Cleverly satirize people who don't reply to the news (Poetry

China's classical poems are colorful and ever-changing, just like an endless river. When reading poetry, I always feel that the ancients are gentle and eloquent, but if they satirize people, it must be shocking.

These poems, which can be called the most cursing poems in history, do not contain a dirty word. In the present words, they are simply "slapping" and leave no room for others.

After being seen by the satirical object, he can only helplessly say to the poet: You are so cruel!

1 The drunkard's intention is not to drink, but to sneer at it. Those who are greedy for small profits grab the mud, sharpen the iron needle, and scrape the golden Buddha's face. Looking for peas in quail, cutting lean meat on crane legs, licking fat and oil on mosquito's abdomen. Thanks to the old man! Grab mud from the swallow's mouth, cut iron chips from the needle, and scrape gold from the bodhisattva's face: out of thin air. It's a pity that you can find peas from the throat sac of quail, chop lean meat from the leg of crane and lick fat and oil from the stomach of mosquitoes! Interpretation: This is a poem of the Yuan Dynasty, which fully mocked the greed and lewdness of people in the world with extremely exaggerated techniques and a series of clever metaphors. This is a masterpiece of vulgar and interesting banter.

Xiaoya's clever words (excerpt) Shuo Yan the snake came from his mouth. The punch line is like a spring, and it is thick. Who is he? He lives by the river. Without fists and courage, the position would be chaotic. Subtle and embarrassing, and brave. For the Jews, it will be more, it will be geometry. Talking big is as easy as blowing off dust. Smart words sound like drums, and brazen behavior is humble. What kind of person is it? Live by the river and on the grass. Without force and courage, we will only create opportunities for disaster. You have sores on your legs and edema on your feet. Where do you find courage? There are always so many tricks. How many people are left in your partner? Interpretation: This poem is a political satire, mocking Zhou Wang for being confused by slanderers, which eventually led to disaster, and denouncing the cheekiness of the slanderers. The whole poem is very emotional, lively, straightforward and unobtrusive. 3 Xi er Shi Shi Da Jia has a son who looks smart. I have been delayed by cleverness all my life. I only hope that this child is honest and honest, and there is no disaster and no difficulty in reaching the public. Others want their children to be smart when they have sons, but I have been delayed by cleverness all my life. I just hope my son is a little stupid and straightforward, and there is no disaster. Interpretation: The poem "Washing Children" consists of four sentences, with a playful tone and an ironic tone. Indeed, everything happens for a reason. Because Su Shi himself opposed Wang Anshi's new law and mocked "new progress" in his poems, he was imprisoned and relegated to Huangzhou by the other side, and his career suffered great setbacks and learned from it. Foolish people should do nothing, but they can "be an official and not be a disaster." Su Shi's complaints are all in these turning points. This poem fully shows Su Shi's disappointment and satire on the current situation.

The boiled beans in the seven-step poem are held as soup and thought to be juice. Honey burns under the pot, and beans cry in the pot. We are born from the same root. What's the hurry? Boil beans to make bean soup, and filter beans to make juice. The beanstalk burns under the pot, and the beans cry in the pot. Beanstalk and beans are originally grown one by one. Why do they have to torture each other so much? Interpretation: This poem is written in a purely metaphorical way, with simple language and self-evident meaning. The first four sentences describe the phenomenon of burning beans in daily life. Cao Zhi used the word "bean" as a metaphor, and the word "cry" fully expressed the sadness and pain of the victims. "We were born from the same root, so why should we speculate with each other?" For thousands of years, persuading brothers to turn against each other has become a common language, which is very touching. 5 Yong Zhen Wen Qing Yingjiang tempered a thousand hammers with needles and went up one by one. Eyes on the ass, only clothes, not people. After much training, a needle can fly up and down on the cloth. (Who knows?) Needle's eyes grow on the ass, only know clothes and hats, and no one knows them. Interpretation: This poem uses things as metaphors, skillfully uses metaphors, and uses sewing needles to describe superficial snobs who only look at people's appearance and money. The word "one bump and one fall" clearly reflects the poet's criticism and helplessness to the bad social atmosphere of snobbery. The beauty of this poem is that it doesn't mention what kind of people are satirized, but you can see at a glance what kind of people this poem satirizes!

