How did Jet Li feel after watching the Hollywood action movie Ranger?

Comment in a word: I thought this film was at least watched by Jet Li. What happened? ...

In fact, the problem is not that there are not enough fighting scenes, but that all the fighting is based on a boring plot, which is unbearable. The screenwriter is really not smart enough. Starting with the killer, the audience abnormally provoked the gangsters' troubles. It is not difficult to see that the so-called "ranger" is a detective who everyone thinks is dead. As for the setting of the mole, although it was a little unexpected, it was inexplicable. It's really hard to understand what it's like to betray your friends but be bent on revenge for them.

Jason Statham's performance hardly reflects the guilt of his friend's tragic death due to "accidental betrayal". I believe any actor can do this abnormal psychological transformation and inner subtext. The screenwriter needs to be clear that although the plot needs twists and turns, at least the protagonist should be a person, and people's psychology can't be as outrageous as in the film. Insider steals from himself, betrays his friends, doesn't think he is the mastermind, but always wants to take it out on the murderer. Is it a special escape, or is it because his brain and thinking are too slow, and his friend who wants to "bring back the dead" tells him: "It's the gangster's order to kill my family!" The ghost in my heart suddenly realized what he had done. After the fierce fight, the two protagonists suddenly sat down and talked to each other, which was very embarrassing. Moreover, the detective played by Jason Statham always takes the opportunity to spy on the snipers lurking behind him, which always gives people a feeling of avoiding the important and avoiding the important. As a result, when the killer was really locked by the sniper, he jumped out to stop the bullet. ! There is no logic at all! Jet Li's killer became reticent because he suppressed his anger, which matched Jet Li's cold appearance. His taciturn character just masks his ugly voice and pronunciation, and they complement each other. The screenwriter was naive when dealing with the first meeting between the killer and the detective. I actually arranged for the killer to talk to the detective on the phone, as if I wanted to hear his voice before I saw him. In this way, there is no suspense about the arrival of the FBI and the true identity of the intelligent killer. If the detective played by Jason Statham is really experienced, it is easy to find the warehouse location of the gangsters in China and search it. The killer played by Jet Li used to be a detective and was friends with him. He naturally knows the law of handling cases, so he needs to call the informant directly to inform him of his location? It is really one-track realism, lacking John Woo's romanticism, and the images of detectives and killers have not been established. Later, the China mob boss asked the killer why he knew the police would come. The killer replied with interest: "Experience." If there is no telephone, this answer will have a pun effect, that is, it can show the gang leader in China that he is "experienced in committing crimes" and gain his trust; You can also make a pun about the relationship between his identity and the detective. Only when the audience tastes it at the end will it feel more meaningful. As a result, the film deals with this plot in such a straightforward and stupid way that it is extremely uncoordinated and lacks a harmonious spirit. As for other supporting roles, I really don't understand why China has been participating in American movies and TV series, which has a strong Cantonese flavor. In fact, many people in Northeast China and Central China have gone abroad, haven't they all developed into film and television circles? When a group of Cantonese people speak awkward Mandarin, it is better to let them speak English.

The handling of the fighting scene is wonderful, but it is not enough. Both Jason Statham and Jet Li are having an affair with Yuan Kui, and the scene should be fierce, but the film only shows Jason Statham's skill in some paragraphs, and Jet Li's fight with him is only a few minutes at the end of the film, which is not enough ~ Jet Li's vigorous posture is basically visual, and there are few substantive real fights. The scene of melee fighting is quickly edited with a short lens, which is an all-round display. Jet Li is really old and a little sad.

I suddenly lost great expectations for Jet Li's films, which is very sad and indescribable.