How does Gu Long describe the sex between men and women in his novels?

How does Gu Long describe the sex between men and women in his novels?

Reprinted from the text/Nie Xin

They are full of temptations, just like dragons

The peaches on the tree are mouth watering.

Like a stream in the moonlight.

In front of lovers

Endless opening and flow ...

How I want to go with the flow.

Her long hair and slender waist. ...

Nie Xin

The female characters in Gu Long's works are all beautiful. Even if they are average-looking or even ugly, they should be sexy and moving. Gu long rarely describes the beauty of women positively, even if he writes only a few strokes, if there is something, if there is nothing. He focuses on men's feelings, and he compares the beauty of women from men's feelings.

He always said: I have never seen such a beautiful woman. Most of the beautiful women in his works have been praised by men, so it is difficult for us to choose which woman is the most beautiful. It seems that there are only two situations, one is that the men in Gu Long's works are too lewd, and the other is that the beautiful women in Gu Long's works are really beautiful and hard to compete with.

Impressed people include Feng Siniang, Lin Xianer, Shangguan Xiaoxian, Linglin Ding, Shen Bijun, Su Rongrong, Gui Zhi, Bobo, Buried Flower, Lin Daiyu, Tiexinlan, Su Ying, Butterfly Dance, Qiu, Fairy, Murong Jiu and so on.

The appearance of women in Gu Long's works is mostly seductive, and they always like to fully show their "feminine" side and even "sexy" side. An actress said: "Sexiness and exposure are completely different. The latter is vulgar, while the former is healthy, showing the texture and beauty of life itself. "

Gu Long's actress is sexy, but she is not exposed or provocative. They are full of temptations, just like flowers in the spring sun and streams in the moonlight, open, flowing and moving.

Feng Siniang appeared as a bather: "The sun shines on her silky skin through that thin enough paper."

The appearance of the working fairy is even more unique:

Suddenly, the window opened.

A very beautiful woman stood at the window with a clay doll in her hand.

Her face is white and red, her eyes are round and bright, and her red mouth is half open, which seems inexplicable and naive.

She looks like a clay doll herself.

But her figure is not like a clay doll.

She really wants to untie the skirt and feed it to the clay doll.

Her breasts are mature and towering.

Of course, the sexiness of the female character Gu Long is not only reflected in the moment when the characters appear, but also in their whole lifestyle. They don't reject the "natural mutual pleasure in body" between men and women, nor the harmony between spirit and body.

Some people criticize the women in Gu Long's works for "taking off their clothes" easily. This kind of criticism states a fact, but it seems difficult to explain it clearly in a few words. This involves issues such as sex and morality, sex and beauty.

For example, with Cui is not a couple. Cui has a crush on Ye, and Ye has a crush on Cui. Under certain circumstances, they have a physical relationship. Is this right for Ye and Cui? Or, does this involve moral degeneration?

I'm afraid I can't say exactly what he should say and what he shouldn't say in words.

Just like the question in the movie "Immoral Deal": A handsome middle-aged tycoon asks you-a married woman to stay with him for one night, and the price is one million dollars. Do you agree or disagree? Perhaps it is impossible for any honest woman to simply say "no" or "yes". This kind of questioning touches the deep layer of human life and transcends the dilemma of value judgment.

Therefore, when Gu Long described the sexual scenes of men and women, his pen revealed some confusion and some elusive confusion. It is this confusion and confusion that makes his description more serious, which is what distinguishes him from general pornography.

When Gu Long described female characters, he showed a contradiction to women in his heart. On the one hand, he yearns, respects, worships and deifies, on the other hand, he is afraid, suspicious and despises.

He wrote about some men who are pure anti-horns, but few women are pure anti-horns. Lin Xianer, a woman like Shangguan Xiaoxian, has a lot of scheming and harms countless people. But Gu Long's writing style is still annoying. More precisely, he said, in Gu Long's works, no matter how bad a woman is, as long as she is beautiful, she is still somewhat cute.

Therefore, in the end, Gu Long is more inclined to be a "female admirer" and belongs to a writer who regards "women" as his feelings and ideals. His contradiction may stem from his inferiority complex. Related to this, his female role is somewhat ethereal, which always makes people feel fleeting and difficult to grasp.

Gu Long painted a sea of flowers for women, with a little mysterious elegance and trance. Women are like beautiful dreams, as real as fantasy, as close at hand. This kind of breath casts a layer of poetic meaning on Gu Long's works.

Feng Siniang may be the most successful female image in Gu Long's novels, or it can be said that this is the most individual heroine created by Gu Long.

The women in Gu Long's works are generally classified, but it seems difficult to classify her into which category.

Feng Siniang gives people a dizzy beauty. She is really as unpredictable as the wind. You can clearly feel her voice and smile, her gestures, but you never seem to know what kind of woman she is. She is in her thirties, with the charming characteristics of a mature woman and the naive attitude of a girl.

Her whole body and mind are open and clear, and the rules of giving and receiving and not kissing men and women are worthless in her eyes. She just does what she likes. She can take a leisurely bath in front of the robbers and show her beautiful skin inch by inch without the slightest timidity.

