Articles praising Kun Opera

I like Kun Opera very much. Meandering in her melodious tunes often makes me linger. Listen carefully to her lyrics, "Flowers fall and water flows red, and there are all kinds of leisurely feelings!" This is so lingering and pathos, so flowing and long-lasting! When I close my eyes, I can't help but see the girls of the Red Mansion coming from a distance. Their eyes are reddish, or their cheeks are red. They are so cowardly and shy, and their feelings of pity and pity are hard to describe. describe.

It’s a pity that too few people understand her today and can’t read the charm of “Shui Mo Diao”. I can't see the elegance in those eyes. Life is so gorgeous that it lacks the purity of the ears. I am speechless and speechless about this!

Life is inherently dull. Sometimes when I wake up in the morning and hear the sweet singing of birds outside the window, I feel an inexplicable feeling in my heart. That is the rhythm of nature. Ordinary but real.

Kun Opera is natural. It is unmodified and has no passionate tunes. But from her babbling singing, I can hear the wind blowing on the bamboo leaves and see the rain kissing the bananas. But I can feel the white snow all over the ground is there, "The white snow is walking lightly, dancing with the waist!" Essay about visiting the China Kun Opera Museum

The China Kun Opera Museum is located at No. 14, Zhangjia Lane, in the Pingjiang Historical District. The Jin Guild Hall covers an area of ??about 5 acres.

The guild hall was built by merchants from Shanxi Province in Suzhou during the Guangxu period of the Qing Dynasty. It is the most complete one among the more than 100 guild halls and offices in the history of Suzhou.

Foyer: Set up a foyer along the street.

The foyer is grand, spacious and magnificent, with a pavilion-style drum tower on each side.

On the top of Xieshan Mountain and along the street, there are ancient Italian-style buildings that are rare in the country.

” Stage area: The classical stage is the essence of the entire ancient building complex in the stage area, especially the dome and caisson top on the stage, with a bright red background, inlaid with black gold, and exquisitely carved ceiling panels. 18 324 black braided mother tongues are alternately carved with 18 306 golden tongue round carvings, spiraling upward and converging on the copper lens at the top of the dome caisson.

This not only reflects the classical architectural art, but also It shows the wonderful idea of ??scientifically applying acoustic principles to produce lingering sound effects.

Showroom: There are four showrooms for Kunqu Pingtan, Su Opera and classical national musical instruments.

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A collection of physical objects, historical materials, pictures and descriptions fully reflect that Suzhou is one of the birthplaces of Kun Opera and other Chinese classical operas.

In addition, there are also other things in the museum. There are exhibition rooms for Pingtan, Su Opera and classical folk musical instruments.

Here you can see the Ming Dynasty edition of "Huan Dare to Remember" and "The Peony Pavilion", a handwritten copy of "The Peony Pavilion·Youyuan" written during the Qianlong period of the Qing Dynasty. , the elegant prisoners in the "Twelve Colors of Jianghu", the exquisitely carved mahogany opera boat, the lanterns of the Kunqu Opera Hall with jade and inlaid treasures, the storytellers (replicas) unearthed from the tomb of Emperor Xuan of the Western Han Dynasty, Ma Rufei's storytellers notes " "Dream History", "The pipa once used by Xue Laqing, the king of pipa.

Jiang Yuequan’s mahogany sanxian, “Pictures of Ancestors” and “Taoist Instructions”, rare ancient books such as “Baixue Daoyin”, “Legends of Wenxingbang”, etc., as well as “Returning Drunk” and “Boat on the Lake” Two-level drama models, a set of 24 ancient palace musical instruments with two-tone chimes, a set of 37-faced cloud offerings, and Tongguan (imitation) musical instruments unearthed from Neolithic cultural sites, etc.

Take Line 5, 9, 146, 47, 148, 51, and 68 to find articles praising Kun Opera

I like Kun Opera very much, lingering in its melodious tunes , often makes me linger.

Listen carefully to her lyrics, "The flowers fall and the water flows red, and there are all kinds of leisurely feelings!" How lingering and pathos, how flowing and long-lasting! When I close my eyes, I can't help but see the girls of the Red Mansion coming from a distance. Their eyes are reddish, or their cheeks are red. They are so cowardly and shy, and their feelings of pity and pity are hard to describe. describe.

It’s a pity that too few people understand her today and can’t read the charm of “Shui Mo Diao”.

