Ma Hesheng's famous comments

Jiapingao

I once recommended Ma Hesheng to Wang X, but Wang X didn't respond; I recommended Ma Hesheng to Zhang XX, and Zhang XX said that they had studied it, but there was no following. I have to recommend Ma Hesheng to you. After you take office, I agree with you. I will never bother you with personal problems, but Ma Hesheng is not my relative. I am not a fellow countryman or a classmate. If I don't recommend it to you, the problem of Mahesheng may never be solved in this city. If I don't recommend it, no one in Ma Hesheng will recommend it. Because Ma Hesheng is a poor man, he has no urban hukou, no work unit, even 36 years old, and has not yet got married and started a family. I met Ma Hesheng five years ago. I am forty-three years old and he is thirty-one. We are all born with dragons. I'm only one lap older than him. I was amazed at his talent and we became very close. After several years of contact, Ma Hesheng never sighed in front of me, knew about my relationship with you, and never begged me to put forward his predicament to you. We just talk about art, or show paper, write and draw. Every time we eat, he leaves. He refused my invitation to dinner because he had no money to invite me to a restaurant. But I accepted the steamed stuffed bun he brought from his hometown twice. He let his mother make it herself, made me a plate of ice cream in the hottest summer, and wrote it on a piece of paper with pen and ink and gave it to me. I don't recommend him, Ma Hesheng or Ma Hesheng, but I don't recommend him, but my conscience is always condemned. I am of course his teacher in terms of age and social experience, but he should be my teacher in terms of painting and calligraphy. At the age of 25, I found a job and my livelihood was basically solved. For decades, I have been well-fed and focused on writing, and I have made great achievements. Ma Hesheng entered this city as a teenager. In 167, he made a living by wandering, which directly affected his artistic achievements. In such a big city, it is impossible to make the city poor with one more person who receives public wages, but one less artistic genius will often make the city look empty. How many units are overstaffed? There are monks who don't ring bells in temples everywhere, but some people don't hire them. It is difficult to develop with talent. I don't recommend Ma Hesheng. I am ashamed that I am in the field of culture and art, and I doubt that I am narrow-minded and jealous of talents. But I recommend it to you. If you think it's a trivial matter, political and economic work is too busy, just put it on the shelf or forget it. If the whole world knows, it will affect your reputation and damage your image. I know Ma Hesheng, but I don't recommend Ma Hesheng. After you get to know Ma Hesheng, you will definitely blame me. When I recommend Ma Hesheng to you, I will seriously recommend it to you, so I won't invite you out to dinner or tell you orally. I wrote this letter specially. Then, you can continue to look down, and I'll talk about the specific situation of Mahesheng.

Ma Hesheng is from Heyang, Weibei. Heyang is located in the cold, lacking water and rain, mainly producing wheat and corn, which is crowded and arduous. Ma Hesheng is both romantic and witty. He is a beginner in regular script, beautiful and gentle, and has Jiangnan habits. As soon as he debuted, he gained a reputation in the industry, which is also the reason why he can survive in the ancient city. Later, I began to learn painting, and my understanding was quite high. The essays in the Ming and Qing Dynasties are almost indistinguishable from the original works. If you entertain all kinds of social activities with such skills, Ma Hesheng can definitely become a man with money in his pocket, cars in and out, long hair fluttering and lofty features, but Ma Hesheng tore up all his old works overnight. He came to tell me that there is indeed a show in his nature, and it is difficult to achieve great works if he develops alone in praise. His change is hard for many people to accept, but it excites me! I cheered his extravagant ambition and told him that he might be a lilac, but he was born in Weibei, and the rich and profound humanistic environment was desolate and muddy. Lilacs are no longer delicate. If he consciously gains weight, he will become a big tree. Men who have no show are withered, and those who have no bones are weak. They can clearly understand themselves and adjust themselves in time. From now on, I have more respect for Ma Hesheng.

