I'm a freshman and I just watched "Five Rampant Club". Could you please analyze it?

1. Text interpretation.

(1) Introduction to Lu Xun and "Morning Blossoms Plucked at Dusk".

Lu Xun (1881-1936) was a writer, thinker and revolutionary. His original name was Zhou Shouzhang, whose courtesy name was Hencai. Later, he was renamed Shuren. He was a native of Shaoxing, Zhejiang. Lu Xun was the pen name he started using when he published "Diary of a Madman" in 1918. Lu Xun went to Nanjing to study in 1898 and studied medicine in Japan in 1902. Later, he realized that curing the numb national spirit was more important than curing mental illness, so he changed his career to promote literary and artistic movements. He returned to China in 1909 and worked as a middle school teacher in Hangzhou and Shaoxing. He went to Beijing in 1912 and worked in the Ministry of Education, and concurrently served as a lecturer at Peking University and Beijing Women's Normal University. In 1918, he participated in the editorial work of "New Youth" and published the first vernacular novel "Diary of a Madman" in "New Youth". Later, he published "Kong Yiji", "Medicine", "The True Story of Ah Q", etc. He is a famous novelist and wrote a large number of essays and essays, criticizing old ideas and morals, and became one of the advocates of the New Culture Movement. In 1923, he published his first collection of novels, "The Scream," which became the foundation work of China's new literature. Since August 1926, he has been a professor at Xiamen University and Sun Yat-sen University in Guangzhou. He settled in Shanghai in October 1927, engaged in literary writing, participated in organizing the Chinese Left-wing Writers Alliance, and became the actual leader and banner of the Chinese left-wing cultural movement. During his lifetime, he published three collections of novels, two collections of essays, fifteen collections of essays, one collection of correspondence, and two works of literary history. Lu Xun also made outstanding achievements in translating foreign literature and collating ancient Chinese books.

"Picking Up Flowers in the Morning and Evening" is a collection of Lu Xun's reminiscence essays written in 1926, with ten articles in total. The first five articles were written in Beijing, and the last five articles were written in Xiamen. Initially, it was published in the bi-monthly magazine "Wangyuan" under the general title of "Revisiting Old Events". In July 1927, Lu Xun re-edited it in Guangzhou, added a "Small Introduction" and a "Postscript", and renamed it "Morning Blossoms Picked Up at Dusk". It was first published by Beijing Weiming Publishing House in September 1928 and listed as edited by the author. One of the "Unnamed New Collections". Reprinted in February 1929. In September 1932, the third edition was rearranged and published by Shanghai Beixin Book Company. These ten essays are "notes of memories"

["Sanxian Collection·(Self-selected Collection) Preface"], a relatively complete record of Lu Xun's life path and experience from childhood to youth, vividly It depicts life at the end of the Qing Dynasty and the beginning of the Republic of China. It is an important artistic document for studying Lu Xun's early thoughts and life as well as the society at that time. These chapters, written in a profound and meaningful way, are classic works of modern Chinese prose. The chapters in this book, including "From Baicao Garden to Sanwei Bookstore", "Ah Changyu (Classic of Mountains and Seas)", "Mr. Fujino", and "Fan Ainong", have been selected as middle school Chinese textbooks.

2. Words:

Pipi (bi) luxuriant (jiāo) long beautiful beard (rn) Zhenzhen (zhēn) to the best (chu) stilts (qiāo) usurp (cun) change

Criticism (pǐ) 芊 (qī) 跷耿 (tǎnt) Zhao (zho) open

Word interpretation:

PIPI: Onomatopoeia. Qiba: strange. Jiao Chang: beautiful and slender. Zhenzhenzhizhi: the meaning of completeness.

Chengzao: the appearance of neat rows. Ophthalmology: personal reading and study. Qiqi: strange; suspicious.

Uneasy: Uneasy. Zhaokai: Start.

3. Text discussion:

(1) Read the full text and summarize its main idea.