I can’t see the elegance in her eyes.

Life is so gorgeous that it lacks the purity of the ears.

I am speechless and speechless about this! Life is inherently dull. Sometimes when I wake up in the morning and hear the sweet singing of birds outside the window, I feel an inexplicable feeling in my heart.

That is the rhythm of nature.

Ordinary but real.

Kun Opera is natural. It is unmodified and has no passionate tunes. But from her babbling singing, I can hear the wind blowing on the bamboo leaves and see the rain kissing the bananas.

But I can feel the white snow on the ground is there, "white and white, walking lightly, dancing with my waist!"... What are the articles praising Kun Opera?

Poems include the "Peony Pavilion" article: Bai Xianyong's "Only because of lovesickness, there is a connection" Bai Xianyong's "Only because of lovesickness, there is a connection" about Kun Opera.

"Grandpa Bai has talked about the same topic more than a hundred times.

" From Peking University to Normal University to the National Center for the Performing Arts, fans of "White Peony" said this .

Bai Xianyong himself also knows, "I have said it many times, and everyone has probably heard it.

But I still have to say it. I regard myself as a missionary and say it over and over again. Everyone believes that Kun Opera, like Song porcelain and bronzes, is a national treasure.

"Whether others believe it or not, the audience seems to believe it, otherwise they would not have watched this performance for eight years. The drama is so popular.

The description of Kunqu Opera in "The Peony Pavilion" is that love does not know where it starts, but it goes deeper and deeper. The living can die, and the dead can live.

For you are as beautiful as a flower, and the years are passing by like a fleeting time. I am looking for you in my spare time, feeling sorry for myself in my secluded boudoir. An essay about opera

Learn to play Chinese opera has a long history and a distinctive national style.

Each type of opera has its own characteristics, such as the gorgeous appearance of Peking Opera; the elegance and delicacy of Kun Opera; the high pitch and sadness of Bangzi Opera, the gentleness and euphemism of Yue Opera, and the melodious euphemism of Huangmei Opera... In order to feel its broad connotation , to taste its long charm, I specially went to "teacher to learn opera".

"The birds on the trees are in pairs, the green water and green hills are smiling, you plow the fields and I weave the cloth, you carry the water and I water the gardens..." I don't see his person, I just hear his voice. No need to guess to know that Grandma Zhang is showing off her singing voice again.

After clarifying the purpose of my visit, Grandma Zhang was so happy that she started teaching me how to sing without saying a word.

Grandma Zhang chose a simple and pleasant excerpt from Huangmei Opera "The Match of the Immortals" for me.

Grandma Zhang first found the music of "A Fairy's Match" for me to enjoy. The yellow plum tune that seemed to exude a fragrant earthy atmosphere made people feel the joy and happiness of the characters in the plot, and saw the gurgling The stream, the birds singing happily on the branches... Suddenly, I felt a shake, and I opened my eyes suddenly, only to realize that it was Grandma Zhang who was awakening me who was addicted to opera.

It turns out that the play has already been sung.

I really don’t know if I haven’t heard it. I was shocked when I heard it. It turns out that opera is no less good than today’s popular songs. It is equally good.

Then Grandma Zhang started to teach me to sing one sentence at a time. She sang one sentence and I learned one sentence.

As soon as the song was over, the originally melodious Huangmei Opera was "changed beyond recognition" by me, and not a single word was on-key.

The uncles and aunts present burst into laughter after hearing this. I couldn’t help but frown and began to lose confidence in learning opera.

When grandma saw my expression, she kindly said to me: "Don't worry, everything is difficult at the beginning, but as long as you have perseverance, you will learn it well.

"After hearing this, My heart felt hot, and the fire of faith was rekindled.

Grandma Zhang also continued to teach me how to sing.

When I encountered something more difficult, I was asked to practice it repeatedly and demonstrated and sang it tirelessly until I learned it.

After several times, I was able to sing it completely and in tune.

After practicing along with the music several times, I was able to sing duet with Grandma Zhang, a "Cowherd" and a "Weaver Girl".

As the saying goes: If you want to know the taste of pears, you have to taste them.

In fact, many things cannot be taken at face value. You need to practice them yourself in order to know whether things are true or false and how difficult it is to do things.

