Joke Collection Website - Talk about mood - Appreciation of Chrysanthemum Poetry in Su Shunqin's Pavilion in Heyu Province
Appreciation of Chrysanthemum Poetry in Su Shunqin's Pavilion in Heyu Province
Su Shunqin
It's not that flowers and plants are scarce, but it's really good to love chrysanthemums.
Plant yourself first, and wait until you get old in autumn.
I like branches with delicate makeup, and I like small gold ytterbium.
Severe frost makes the layer English, which is conducive to seeing skilled craftsmen.
When the light shines, the fear of folding is thin and few.
Three or four songs a day, one song goes around three or four times.
It's hard to feel that special feeling, and it's hard to be fascinated by yourself.
I have been given poetry by you, and I am in a romantic embrace.
Lang Yong compensated this heart, and he was honored.
Su Shunqin was an influential poet in the Northern Song Dynasty. He and Mei are both creative writers, active advocates and backbone of the poetry innovation movement in the early Song Dynasty, and they are called "Su Mei". Mei and Su are the same group of innovative people, but their personal styles in poetry creation are quite different. Ouyang Xiu summed up Mei's and Su's poetic style in the poem "Shui Gu's Night Trip to Send off Zi Mei", knowing people and discussing the world, and being kind. Mei agreed with the European comment and said, "My uncle and I have made friends forever, and I have more to say. Taste and evaluate the two of us, frugal and different. " ("I send a beautiful book to my child") and said, "Although it is still interesting, I am happy to shake hands and smile." (ditto) Mei and Su sang together, and both styles showed their beauty. Zi Mei () himself said that it is a misunderstanding that the world regards his poems and Mei's poems as homophones. Generally speaking, Mei Jian Su Fang, as Ouyang Xiu said, "Zi Mei's pen power is magnificent, and it is amazing to surpass her." However, Su Zimei's bold and unconstrained poetic style has different manifestations in different themes and styles of works. For example, the above song "Living in a Courtyard with Yu Province" is mainly meaningful and unique, which should be carefully tasted in reading and appreciation.
In the autumn of the fourth year of Li Qing in Song Renzong (1044), Mei Yao Chen visited Su Shunqin's home, and saw the purple plum pavilion with gorgeous chrysanthemums, overflowing with wine and well-known poems, and presented a five-character ancient poem "Fu on the dead leaves of Perilla Mei Ting". Zi Mei is a spirited and quick-thinking person, so he created this famous masterpiece. Yu Sheng is May Yao Chen's word. At that time, Zimei was a captain and inspector in Jixian County, while Yu Sheng was exempted from Huzhou tax supervision and soon returned to Xuancheng from Jiangnan and Bianjing. In the first four sentences of this poem, the author's preference for chrysanthemums. Since Tao Yuanming, men of letters with integrity have always preferred the brilliant and noble colors of chrysanthemums and the cold of Ao Shuang. Zi Meiren likes chrysanthemums, not only because there are no flowers in Qiu Lai, but also because of their quality. Tang Yuanzhen's poem "Chrysanthemum" said: "It's not that chrysanthemum is favored among flowers, but that this flower is more barren." Zi Mei just wants to put this idea. The first four sentences of Sheng Yuyuan's poem also say: "Born with grass, not with grass." We are all competing for flowers in spring, and we are alone in autumn. "Comparatively speaking, Zimei loves chrysanthemums, pays attention to the essential ethics of chrysanthemums, and is more emotional. First, I personally cultivate chrysanthemum seedlings, and then I always wait for it to bloom in Qiu Lai. It's just "waiting for flowers". I'm in such a hurry. Zi Mei is quite naive, her writing is lively and interesting, and her feelings are sincere. " Enclosure "means farming, and" enclosure "means closing the soil. Bai Juyi's Bamboo Cultivation: "Bamboo, ... is like a saint, but people cherish it and plant it." "The following six sentences describe the colorful beauty of chrysanthemums." "Make-up" means dressing up. " Cui Yu ",decorated with kingfisher feathers, originally refers to the dress of the goddess waterinfo when she plays by the river, and later refers to the graceful posture of