Nowadays, the calligraphy and painting circles are mixed, and fences are everywhere. Just looking at their business cards is enough to be intimidated by their titles. But if you look at those exhibitions, what you are sad about is not these "artists", but the desolation of this era. Calligraphy and painting, especially calligraphy, is originally an art evolved from practicality. I'm afraid the ancients didn't have a special calligrapher. Now the writing tools have changed, just because they can write with a brush, they are called calligraphers. They write as well as write, turning an abstruse art into juggling. It is out of dissatisfaction with the present situation that a group of writers, scholars and professors organized a folk painting and calligraphy club, named Taibai Academy, and Ma Hesheng was one of them. Although Ma Hesheng is not a writer, scholar and professor, he has been with writers, scholars and professors for a long time. He also wrote many articles. With his youth and enthusiasm, he is an active planner and organizer of every activity. What's more, he is an excellent agitator. When everyone was creating, he tried his best to stir up emotions. Often the atmosphere at the scene is relaxed and active, which greatly increases the self-confidence of the creators, so that everyone always shouts when writing and drawing: river sound, river sound, come on!

Ma Hesheng's painting and calligraphy art has been quite excellent, but China's painting and calligraphy has always attached importance to celebrities, and Ma Hesheng's painting and calligraphy is really inferior to mine. Whenever we are together and outsiders only buy my calligraphy and painting, I feel a little embarrassed. Some people severely criticized Ma Hesheng for not catering to the market, so it has been poor. Ma Hesheng finally not tempted. He said: celebrities have never been famous. In politics, there are painters who can market calligraphy and painting, painters who are engaged in other art categories, but there are also painters who become everyone by painting and calligraphy. Since I have never been famous since I engaged in painting and calligraphy, that is why my works are still not good. He calmly faced the eternal and eternal situation and devoted himself to creation. He rented a very shabby house and bought books along the four walls, so I wrote the name of fasting: raising horses. I have been to Matang once in summer. The room is as hot as a steamer, and there is no air conditioning. An electric fan can no longer shake his head. He wore only a pair of trousers and was drawing profusely, while bowls, chopsticks, teapots and instant noodles were scattered on the coffee table. Seeing this scene, I felt deeply and could not forget it for a long time. I wonder how many wizards in the history of Chinese and foreign calligraphy and painting are difficult to debut, but there are always some rich people who are interested in buying packaging and pushing it to the market. However, not many people can see the potential of Mahe Sound now. What I can see is the same as me, except that I am not rich. I can only buy him $200 "Cold Bird" today and $500 "Landscape Sketch" tomorrow. How many meals and newspapers can I buy with this change?

There are many people in the world, bricks and tiles are disputed, and gold and silver are abandoned, which is often puzzling. Even a real genius has a lot of icing on the cake, but few people give timely help. In the reform of China, various systems are in parallel, so that people's wealth does not depend on their ability. If Ma Hesheng had not been born on a farm and had a house with a fixed income, he would have grown up years ago, but now he can only grow his trees in twists and turns. This tree is sure to grow. Why don't we water and fertilize it during its growing period and say it is a good tree when it grows up for many years? ! Of course, history is created by the working people, but what is recorded in writing is the history of history, but it is often emperors and princes, talented people and beautiful women. As a leader, grasping politics, economy and public order is a basic work. Looking at the whole country, it is unrealistic for this ancient city to make outstanding achievements in politics, economy and public security within a few years and leap to the forefront of the country. A city should have the characteristics of a city, and the ancient city is a cultural city. To develop culture, we must have talents. A leader has only worked for two terms. Instead of doing his best in other aspects, it is better to seize a few talents and mobilize them.

Because I cherish Ma Hesheng very much, my recommendation is really easy to make people overexcited, and I can't help but think it's nonsense. I can forgive you and look forward to hearing from you. If there is no news within half a month, I will invite you to dinner. Road contains virtue, courage and poetry —— Ma Hesheng's artistic life

According to capacity:

2011July 15- 19, the "Dalong Hesheng-Ma Hesheng Painting and Calligraphy Exhibition" was grandly exhibited in China Liangbao Building on the third floor of Guohua Building, 342 Hennessy Road, Wan Chai, Hong Kong. Before he left, he said:

"Hong Kong Liangbao Building suddenly invited to hold a painting and calligraphy exhibition. Although it has been trying to hold exhibitions and prepare its works for several years, the Beijing exhibition the year before last was an accident. Hong Kong was simply caught off guard this time. I was caught off guard by the north and south positions. Thanks to a little experience in middle age and a little calmness in nature, I can't find the north and the south in the face of such a double "accidental" attack. Fortunately, the work is comprehensively reviewed; Even better, the writer and calligraphy critic Li commented on my "person" and my "product" at the first time, and did not rule out the factor of friendship. In the face of the public, not only the above two or more friends seem to be full of confidence, especially myself, self-confidence has never been lacking, because I have long known how heavy I am, and I have no intention of taking care of superfluous things, and life is around me.

