Tell me more about Wong Kar-wai's film style?

Personal style to the extreme. Fragmented narrative, lonely characters, and lines that are repeated. The soundtrack of the movie makes people cry. The shooting angle is unique and oblique. The unpredictable wide-angle lens, alienated, chaotic, distant, lonely and subtle visual artistic conception, is like the flickering light in the late rain. A corner of a gorgeous city or desert inn, gains and losses, pursuit and memory, "king-style movie"

He likes to use numbers, such as time, distance, date and so on. These are sensitive evidences again. Only sensitive people can remember the date, time, distance and so on so clearly, because it is unforgettable, because it will not be easily forgotten.

Ordinary movies portray characters according to the needs of the plot, while Wong Kar-wai's movies, the plot is for the characters. This character's personality is like this, and the plot should follow him. Therefore, the characters in his works are unforgettable and have the same melancholy eyes. Leslie Cheung looks heartbreaking, Tony Leung Chiu Wai looks fascinating, and Takeshi Kaneshiro vaguely likes it. The same silhouette, Maggie Cheung enchanting, Carina Lau lonely, Faye Wong playful and sexy. Wong Kar-wai used a refrigerator to bring everyone's taste into full play.

Movies are made up of countless shots. If you look at them carefully, you will find that Wong Kar-wai is especially good at snapping pictures. Whether it is a character or an empty shot, his emotions are expressed in it. Shake the camera to show Brigitte Lin's despair when he failed to take drugs, show Takeshi Kaneshiro's loneliness and desire to communicate when he called everyone with a long camera, and show Faye Wong's young woman's psychology of secretly loving Tony Leung Chiu Wai with a quick camera. The use of these lenses in Wong Kar-wai's hands, like a scalpel, cuts the outside of the characters one by one, and pulls out the hidden heart for everyone to see. Maybe this is why many people like Wong Kar-wai movies!

When everyone tells stories through movies, Wong Kar-wai is more willing to tell us unique people. The lovelorn, the lost, the betrayed, the unloved, whether male or female, and the status background, are all human beings, with human feelings, love and hate. He prefers to express emotions with emotions and behaviors, because emotions and behaviors are external manifestations of emotions.

In "Chongqing Forest", Takeshi Kaneshiro bought a can of canned pineapple that expired on May 1 day every day after she was lovelorn, and called Mei's family one by one. Raincoat and sunglasses that Brigitte Lin doesn't want to take off; Tony Leung Chiu Wai is a flight attendant. After her girlfriend dumped her, she talked to soap and towels every day. Faye Wong secretly went to Tony Leung Chiu Wai's house to help clean, buy goldfish and change plush toys; These are all expressing their inner feelings. The lack of love, the longing for love and the insecurity of love are not only what they have in the film, but also the emotional problems we have. Wong Kar-wai just caught it and expressed it completely, which is his most sensitive place.