——"Five Rampant Meeting" is the fourth chapter in "Morning Blossoms Plucked at Dusk". It mainly describes "my" childhood eagerness and excitement to watch the God-welcoming Games, as well as the disappointing and painful feeling of being forced by my father to recite "Jianlue". (Principle)

(2) Text 1 *** wrote about several competitions, and wrote a title for each of them with five words.

——Full text ***Written four times to welcome the gods. The text is accordingly divided into four parts.

In paragraphs 1 and 2, write "Watching the Game in Childhood". These two paragraphs mainly describe the children's mentality of looking forward to watching the God-Yearing Games, but being disappointed after watching it, and the souvenirs left behind every time they watch the God-Yearing Games - "Bidudu". This not only describes the childlike innocence of the children, but also describes their childishness. It is very vivid and vivid, and it also pave the way for the following article to write about the Dongguan Wuyang Meeting.

In the third natural paragraph, write "Games in the Ming Dynasty".

This paragraph mainly compares the "Ming people's games" in "Tao'an Dream Memories" by Zhang Dai, a writer in the late Ming and early Qing dynasties, with the real games, aiming to contrast the simplicity of the real games. Among them, the "Shaoxing Rain Praying Competition" recorded in "Tao'an Mengmei" is specific, vivid and interesting, worthy of our thinking and study.

In the fourth natural paragraph, write "Witness the Games". This is the only positive description of the God-Yearing Games in this article. In fact, even in this paragraph, there are less than 140 words and punctuation points that truly describe the meeting to welcome the gods. This phenomenon is very worthy of our attention. What is written at the beginning of this paragraph, "Although the competition is not like the cheongsam in Shanghai today, talking about state affairs in Beijing is prohibited by the authorities" is Mr. Lu Xun's commonly used essay style. Even when writing about past events, he does not forget to comment on current events.

After the 5th natural paragraph, write "Dongguan Wuyanghui". This is the focus of the whole article.

(3) Compare the similarities and differences in content and writing methods between several competitions, and talk about the benefits of writing this way.

——Content: Same: they are all written about competitions; different: different emphasis (see subtitle).

——Form: Same: mainly narrative; different: different techniques. For example, the first time focused on describing the mentality; the second time used quotations and comparisons to write scenes; the third time used essay writing to criticize the current situation; the fourth time used detailed writing to describe a story.

(4) Part 4 is the focus of the full text. How many layers can it be divided into?

——It can be divided into three levels: the first level, from "I'm going to Dongguan to see the Wuchanghui" to "and naturally it's a different matter", introducing the Wuchanghui origin. The second level, from "Because Dongguan is far away from the city, everyone got up early in the morning" to "It doesn't seem to have much meaning to me", describes "my" experience of emotional changes before going to see the Wuyang Meeting. The third level, from "until now, everything else is completely forgotten" to the end, is to write about "my" feelings and doubts.

(5) How many stages did "I" go through in terms of emotional changes before going to see the Wuchang meeting?

——Goed through four stages:

First, urging with joy "laughing and jumping". As a child, what I love most is excitement, so when I heard that I wanted to watch the God-welcoming Games, I was very happy, so I always felt that time passed too slowly and urged everyone to move things quickly.

Second, remember it with "uneasiness" and "worry". "I seemed to have a basin of cold water poured on my head" fully demonstrates the author's extreme disappointment from joy to depression. Disappointment, that is, confusion about the education method in which fathers endorse their children when they are happy.

Third, the help of the dreamy "Iron Pliers". While mothers, workers, and eldest mothers waited silently, the author's voice while reciting hurriedly trembled, like crickets chirping in the night in late autumn. In the difficult situation, the author naturally has fantasies, which is that "many iron pincers will be stretched out from the head to clamp the people who are 'born in the wilderness'". Finally, the author finished memorizing it like a dream.

Fourth, it’s lively, but not very interesting. The article ends with a comparison: everyone is happy, but "I" feel that it doesn't seem to mean much. This implicitly reflects the harm done to the child's soul by the father asking him to endorse the child when he is happiest.

There is not a word of condemnation for the father in the entire paragraph, but it fully reveals the sadness and confusion about the elders' inability to understand the true feelings of a child.