The "accident" of life comes from people ... "

A speech shows Ma Hesheng's calmness in indifference, stubbornness in calmness and humor in stubbornness, which is a vivid exposure of a talented person. Then, let's slowly appreciate Ma Hesheng's art and his artistic life, responsibility in indifference, poetry in calmness, easygoing in stubbornness and heaviness in humor. The art of Mahesheng is worth appreciating slowly with your heart.

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Ma Hesheng is not a poet, nor does he pretend to be a poet, but he has the temperament and elegance of a poet. This temperament and elegance benefit from his talent and feelings. The so-called "he is poetic and bookish" nourishes his talent, and then nourishes his poetry and poetic realm.

Appreciating Ma Hesheng's painting "Heaven and Earth Clear", there is a passage in the painting: "The viewer should not make noise, little frightened bird; If people don't understand, the world will be clear. " I said, "The poem with the inscription is really good, full of philosophical thoughts, which complement the artistic conception of the painting." He smiled and said, "This is still a poem. I didn't expect it. " It is precisely because of this "no feeling" that the simple words slowly revealed make people feel the poetic meaning of generate. Nature is neither carving nor cutting.

A song "There is a chrysanthemum, and the city stays for me. Dare a pot of wine and make friends with Wan Li. Although it is grass on the shore, I don't envy Lao Changlin. See the spring breeze again, and the dream shadow moves away. What is revealed is the magnanimity and poetic calmness in Mahesheng's magnanimity, the boldness in magnanimity and the elegance in calmness. It is this combination of boldness and grace in talent that makes Mr. Ma's works look beautiful and smart in the vastness. A glimpse of the whole leopard, Ma Hezhi sound, full of poetry and painting, brilliant. With this poetic feeling, Mr. Ma's words, whether broken sentences or long films, are full of poetry between the lines. Poetry is by no means a formal pile of 40% to 80% sentences or 50% to 70% words.

Starting from the situation, Ma Hesheng sent Yue "to sit on the book city and float away, drinking tea and smoking a few immortals;" A pair of partridge shadows outside the window, who can relax the pillow. " He has leisure time, but he is devoted to deep thinking on traditional culture and unremitting tempering of poetry, calligraphy and printing. Therefore, his leisure is a great boon.

"Preface to Poetry" says: "Poets are also determined. Heart is ambition, words are poetry, feelings are in the heart, and form is in words. Not enough, so I lament. Lamenting is not enough, so sing. Lack of singing and dancing are not the same thing. " Mr. Ma Hesheng danced and danced, but in the language of poetry, he danced Moline of calligraphy and colorful paintings. Being able to "walk with the line" makes his works "become a meaningful form".

Ma Hesheng's calligraphy, with lines and cursive script, is the most outstanding. There are hundreds of self-developed liberal arts, which are rich in the pursuit of "creating new ideas within the statutes" and elegant in the heartfelt expression of "putting wonderful ideas outside the bold". Therefore, in his calligraphy and cursive script, it seems that many sages such as Wang Xizhi and Yan Zhenqing are immersed in irrigation, but what he expresses is a smile of flowers after heavy accumulation. This smile reveals a lively and provocative horse harmony, gentle temperament and bold style.

His regular script, based on the Tang and Song Dynasties, is vivid in Wei and Jin Dynasties. Yan Zhenqing in Tang Dynasty, Su Dongpo in Song Dynasty, Shimen Ming and Zhang Menglong in Wei and Jin Dynasties, and Baozi and Long Yan in Jin Dynasty. Therefore, it is unrestrained, refined and sincere. The six-foot couplet of "Dare a pot of wine, pay Wan Li's heart" can be said to be the masterpiece of his recent regular script creation, with a paragraph of "dignified and beautiful, vigorous and graceful".

Ma Hesheng seldom writes official script, but when he does, he has a shocking and pleasant expression. In the inheritance and creation of official script, Gansu people can't go deep into Han bamboo slips, and Shaanxi people turn a blind eye to the "Shimen Thirteen Products" and follow the so-called "vulgar style" and are at a loss, which is very sad. Ma Hesheng's official script creation is different, which shows the superiority of a calligrapher's geographical advantage. He is unique. He embodied the spirit of Han Lizhi with the inscription and interests of Shimen, and showed the vigorous hunting in the ancient county of Han and Tang Dynasties with the cultivation of grass and seal rhyme.