At the same time, I also realized another truth: practice makes perfect. As long as you have determination and perseverance, you will definitely get things done! Composition about opera

Opera has a long history and is a classic in my country. Operas in different places have different styles and characteristics. It is pleasing to the eye. Some of its plots are tear-jerking, some are exciting, and colorful. Superb.

When I was young, when I saw my parents watching operas, I always thought that they were too old-fashioned and couldn’t keep up with the trend. I would kill me not to watch that old-fashioned thing.

As the saying goes: "To know the taste of pears, it's best to taste them yourself.

"You don't know if you don't taste them, but you will be shocked when you taste them! In today's Chinese class, when I cherished and carefully appreciated China's unique operas, I was really shocked. It turns out that our Chinese nation's operas are so artistically charming! I am really a frog in the well! How can foreigners compare with this treasure left by our ancestors? No wonder, the older generation are so keen on these operas and love them so much.

Only now do I realize what "people who don't watch opera are worthless as Chinese."

Isn’t it? These operas are like the history of our country. Only those who know how to appreciate it, only those who know how to pay attention to it, and only those who know how to dig into it can be called true Chinese.

Because they deeply understand the truth that opera is our national treasure, opera is our national quintessence, and opera is our national drama! How could we forget them? In today's society, the vision of us teenagers has shifted to pop music, film and television, and the Internet. We seem to have forgotten the traditional art of our Chinese nation.

In fact, when we appreciate our operas carefully, we will find that they are like wonderful historical stories, showing the historical pictures in front of us one by one, bringing us into history. The tunnel makes us immersed in the scene and makes us deeply moved.

How can we forget the artistic charm of opera? We should appreciate more the traditional art of our Chinese nation, let it shine forever, and let it be passed down from generation to generation! Chinese opera composition

The song adds traditional Chinese elements to the splendid Chinese culture - opera, Chinese culture, which has a long history, martial arts, etc. After thousands of years of development, these gorgeous cultures have become rich and colorful and integrated into In our lives, singers also began to appear in their own videos.

There are many fans of modern idols who disdain traditional Chinese culture, thinking that such art and culture are not suitable for themselves who like to follow trends, and have developed to the present glory.

Chinese culture.

Opera is a traditional Chinese dramatic form.

It includes literature and music, so it is called "opera".

Chinese opera mainly includes Southern Opera of the Song and Yuan Dynasties, which is a unique Chinese culture; and old artists have also begun to incorporate new elements into the tradition. It is the traditional drama that attracts young people more on the original basis and makes young people People not only follow trends but also fall in love with tradition, and have a deeper understanding of drama.

Now, I also like the idols of the new generation, but I think we should also have a certain understanding of traditional culture.

Now, more and more people are beginning to realize that modern culture needs to develop, but traditional culture needs to be carried forward even more.

As a result, dance, clothing, food, and drama have become a huge and perfect whole among the people.

According to incomplete statistics, which one is more tenable? I once watched a TV program where a reporter went to the street to conduct random interviews. The interviewees were all young people. The reporter asked them if they knew the names of some old artists, but most of the interviewees said they had never heard of them.

Nowadays, it is a combination of various factors such as martial arts, acrobatics and performing arts.

Its origin has a long history. Song and dance, dance, fine arts, and Afang Palace have sprouted as early as in primitive society. New historical dramas and modern dramas that express modern life themes are all warmly welcomed by the audience.

The more popular and famous dramas include: Peking Opera. I don’t think it’s bad to catch up with the trend, which makes more young people fall in love with traditional Chinese dramas; the new generation of movie stars are also the longest-lasting in the world. long civilization.

From the creation of Pangu to today’s rapid development of modern technology.

However, drama is facing a very big problem in its current development: the impact of modern culture.

As the older generation of artists gradually ages, and a new generation of young people gradually rises, modern culture is discussing a problem with traditional culture: just because we, novels, and myths do not mean that they should also go Know.

How chilling this is! Of course, Cantonese opera, Qin opera, and especially Peking opera are the most popular and spread all over the country. They are undoubtedly a culture that can well reflect the traditions, spirit and characteristics of the Chinese nation. Many foreigners are also fond of Chinese drama, innovation and development.

Not only is it one of the oldest civilizations in the world; it knows nothing about the older generation of artists and traditional programs. It thinks that the parents’ generation knows Henan Opera and Hunan Opera, and hopes to bring drama and Chinese culture to the From the monotony of Anqing Huangmei Opera thousands of years ago, it has been continuously enriched for more than 800 years, in the long process of development.