(6)

In addition to "Wu Ram Hui", we have also studied "Kite", "From Baicao Garden to Sanwei Bookstore", " "Ah Chang Yu (The Classic of Mountains and Seas)" and "She Opera", compare these works and talk about the similarities and differences between them in terms of content, material selection, conception and language style, as well as the inspiration you get from them.

——Proposition intention: It aims to guide students to review the texts they have learned in junior high school and pay attention to comparing this text with them.

"Ah Changyu (The Classic of Mountains and Seas)" and "From Baicao Garden to Sanwei Bookstore" are the second and sixth chapters in "Morning Blossoms Picked at Dusk", and their content, conception, language, etc. are the same as those of "Morning Blossoms Picked at Dusk". Wuchanghui" is basically the same.

"Kite" comes from another collection of essays by Mr. Lu Xun, "Weeds", and is somewhat different from "Wu Ram Hui" in content, conception, language, etc. The content of "Kite" is relatively simple, but the meaning is very profound and the language is relatively profound.

"She Opera" comes from Mr. Lu Xun's novel collection "The Scream". The novel shows "I" through the description of "I" and my young friends sailing on a moonlit night to watch a theater and returning home under the moon. An innocent and childlike cultural life experience in the Jiangnan water town; the novel has beautiful descriptions of scenery, delicate psychological descriptions, and smooth and natural language, which is very different from "Wu Rameng Hui".

(7) See the third question on page 5 of the text

——The purpose of the proposition: to guide students to appreciate Mr. Lu Xun’s metaphorical art.

Answer explanation: Among the five metaphors, students can choose the ones they are familiar with and interested in for comparison and appreciation. They are not required to answer all the answers, nor are they required to be completely consistent. Students can speak according to their actual level. own opinions.

(8) See question 4 on page 5 of the text

Proposition intention: Aimed at guiding students to conduct critical reading.

Answer explanation: This question is an open question, and the answers are not required to be consistent, as long as the students make sense.

4. Relevant information.

(1) Dongguan Wuyang Meeting.

The Five Ramps are also called the "Five Tongs" and the "Five Saints". Shaoxing people describe them as the spirits of five animals: horses, monkeys, dogs, chickens and snakes. The people of Shaoxing are particularly in awe of them. Every winter solstice and summer solstice, almost every family will privately worship the "Five Saints Bodhisattva". Its representative is the snake god. Snakes love to swallow eggs, so a plate of cooked eggs is essential as a sacrifice. During sacrifices, for the sake of wealth, the door must be closed, leaving only the housewife alone, and men must avoid it. The most special thing is Dongguan Town (now part of Shangyu) at the east end of Shaoxing County. In the old days, there was a "Five Ramps Temple" dedicated to Qing, There are five statues of gods with faces in yellow, red, flowers and black colors, and there is another statue with white face next to them, so the forehead of the temple is "Liufu Xiuzhi". Legend has it that the Five Rampant Gods have repeatedly harassed the place and disrupted the world. God sent the Thunder God and the Lightning Girl to chase them. They searched everywhere, but they were nowhere to be seen. Only six strong men were repairing the seawall amidst the lightning and thunder. This was a good thing to protect the country and the people, how could it be Wu Yang's doing? Besides, the number of people did not match, so they were finally concealed. From then on, Wu Ram stopped doing evil and changed his evil ways to do good. He was forgiven by the people and respected as a god. Since then, Dongguan Town has had the custom of Sai Wu Gang Meeting, which takes place on the 15th day of April in the lunar calendar.

The Wuyanghui does not welcome the competition every year, but often only once every few years, or even every twenty or thirty years. Therefore, once the competition is held, it will cause a sensation in the whole county, and the scale will be extremely grand. Traders from all walks of life rushed to Dongguan from all directions. Needless to say, the grandness of the sacrificial ceremony and the splendor of the sacrificial sheds along the road were countless. There were countless villagers from other districts and villages who came to worship the gods. It's true that "the village men and women know how much, and everyone is busy holding chickens and dolphins to pay homage." It is said that local people in Dongguan, who have antiques and treasures in their homes, will also take them out as offerings and display them on the sacrificial table on this day. Therefore, the leader "Mr. Toujia" must go to the county town in advance to hire a large number of "regiment soldiers" to maintain order and strengthen security to prevent gangsters from robbing.

