Brief introduction of Zhang Xiaofeng

Zhang Xiaofeng, whose pen names are Xiaofeng, Sankoh and Echo, is a famous third-generation essayist. 194 1, Jinhua, Zhejiang, Tongshan, Jiangsu. At the age of eight, he went to Taiwan Province Province in China and graduated from Soochow University. He teaches in this school and HKBU (Hong Kong Baptist University) and is a professor at Yangming Medical College in Taiwan Province. She is deeply religious and loves to create. There are thirty or forty kinds of novels, essays and plays, which are reprinted in one edition and translated into various languages. In the mid-1960s, he became famous for his prose, and his works were selected 1977 Selected Works of Top Ten Prose Writers in Taiwan Province Province. The editor said, "Her works are China's, nostalgic and modern, and she is very human." Yu Guangzhong once called his article "combining rigidity with softness" and was listed as "the third generation famous essayist". Some people call it "the pen is like the heat of the sun, the frost and snow are innocent, the writing is like the fragrance of cold plum, and the words are like knocking on the ice." Be highly praised. She won the National Literature and Art Awards of Wu Sanlian and Zhongshan City, and was elected as one of the top ten outstanding young women. The Monkey King and the goblin fight. Zhang Xiaofeng, a Taiwan Province essayist, gave a speech in the San Francisco Bay Area today, and publicly shared her mental journey of fighting colorectal cancer for the first time in the past 20 months. She said that if you are sick, you should face it bravely, just like walking a thrilling mountain road. "Father and son don't help each other." No one can help you get sick and no one can replace death. According to the "Central News Agency" report, he was invited to give lectures countless times in his literary career, but when talking about his illness, Zhang Xiaofeng said that this was the first time in his life. She said modestly that when it comes to sharing, she is actually a mistress; After all, unlike other knowledge, illness can make you more confident on the stage by "enriching more". Blood tests are always anemic. In 2005 10, after colonoscopy, doctors determined that Zhang Xiaofeng was the second stage of colorectal cancer. At that time, she was still teaching at Yangming University, and the assistant drafted a letter and refused all activities. The assistant wrote, "The teacher is too ill to promise to give a speech." Instead, she confessed, "Just tell everyone that I have colorectal cancer, there is no need to beautify it, and there is no need to have taboos." Zhang Xiaofeng quoted allusions from China mythology. When the Monkey King fights with the leprechaun, if he calls the leprechaun's name, the leprechaun will run away with inferiority. She said that when you know who your opponent is, your opponent will run away. After half a year's operation and chemotherapy, her condition was under control. To paraphrase a Minnan dialect, "Anti-cancer is his family's business", that is, doctors fight against diseases in the body, and patients are obedient. She described that when she was sick, she went to the hospital like a child, holding a baby bear puppet and some books, and the rest were set by the doctor. Zhang Xiaofeng is famous in the three places, especially in prose. The first collection of essays, The End of Carpet, won the Zhongshan Prize for Literary Prose, which established her position as a talented woman in the literary world. Her latest collection of essays is All the Stars Are Here. Apart from his works, Zhang Xiaofeng, 66, has been teaching in universities for more than 30 years and retired in June last year. At present, he is still teaching two courses "Life and Death in Chinese and Western Literature" at Yangming University. She told reporters that this is a long-cherished wish. Since 1975, when she changed from a professor of Chinese department to a professor of medical college, she has consciously developed a sense of responsibility for the humanistic direction of medical students. Zhang Xiaofeng said with emotion that many people have thought about illness and life. After this experience, the three most important sentences for her to face death consciously are: "Thank you, I'm sorry, I love you. "Zhang Xiaofeng, a native of Tongshan, Jiangsu Province, wrote plays, essays and essays, and was elected as one of the top ten outstanding young women in Taiwan Province Province. Yu Guangzhong, a famous writer, praised Zhang Xiaofeng as a "smart pen that is both beautiful and luxurious". This pen can not only describe scenery, but also describe things and convey people's thoughts. Promotion is heroic, and suppression is delicate. " In recent years, he has devoted himself to the environmental protection movement and called for temperature. [1] The editor of the classic anthology interviewed the characters in this paragraph yesterday 17, Zhang Xiaofeng, a famous