A poem that paints a sad atmosphere in a clear sky, beach and autumn.

Poetry that exaggerates the sad atmosphere: sunset in the lonely village, light smoke in the old tree west of Western jackdaw.

Please refer to the following appreciation for specific reasons.

Days net sand autumn

(Yuanqu) Baipu

Sunset in a lonely village, an old tree with light smoke in western Western jackdaw,

A small flying shadow.

Green mountains and green waters,

White grass, red leaves and yellow flowers.

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The sun has gradually set in the west, and the sunset glow on the horizon has gradually begun to dissipate, leaving only a few dim colors, reflecting how lonely the quiet village in the distance is, dragging its long shadow. The smoke drifted faintly, and several black crows perched on the rickety old tree, making a few sad cries from time to time. Suddenly, a wild goose flew down in the distance and crossed the sky. Looking from a distance along it, the scenery is beautiful; Frosted grass, flaming maple leaves and golden flowers are swaying together in the wind, and the color is almost enchanting.

Wu Tongyu, a masterpiece of Bai Juyi's zaju, is named Wu Tongyu on an Autumn Night in Ming Taizu, which is based on the poem "After the autumn rain, the leaves return to their roots" written by Chen Hong in the Tang Dynasty and Bai Juyi's Song of Eternal Sorrow.

The play tells the story of Li Longji and Yang Guifei. The plot is: Bi Jiang, the special envoy of Youzhou, seized the opportunity and sent An Lushan to Beijing. Emperor Tang Ming spoiled him, and An Sui had an affair with Yang Guifei. Because of disagreement with Yang, he was appointed as his special envoy. An Lushan rebelled and fled from Chang 'an to Shu. At Mayi, the army stopped, and the soldiers protested to punish Yang's younger brother and sister. Ming Chengzu was helpless and ordered the imperial concubine to hang herself in the Buddhist temple. After Li Longji returned to Chang 'an, he hung a noble princess in the Nishinomiya, facing each other day and night.

There are similarities in writing and artistic conception between Bai Pu's Jing Tian Sand Ball and Ma Zhiyuan's Jing Tian Sand Qiu Si. Although the title of this song is "Autumn" and it is written in autumn, I can't find a word "Autumn". At the beginning of this song, a picture of autumn dusk is painted, creating a quiet and lonely atmosphere. Then, in the form of noun juxtaposition, typical autumn scenery is selected to describe a colorful Qiu Jingtu from far to near. At this point, autumn scenery in front of readers has changed from bleak and lonely to beautiful. This song has only twenty-eight words, but its language is concise and beautiful, with far-reaching significance. This song expresses the author's positive, optimistic and cheerful attitude towards life. It is really the so-called "don't be happy with things, don't be sad for yourself" (Fan Zhongyan's Yueyang Tower).

Bai Pu took autumn scenery as the theme of this song, and readers can see from his rhetoric that his literary accomplishment is extremely high. The whole work consists of some beautiful natural scenes, and Bai Pu himself, like an artist with these natural puzzles, pieced together a beautiful picture of life in harmony.

When writing autumn scenery, it is inevitable to set off a bleak atmosphere, but if the bleak atmosphere is the theme of the whole article, it will make readers feel dull and stressed. In order to avoid this situation, Bai Pu took great pains in choosing words. In the first two sentences, "Sunset in a lonely village, Western jackdaw in the west of an old tree with light smoke", six pictures of "Lonely village, sunset, sunset, light smoke, old tree and Western jackdaw in the west" are used, and any one of them represents the bleak atmosphere of autumn scenery in autumn. In order to make this bleak atmosphere vivid, the author chose Flying in the Shadow as the end of the first half. As a result, the bleak picture turned to be active, and the lonely autumn scenery seemed to present another vivid life. Finally, in order to strengthen the beautiful and charming image of autumn scenery in the author's mind, "Green mountains and green waters, white grass, red leaves and yellow flowers" is the conclusion of the song. These two sentences use five colors: green, white, red and yellow. White grass, red leaves and yellow flowers are mixed in the two colors of green mountains and green waters. "Green mountains and green waters" is a vast picture scroll, and "white grass, red leaves and yellow flowers" is a delicate picture scroll, which is so patchy that autumn scenery, which was originally lonely and bleak, suddenly becomes colorful. Thus, Bai Pu's prose writing skills are brilliant.

The Qiu Jingtu depicted in this song consists of two parts: the front part is autumn scenery, a bleak, bleak and barren old age, and the back part is a colorful, bright and energetic scene. Before and after the picture is also autumn scenery, forming a strong contrast. If we contact Bai Pu's unwillingness to be an official in the Yuan Dynasty, it is not difficult for readers to understand why the same autumn scenery has such a huge contrast. The "small" in the picture is a sentence in Li Bai's "Send eighteen pictures of Pei to Songshan Mountain in the South": "Raise your hand and point, it is difficult to talk." Hong Fei in Sooner or later, Shui Ying has a clear source has the same effect, which are all metaphors of the author himself. Bai Pu didn't want to get a job in the imperial court, but hoped that she could fly away from that bleak, cold and lifeless place like a swan, and find a happy land full of vitality, which also indicated a beautiful turning point in the author's life. Therefore, the land of "green mountains and green waters, white grass, red leaves and yellow flowers" in the shadow can be understood by readers as the author's seclusion and the scene in his heart. The artistic conception is cheerful and peaceful, without negative feelings, which shows the author's love for seclusion and should belong to imaginative writing. In this piece of music, the author put "the scene in my heart" together with the real environment at that time very skillfully and without trace, which produced a strong contrast effect and implicitly revealed his love and hate.

Although this song is similar to Ma Zhiyuan's "Tian Jing Sha Qiu Si", it has its own characteristics. The first two sentences are drawn from Lonely Village, deliberately rendering the cold silence of autumn dusk. "A Little Hong Fei" brought vitality to the cold static picture, which caused the emotional transfer of the song. Then the poet described the beautiful autumn scenery in five colors: blue, green, white, red and yellow, from far to near, from high to low, multi-level and multi-faceted, which made the whole picture full of poetry. This song is full of artistic tension. It successfully combines the bleak scenery of autumn with the bright and beautiful scenery, and takes the pleasing autumn scenery as the main theme of the song. It is another masterpiece of writing autumn.

Words and songs can be divided into refined and popular. Generally speaking, words are charming and implicit, while inflections are sharp, new and straightforward. Bai Pu's poems have the artistic conception of words. Although there is no such thing as "heartbroken people are at the end of the world" in the song, the lyric hero is hidden from time to time, conveying an eternal silence in the hazy haze.

The rhyme of this song is Xia, crow, Xia and Hua, and the rhyme is A.