Drama developed from primitive society to ancient China and experienced a major reform.

Ancient Chinese drama takes "drama" and "qu" as the main elements, opera, folk art, Yuan and Ming dramas, legends and legends of the Ming and Qing Dynasties, as well as traditional repertoires of modern Beijing opera and other local operas. , it is the general name of Chinese national drama culture.

It started from ancient drama. Although the original drama was very rough and may not be called drama, the development of any civilization must go through the initial roughness before it can gradually become more mature. It is perfect and not limited by region.

The development of drama can be said to be quite successful. There are many artists and people of the older generation who are passionate about drama and have a deep understanding of Chinese culture.

Drama.

The primitive drama laid a solid foundation for the later perfect drama, medicine, agriculture, and broad scope.

Mathematics, Sichuan Opera, and Hebei Bangzi are traditional subjects. The new generation of culture is sweeping in like a wave. The new generation of idols are sought after by many fans. The new generation of songs and traditional plays have tens of thousands. .

After the founding of the People's Republic of China, many adapted traditional plays appeared.

Among the many traditional cultures, drama, gunpowder, papermaking, printing; the Great Wall in architecture, after all, the teachers of these young singers are also old artists of the previous generation. Up to now, Hunan Flower Drum Opera... and many other types of operas. There are about 360 types of operas and fables in various ethnic regions in my country; there are also calligraphy; Chinese traditional painting in painting; Chinese classical poetry, music, and dance in literature. Their own appeal has allowed more young generations to know more about drama and contribute their own efforts to carry forward traditional drama. Among the four great inventions, the compass, Kunqu Opera and Yue Opera have gradually formed a relatively complete system of opera art.

The development of drama can be said to have appeared with the emergence of civilization. The media began to promote and promote traditional culture to the younger generation in the way they like. This Chinese Carrying forward the splendid culture and seeking written information on the rise and fall of Kun Opera

Kun Opera (originally "Kun") is an ancient opera tune and type in my country. It was originally called "Kunshan Opera" or simply "Kun Opera". It has been called "Kun Opera" since the Qing Dynasty. It is called "Kun Opera" and is now also known as "Kun Opera".

The accompaniment instruments of Kun Opera are mainly flutes, supplemented by sheng, xiao, suona, sanxian, pipa, etc. (percussion instruments are also included).

The performance of Kun Opera also has its own unique system and style. Its greatest characteristics are its strong lyricism, delicate movements, and the ingenious and harmonious combination of singing and dancing.

This play was named a "Masterpiece of Oral Heritage and Intangible Heritage of Humanity" by UNESCO on May 18, 2001.

The country attaches great importance to intangible cultural heritage On May 20, 2006, Kun Opera was approved by the State Council to be included in the first batch of national intangible cultural heritage lists.

Historical evolution The history of Kun Opera has a long history. It originated in the late Yuan Dynasty. Kunshan area has a history of more than 600 years.

Since the Song and Yuan Dynasties, Chinese opera has been divided into southern and northern operas, and the singing methods of southern opera are different in different places.

In the late Yuan Dynasty, Gu Jian and others organized and improved the original tune of Nanqu that was popular in Kunshan area, and called it "Kunshan tune", which was the prototype of Kunqu Opera.

During the Jiajing period of the Ming Dynasty, Wei Liangfu, an outstanding opera musician, reformed and innovated the rhythm and singing methods of Kunshan tune, absorbed the advantages of Haiyan tune, Yiyang tune and other southern operas, and gave full play to the fluent and long-lasting charm of Kunshan tune. It also absorbed the rigorous structural characteristics of Northern Opera, used the singing method of Northern Opera, and used the accompaniment instruments of flute, Xiao, Sheng, and Pipa to create a delicate and elegant "Shuimo Diao" that combines the advantages of Northern and Southern Opera. Commonly known as Kun Opera.

Later, Liang Chenyu, a native of Kunshan, inherited Wei Liangfu’s achievements and conducted further research and reform on Kunqiang.

In the last years of Longqing's reign, he compiled the first Kunqiang legend "Huan Sha Ji".

The performance of this legend has expanded the influence of Kunqu Opera. Scholars and scholars are vying to use Kunqiang to create legends, and the number of people who practice Kunqu Opera is increasing day by day.

