Wang Wei's pastoral music is full of rain, and Liu Qing is more smoky. The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping. Make an appreciati

Wang Wei's pastoral music is full of rain, and Liu Qing is more smoky. The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping. Make an appreciative comment Pastoral music

Wang Wei

Hearts also contain fresh rain overnight, green willows and a touch of spring smoke.

The children at home have not been driven away, and the oriole singing the song of idleness is still sleeping.

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This poem outlines a beautiful pastoral scenery: pink, rain, willow green, morning smoke, fallen flowers, warblers and other scenery, harmonious and poetic. The word "still sleeping" in the title of the poem can best express the poet's inner feelings at that time.

The first feature is vivid and colorful, and there are pictures in poetry. Not only the composition is large, but also there are concrete and bright colors and detailed descriptions, so that readers can draw first and then understand. Write peach blossoms and leaf warblers to capture the characteristic scenery of spring. Here, peach, willow and warbler all refer to exact meanings, which makes it easier to evoke intuitive impressions. It is also obvious that the artistic effect of writing Rain at Night through Stay in the Rain and Facing the Smoke is the same. On the basis of linking the scenery, there is color, and the use of the words "red" and "green" makes the scenery bright and pleasing to the eye. Readers will see a bright future. "Peach flies away, burning its glory", plus "Liu is Yi Yi", the scenery is pleasant. After coloring, there is a layer of rendering: deep red and light red petals are slightly raindrops overnight, and the colors are softer and more lovely. After the rain, the air is clear and fresh, and the flowers in Ran Ran are overflowing, which makes people enchanted; The green wicker cage is more charming in the hookah. Poetic landscape, after layers of rendering and detailed description, has become a detailed and colorful picture scroll; In contrast, Meng's poems are like uncolored freehand brushwork.

One is colored and the other is colorless. I didn't see anyone until I entered the country. Because of the "constant rain", there is a "falling flower". Flowers should be cleaned up when they fall, but "children haven't cleaned up yet." Don't sweep, don't sweep, because people haven't got up in the morning. There is a quiet interest in this scene of flowers falling on the ground without anyone asking. This is exactly what Wang Wei likes better. The word "not swept" was obtained intentionally or unintentionally, with no effort and no trace. Finally, I wrote Yingying. Yingying didn't dream, and Shanke fell asleep. This is a charming photo. I woke up easily in this spring morning. This poem was written at the end of spring sleep, when people slept soundly and safely and knew nothing about the outside world. Although flowers are falling and birds are singing, it only sets off the tranquility and mood of the "mountain guest" residence, so its artistic conception is mainly based on the word "quiet" Wang Weizhi's "music" is also here. It is not wrong for people to say that his poems are Zen. The idea of advocating silence has a negative side. But Wang Wei's poetry is commendable because it is different from silence. He can write life in silence through the interaction of motion and static, giving people a fresh, clear and beautiful feeling. Tang poetry is characterized by vague artistic conception, but there are still two specific manifestations. One is biased, which makes people feel the environment indirectly, while the emotion comes from the environment, and there are pictures in the poem. Is that most remarkable advantage of this poem.