writer and poet in Taiwan Province, set foot on Gulangyu Island. She said that she and two other female poets came to the 2007 Gulangyu Poetry Festival on behalf of Xi Murong and other female poets in Taiwan Province Province. Women and Poetry Reporter: The theme of this poetry festival is "Women and Poetry". As a poetess with decades of experience in poetry, what influence does your female identity have on poetry creation? Zhang Xiaofeng: Women have a natural advantage in language. Women are more willing to use language, such as chatting with people, and are good at expressing their feelings in language, which is very helpful for writing poems. Nowadays, young women don't like to use language, and even the words "yes" are lazy. They prefer to use vision, such as staring at the computer or TV for a long time. The language of TV is poor. In fact, frequent use of language is very helpful for writing poetry. Reporter: Writing poetry is often limited by age, but you are still writing poetry. How do you stay creative? Zhang Xiaofeng: I think poetry can last a lifetime. I have been writing. There are two things to keep the ability to write poetry. One is to have something to say, to observe things carefully, and the other is to have the ability to express words, to string together experiences instantly and draw conclusions quickly. Lin Yutang Research Reporter: Lin Yutang once lived on this island under your feet, and Liao Jia Villa is not far from you. As a member of the management committee of Lin Yutang's former residence in Taipei, how to commemorate this literary master? Zhang Xiaofeng: Apart from discussing Lin Yutang's literary works, we should start with more nuances so that everyone can really feel Lin Yutang. For example, in order to feel Lin Yutang's quiet life in Zhangzhou when he was a child, we organized a cake-moistening party in Tomb-Sweeping Day (cake-moistening is spring rolls, reporter's note), and everyone made cakes together. Later, we specially sent people to Zhangzhou to learn about several ways to moisten cakes, and then we will introduce them to you when we return to Taiwan Province Province. Reporter: From your point of view, what is the most precious spiritual wealth left by this literary master? Zhang Xiaofeng: Humor! His humor is lonely in that environment and seems inappropriate. In fact, in my opinion, the more difficult it is, the more humorous it should be. Churchill was the leader of the allied forces during World War II. He said, "I won't leave until the hotel is closed. "This means that you can only quit if you fail. You see, his humor will keep you from being discouraged in failure. People should not always be in a state of tension, which is very unfavorable to creation and life. Reporter about your hometown: there is always a feeling of wandering when you look at your life experience. I heard that you were born during the Anti-Japanese War. Can you tell me something about your experience before you went to Taiwan Province Province? Zhang Xiaofeng: My ancestral home is Xuzhou, Jiangsu, and my birthplace is Jinhua, Zhejiang. Indeed, I was born during the period of War of Resistance against Japanese Aggression's migration. I was just born, and I have no impression of Jinhua. But I was honored to know that Jinhua was the place where Li Qingzhao lived. Li Qingzhao and I are in the same city. I like Li Qingzhao's poems very much, which is also a kind of fate. After the outbreak of War of Resistance against Japanese Aggression, our family moved to Chongqing. Actually, I don't remember much about Chongqing, because I was too young at that time. The first city I really remembered later was Nanjing. I can't forget this city for many years, until now. Xiamen still gives me the feeling of home in Taiwan Province Province. There is no difference between eating, living and traveling. That's great. Reporter: But what you said made me feel calm instead of vicissitudes. Does the existence of hometown and writing give you a sense of belonging? Zhang Xiaofeng: I have the fate of wandering, but I unexpectedly lived on an island for a long time. My body grew up in Taiwan Province province, but my heart seems to be connected with China in history. Whether I go to Nanjing or Xi, I think Nanjing is my hometown. It seems that literary ancestors such as Li Bai, Du Fu and Li Shangyin will come out to meet you at any time, so they are not geographically but spiritually related to tradition. [2] Zhang Xiaofeng, who was 36 years old as early as 1977, was praised as "the top ten contemporary prose writers in China" by Taiwan Province critics, and her pen was as hot as the sun, and frost and snow were her virginity. Every article has the fragrance of Lengmei, and every word can be said to be the first perceptual sketch of her poetic prose. 198 1 year, when her fourth collection of essays "You have never loved" was published, Mr. Yu Guangzhong prefaced the book and called her a "dripping pen" with a storm on her wrist.