Looking at Ma Hesheng's calligraphy, in a word, is awe of traditional culture. Innovation is respect for self-soul. Being able to learn from the past and bring forth the new, that is, not confused with the past and ignorant of the heart, shows an artist's noble art and broad-minded mind. Obviously, Mr. Ma's visit to ancient times was not a one-room visit to a certain household, but a comprehensive investigation, extensive collection and collection, and hundreds of pollen were collected before he got his own honey. Since ancient times, Mr. Ma's innovation has its own roots and flowing water. Although there is a kind of aggressive tension and courage, it is not crazy, simple and peaceful. Mr. Shi Lu said, "What is tradition? Tradition is that if you write well and draw well, it will become a form for others to learn and inherit. " When I read Mr. Ma's book, I have a sincere admiration. What I admire is that his calligraphy is a rare extension of traditional poetry and an eternal literary heart. There is poetry between the lines and literary heart in the words, and his calligraphy will become another form of tradition.

Extraordinary calligraphy attainments have enriched the vocabulary of Ma Hesheng's painting art and made Ma Hesheng's painting art comprehensive.

Huang's landscape painting method is extraordinary, but the value in his creation is reflected in his abandonment of the method after he obtained it. Huang is a giant peak in the history of China landscape painting. His great performance is that he broke, kneaded and merged the previous laws into a French style. Today, people learn from Huang, but they do the opposite, and then analyze and summarize them one by one-this is XXX, and this is classified as XXX. If that's the case, why not take so-and-so instead of Sherbin Weng? From this point of view, Huang's works can not be used for reference, and the abandonment of Huang shows his artistic awakening and intellectual wisdom. His landscape paintings not only have the accuracy of "seeking for strange peaks" as a portrayal of heaven and earth, but also have the exile of "each has its own soul", so his landscape paintings are full of Ma Hesheng-style tenderness and delicacy.

Ma Hesheng's flower-and-bird paintings do not aim at precise modeling, but pursue rich atmosphere. Between similarity and dissimilarity, they express a literati's mind and poetic mind. The old man Baishi said: "The beauty of painting lies in similarity and dissimilarity, which is too kitsch to deceive the world." Ma Hesheng cherishes art and does not flatter vulgarity or deceive the world. Between the "shape" and "meaning" of flowers and birds, he expresses his personal feelings and significance, his soul and spirit, and his true and sincere nature. Huang said: "The incredible is true", which is a sincere pursuit, just like his personality.

There are two kinds of concerns in Ma Hesheng's figure painting, one is about traditional culture, and the other is about the world life, both of which reveal the responsibility of a scholar. The former's works include reminiscing about the sages, such as the solemn dedication and meditation of the master in Forever, such as the vivid expression of Wu Changshuo, Huang, Qi Baishi and Zhang Daqian in the four acts of Listening to the Master, and also reappearing other sister arts, such as the naive Han figurines in the rap of the Han nationality, and even the Qin opera. If his series of creations give people spiritual pleasure and emotional aftertaste, then the later creations give people spiritual shock and ideological vigilance, with great love and great feelings-he looks directly at people who are suffering in this era, pays attention to their difficulties, cares about their sufferings, communicates with the spirit of every sage who once cared about people's livelihood and society, and stabbed the pain of this era with his own painting language. For example, the fatigue of redemption, life and Shen Jia's tears. About Shen Jia's tears, it was his deep affection after experiencing the pain personally. Therefore, in the face of "exhausted redemption" and "life", we have seen the hardships of the living and the joy in the hardships. In the face of Shen Jia's Tears, although we didn't see the greatness of the great men in the previous "painting of great men", we read the simplicity and innocence of human nature. There are also Yushu Yushu and Huashan Porter, which are the materialization of his great feelings of grasping the moments in real life and paying attention to people's livelihood. A work that depicts the prosperous and comfortable life in the prosperous times is a performance of loving the motherland and being close to the people, but a work that can describe and capture the hidden suffering in the prosperous times is a performance of loving the motherland and being close to the people. This love, this love shows how strong and sincere they are! This is the essence of art and the preciousness of art, which is the respect of artists.

