Why did Japan make the film Canglang?

Just finished watching this movie. . . . . .

Just send your own film reviews. After all, this is a movie I have been waiting for for a long time.

The greater the expectation, the greater the disappointment. ...

I thought it was a historical film, but after watching it, I found that it can only be regarded as a feature film, although the big aspects have not changed much. .....

Compared with Genghis Khan, which was filmed in Inner Mongolia, China, it is not a class at all in history. I think Canglang in Japan is more like an idol drama, which is suitable for modern people to watch.

Some reflections: mainly compared with Genghis Khan in Inner Mongolia.

1, the most disappointing thing is this. After Temujin unified Mongolia, he attacked the Western Xia State of Jin, but he didn't mention it. It is the same virtue as the previous Inner Mongolia edition. He retired when he filmed a unified Mongolia. It seems to be to ensure harmony with neighboring countries. ........

2. The number of female dramas has obviously increased a lot, adding a lot of helplessness as a Mongolian woman, but Hulan is a bit of a spoof. She has actually become a "military commander named Ji" and is also very good at it. As can be seen from the film, the assassin who assassinated Temujin was really dizzy ... and the relative female drama in Inner Mongolia was pitiful, except for Temujin's mother and wife, which was almost rare. .....

Because there are more female dramas, there are fewer male dramas. Four founding fathers only appeared in Bolshoy, the other three became walk-ons, not to mention the four dogs, and they didn't even have a chance to show their faces ... It was really sweaty. ........

4. In terms of figures and costumes, people and clothes are always too clean. Bright clothes and fair skin always make people feel that these people are not Mongolians, but they still like Mongolian warriors who wear dirty clothes and haven't washed their faces for a few days. Inner Mongolia edition has done a good job in this respect. ........

Japanese people are too small, while Mongolians have big skeletons. There is a big difference between the two. This actor is not like a Mongolian. This is the biggest problem ... Shu Chi, Temujin's son, is so handsome ... Every time I see the Japanese version of Shu Chi, I always think of the man who is five big and four thick ... I always think this Shu Chi is too slim. How did Shu Chi become a soldier in the history of war? ...

6. Unfair to Jamukha, although Temujin is an enemy, Jamukha is also a human being. There are many things about BS in Jamukha in the movie, such as fighting for Kyle Polo's post at first, taking Kyle Polo's post back to fight with the begging department in Meiere. Jamukha's attitude is serious ... plus the discord between Jamukha and Temujin, it seems that Jamukha is wrong. Worst of all, even Wang Han was given to Jamukha. ......

7, the war scene can also be so-so, the last battle with Jamukha, but spent a lot of money, one of the most brilliant is Mongolian riding and shooting, I see things in a blur. It is also the biggest highlight of this film. The appearance of the Great Wall in Wan Li at the end of the movie made me feel excited, but it was a pity that the movie was over. ...

8. At the end of the movie, Hulan asked Temujin why he continued to fight. Temujin actually said it was to stop bleeding, to trade and so on. He just didn't say it was for freedom and peace. I don't think Temujin's political consciousness is so noble ... "It is my lifelong wish to take other people's property and let his wife and daughter serve him." Genghis Khan's famous words are not just words. .........

Personally, I think this is a very general movie. As far as historical war movies are concerned, Genghis Khan produced in Inner Mongolia, China is far better than Canglang in Japanese version, but Canglang is better than Canglang in terms of characters' feelings. The Inner Mongolia version of Genghis Khan is more like a documentary, while the Japanese version of Canglang is closer to commercial films and idol films, especially "Wulin master" Wu Ji.

feel sick

1, Mongolia has not been founded for 800 years, and Genghis Khan's reunification still needs to be calculated. Or just a few decades. Shortly after the early Ming Dynasty, Mongolia split into many tribes. After World War II, in order to contain China, the Soviet Union carried China out of Outer Mongolia, which is known to all.

2, 1 940 August1day, in the Japanese government's diplomatic speech, Matsuoka said:

"... as China's current foreign policy, its purpose is, in line with this great spirit, to first establish the Greater East Asia * * * glory circle with the Japanese Manchuria branch as the link. "

The main content is "the imperial national policy ... based on the establishment of world peace, first of all, the new order of Greater East Asia centered on the empire and based on the close integration of Japan, Manchuria and China".

Of course, there are still some people who lament that the "Greater East Asia Glory Circle" has not been realized. Similarly, some people are willing to be traitors, and it is undeniable that some young people who have been seriously poisoned by Japanese culture agree with militarism. ...

But as a normal China person, he has his own national conscience.

Look at the nonsense of Genghis Khan again. Is it a replica of the glory circle of Greater East Asia?

3, even if, to say the least, his remarks are correct, just like when Heroes was released, people said that Qin Shihuang was a good emperor, but Qin Shihuang did what heroes did, unified measurement, and eliminated national boundaries (in fact, it was a vassal state. Not a sovereign country), which laid the foundation for China's later territory. Although the people's lives are very hard, they are still Qin people.

But Genghis Khan didn't do it: free communication, prosperous trade, respect for cultural customs, and rich life.

A after the establishment of the yuan dynasty, Mongolia was divided into several khanates, and those nobles had no national concept except enjoyment. This is related to national evolution. For example, ancient Greece was more advanced than the original inhabitants in the jungle of modern Africa, which is of course an extreme example.

B, Mongolia has basically maintained the grassland fighting style in dealing with defeated countries, killing cities or killing all men, plundering all the property that can be taken away and destroying the property that cannot be taken away. This practice has seriously damaged the development of production.

C, the third point, just look at the four hierarchical systems of the Yuan Dynasty.

D according to historical records, after the demise of the southern song dynasty, Jiangnan was still the richest place in China. The Yuan Dynasty abused it for decades, not as good as when the Ming Dynasty was founded.