Edit the creative process of this paragraph.

Zhang Xiaofeng's prose artistic creation can be roughly divided into three consecutive paragraphs. The first paragraph is marked by her first collection of essays, The End of the Carpet, published in 1966. She looks at the world with the eyes of a clever and naive girl, and the world is a clear and spotless gurgling stream. As early as 1977, 36-year-old Zhang Xiaofeng was rated as "Top Ten Contemporary Prose Writers in China" by Taiwan Province critics, and she was rated as "as hot as the sun and as pure as frost and snow". Every article has the fragrance of Lengmei, and every word can be said to be the first perceptual sketch of her poetic prose. The second paragraph, such as a stream rushing in a lake full of storms, mixed love and hate, and hollowed out by turbid waves, is adapted from the collection of essays "Nostalgia Stone"

Zhang Xiaofeng (5 photos) (1977), after walking down the red carpet (1979) to "You haven't loved" (198 1) is the transition and completion of the first paragraph to the second paragraph. The second period is relatively long. Rebirth Edge (1982) can also be regarded as an extension of this period, from here I am (1984), from your beautiful watershed (1988) and emerald thinking (1990). Let's make a hypothesis here. If Zhang Xiaofeng's prose creation stops at the second paragraph, although she is still one of the outstanding female writers in the history of modern prose in China, and breaks through the narrow and cramped world of ordinary female writers, she is not a prose master with great original brilliance after all. 198 1 year, when her fourth collection of essays "You have never loved" was published, Mr. Yu Guangzhong prefaced the book and called her a "dripping pen" with a storm on her wrist. The originality of Zhang Xiaofeng's prose art lies in the second paragraph, especially in the third paragraph of Since I'm Here. Only this third paragraph announces the birth and completion of a prose master, whose purpose is the generation of life and creativity and the poetic interpretation of ontology. The poetic interpretation of life and ontology is the greatest contribution of this woman writer to the history of modern prose in China. She embarked on this poetic way to explain the ontology of life and existence, never fully conscious, never ending.

Edit the main works of this paragraph

novel

White handkerchief, red handkerchief, Mei Zhu Lanju and Panduna. China Works Research Forum

essay

Going to the mountain, the end of the carpet, the magical season, the trees, I like it, a bucket of gold, I have, homesick stones, the first snow, a poem, post-robbery, epilepsy, rain, encounter, questioning stones, bound fights, ten views of the West Lake, encounter, I will give you a child, the first full moon night, a woman's love view, a kind word. In which unit? I know who you are. I have a dream. I want to walk into that joke. How can it be so easy to explain the feelings between you and me? What are you like? You are like my teenager Chen Yi, with bamboo in the east, a city wall in the west, Six Bridges, Chang Yu and his small pottery bowl. I have a rain stick, a pair of little shoes, a jade sheep, a story, a mountain epiphyllum and your side. Alias alias, speaking of looking at women, stupid women can't cook without rice, a 98-second lie, let's talk more about the assessment system of dad's industry, the order of appointing officials, entertainment and quotations.

Editing this play includes

Painting love, the fifth wall, Wu Lingren, He Shibi, the third harm, self-cooking, etc.

selected works

90-year prose anthology, Sanxian, Song of the Earth, novel classroom, Zhang Xiaofeng Modern Chinese Literature Department, Modern Chinese Literature Department (2): Taiwan Province Province, 1989-2003? Prose volume, heart, anthology, what? She? Yu Xiang, rebirth, the end of the carpet, if you have a song, safety, love, the world of love, blood flute, your silhouette is beautiful, you haven't loved it yet, I am here, and I know who you are. Sankoh has something to say: Grandma's cornucopia, the prayer room in the zoo, question novels, selected works of Zhang Xiaofeng, from your beautiful watershed, the first poem, the fifth wall, the temperature of this coffee is just right, cooking and marrying, painting love for you. Among them, "Street Tree" was selected as the seventh lesson of the Chinese textbook for Grade One in Senior High School of People's Education Press, and "Street Tree" was selected from Selected Works of Zhang Xiaofeng. Some people was selected as the sixth grade Chinese textbook of Beijing Normal University. "Just because I am young" (excerpt) was selected as an elective 4 textbook for senior high school Chinese in Guangdong Education Edition. "I like it" was selected as the fifth grade Chinese textbook of Beijing Normal University.