On April 15th, when the sky was about to shine, there was a crowd of people outside the Wuyang Temple and the noise was like thunder. When the sky became clear, the five idols were carried out of the temple. When you arrive at the front street, you must stop and worship first, which is called "Zhuqi". At this time, the goods from all walks of life will be roughly ready. The so-called huihuo is like the profession and role of acting. Each village and town has its own organization called "hui". The required costumes, props and other supplies are all provided in the public property. For example, the gunpowder of the gun guild and the Shirakami guild The gongs and cymbals, plain clothes, straw sandals, paper hats, silk strings and bamboos for the percussion club, the flags for the big flag club, the oars for the dragon boat club, etc. must be replenished and repaired at any time, so that wherever there is a meeting to welcome the gods, it can be done at any time. You can go and participate. After the "Five Rampant Gods" were sacrificed in Qianjie Street, the competition officially began. At this time, thousands of gongs sounded and guns were fired, and the team marched to the villages near Dongguan in an orderly manner. The sequence of meeting goods is roughly first "Tang Bao" (a child on a horse who is responsible for reporting news), "Gao Zhao" (Lu Xun introduced it in detail in "Five Ramps"), and secondly. It's blunderbuss, gongs, flags, umbrellas, and pavilions. Then it's the thirty-six rows, juggling, and stilts. Then there's the drum music, and then there's the five-vehicle god. Behind the sedan, there were a group of "criminals" who had made vows in front of the god due to illness and were wearing criminal clothes, shackles and handcuffs. They were greeted by a dense crowd of faithful men and women holding incense and kneeling in worship. In front of the sacrificial shed, they have to stop to receive sacrifices. The congregants take this opportunity to compete and show off their skills. . Especially exciting is the white god dance.

The dancing white god usually has a night head (the person who sifts the rice cake): living Wuchang, Wuchang's sister-in-law, A Ling (it is said to be the child of Wuchang's sister-in-law's ex-husband, commonly known as "Dou You Sick") and Death Wuchang. They are in He danced to the music rhythm of "dong dong cymbal, thu tak cymbal", although his dancing posture was very clumsy. But it can make people happy. Especially the Baishenhui from the villages such as Zeshuipai and Wayaotou. In addition to these five people, there is also a rich young man holding a birdcage. He walks beside the colorful Wuchang sister-in-law. The two dance, wink and wink. He was so angry that Huo Wuchang would hit him with a banana fan from time to time, making the audience laugh.

In the afternoon, there are more than ten opera performances on Dongguan Street. On the shore and on the boat, the audience was as big as the sea and it was very lively. .

In fact, the gods-welcoming games in both urban and rural areas of Shaoxing are very exciting and lively. Similar to the "Five Rampartments" are the water receptions in Qingdian Lake and the day and night receptions in Lizhu, Cao'e and other places. On the sixth day of the fourth lunar month, Huang Laoxiang Guild (the temple is south of Xiguomenwai Bus Road) welcomes a race on the water in Qingdian Lake, which is very interesting. On this day, sacrifices are held along the river in nearby villages, and colorful sacrifice sheds are set up on every larger bridge. All the goods were transported by boat, one boat at a time, with the first and the last and the last biting the head. The ceremonial guard was more than three miles long, and the sequence of the big dragon boat and the loach dragon boat was not included. The divine ship that Huang Gong rode on was particularly brilliantly decorated. Every time we enter a small river in a village, the faithful men and women on both sides of the river will kneel down and worship. At that time, the bridge was closed to traffic, allowing the fleet to pass slowly. There must be several extremely large ships in the fleet, called "turning ships". On the bows, belly and stern of these ships, there are people pretending to tell stories, and the pretenders are collectively called "cowboys". I don't know where they come from, and I can't check them. After the cargo ship has passed, the drama begins with the firing of cannons. There are about twenty bridges from Xiguo Suspension Bridge along the west bank of the river to nearby villages. The eldest mother who often told stories for the young Lu Xun suddenly fell ill and died in the boat while watching the reception on the water of Qingdian Lake. On March 17th, 18th and 28th, Lizhu and Cao E held day parties respectively, and they also held night parties in the evening. Guns are most popular during the day, and Ting Liao Torch and Fire Meteor are most popular at night. Because if it's pitch dark, it's like walking in brocade clothes at night, and there's nothing beautiful about it. The so-called bolide is a long, thick and soft rope with a small wire cage attached to both ends. Inside is a ball of cotton wool dipped in kerosene or other oils. After being lit, a strong man will fly up, down, left and right in a circle. At this time, I saw a line of fire drawing red circles one after another in the night sky. If the venue is empty and several fireballs dance together, it will be like a group of silver snakes and fire dragons competing for beauty, which is dizzying for the eyes.