As a result, Kunqiang, together with Yuyao, Haiyan and Yiyang, were called the four major tunes of the Ming Dynasty.

By the end of Wanli, due to the extensive performance activities of the Kun Troupe, Kun Opera was introduced to Beijing and Hunan via Yangzhou, leaping to the top of the list and becoming the standard singing style of legendary scripts: "Songs from all directions must be from the Wu sect." .

In the late Ming and early Qing dynasties, Kun Opera spread to Sichuan, Guizhou, Guangdong and other places, and developed into a national opera.

The singing of Kun Opera was originally based on the pronunciation of the Wu dialect in Suzhou. However, after it was introduced to various places, it was combined with local dialects and folk music to evolve into many genres, forming a rich and colorful The Kunqu opera system has become a nationally representative opera.

During the Qianlong period of the Qing Dynasty, the development of Kun Opera entered its heyday. From then on, Kun Opera began to dominate the Liyuan, which has lasted for six to seven hundred years, becoming the oldest existing opera form with a long tradition in China and even the world today.

It appeared in the form of a cappella singing, which finally enabled Kunqiang to be clear and distant, and the melody more beautiful without the background of big gongs and drums.

At the same time, Wei Liangfu also reformed the accompaniment instruments.

It turns out that the accompaniment of Nanqu Opera is mainly composed of Xiao and Guan. In order to make the Kunqiang singing more appealing, he brought together flute, Guan, Sheng, Qin, Pipa, Xianzi and other instruments to perform Accompanied by Kunqu opera singing, it was a success.

The Kunshan dialect was initially limited to the Suzhou area. During the Wanli period, it expanded to the south of the Yangtze River and the north of the Qiantang River, with Suzhou as the center, and gradually spread to Fujian, Jiangxi, and Guangdong. , Hubei, Hunan, Sichuan, Henan, Hebei, and even flowed into Beijing in the late Wanli period.

In this way, Kunshan tune became the most influential tune type from the mid-Ming Dynasty to the mid-Qing Dynasty.

Historical Status Kunqu Opera (Kunshan Tune) is named after its origin in the Kunshan area of ??Jiangsu Province. Together with Haiyan Tune, Yuyao Tune, which originated in Zhejiang, and Yiyang Tune, which originated in Jiangxi, it is known as the four major tunes of the Ming Dynasty. Both belong to the Nanxi system.

Kunqu Opera is one of the oldest operas in my country's traditional operas. It is also a treasure of our country's traditional culture and art, especially the art of opera. It is called an "orchid" in a hundred gardens.

Vocal opera was the most influential type of opera from the middle of the Ming Dynasty to the middle of the Qing Dynasty. Many opera types were developed on the basis of Kun Opera, and it is known as the "Mother of Chinese Opera".

Kun Opera is a drama with the most complete performance system in the history of Chinese opera. It has a profound foundation and rich heritage. It is the result of the highly developed national culture and art of our country. It has played an important role in the history of literature, opera, music, and It plays an important role in the history of dance.

Endangered status Kun Opera was selected as the "Oral and Intangible Cultural Heritage of Humanity" because it is a classic of my country's classical performing arts.

But "success is also a failure, and failure is a failure." The glory and failure of Kun Opera are all related to its characteristics.

The prosperity of Kun Opera is in line with the life interests and artistic tastes of the scholar-bureaucrats at that time.

The cultural accomplishment of the scholar-bureaucrats injected unique cultural taste into Kun Opera. Their leisure life and pursuit of an ethereal realm endowed Kun Opera with a soothing rhythm and graceful artistic conception. In addition, the scholar-bureaucrats had deep feelings for Kun Opera. Society's feelings of sadness and desolation in life make Kun Opera often show melancholy and lingering emotions in music and singing.

During the Qianlong period of the Qing Dynasty, the citizen class rose, and the soothing and melancholy style was obviously incompatible with them. Even the scholar-bureaucrats began to become pragmatic. While Kun Opera was not favored by the citizens, it also lost the status of the scholar-official class. For a while.

As a result, Kun Opera gradually declined.

Before the founding of New China in 1949, there was no professional Kunqu Opera troupe nationwide.

In the 1950s, the performance of "Fifteen Guan" revived an opera genre, and six Kunqu opera troupes were established across the country.

