Behind the throne is a screen with the "Inscription on Jiaotai Palace" written by Emperor Qianlong. There was a copper kettle dripper in the east room, which was no longer used after the reign of Emperor Qianlong. On the west side of the Jiaotai Hall, there is a self-ringing bell, which was made in the third year of Jiaqing.

34. A house is shaped like a bird, with two big round eyes as its windows.

35. In the city of Suzhou, there are many unique streets and alleys like this: long, thin, winding and winding. The gravel pavement looks smooth and shiny after being sprinkled with evening dew and washed by spring rain. Next to it, there often lies a small river, which is also long, thin, winding and winding. The water surface is lively, and when the wind blows, there are gentle ripples, as if someone is quietly shaking the green silk. Every twenty or thirty steps, there is a small bridge. There are small bridges with hunched shoulders, elegant stone bridges, and small brick bridges and small wooden bridges with painted railings.

36. Pavilions, pavilions, ponds, pavilions and waterside pavilions are reflected in the green pines and cypresses; rockeries, rocks, bonsai flower beds, wisterias and green bamboos are dotted among them.

37. The temple is vermilion red and the walls are pink. The pines and cypresses are green. The whole building is beautiful and elegant, solemn and solemn.

38. There are two stone platforms on both sides of the terrace in front of the Qianqing Palace. There is a gilt copper pavilion on each stone platform, which is called the Jiangshan Sheji Golden Palace. It is also called the Golden Pavilion in colloquial language. The Golden Hall has one room each in the deep and wide areas, with four partition doors and double eaves installed on each side.

The round pointed upper eaves are equipped with an elegant cast top, symbolizing that the country and the country are in the hands of the emperor. Tiger Cave is located on the south edge of the terrace of Qianqing Palace where it meets the imperial road and steps. There are three culverts, nearly two meters high and one meter wide, named "Tiger Cave".

39. A huge white marble banquet hall: red curtains, shiny inlaid floors, many tables placed in the middle of green columns, gold, silver, and glassware gleaming on the white tablecloths. There is a long table on the high platform, about a hundred feet long from one end of the hall to the other. The other tables are arranged in rows at right angles to the high platform. Two magnificent giant chandeliers hung from the high red and golden ceiling, and the countless frosted glass round lights on the chandeliers shined brightly. There are also ornately decorated sconces shining brightly on the walls.

40. It is elegant, exquisite and comfortable. The porch and foyer stretch to the north and south. The living room and bedroom are equipped with low windows and hexagonal bay windows. The restaurant connects the north and south, and the indoor and outdoor scenes blend.

41. There are white marble pillars standing at the four corners of the room, and the surrounding walls are all carved with white stone bricks. Orchids carved from gold bloom seductively among the white stones, and cyan gauze curtains float in the wind. Yang, Qinghen stood in this ten-meter-high building, as if if it weren't for the killer's unique calmness, he would have fainted long ago, and two words kept popping up in his mind: luxury.

42. The room is sunny and has luxurious furnishings. There are various clocks and watches inlaid with diamonds on the windows. There is a gorgeous bed in each room, with the quilts neatly folded; there is also a white candle on the table, with a dragon engraved with teeth and claws on it. The interior of the house is decorated as it was before.

43. The beautiful two-story white building stands abruptly in the center of the village, standing out like a flock of chickens.

44. The whole building is magnificent and the layout is rigorous. The pavilions and warehouses are symmetrical, decorated with gold paint and paintings, and are decorated delicately.

45. The exterior of the building is all covered with white and cream tiles. From a distance, the entire building looks like white sails racing, majestic and giving people a sense of movement in silence.

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46. The whole room is covered with dark red Turkish brocade decorated with gold flowers. In the recess of the room, there is something like a couch, with several Arabian swords placed on it. The scabbards are gold-plated, and the hilts are inlaid with crystal-clear gems. A Venetian glass lamp hangs from the ceiling. The colors and colors are all charming; the Turkish carpet under your feet is ankle-deep; several door curtains hang down in front of the door, and another door leads to the second room, which seems to be illuminated magnificently.

47. The tender cold locks dreams because of the cold spring, and the aroma envelops people is the fragrance of wine. On the table is the precious mirror that Wu Zetian installed in the mirror room, and on one side is a golden golden bird with flying swallows standing and dancing. The plate contains papayas that were thrown by Anlu Mountain and damaged Taizhen's breasts. On it is the couch where Princess Shouchang lay on His Royal Highness Hanzhang, and hanging on it is a couplet made by Princess Tongchang.