(Text/Yang Naijun)

(2) Lu Xun talks about "Morning Blossoms Plucked at Dusk".

Morning Blossoms Picked Up at Dusk·Xiaoyin

Lu Xun

I often want to find a little quietness in the chaos, but it is not easy. It's so bizarre right now, and my heart is so confused. When a person has only memories left, life may be considered boring, but sometimes there are no memories at all. China's affairs are regulated, and world affairs are still in a spiral. When I left Sun Yat-sen University a few days ago, I remembered leaving Xiamen University four months ago. When I heard the planes blaring overhead, I actually remembered the planes that circled Beijing every day a year ago. I also wrote a short article at that time called "A Sleep". Now, even this "sleep" is gone.

The weather in Guangzhou gets really hot early, and the setting sun shines in from the west window, forcing people to wear only a single piece of clothing. The pot of "water branches" on the desk is something I have never seen before: it is just a section of a tree. As long as it is immersed in water, the branches and leaves will become green and lovely. Looking at the green leaves, editing old drafts, and finally doing something. Doing this kind of thing can really drive away the heat even though you are still alive, but still as old as your death. The day before yesterday, "Weeds" had been compiled; this time it was the turn of "Revisiting Old Things" that was successively published in "Wangyuan". I also changed the title for him: "Morning Blossoms Picked Up at Dusk". It would be much better to fold the flowers with the dew on them, but I can’t. Even the weird and messy things in my mind now, I still can't turn them into weird and messy articles immediately. Or, when I look up at the flowing clouds, they will flash before my eyes.

For a while, I repeatedly recalled the fruits and vegetables I ate in my hometown when I was a child: water chestnuts, monk beans, wild rice, and cantaloupe. All of these are extremely delicious; they all once tempted me to feel homesick. Later, I tasted it after a long absence, but it was nothing more than that; only in my memory, the old meaning remained. They may want to deceive me all my life and make me think twice.

These ten articles were copied from memory, and may be slightly different from the actual content. However, I only remember this now. The writing style is probably very messy, as it was written and discontinued over a period of nine months. The environments are also different: the first two were written under the east wall of the apartment in Beijing; the third three were written while living in exile, in a hospital and a carpenter's room; but the last five were written upstairs in the library of Xiamen University, already among scholars. After they squeezed out of the group.

On May 1, 1927, at Baiyun Tower in Guangzhou

(3) Narrative prose about Lu Xun.

On the artistic method of creating artistic conception in Lu Xun's narrative prose