This is Ma Hesheng's painting, which inherits the spiritual mantle of classical art in creation, and can explore the seedlings of spirit, write his own thoughts and express his feelings. Tradition has laid a foundation for his paintings; Life makes his paintings have thickness and depth on the basis; Mind and feelings enrich the thickness and depth of poetry. Of course, this unique beauty in his works is due to his outstanding talent and superb calligraphy. Therefore, looking at Mr. Ma Hesheng's paintings, we can not only have tradition and life, but also endow them with a desolate poetry, which makes his paintings beautiful and deepens the touching depth of tradition and life in his paintings. From this point of view, Mr. Ma's paintings, if of any quality, should be the fu in poetry, with the sage as the heart; If their feelings are said, they should be like Li Bai in the poem, with a fairy family. The former has the virtue of historical narration, while the latter has the ability of enlightenment. Combining the two, art has a great beauty beyond art, and his paintings have an epic thickness.

For seal cutting, Ma Hesheng said this:

"I've been dead for 67 years. It's not that I don't. I just can't allocate time.

Some of the following impressions are from more than ten years ago, and all of them were from six or seven years ago at the latest.

Poetry, books, paintings and prints are inseparable in the art world, and they all feel that they are different emotional expressions. Although the spirit and blood are similar, their personalities and faces are different. Thinking about it, I will put the management of printing on hold for the time being, but I am always worried. Appreciating seal cutting is a great enjoyment.

In life, we can't give up eating, drinking, whoring and gambling. Everyone thinks it's a different way of life experience. Don't eat is not enough to settle down, don't drink is not enough to make a living, don't fuck, I don't know how dark it is, don't bet on how bright. Nervousness is easy to collapse, and nerves are numb like walking dead. Calmly put a conscience into secular life, although it can't be as bright red as a mark forever, it won't turn black. Secular people should always be vigilant and flaunt their nobility.

I am noble on the road of art;

I am secular in my life.

I can't make the world noble, I can only be self-noble;

I can't be noble and secular, I can only be secular.

I temporarily stopped printing because I was afraid that the steel knife would accidentally cut off my nerves and make myself a walking corpse; I am even more afraid of accidentally cutting off the secular nerves and letting morality collapse completely.

I hid. I was helpless.

Putting aside some talents, I am really afraid of being scared by myself. "

In the face of this poetic text and the following poems, I can only be speechless. In silence, I admire Mr. Ma's talent, his courage to mock and insult the world, and even more his "giving up for hugs", which is for self-improvement and breakthrough.

Mr. Ma Hesheng is in the prime of life and is in the golden age of artistic creation and creation. In poetry, calligraphy, painting and printing, Mr. Ma doesn't want to be omnipotent, but takes the heart of poetry as the soul and connects this string of artistic spirits in series to make life wonderful and fulfilling. Therefore, whether in life or art, Mr. Ma is permeated with a poetic beauty. ...

Human theory

Ma Hesheng's paintings represent China's poetic strength, and show his deep friendship for this country with his infinite affection. His artistic charm comes from his profound influence on the world, and he is very artistic. (Yuping 09.4. 16)

The color of the picture is not much, mostly black and white, but it gives people a gorgeous feeling. The words are big and small, and they all look very powerful.

Very touching, very imposing and powerful. (Zheng Liran)

Both ink painting and calligraphy are of high level, especially the painting "Tears of Shen Jia" is the most touching. (Tong Hongjia)

Ink painting can draw people's hearts, the characters are very vivid, especially the eyes, which is so shocking! (Liu Kai)

Visiting Mr. Ma's art exhibition was very inspiring and benefited a lot. The author's many themes about miners and farmers are also quite vivid. I wish the author continuous progress and create more works for the public. (Song 2009.4. 17)

Seeing his works, I feel beautiful and envious! (Levin 09.4. 17)

The painting style is rough and vivid, especially the feeling of China's ink painting is original. Calligraphy is free and has rules. It embodies creativity. (Li Peirong April 2009 17)

Mr. Ma's writing is bold and unrestrained, calligraphy and painting are integrated, muddy and natural, and his artistic conception is beautiful and impressive. The figure painting looks simple, but it is actually very similar. The characters are carved into three parts. (Liu) According to

I really appreciate that Mr. Wang reflects the real life of society and people with his own artistic creation! I wish Mr. Wang greater achievements in art! (Zou Jia)

Call for the truth and shout for life. (Yang Yang, April 2009 18)

Elegant, atmospheric and exquisite. (Qin Liang, April 65438, 2009)

It's beautiful. (Liu Guogao) magnificent and vigorous. (Han Yan) Beauty, infection and gratitude! (2009.4. 19)

Real, simple artist, with bones and flesh! (Liu Jing, April 2009 18)

There are many works reflecting coal miners and working people. Thank you! (Xu Jie, April 2009 18)