< p> 48. I saw lush green trees, scorching exotic flowers, and a clear stream flowing from the depths of the flowers and trees to the rocks. A few steps further, gradually towards the north, it is flat and wide, with flying buildings on both sides and carved embroidered thresholds, all hidden among the trees in the mountain col. Looking down, you can see the clear stream pouring snow, stone steps piercing the clouds, white stones as railings, surrounding the edge of the pool, stone bridges and three harbors, and beasts holding vomit in their faces.

49. The palace is located among the trees, with a glass tile roof exposed, just like golden islands.

50. Going forward, the road separates up and down. The lane in the middle slowly goes down and stretches to the opposite side, from south to north, like a rainbow, high in the sky. Under the long bridge, there are 12 pairs of cement piers on each side, like giants, spreading their powerful legs to guard the bridge. The trolley bus dragging two pigtails flew at its feet.

51. When we came to the south, we saw the reconstruction of Tangshan: ruins were cleared, buildings were built, and roads were repaired. A brand-new city has begun to take shape... Finally, I came to the west, and a new city appeared before the eyes of the world, completely shattering the nonsense of some people in the West that "Tangshan has disappeared from the map of China."

52. In a quiet mountain forest, a European-style villa comes into view. If you look carefully, it is made of overlapping wooden boards. It is sharp and refreshing, with white plaster walls and light red roof tiles. The continuous arches and corridors, and the living room with high ceilings and large windows make people's hearts flutter.

53. There are all kinds of fountains. There are water columns rising from the ground; there are diamond-shaped net-shaped water curtains clustered around the water columns; there are water balls rising like clouds, accompanied by pleasant and graceful sounds. The sound of music, with the pitch of the sound, trembled with twenty-four trumpet-shaped water splashes.

54. Just by the Yongxi Lake, there are large tracts of golden flowers blooming, like golden stars lying among the green leaves, but no star can be so bright. Eye-catching, radiant, and so alluring that it seems to take one's breath away.

55. The Hall of Supreme Harmony is also called the "Jinluan Hall". It is the tallest and most magnificent building in the Forbidden City. It is 11 rooms wide and 5 rooms deep. It is a double-eaves verandah-style building with yellow glazed tiles. It stands on the third floor. On top of the white marble Xumizuo platform (05 meters high). The main hall covers an area of ??2,377 square meters and is the largest existing wooden palace building in my country and the world.

56. The guests were welcomed into a light blue villa. In front of them were displayed the rooms where some of the world's heads of state once lived - comfortable and cozy bedrooms, magnificent living rooms and grand reception rooms. The parquet floor made of manchurian ash is covered with a large red dark pattern carpet, and the walls are inlaid with exquisitely crafted wainscoting. Passing through the room, there is a crystal clear warm corridor. Looking out of the window, the gorgeous garden scenery comes into view like an oil painting...

57. As soon as you enter Yuyuan Garden, you will see "Sansui Hall". "There are several cycads and some famous trees planted in front of the hall. The green leaves around them are clear and shiny in the drizzle. Walking along the path of "Sansui Hall" and walking through "Yangshan Hall" and crossing the stone gate, it is indeed as written on the plaque "Getting better": the large rockery more than ten meters high is towering and majestic. The winding path of the lotus pond at the foot of the mountain, the sound of flowing water on the small bridge "Ding Dong, Ding Dong" is mixed with the bursts of laughter and intertwined into a moving "Spring Song"; The green contrasts with each other, which makes it look particularly moving. Standing on the "Wangjiang Pavilion" on the top of the mountain, overlooking Yu Garden, you can have a panoramic view of the green mountains, green waters, picturesque pavilions and pavilions. Yu Garden, your exquisite garden architecture really attracts people, and your permanent spring scenery , even more fascinating!

58. Getai and dance pavilions, golden jade brilliance, Huawu Qiuxi, Huawuqiu ruins, pavilions and pavilions, jade inlays and carved lanterns, and magical craftsmanship

59. Outside It was a small courtyard, with a few bamboo branches and a flower bed covered with green moss; beside the bed stood two or three worn purple clay flower pots with some wild grass growing wildly.

60. The Liu family courtyard is very elegant. On the fence covered with loofahs and bean pods, the green leaves are bathed in the warm sunshine, giving people a sense of beauty and tranquility. In the three bright north rooms, smoke slowly floated from the roofs.