Gong Gang and Zhao Miaoqing

"Morning Blossoms Plucked at Dusk" takes the description of characters as the narrative center and reproducibly It is good at reflecting the vivid nature of society, but it focuses more on integrating the subjective emotions and interests of the creative subject with the help of concrete and perceptual objective images, creating an artistic atmosphere of "the virtual and the real, the special and the special", so as to inspire the recipients. Use your own aesthetic association or imagination to appreciate a special artistic image. It seems that Czech Sinologist Pu?ek, who once studied Lu Xun as a subject, has long sensed Lu Xun's artistic method of creating artistic conception in prose. In his articles such as "The Causes and Consequences of the Chinese Literary Revolution: The Confrontation between Traditional Oriental Literature and Modern European Literature in this Revolution", he proposed three basic elements that must be possessed in the process of creating artistic conception, namely "a high degree of overflowing emotional experience" ", "keen observation" and "the most concise expression of the essence from subtle things", believes that while Lu Xun abandoned traditional Chinese literary forms, he used this traditional Chinese lyrical method to organize his creation. Since the aesthetic characteristics of "Picking Up Flowers in the Morning and Dusk" are restricted by the cultural connotation to be expressed in the work, and interact with the stylistic characteristics to achieve a special expression of materialized art, only by organically analyzing these three elements through the artistic conception of the work can we Truly understand the inexhaustible cultural connotations displayed in "Blossoms Picked Up at Morning and Evening". Here we will use the process of the composition of the stylistic characteristics and artistic conception of "Morning Blossoms Plucked at Dusk" to analyze the specific perceptual materials of the work from the three main aspects of the work: emotion and context, matter and context, reason and context, focusing on investigation and exploration. With his high artistic attainments, Lu Xun used various approaches and methods to create and develop artistic conception, and extracted some regular things from it. Because of the specific ways or methods to achieve "blurred meaning and context", we can see more of Lu Xun's creative personality and the style characteristics of his works, which not only allows us to deeply understand the role of "Morning Blossoms Plucked at Dusk" in the history of modern Chinese prose. The exemplary significance can also unearth the aesthetic value of "inspiring people's attention" for the artistic conception creation of our contemporary narrative prose.

As far as the relationship between emotion and environment is concerned, perceptual perception shows that the composition of artistic conception in literary works is nothing more than "the environment is created by the heart", that is, the writer's own creative state of mind, the peak experience of aesthetic emotion and the ingestion of it The process of materialization by matching the objective images of objects. Any perceptual material projected into the work, once injected into the writer's subjective emotions, can "make the vague and indistinct things seem to be inspired by the objects, and the vague and unconnected things can be traced and seen." Of course, we must also see the aspect of "born by emotion and circumstance". Without the emotions that are inspired, triggered and supported by objective objects, it will also become boring and artificial. Only when objective objects and subjective emotions complement each other and are harmonious can we create connotation. The artistic conception is timeless and chewy. In this regard, Lu Xun's "Morning Blossoms Plucked at Dusk" shows us numerous typical examples. For example, the popular scene description paragraph at the beginning of "From Baicao Garden to Sanwei Bookstore", when we first read it, we can't help but be moved by the author's heart and soul of admiring the youthful interest in life. It seems that we have returned to the frankness and innocence of childhood with the author. A pure world of poetry and painting. But after a little thought, it is not difficult to realize the profound charm in it. It is obviously not the author's nostalgia for his childhood life that "the soul cannot be traced". Recalling the colorful and lively Baige Garden, isn't it that the author yearns for and yearns for the ideal education model that is in line with the sound development of children's body and mind? Regarding the emotional form that children's nature requires, the author seems to stand in the thousands of years of Chinese culture. The pinnacle of cultural history, the affirmation of sublimating it into a "cultural philosophy" strongly reflects the cultural negation of the traditional education of the dim, depressing, dull and boring Sanwei Bookstore, which symbolizes the alienated perceptual life.