Edit this street tree

Street trees We are a row of trees, standing in the dust of the city. Many friends say we shouldn't stand here. In fact, we know this better than anyone. Our home is on the mountain, in the dark virgin forest. And we actually stand here, standing on the roadside of these two lanes, which is undoubtedly a kind of degeneration. Our companions are all sucking dew and playing with cool clouds. What about us? As you can see, our only decoration is a shaking ash. Yes, our fate has been arranged. In this industrial city full of cars and chimneys, our existence is just a sad ornament. But you can save your sympathy, because this fate is actually our own choice, otherwise we don't have to grow green leaves frequently in spring and give shade in summer. The sacred cause is always painful, but only this kind of pain can give us depth. As night falls, the whole city is full of strings and emergency pipes, red lights and green wine. And we are in silence, we are in the dark, we are in the loneliness that is not understood. However, we tried to grit our teeth until the flag of the morning glow, Ran Ran, rose and we stood in a row to pay tribute. Anyway, someone in our city has to meet the sun! If no one else greets us, we will be responsible for welcoming the light. At this time, perhaps an early child came over and greedily breathed the fresh air. This is our proudest moment. Yes, maybe everyone has long been accustomed to filth, but we still stubbornly create a sense of freshness that is not cherished. Standing in the dust of the city, we are a sad and happy tree.

Read the answer

1) Why do street trees think their profession is sacred? (1) Street trees realize that the cause that society needs and people need is a sacred cause. Residents need fresh air, pedestrians need shade, the city needs sunshine, and street trees are willing to stand in the dust of the city and engage in sacred undertakings. (2) What sufferings have street trees engaged in the "sacred cause" suffered? Since the pain, why "choose" this fate? (2) Grasp the understanding of the key words that describe pain, such as "shaking smoke", "suffering at night", "sadness" and "depravity". Compared with their companions in the virgin forest, they abandoned superior living conditions and were always shrouded in smoke and dust. Compared with people who enjoy nightlife in the city, they are lonely, lonely and miserable. They are always worried about the pollution in the city. In short, they are painful. But they realize that the sacred cause is always painful, they are willing to sacrifice themselves and are proud and happy for their dedication. This is the beautiful heart and spirit of selfless devotees. (3) How to understand "only this kind of pain can give us depth"? Why do you say "deep"? (3) All sacred undertakings always need to pay a huge price and bear sacrifices, but only by paying this price can we make greater contributions to mankind. For example, street trees bear the pain and bring "freshness" and "shade" to cities and pedestrians. This kind of sacrifice embodies the spirit of dedication, and this kind of sacrifice of personal happiness for the happiness of the people is a deeper happiness. (4) The first paragraph and the second paragraph of this article refer to each other, but they are slightly different in word order and words. Why? Students discuss and answer, and the teacher makes it clear: (4) The emphasis of the two paragraphs is different. The first paragraph 1 mainly highlights the harsh environment in which street trees live, and the last paragraph mainly highlights the self-awareness that street trees are willing to contribute despite the harsh environment. (5) What does the word "depravity" mean in the second paragraph? (5) The word "depravity" is interpreted as depravity and vagrancy in the dictionary. In this article, it means living in a bad environment. Street trees left home, left the virgin forest and stood in the dust of the city. Their living conditions and self-image have greatly declined, and transsexuality is in this sense. (6) Why is the existence of street trees "just a sad embellishment"? (6) This sentence begins with "a city full of cars and chimneys". Vehicles and chimneys constantly produce smoke and dust, polluting the city. Urban residents have long been insensitive and used to filth. They don't value freshness. The feeling of the tree is very distinct. In their view, the city is full of smoke and dust, which is really sad. A row of green trees is just an ornament, which can't change the sad situation, so it's just a sad ornament. (7) The last sentence says, "We are a tree of sorrow and joy." Why are you sad? What are you worried about? Happiness (7) As mentioned above, "Maybe all people have long been accustomed to filth, but we still stubbornly create a sense of freshness that is not cherished". Pollution has seriously damaged the health of citizens. Unfortunately, people have become accustomed to it, are insensitive, and do not want to control pollution. Although street trees try their best to create freshness, they are limited and cannot change the overall situation. They are worried about the air pollution in the city and the health of citizens. Happily, I can create fresh air and freshness for the city, shade it in summer and welcome the sun and light at dawn.