Like men, she drinks in a big bowl, likes riding the fastest horse, climbing the highest mountain, eating the hottest dishes, playing with the best knives and killing the most ruthless people. She never shows mercy when she kills people. When she laughed, her hand flashed silver and her opponent was knocked down.

Feng Siniang's life is always colorful, full of exciting twists and turns and legends. No matter who she meets, she has a way to deal with it. She has a unique way of dealing with men.

She leads a straightforward and carefree life. The scene of jumping in a sedan chair on the way to get married seems to vividly show her character:

But this bride is an exception. The curtain was lifted, and the bride hid in the sedan chair and peeped out ... The curtain of the sedan chair was suddenly lifted.

A bride dressed in red silk and Hong Xiuxie, wearing a rockhopper and rosy clouds, flew out of the sedan chair.

Xiao Ichiro can't help but be shocked.

Unexpectedly, the bride flew in front of him, reached out her hand from the red satin sleeve, slapped him on the shoulder with a bang and smiled as charming as a silver bell: "You little bastard, where have you been these days?"

Siniang is such a unruly and willful woman. However, there is another side in her heart. Beneath the warm and frank appearance, there is a lonely and naive side. She is the kind of woman who looks casual on the surface and is extremely self-disciplined in essence.

Her debauchery is often just a smell of smoke, a means of self-deception, and even self-protection and self-anesthesia. Why?

Because she is lonely inside, no matter what kind of stimulation, she can't fill that loneliness, a loneliness that goes deep into the bone marrow. And miss, miss the past, miss youth, especially miss a person.

Although she intentionally or unintentionally denied and avoided it, in fact, she knew very well that she would never forget Shi Lang Jr. Whether he is at the end of the world or at the ends of the earth, whether he is alive or dead, she will never forget him.

She is five years older than Shi Lang Junior, four months and three days. They made fun of each other as soon as they met. One said, "Wait for men all over the world."

They're all dead, and they won't marry you. "

The other said, "I'm only sixteen. Even if I want to get married, I have to find a little girl of fifteen or sixteen and an old woman like you. "

In the end, she unconsciously found that she fell in love with the unkempt Jianghu thief. However, Ichiro Xiao gradually realized that the woman who knows herself best is the woman who can be his sister.

Feng Siniang's love is actually quite delicate and selfless. She learned that Shi Lang had a crush on Shen Bijun. Although she felt painful and uneasy, she still tried her best and even risked her life to help them both.

For Yang Kaitai, from the beginning of teasing to the end of regret, her heart was full of contradictions. Intellectually, she thinks that Yang Kaitai is sincere to herself and a reliable husband, but emotionally, she can't get rid of the shadow of George W. Shi Lang anyway. Therefore, on the way to get married, she still jumped out of the sedan chair and left with the baby.

It is one of the tragic smells that Feng Siniang exudes from her deep love but can't express it and can't promise to be loved. And her life experience as an orphan, which is also sympathetic.

Others think that she lives happily, but in fact, it's just that she learned to shed tears into her stomach. She has no relatives and no family since she was a child. She has been wandering outside while other children are still coquetry in her mother's arms. Thirty-five years old, still no home, no relatives.

On Feng Siniang, there is also the sadness that youth will eventually die. In a word, Feng Siniang is almost a mixture of contradictions. Even Xiao, after lingering with her all night, actually "until now, he didn't fully understand Feng Siniang. He turned out to be the first person of Feng Siniang. Has Feng Siniang been waiting for him? "

Motherhood and innocence, strength and fragility, joy and sadness, sexiness and innocence, openness and closure are wonderfully integrated into one person. She is like a generous sister and a naughty sister; Wife and lover; She is a heroine among women and a delicate little girl.

This is the most perfect woman that Gu Long dedicated to readers. Perhaps, she embodies Gu Long's ideal feminine demeanor.

What is intriguing is that such women in Gu Long's works are rare, and Zhu Tears are probably the only ones that are barely similar.

Heroes in Gu Long's novels often only love women like Shen Bijun and Lin Daiyu. They are quiet, noble, introverted and a little gloomy. This kind of woman, regardless of appearance or temperament, is easily idealized by men and becomes the dream lover that she cares about.

Shen Bijun is probably the most representative. Her beauty was exaggerated to the extreme by Gu Long: "The door of the carriage opened and a person came out. At this time, all the people not only stopped moving, but also almost stopped breathing. They have never seen such a beautiful person in their lives! Her beauty is beyond description by anyone. " .

Her striking, of course, lies not only in her beauty, but also in her heart. In her body, it embodies the conflict between established life norms and spiritual passion.

As the wife of a noble family and social celebrity, she lives a rich life with invisible constraints. But by chance, she met a thief, a person despised by society. Some desire and some life force lurking in her heart suddenly came out of generate, which made a beautiful woman fall into deep contradiction from now on. Sometimes she is indifferent, sometimes she is full of tenderness, sometimes she gives in to the pressure of the environment, and sometimes she indulges her emotions, torturing the men who love them exhausted and herself insane.