The author not only uses specific natural landscapes to express his profound thoughts and emotions, but also often integrates the undercurrent of emotions surging deep in his soul into some preset life scenes. , injecting the intangible into the tangible, and forming the artistic conception of the work in the materialization and objectification of emotions. "Mr. Fujino" shows us such a life scene that combines emotions and circumstances, has lofty meaning and is thought-provoking. The author depicts the ugly images of "Qing students studying abroad" in the article, such as admiring flowers, playing with pigtails, and dancing. In fact, it is a modern commentary on the so-called "reformers" who seek Western science and culture and advocate reform, as well as those who study in Europe and the United States and wear suits and leather shoes. The true meaning of the "gentlemen" of the faction, lying in drunken dreams and dying on the zombie of the old Chinese culture. Especially when contrasting Mr. Fujino's simple and rigorous lifestyle and educational attitude, his concern for the transformation of China's old customs and culture such as foot binding and fear of ghosts, with his enthusiasm for spreading Western science and culture to China, those "long braids" "Qing students studying abroad" are even more visible in their pathological cultural personality of being vulgar, old-fashioned, boring, and despicable. It is precisely at this point that when we read that the author "wanted to be lazy" and looked up and caught a glimpse of Mr. Fujino's portrait on the wall, "I suddenly found my conscience again and gained more courage." Continue to wage a tenacious battle against these self-proclaimed "gentlemen" scholars. Aren't the latter "traditional at heart" and similar in spirit to the "Qing students studying abroad" in Japan? It can be seen from this that the author is not writing casually. Natural scenery and life scenes may be limited to casually mixed with general ridicule, but this specific life scene is deliberately selected to imply the author's entire tradition throughout "Morning Blossoms Plucked at Dusk" The cultural meaning that is deeply grasped through the rational perspective of culture and spiritual introspection creates a profound and broad artistic space that is enough to trigger and inspire readers' aesthetic associations and rational thinking.

Lu Xun's "Morning Blossoms Plucked at Dusk" is not like "Wild Grass" in which the author self-discloses his spiritual world. It mainly shows us natural landscape paintings or situational life pictures that use objects to express emotions and express aspirations through objects. Instead, it is closer to the narrative novels "Scream" and "Wandering", focusing on describing social customs and fashions, and drawing a series of genre paintings with rich local customs and bright colors. However, the characteristics of the genre painting of "Bloomies Plucked at Dusk" are naturally different from narrative novels. It has obvious stylistic characteristics of autobiographical prose. This is what we can easily see in the work. The author often uses his own life history as the benchmark for recalling media. "Pretending to be casual graffiti" is actually carefully designed to intersperse, embellish, and lay out some folk customs and local customs with a strong local flavor. In the meantime, they are seamlessly blended with their bright and exciting emotions of love and hate and their cold and implicit experiences, forming a A state where the form is scattered and the spirit is not scattered, the scene is plain and limited, but the charm is meaningful and profound.

These scenes of customs and scenes that highlight the phenomenon of Chinese traditional culture are not only painted with metaphors and representations of gray-brown tones like Rembrandt's oil paintings, but also contain the author's rich feelings, and also induce readers to engage with the story. The author explores the invisible consciousness of traditional cultural inheritance in people's minds by "getting inside" and thus rationally explores its obvious cultural critical significance "outside". The emergence and development of this kind of "thoughts and context" is just as Lu Xun repeatedly affirmed when talking about the British essay style, "The writing method is to only hint at the world of the author's thinking and experience to the attentive and attentive readers, pretending to be It looks like graffiti, but it is actually an article written with painstaking care." If Lu Xun’s self-life experience of traditional Chinese culture focuses on hints, representations, and metaphors, relying on scenes of natural scenery, situational life, and rich folk customs, then Lu Xun’s more tortuous and obscure emotional forms, With the help of absurd transformation, alienation and defamiliarization, and the weaving of unrealistic fairy tales and the world of ghosts, it develops an artistic realm with unique images and profound meaning.