Edit this anti-cancer course

Belief in the Monkey King Beating the Demon. Zhang Xiaofeng, an essayist from Taiwan Province Province, gave a speech in the San Francisco Bay Area today, and publicly shared her mental journey of fighting colorectal cancer for the first time in the past 20 months. She said that if you are sick, you should face it bravely, just like walking a thrilling mountain road. "Father and son don't help each other." No one can help you get sick and no one can replace death. According to the "Central News Agency" report, he was invited to give lectures countless times in his literary career, but when talking about his illness, Zhang Xiaofeng said that this was the first time in his life. She said modestly that when it comes to sharing, she is actually a mistress; After all, unlike other knowledge, illness can make you more confident on the stage by "enriching more". Blood tests are always anemic. In 2005 10, after colonoscopy, doctors determined that Zhang Xiaofeng was the second stage of colorectal cancer. At that time, she was still teaching at Yangming University, and the assistant drafted a letter and refused all activities. The assistant wrote, "The teacher is too ill to promise to give a speech." Instead, she confessed, "Just tell everyone that I have colorectal cancer, there is no need to beautify it, and there is no need to have taboos." Zhang Xiaofeng quoted allusions from China mythology. When the Monkey King fights with the leprechaun, if he calls the leprechaun's name, the leprechaun will run away with inferiority. She said that when you know who your opponent is, your opponent will run away. After half a year's operation and chemotherapy, her condition was under control. To paraphrase a Minnan dialect, "Anti-cancer is his family's business", that is, doctors fight against diseases in the body, and patients are obedient. She described that when she was sick, she went to the hospital like a child, holding a baby bear puppet and some books, and the rest were set by the doctor. Zhang Xiaofeng is famous in the three places, especially in prose. The first collection of essays, The End of Carpet, won the Zhongshan Prize for Literary Prose, which established her position as a talented woman in the literary world. Her latest collection of essays is All the Stars Are Here. Apart from his works, Zhang Xiaofeng, 66, has been teaching in universities for more than 30 years and retired in June last year. At present, he is still teaching two courses "Life and Death in Chinese and Western Literature" at Yangming University. She told reporters that this is a long-cherished wish. Since 1975, when she changed from a professor of Chinese department to a professor of medical college, she has consciously developed a sense of responsibility for the humanistic direction of medical students. Zhang Xiaofeng said with emotion that many people have thought about illness and life. After this experience, the three most important sentences for her to face death consciously are: "Thank you, I'm sorry, I love you." Zhang Xiaofeng, a native of Tongshan, Jiangsu Province, wrote plays, essays and essays, and was elected as one of the top ten outstanding young women in Taiwan Province Province. The famous writer Yu Guangzhong praised Zhang Xiaofeng as a "smart pen that is both beautiful and luxurious". "This pen can not only describe the scenery, but also describe things and convey people's thoughts. Promotion is heroic, and suppression is delicate. " In recent years, he has devoted himself to the environmental protection movement and called for temperature. [1] Classic Selected Works

Edit this interview with people.

Yesterday 17, Zhang Xiaofeng, a famous writer and poet in Taiwan Province, set foot on Gulangyu Island. She said that she and two other female poets came to the 2007 Gulangyu Poetry Festival on behalf of Xi Murong and other female poets in Taiwan Province Province.