There is another kind of women that the hero in Gu Long's works is easy to fall in love with, such as Linglin Ding, a relatively simple girl. They are lively, pure and full of youth. Their joys and sorrows are bright, like the sunshine in spring and the drizzle in spring. They always have a beautiful daydream about love and a kind heart for the world.

As for women like Cui, Tang Lin and Dawan, it seems destined to make those heroes deeply feel that life can't be the best of both worlds. They know that there is no hope, but they also fall in love with each other and secretly make a promise in their hearts. "Such women are found in every novel of Gu Long, and also in a large number of novels of other martial arts writers. On the contrary, in Qiong Yao's novels, it is another pattern, that is, many men fall in love with a woman, but they know there is no hope and don't give up.

This may show that both male and female writers have their own "narcissism" complex, and they all hope to be admired by many opposite sexes. It may be vulgar, but it can satisfy the feelings of most readers.

Different from other writers, Gu Long's secret admirers are all good wives and mothers. Dawan not only highly trusted Ma Rulong, but also cared for him in every possible way, which enabled Ma Rulong, who was in unjust prison, to tide over the difficulties. As for Cui Shuzhen, "She is really a kind girl with a real femininity." Even the hero leaves open, who already has a sweetheart's leaves, can't help but feel refreshed: "I suddenly have a wonderful feeling in my heart. If he is just a businessman doing small business, if they are husband and wife, if they have no past, will they live happier? "

However, fundamentally speaking, Gu Long's prodigal feelings make him not infatuated with these women who are good wives and mothers. He asked his hero to love only "lover-type" women, mysterious, detached and looming women, such as Zhang Jiejie.

There are many unforgettable negative female characters in Gu Long's works, which make people love, hate and feel helpless.

Her ankles are beautiful, and her feet are more charming. If there are many men in this world who would rather be trampled to death by these feet, no one will doubt it.

This face is so beautiful that you dare not stare at it. With such a figure, few people in the world can.

Although even a blind person can smell the sweet fragrance from her, she can still hear her charming and gentle words.

That's irresistible to men.

Her eyes can talk, her smile can talk, her hands, her breasts, her legs ... her body can talk every minute. Although the figure is very plump, but walking with a thin waist and swinging the waist is very special, which has a charm that makes most men move. She is indeed a very beautiful woman, with curved eyebrows, big eyes, delicate and plump lips, and looks like a ripe peach.

No matter who sees it, they can't help but want to take a bite. But what touched her most was not her face or her figure, but her mature charm.

Gu long's original intention was to write them as villains-evil women, but when he wrote about them and was confused by their beauty, his style of writing became sympathy and appreciation.

On the one hand, he told readers that those beautiful women are the most dangerous, even the most vicious. But on the other hand, he told readers that no matter what those beautiful women did, it was worth forgiving.

Little childe kill people without blinking an eye, scheming, cunning and changeable, but before she died, her mouth suddenly gave me a sweet smile, looked at Lian and said softly, "I really should thank you. It turns out that death is such an easy thing. If I had known this, why should I live so hard? " He said to another victim, "Your antidote is in my arms. If you still want to live, come and get it! " ! But I advise you, life is worse than death. Think about it, there is no pain and trouble when you are alive ... "These words completely dilute her evil color and give people a feeling of helplessness and sadness.

Shangguan Xiaoxian is the secret manipulator of the whole plot in Eagle Flying in September. She is ambitious and resourceful, deceiving the first master in Wulin, Ye Kai, and his lover, Linglin Ding, to protect herself. Use leaves open to kill all her opponents one by one and realize her ambition of dominating Wulin.

According to the general ethics, this is an out-and-out villain, but readers can't help but hate her in the process of reading. The reason is that Gu Long added something from time to time, that is, he described Shangguan Xiaoxian's infatuation with leaves open from time to time, and the loneliness of not getting love, a woman's inner fragility. Therefore, leaves open eventually failed to kill her, but defeated her in momentum and psychology.

Gu Long's explanation is: "Forgiveness is far greater than revenge". "Life is so beautiful, love is so wonderful. Isn't it stupid for a person not to forget hatred? " This is certainly in line with the lessons of Buddha and Jesus Christ: we should have deep sympathy for our enemies and those evil people, and love them more than our relatives and friends.

Interestingly, however, Gu Long's description of the male villains in his works doesn't seem to be very tolerant. He just aroused the readers' dislike of them. It seems that in Gu Long's eyes, an evil woman is another matter, if she is beautiful.

Gu Long wrote a lot about women, and also published a lot of high opinions about women in his works. He tried to enter the inner world of women to understand and love them. At the same time, on the other hand, he also wanted women to understand his hero.

He may or may not have done it. His female image may be true, false, or just an illusion created by his heart.

There is a contemporary novel called "Let a woman guess a riddle", which may be changed into two related topics: men let women guess a riddle, and women let men guess a riddle. Since the birth of mankind, there has been an endless guessing game between the sexes. However, in the past, present and future, men did not guess women, and women did not guess men.

They are inseparable and always want to be apart; They are inseparable, and there is always a deep gap that cannot be crossed.

So it is not surprising that Gu Long's female image is like a cloud.