Simple, shocking, true, atmospheric, the temperament of the descendants of the Chinese people, integrity is impressively between pen and ink! (Duan Haibin, April 2009)

As an engineering student, my appreciation of art is limited. After reading these beautiful calligraphy arts, I seem to appreciate the beauty of China's calligraphy and China's art. I believe that after reading these works, I will have a feeling that I can't grasp them. It will stay in my heart forever, attracting me to pay attention to and sincerely love China's art. (Beihang Automation College Li Xing Bridge)

Mr. Ma Hesheng's paintings and calligraphy are very touching. Among them, Premier Wen's expression of holding the miners' children in his arms is so real and touching that he can't forget it for a long time. Having such a good prime minister who is close to the people is the foundation of the country and the blessing of the people. It is a blessing for the traditional cultural circles of the motherland to have such a good painter as Ma Hesheng. (Beihang Party Heguang April 2009.19)

Mr. Ma Hesheng is really a people's artist, and his works are very contemporary. Beihang Art Museum should produce more works by everyone, so as to complement each other. (Huang Xilong, April 20, 2009)

Mr. Ma's calligraphy and painting is a must. (Zhao Liqin, April 20, 2009)

Mr. Ma's calligraphy and painting are exemplary. (Han April 20, 2009)

Northwest wind, bold and unconstrained wind, everybody wind. From Mr. Ma's Chinese paintings, we can see the fresh rhythm and give people different artistic enjoyment. (Beihang Chunlin)

Draw words, draw words! The perfect combination of calligraphy and painting is very touching to people's eyes and hearts! What is even more touching should be the sympathy of this old gentleman, his concern for people's livelihood, the world and what's going on in the world! Respect the old gentleman! (Beihang University student Wei Nian April 2, 20091)

I like the water lilies in your works, the thick soil left to future generations, and the secular drifting away, especially the first two films, which have magnificent scenes and touching colors. (Wang Cong, 2 April 20091)

Very atmospheric painting style, a veritable "dragon", is also a painting style that I particularly like. I was particularly impressed by several figure paintings, especially (Shen Jia's tears) and the memories of taking pictures of primary school students! Great! (Beihang Hu April 22, 2009)

Mr. Wang, whose ancestral home is Qinchuan, inherited the land of northern Shaanxi, and has a carefree and broad mind. (Seven Xiao Yao on April 22, 2009)

Have a foundation and a backbone! (Zheng 4.23)

Thoughts on Ma Hesheng Painting and Calligraphy Exhibition (Two Poems)

(1) Hesheng calligraphy and painting is a fine work with profound atmosphere. Urgent pen and ink wash away the dust on earth, and sad pictures play the sound of nature.

(2) The power of pen and ink lies in innovation, and the way to success lies in strengthening the heart. People's livelihood, political situation, and people's feelings are heavy, and people look to the river.

(Zhao Shuangshi, April 23, 2009)

The portraits are great, clear and lifelike. (Antoine)

Yigaode is higher! Art is the foundation of people!

Art comes from life, and real coal miners are very touching! (Wang Houcheng 4.25)

There are paintings in poems, poems in paintings, good words, good paintings and good themes. (Liu Wei 4.25)

After the view, I deeply felt that Teacher Ma's paintings and calligraphy were magnificent and his thoughts were sharp and profound. What a shock! All right! (Liu Peiying 4.25)

Did he really write this? Too good to be true! (Li, a primary school student attached to Beihang University, April 26, 2009)

"Open-minded when innocent, leaving room for things" is very rewarding. (16 series)

Artists have only three points: atmosphere, delicacy and conscience. The paintings and calligraphy of Dalong Hesheng seem to be shouting, rushing and hammering!

I like life, I like the dusty and messy ruins, and I like my father's obviously enlarged hands. Let me hold you and let the world die.

I like "and leave the thick soil to future generations". The sky, the old cow, mom and dad are pushed to the edge of the paper by the land, which gives me a look-up angle and makes me respect.

I like to draw large pieces of black, gray and white, showing the realistic primary colors and the painter's cold eyes.

I like the sudden frustration when I write fast, which makes people clench their fists ...

Draw good characters, especially eyes. (4 series)

Mountains are colorful, water is silent, and it has its own artistic conception. (Qin Zengchang at the end of April 2009)]

Pen and ink remain fragrant, and the artistic conception is infinite. (Xu Zizhen, April 26, 2009)