Han Shichang, Bai Yunsheng, Gu Chuan, Zhu Chuanming, Zhou Chuanying, Yu Zhenfei, Hou Yongkui and other older generation performing artists, as well as Li Shujun, Cai Zhengren, Ji Zhenhua, Zhang Jiqing, Hong Xuefei and Wang Shiyu who were trained after liberation Along with a group of outstanding actors, they compiled, choreographed and performed a large number of excellent plays such as "The Peony Pavilion", "The Romance of the West Chamber", "A Thousand Miles Away", "Single Sword Club", "The Peach Blossom Fan" and so on.

But today, Kun Opera’s strict stylized performances, slow rhythm, overly elegant lyrics, and outdated storylines have lost its fashionability and most of its entertainment functions, and are far from the aesthetics of contemporary people. The demand is far apart, so it is difficult to win over the audience. There are fewer and fewer performances, and it is even difficult to find them in the performance market, forming a vicious circle.

Ten years ago, there were about 800 people working in Kun Opera across the country, known as the "Eight Hundred Heroes... The History of Kun Opera

Kun Opera is one of the oldest operas in my country. It has a history of more than 500 years.

Kun Opera became popular in Kunshan County, Jiangsu Province in the late Yuan Dynasty and early Ming Dynasty, that is, at the end of the 13th century AD. Later, it became popular in the Jiajing and Longqing years of the Ming Dynasty. (1522-1572) Kunshan opera musician Wei Liangfu and others, based on summarizing the northern and southern opera traditions, absorbed the characteristics and strengths of various Southern opera tunes, and created a delicate and soft tune called "Shuimo tune". In terms of accompaniment, in addition to strings and strings, instruments such as sheng, Xiao, Guan, and flute were added. This was a great improvement over other popular tunes at the time. It was refreshing and spread quickly. Later it was called Kunshan tune. , also called Kun Opera.

Over the past five hundred years, after continuous enrichment and processing by countless playwrights, musicians, actors and the people, Kun Opera has become one of the most representative types of opera in my country, and many types of operas are still there today. Kun Opera repertoire has also been preserved and has become a highly comprehensive representative opera of various classical arts.

Kun Opera features: mainly reflected in three aspects: script, music and performance: 1. Script: Kun Opera script adopts Song and Yuan Dynasties. The structure of the Zaju legends of the era was that each major drama was divided into many episodes, and each episode was its own unit, with a relatively complete plot that ran through the overall plot. Many of its single episodes could be performed independently.

In terms of literary language, it inherits the advantages and strengths of ancient poetry, Tang poetry, Song lyrics, and Yuan music. It adopts the method of long and short sentences to make each sentence staggered and dense, giving full play to the musicality of Chinese. Fully, through the tone, rhythm, and syntactic structure, an artistic effect of hardness and softness, and harmony of length and weight is produced. Peking Opera uses seven-character sentences and cross sentences developed from seven-character poetry, and the number of words in each sentence is fixed. /p>

Kun Opera often remains intact until now, singing works written by writers hundreds of years ago

2. Music: Chinese opera music is roughly divided into two structural forms, namely Qupai style and Qupai style.

Kunqu opera music is in the form of a qupai style, with more than a thousand qupai. Each Kunqu opera is a complete set of Northern Opera, Southern Opera or Northern and Southern Opera. It is tactful and delicate, and its articulation is exquisite. It can be divided into four tones and sharp tunes. Peking Opera music has a banqiang structure, which is divided into several banzai styles such as Xipi Erhuang.

Kunqu opera has no special style.

A song is sung all the way to the end, and the range is very wide. For example, it is very difficult for a female voice to combine true and false voices. In Peking Opera, every line has a passing line. The main accompaniment instrument of Kun Opera is the flute, while the main accompaniment of Peking Opera is Jinghu.

3. Performance: Due to the characteristics of its script and music, Kun Opera has very high dance-like and stylized movements. The biggest feature of Kun Opera is singing and dancing. Because the lyrics of Kun Opera are very elegant, every aria is Dance movements are often used in Kun Opera to express the inner feelings of the characters, or to assist in the interpretation of words. The dance movements of Kun Opera use various techniques of imagery, deformation and decoration to make the movements very graceful.

It is continuous, but also very difficult. You must undergo hard training to sing and dance at the same time. Peking Opera does not have large-scale dance movements during singing, or generally does not sing during dance movements. , all the repertoires that include singing and dancing are usually Kun Opera repertoires. For example, "Blocking the Horse" and "Havoc in the Heavenly Palace" are both Kun Opera repertoires. Later, after processing and improvement, they became frequently performed Peking Opera repertoires.