"Unlike the norm, the underworld that ordinary people talk about is full of ghosts and scares them. In Lu Xun's writings, it has become a feudal superstitious "big memorization of classics" without any gloomy or terrifying atmosphere. "It is very... A better place than the underworld", "where ghosts and gods are kings and justice is at the mercy of justice", just like "Flower demons and foxes have many human feelings" shown in "Strange Stories from a Chinese Studio", especially the ghosts that capture living souls "Impermanence" makes him more lively and frank, and approachable to people. He is a ghost but understands human feelings. Just because his sister-in-law was in pain and sad, he temporarily let his son return to the sun for a while with "a little bit of affection", and was "disliked". King Yama, who was too clever, gave him a severe corporal punishment. "However, this punishment gave us the impression of impermanence and indelible suffering. The mention of it made him frown even more. He held the banana fan in hand and turned his face to The ground dances like a duck floating on the water..." This new realm of two-way or one-way combination of human and ghost, "ghost and human, reason and emotion", is imbued with a strong tendency of love and hate, and reflects the working people's compensation in the artistic imagination. The author uses the means of absurd deformation, alienation, and defamiliarization to express the incomplete and realistic aesthetic ideals and the bright color of the excellent national culture that has pursued justice, justice, and perfection for thousands of years. "Man's work is like it comes from the sky", creatively and boldly handling the subject matter that goes against the rules, "copying the feelings in his heart and the mood of the times, and the sincere principles and the spirit of excellence are always revealed in it", opening up to the readers A fresh, timeless, full-bodied fairy tale world and a world of ghosts that is particularly popular in "Blooming Flowers Picked Up at Dusk"

The artistic conception of "Blooming Blossoms Picked Up at Dusk" is not only reflected in the lyrical description of scenes and the creation of scenes with emotion. It is more reflected in the organic composition of the main stylistic feature of writing about people and stories. Of course, while we can see that this narrative prose that Lu Xun clearly regarded as an artistic creation has strict documentary characteristics, we cannot. It should be regarded entirely as a life record that writes about people and narrates things, without any additions, deletions, "displacements" or imaginary elements. Perhaps we should pay more attention to the careful selection and emotional infiltration and filtering of the author's keen observation, and even The raw materials of life are changed, so as to intentionally seek to "express the essence of the subtle things in the most concise way", and to develop and deepen the expressive characteristics of the artistic conception of the work. Here we might as well excerpt a piece of historical data to give a auxiliary explanation. As we all know, in the article "Father's Illness" in "Morning Blossoms Plucked at Dusk", the author stated that it was Mrs. Yan who controlled the "soul-calling" ceremony. However, Zhou Zuoren once raised doubts about this in "Reminiscences of Zhitang" and believed that according to the local practice According to folk custom, a "soul-calling" ceremony was arranged for the dying father. It was impossible for distant relatives like Mrs. Yan to be present. Therefore, he believed that these were details of life that the author deliberately wrote up in the past due to Zhou Zuoren's historical stains. His views have always been ignored and simply dismissed. However, in "My Father" written by Lu Xun himself seven years before "Father's Illness", we can see that the author clearly described the "soul calling" that his father ordered before his death. It is not Mrs. Yan, but the eldest mother whom Lu Xun cherished fondly throughout his life. We believe that this historical fact that has been "displaced" in the work should not be regarded as Lu Xun's personal memory is wrong, but the author's throughout "Morning Flowers and Evenings". In the creation of "Shi", we always adhere to the general principle of historical realism and consciously make a certain degree of artistic integration. This kind of appropriate or necessary artistic treatment (similar to the one in "Five Ramps" where the father asked the young Lu Xun to memorize "Jianlue", etc.), according to the author's creative intention, is naturally out of artistic considerations that help create the artistic conception of the work. It is also in line with the author's aesthetic pursuit of "painstaking painstaking efforts" that in "Morning Blossoms Picked Up at Dusk" we can more clearly understand that the people and things specifically described in the work are the author's own personal experience. , it is also through careful selection or moderate fictitiousness, in which one's own emotions, ideals, and thoughts are integrated and placed. There is an artistic process in which abstraction and concreteness, virtuality and reality interact with each other, thus forming or inducing "the virtual reality" between the looming reality. Quite a sight to see” art space. "A Chang Yu (The Classic of Mountains and Seas)" is a work in which Lu Xun recalled his childhood nanny and expressed his deep and sincere emotions. "My nanny, the eldest mother, has passed away for about thirty years. I finally don't know her name or her experience. I only know that she had an adopted son. She was probably a young widow. "The orphan widow." This short 60-word passage, which is poignant and sad to read, describes an ordinary and hard-working rural woman "silently like the thin grass under the rock." "Live, die silently" is a tragic fate, and the words are permeated with the author's "speech-impeded" emotions.