The most important thing is that there is a serious influence of Japanese militarists in it, which makes me very uncomfortable.

The film Canglang is an epic film made by the Japanese to commemorate the 800th anniversary of Mongolia's reunification. The film narrates the process of Genghis Khan's unification of Mongolia as a clue. I have seen many movies and TV series about Genghis Khan. China once had a TV series called Genghis Khan. What's new about Japanese shooting this theme? With this curiosity, I saw Genghis Khan, the historical version of the dragon.

First of all, my first impression is that Wan Long Ting is not like Genghis Khan. There is a big gap in temperament and image between a thin rebellious youth and a great monarch who has opened up territory. As the plot progresses, this sense of disharmony becomes more and more obvious. No matter the actor's lines or performances, we can't see the cultural traditions and national habits of Mongolia, but only the resurrection of the ghost of Japanese militarism on the Mongolian grassland during World War II.

Temujin said that Khan's scene can best reflect the Japanese's intention to revive the body. Wan acceded to the throne and shouted to the crowd, "Look at the surging waves gathering here. As long as the earth continues to extend, the whole world will let us gallop. Looking at the distance, let our will soar in the wind! "

In recent years, Japan's right-wing forces have been expanding, and its voice has been constantly reflected in the cultural field. Wan Ting's Yamato last year was such a thing. Why he was chosen to play Genghis Khan is not his recognition of Mongolian culture at all, but the director took a fancy to his hysterical performance in Yamato, hoping to teach the "beat generation" through this cultural intention and awaken the aggression consciousness of the next generation, which is increasingly influenced by pacifism.

Because in reality, the Japanese can't realize their desire to expand their territory. They express and vent their passion in movies and indulge in the cultural fantasy of conquering the world. This, in essence, is a kind of spiritual masturbation!

Oh, these scumbags!

After Haruki Kadokawa, a famous Japanese director, was released from prison, the first film "Man's Yamato" was a great success, which triggered a movie-watching craze for three months in a row. Therefore, the second blockbuster "Canglang: To the ends of the earth", which is also supervised and produced by him, has attracted much attention.

Canglang: To the ends of the earth is an epic entertainment blockbuster to commemorate the 800th anniversary of Genghis Khan's unification of Mongolia, the man who established the largest empire in history and the first cooperation between Japan and Mongolia. Takashi Sorimachi plays Genghis Khan, and the main actors include Rei Kikukawa, Matsuyama Kenichi and other famous Japanese actors. With the consent of the President and Prime Minister of Mongolia, Mongolia provided 27,000 extras, 5,000 cavalry and a large number of livestock to participate in the filming, and the filming time was 4 months. The whole production cost is as high as 3 billion yen, and the publicity cost is as high as 10 billion yen. It is fully funded by Japan and is the largest film in Japanese film history.

The film was released in Japan in March this year and won the box office championship in the first week without any suspense. Five months later, I, a China native, also saw this movie through the Internet. Compared with the unanimous praise of the Mongols and the polarized reputation of the Japanese, my attitude is much clearer, that is, this film is a complete waste of money.

No wonder some Japanese viewers left a message on the movie website rudely, "This movie is definitely the best choice for next year's movie Golden Raspberry Award, especially Takashi Sorimachi. It's rude!" To tell the truth, Takashi Sorimachi's Genghis Khan is even inferior to Qin Pei's version of The Legend of the Condor Heroes, Temujin. Although the latter is short and old, it still shows the aggressive momentum of a generation of arrogance. Takashi Sorimachi version of Genghis Khan? I have to say, there is really no wind of kings. On the other hand, however, the biggest problem with Takashi Sorimachi's version of Genghis Khan lies in the writer and director. This film is based on Seiichi Morimura's literary works, and some plots are taken from Jing Shangjing's Canglang, but the core content is taken from the Mongolian history book The Secret History of Mongolia, which was written in13rd century. I haven't seen two literary works and a history book, but from the content of the film, it is about how Genghis Khan killed his brother, then got a wife, lost his wife, and then married his wife. You can imagine a movie about Genghis Khan, but without him, how to deliberately expand his influence, how to plan, how to win thousands of miles away, how to be magnificent, how to annex various tribes, how to have a great personality, and how to make all Mongolia support him. Without these, all the story advancement seems to be forced by family turmoil. How can Genghis Khan, who is so passive and affectionate, be a generation of arrogant people? There is no description of Genghis Khan's political and military talents, and the film is quite superficial, while the war scenes are not detailed and there is no wonderful action design. It is just a simple display of the unimaginative grassland war scene. Unfortunately, Mongolia has invested huge manpower and animal power. Genghis Khan's film without passion led to no climax. The scene of Genghis Khan's sweat seal is only beautifully shaped and beautifully set. Because of the lack of bedding, it becomes meaningless to the audience and can't feel the excitement of all Mongolian people at all. Or does the director think that the death of his son is the climax of the film? Unfortunately, this is still trapped in family grievances. Almost the whole movie is about how Genghis Khan handled family relations. Do the Japanese think this is the real Genghis Khan? That's ridiculous!

The story of the film has always talked about Genghis Khan's unification of Mongolia, known as Khan. It is worth noting that at the end of the film, Genghis Khan, played by the Japanese, raised his bow and shot an arrow at the Great Wall to protect China from the invasion of foreign enemies beyond the Great Wall, implying that Genghis Khan began to attack China and then successfully unified China. Because of Haruki Kadokawa's consistent militaristic stance, the subtext at the end is not sinister. It is clear that if Mongols can invade China and establish a unified empire, why can't the Japanese invade China?

Haruki Kadokawa's ambition to be a wolf is fully revealed in Canglang: The End of the Earth. Fortunately, this is a super bad movie!