Women and Poetry

Reporter: The theme of this poetry festival is "Women and Poetry". As a poetess with decades of experience in poetry, what influence does your female identity have on writing poetry? Zhang Xiaofeng: Women have a natural advantage in language. Women are more willing to use language, such as chatting with people, and are good at expressing their feelings in language, which is very helpful for writing poems. Nowadays, young women don't like to use language, and even the words "yes" are lazy. They prefer to use vision, such as staring at the computer or TV for a long time. The language of TV is poor. In fact, frequent use of language is very helpful for writing poetry. Reporter: Writing poetry is often limited by age, but you are still writing poetry. How do you stay creative? Zhang Xiaofeng: I think poetry can last a lifetime. I have been writing. There are two things to keep the ability to write poetry. One is to have something to say, to observe things carefully, and the other is to have the ability to express words, to string together experiences instantly and draw conclusions quickly.

Lin Yutang's research

Reporter: Lin Yutang once lived on this island at your feet, and Liao Jia Villa is not far from you. As a member of the management committee of Lin Yutang's former residence in Taipei, how to commemorate this literary master? Zhang Xiaofeng: Apart from discussing Lin Yutang's literary works, we should start with more nuances so that everyone can really feel Lin Yutang. For example, in order to feel Lin Yutang's quiet life in Zhangzhou when he was a child, we organized a cake-moistening party in Tomb-Sweeping Day (cake-moistening is spring rolls, reporter's note), and everyone made cakes together. Later, we specially sent people to Zhangzhou to learn about several ways to moisten cakes, and then we will introduce them to you when we return to Taiwan Province Province. Reporter: From your point of view, what is the most precious spiritual wealth left by this literary master? Zhang Xiaofeng: Humor! His humor is lonely in that environment and seems inappropriate. In fact, in my opinion, the more difficult it is, the more humorous it should be. Churchill was the leader of the allied forces during World War II. He said, "I won't leave until the hotel is closed." It means to quit only if you fail. You see, his humor will keep you from being discouraged in failure. People should not always be in a state of tension, which is very unfavorable to creation and life.

About home

Reporter: There is always a feeling of wandering when looking at life experiences. I heard that you were born on the way to War of Resistance against Japanese Aggression. Can you tell me something about your experience before you went to Taiwan Province Province? Zhang Xiaofeng: My ancestral home is Xuzhou, Jiangsu, and my birthplace is Jinhua, Zhejiang. Indeed, I was born during the period of War of Resistance against Japanese Aggression's migration. I was just born, and I have no impression of Jinhua. But I was honored to know that Jinhua was the place where Li Qingzhao lived. Li Qingzhao and I are in the same city. I like Li Qingzhao's poems very much, which is also a kind of fate. After the outbreak of War of Resistance against Japanese Aggression, our family moved to Chongqing. Actually, I don't remember much about Chongqing, because I was too young at that time. The first city I really remembered later was Nanjing. I can't forget this city for many years, until now. Xiamen still gives me the feeling of home in Taiwan Province Province. There is no difference between eating, living and traveling. That's great. Reporter: But what you said made me feel calm instead of vicissitudes. Does the existence of hometown and writing give you a sense of belonging? Zhang Xiaofeng: I have the fate of wandering, but I unexpectedly lived on an island for a long time. My body grew up in Taiwan Province province, but my heart seems to be connected with China in history. Whether I go to Nanjing or Xi, I think Nanjing is my hometown. It seems that literary ancestors such as Li Bai, Du Fu and Li Shangyin will come out to meet you at any time, so they are not geographically but spiritually related to tradition. [2]

Edit the character evaluation of this paragraph.

As early as 1977, 36-year-old Zhang Xiaofeng was rated as "Top Ten Contemporary Prose Writers in China" by Taiwan Province critics, and she was rated as "as hot as the sun and as pure as frost and snow". Every article has the fragrance of Lengmei, and every word can be said to be the first perceptual sketch of her poetic prose. 198 1 year, when her fourth collection of essays "You have never loved" was published, Mr. Yu Guangzhong prefaced the book and called her a "dripping pen" with a storm on her wrist.