Explanation of the term "style theory"

The so-called "style theory" is to use the style of Tang poetry to express feudal politics and ethics.

In the middle of the Qing Dynasty, Shen Deqian was dissatisfied with the sparse content and vagueness of Wang Shizhen's "Shen Yun theory", so he proposed the "style theory" to correct it. He advocated the restoration of the Confucian poetic tradition of "gentleness, sincerity, loyalty, justice and peace", and put forward the slogan that "poetry is the most important thing, it can harmonize temperament, be kind to human relations, and appreciate the gods", so that poetry can serve feudal rule.

Explanation of terms in ancient literary history

1. Shen Yun theory

Wang Shizhen, the founder of one of the poetic schools in the early Qing Dynasty. The so-called "Shen Yun Theory" is an attempt to get rid of the interference of political and other social factors on the art of poetry, and pay more attention to the distant and refreshing artistic conception and implicit language of poetry itself, thereby strengthening the entertainment function of poetry to relieve leisure and sorrow.

For this reason, the poetic styles of Wang, Meng, Wei and Liu schools of the Tang Dynasty were vigorously promoted. Their works also mainly described landscapes and personal feelings, but the lack of true feelings was its main flaw.

2. Texture Theory

Weng Fanggang was dissatisfied with the vagueness of Wang Shizhen's "Charm Theory" and dissatisfied with Shen Deqian's "Style Theory" which was unreliable, so he proposed the "Texture Theory" to combine the two. Correct.

The so-called "texture theory" includes "philosophy" based on Confucian classics and "literary theory" in terms of structure and rhetoric. In fact, it requires learning as the basis and textual research to enrich the content of poetry and achieve the goal of pragmatism and poetry. The unity of arts and sciences. This is a reprint of Song poetry that uses knowledge as poetry, and is a wrong path in replacing poetry creation with scholarship. ?

3. Tongguang Style

It evolved from the Song Poetry School at the end of the Qing Dynasty and the beginning of the Republic of China. Its activity was mainly after the middle period of Guangxu and continued until the Republic of China. Tongguang-style poets advocated Song poetry and emphasized learning from the past rather than rigidly imitating it, and they should be pioneering and creative. They followed the spirit of "breaking the room". Tongguang style is divided into the Fujian school represented by Chen Yan and Zheng Xiaoxu, the Zhejiang school represented by Shen Zengzhi, and the Gan school represented by Chen Sanli.