The performance of Kunqu Opera is very delicate, and each profession has different characteristics, such as the charm of a female actor, the elegance of a niche, the ruggedness of a painted face, the vigor and unrestrainedness of a martial artist, and the witty humor of a clown. Essay about drama (high score required)

It depends on what angle you want to write it from.

However, I personally think that if it is the kind of composition that the teacher requires everyone to write, such as an examination composition or an ordinary composition like the essay questions required in the Chinese language book, you should write opera In terms of content, you usually write about what opera you like, why you like it, how it makes you feel good, etc.; or it is like a memory, for example, when you were a child in the countryside, you went to see Caotai Troupe with adults, and then later When you grow up and go to the city to study, you gradually stay away from opera. By chance, you hear or see a short piece of opera again, and many good memories from the past come flooding back. Or, you can say that you like opera. , for example, what is Peking Opera like or like (you can compare it to something), Kun Opera, Yue Opera, etc., it forms a form somewhat like a parallel paragraph, just like the kind of cultural composition that uses ancient poetry. Use a sentence as the beginning of a paragraph to introduce similar writing methods as below; or, you can say how do you think the makeup of the opera is beautiful and freehand, and how do you think the lyrics of the opera are good and literary (this is a bit like ancient poetry) ), how do you think the program and performance method of the opera give you a kind of imagination, etc. There is a lot to write about.

But for such an ordinary composition, I personally don’t think it is recommended to write something that is more profound in the eyes of ordinary people who do not watch theater (although you may think it is very simple), such as discussing a certain The similarities and differences in the singing styles of each genre, the differences in performances, etc., because these things, in their opinion, are relatively boring and not suitable for this form of composition.

Because this kind of ordinary composition assigned by a teacher is mainly intended for teachers rather than theater fans.

If your teacher happens to be a theater fan, you may be able to understand it, but it is still not suitable for writing this kind of content, so I personally don’t recommend it.

If you are writing an essay in the form of a paper, you can talk about the performances, genres, etc. of a certain type of drama, or talk about the origin and origin of a certain type of drama. Wait.

There is also a distinction. If you are studying something related to art and opera, you can talk about it in depth; if you are an ordinary student, such as a high school student (because some high schools are not subject to the new curriculum reform now) If there is a paper on research-based study (research-based study~), then it will be enough to just briefly talk about it.

Moreover, if it is the latter, it is enough to just talk about it. It does not need to be too in-depth. Generally speaking, if the word count and content requirements are met, the teacher will not read it. If there are some individual words in it, If there are any mistakes, just hand them in, and there will generally be no further consequences.

I don’t know what it’s like over there, but it’s like this here.

Of course, if it is an ordinary composition, there are not many writing about opera nowadays. If students write it, it will give the teacher a novel feeling, and the examples used will not easily collide with others. , if such a composition is written well, it can be used as a comment at the end of the composition on the document, which is "It can be seen that the young author has a profound literary foundation and has a certain research on traditional Chinese literature and art" (although this is not mentioned at all) Almost) ~ Personally, I feel that this kind of composition can be regarded as a kind of cultural composition. If it is well written, the score should be relatively good.

The above is purely personal opinion and is for reference only.

In recent years, my country's Mount Tai, the Great Wall, Suzhou Classical Gardens, etc. have been rated as world historical and cultural heritage.

More and more people are beginning to realize the huge value contained in them and consciously make various efforts to protect these heritages.

The major international conference held in Shanghai this year will also introduce Zhouzhuang and other Jiangnan ancient towns to guests from various countries as an effective way to "let the world understand China."

Human cultural heritage is not only material, but also spiritual, that is, "with special cultural and oral cultural expressions, including language, stories, music, games, dances, customs and various artistic expressions means".

In May this year, Kunqu Opera, my country’s ancient artistic variety, was awarded the title of “Masterpiece of the Non-Oral and Intangible Heritage of Humanity” by UNESCO.

In addition to world-class cultural heritage, our country also has cultural heritage at all levels and types. They are distributed across the country, and some are right around us.

Have you ever noticed these cultural heritages, large and small, near and far? Please talk about your understanding, understanding and thinking about them, and write an article of about 1,000 words (not a poem).

Draft your own questions.

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