6. The wind is like a mouse. Mice have skin, but people have no tools. What is immortality without instrument! Rats have teeth, but people never stop. There is no end to people and no end to death! Rats have bodies, but people are rude. I'm rude! Do not die! Look at that mouse with skin. How can you be a person without dignity? If you have no dignity, you might as well die early. Look at that mouse with teeth. He can't control his behavior. If you can't control yourself, why not die? Look at that mouse. It's impolite to be a man. If you don't behave yourself, don't hesitate to go to hell. Interpretation: This poem describes a mouse, but it actually insinuates that the ruler deceives the people with hypocritical etiquette. People hate it and compare it to a mouse, so they give it a bitter irony. 7 mixed feelings are clear, and the immortal Buddha is not finished, only knowing that the night is unfair. The wind shed is full of sad songs, and the mud is stained with poverty and happiness. Nine out of ten people are contemptible, and none is a scholar. Don't worry about poetry. Spring birds and autumn insects make their own voices. The road to immortality is slim, and no one can achieve it. I can only write poems alone at night to express my grievances. The wandering and lonely life killed the impassioned spirit in the poet's poems. People who have no frivolous thoughts about women have gained the reputation of being heartbroken. Nine out of ten people can look at each other with dirty eyes, and the most useless one is the scholar. Don't worry that your sad poems will be a good or bad prediction. Birds in spring and insects in autumn all make their own sounds.

8. Poems of national subjugation in the Five Dynasties. Mrs. Hua Rui, the flag has been raised in the king's city. Did my concubine know about this in the palace? One hundred and forty thousand people were disarmed, and none of them were men! The king put up a flag over the city. How do I know in the palace? One hundred and forty thousand soldiers surrendered without fighting. Is there no other man? Interpretation: This poem is a seven-character quatrain written by Mrs. Hua Rui, a poetess of five generations. This poem shows the pain of national subjugation and the deep feelings of people who have made mistakes in the country, and has a distinct personality. The poet called women men, more powerful and more distinctive. The play is six quatrains, and the second one is Du Fu of Tang Dynasty and Wang Luo, who was then, thin and light. After the life of your generation has all turned to dust, nothing will hurt the torrent flowing to the endless river. Yang Jiong, Lu and four outstanding artists, whose works reached the highest attainments under the conditions at that time. Si Jie's article is considered frivolous and sarcastic by conservative scholars. You old-fashioned literati are insignificant in the long river of history and can only exist in name only, while the four outstanding figures are like rivers that will last forever.

Interpretation: The play is a six-line quatrain, which was written by Du Fu in response to the habit of some people in the literary world at that time to respect the past and restrain the present, and to aim high and aim far. It embodies Du Fu's literary criticism view of opposing the good old and not the present. It also reflects Du Fu's appreciation of the new forces, his contempt for the old forces and his progressive thoughts.

10, Li and Li Dapeng flew to Wan Li on the same day. If the wind weakens, it can still lift away the turbulent current. When the world saw my unchanging tone, it sneered at all my big words. Fu Xuan can still fear the afterlife, but her husband can't be young. It's windy in Dapeng one day, soaring to the height of nine Wan Li. If you stop when the wind stops, it will have enough power to lift the sea water out of the sea. When people see that I like to say strange things, they all laugh at my big talk. Confucius also said that man is born to be feared, and a gentleman cannot despise young people! Commentary: This poem is the work of Li Bai, a great poet in the Tang Dynasty, in his youth. By depicting and praising the image of Dapeng, this poem expresses Li Bai's great ambition and strong desire to use the world, and is very dissatisfied with Li Yong's attitude of looking down on young people.

In view of Li Yong's contempt for himself, Li Bai refuted it by telling a story about a saint learning from others. The last two sentences are both ridicule and satire, and also a response to Li Yong's contemptuous attitude, which shows his youthful vitality.