women after putting on spring clothes. Cao Zhi's Ode to the Goddess of Luo: "Or play clean, or fly, or pick pearls, or pick up jade feathers. From the second concubine of Nanxiang, take the Hanbin tourist girl. "The second sentence" make-up "means that the chrysanthemum seedlings grow bigger and bigger, and the branches and leaves are more abundant, as if wearing jade clothes. Soon, I saw Juying in bud again, spitting out golden petals. Although the new flower is not big, it looks like a smile, which is very gratifying. The phrase "severe frost" says that a hundred flowers blossom, layer upon layer, and the thicker the frost, the more prosperous it is, which makes people admire the ingenuity of natural chemical industry! The word "layered English" captures the character of "Chiba Chrysanthemum Tree", with overlapping petals instead of single petals, which is very attractive. The second sentence of "falling" always writes chrysanthemum bushes, and the golden color is swaying in the wind, which is suspected to be scattered in the clouds. In this way, I can't bear to pick it, for fear that missing a chrysanthemum will destroy the artistic conception. Folding chrysanthemums, drinking and writing poems are often linked together, so here, I want to pick them and stop, so I turn to chanting. Drinking with chrysanthemums and meeting friends can't be without poetry. It is strange to write a few words about chrysanthemum flowers. It is progressive and lifelike from planting to flowering, just like the high-speed lens of flowers in movies, from planting, leafy, budding, blooming and even golden, as if in an instant, like a fairy tale. This kind of writing is not only novel and unique, but also has strong modeling power and picture sense. Zi Mei is better after all. Even writing a folded chrysanthemum is different from others. I want to take it off and have a rest. A specific action reveals the subtle mentality of the characters. From Tao Yuanming's "Picking Chrysanthemums under the East Hedgehog" and "Exposing Beauty" ("Drinking") to Du Mu's "Folding Chrysanthemums on the Hedgehog" ("Folding Chrysanthemums"), Su Zimei is reluctant to pick them when writing alone, which is very intriguing.
Write the following four sentences about "singing three or four songs a day" to express your appreciation and infatuation with chrysanthemums. There is a sentence in Li Bai's poem "Look at the Rhododendron in Xuancheng": "When I scream, my intestines will be broken, and I think of March 8." The three "ones" are unique, tasteful and affectionate to the three "threes". Su Zimei repeated "one, three, four" in two sentences, which was caused by singing and sighing. And the characters are vividly portrayed, which is very interesting. As for the phrase "expert in appreciation", it is a helpless move when poetry and pen can't grasp the heaven, leaving room for imagination with "language difficulty" Special appreciation, special affection, special beauty, endless words all show the author's special feelings for planting chrysanthemums. The last four sentences say that after reading Mei's poems, I feel that the poems are like gorgeous clouds and write the charm of chrysanthemums, which makes me feel quite comfortable. The two sang together, singing loudly and carefree, and realized each other's wishes. "Qing Zun" is called "Qing Zun". The former means that they like drinking chrysanthemums very much, which is contrary to "Long Yong". It shows Su Zimei's heroism of "looking around, not surprising", drinking to the full and reading aloud. Is Su Zimei's "Wanqiao No.1", sometimes arrogant, sometimes drunk, like a swift horse (Ouyang Xiu's "Shui Gu's Night Walk to Send the Son" is a self-deprecating word admired by Yu Sheng, which is fluent in terms of the coherence of the four sentences, but not as powerful as the former. In short, the four sentences at the end should be interpreted as a harmonious poem, with a little tricks, but it does not affect the whole article. This poem is pure and refreshing, unconventional, prosperous and sincere. It is one of Su Zimei's poems full of different tastes, which is quite different from his bold poetic style. It is not surprising that Li Taibai also has beautiful and ethereal works. Generally speaking, style is not a label that can be attached at will.
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