What are the sentences praising painting?

1. His Chinese paintings are chaotic and orderly. Every flower and bird in his paintings is full of his own unique thoughts and feelings, and every painting shows a kind of emotional appeal, which has aroused the audience's * * *.

2. With a flowing brush, the teacher creatively integrated the visual elements of western modern art into the traditional paintings in China, and showed the world the artistic conception of a traditional aesthetics in China.

3. In his works, the green and pure creek beach, the fragrant mountain stream, the bamboo by the river and the wisteria on the ridge of the field are all like the gushing mountain springs in his works, which will always raise the cordial mark of childhood life.

4. The more a painting looks like a sculpture, the better it looks in my eyes. The more sculpture is like painting, the more I think it is a poor work. Sculpture is the torch of painting. They are as different as the light of the sun and the moon.

5. His galloping horses are dripping with ink, galloping in the painting world with the wind and thunder of the times, bringing fresh, powerful and vigorous breath to the painting world in China at that time.

6. This painting "Spring under Yunyang Mountain" has another remarkable feature. Lidong Chen has taken a new step in exploring the modernity of China's landscape painting, which makes the creation of landscape painting more in line with the spirit of the times.

7. Most of his paintings are based on mountains, rivers, flowers and grass in his hometown, and his paintings have a unique flavor. For example, his "Chrysanthemum" is different from many painters. It reveals a game that takes you into the mountains where streams are gurgling and wild chrysanthemums are in full bloom.

8, thick ink, outline; Light ink, contrast; Light color, rendering. Step by step along the stone steps that inexplicably extend from the clouds, slowly upward.

9. After the rain, the small bridge on the running water shows clear flexibility. Needle-shaped drizzle mended the coat of the earth, but inadvertently lifted the crystal laughter on the river. This is a picture on paper and a scene in my heart.

10, every scene in the picture is moving, clouds are steaming, the rising sun is moving, mountains are moving, cities are moving, waterfalls are moving, birds are singing, flowers are moving, but all these "moving" are helping the high-speed train to move.

1 1. After water dries up on rice paper, the traces left behind constitute a completely "transparent" painting, which is completely different from western painting.

12. In his paintings, tradition and wildness are often mixed, with no rules and common sense. However, it is this unsuitability that gives his paintings a unique artistic sense.

13. The bamboo branches in the painting are tall and straight, dark and strong. The bamboo leaves were swept by a bald pen and leaned in accordance with the wind. When the wind and rain come, they are almost parallel, which effectively shows the situation that the wind blows wildly.

14, wisps of ink linger in the depths of the soul, gorgeous colors are rendered on the surface of rice paper, a delicate seal comes into view, the water in the cup reflects a subtle figure, and the works are hung on the wall.

15. His painting style has gradually become a new style with obvious personality and distinctive style in China's flower-and-bird paintings.

First, Chinese painting (China traditional painting form):

The word Chinese painting originated in the Han Dynasty. People in the Han Dynasty thought that China lived in heaven and earth, so he called it China. China's paintings were abbreviated as "Chinese paintings". Mainly refers to scroll paintings painted on silk, rice paper and silk and mounted. Chinese painting is a traditional form of painting in China, which uses brush strokes dipped in water, ink and color on silk or paper. Tools and materials include brushes, ink, Chinese painting pigments, rice paper, silk and so on. Themes can be divided into figures, landscapes, flowers and birds, etc. And techniques can be divided into figurative and freehand brushwork. Chinese painting embodies the ancients' cognition of nature, society and its related politics, philosophy, religion, morality, literature and art in content and artistic creation.

Second, the origin of Chinese painting:

Generation, hieroglyphics, lay the foundation; At first, there was no difference between writing and drawing, and the meaning was the same. There is a saying in China that calligraphy and painting are homologous. Some people think that Fuxi's painting hexagrams and Cang Xie's writing hexagrams are groundbreaking. There is no difference between writing and drawing.

Pottery is the product of Neolithic Age, which can be divided into black pottery, white pottery and painted pottery. On painted pottery unearthed in banpo village, an important Neolithic site, fish chased each other and deer jumped. A boat-shaped clay pot unearthed in Yongjing, Gansu, makes us feel like we are on the shore. There are also three groups of five people walking hand in hand on the dance color basin found in Sunjiazhai, Datong, Qinghai, which shows the vitality of youth and is the foundation of studying the history of Chinese painting. In the late Neolithic period, the earliest bronzes in China were found in Xindian and Longshan cultural sites, which were both artifacts and arts and crafts. Common bronze decorative patterns include Yantun pattern, Yun Leiwen, Kuiwen, Dragon pattern and Tiger pattern. And the human body is also a useful decorative pattern. The double-nail-made pattern with a curly tail is very beautiful.

Decorative paintings on bronzes can be divided into two categories: one is to describe the etiquette activities in aristocratic life, such as feasting, shooting ceremony and table sacrifice; For example, Zhao Gu's "Carving Bronze Sword" concentrated on the ritual activities of aristocratic life; The other is an image depicting the land-water attack, represented by the book "The Battle Book of Land-water Attack" unearthed in Shanbiao Town. Other bronze pots in Baihuatan and banquet bronze pots in the Forbidden City all have pictures of war scenes. In these pictures, there are plots such as land-water war, solid wall defense and ladder attack. There are also descriptions of water warfare and land warfare, showing the details of charging and killing the enemy. Some soldiers hold swords and halberds, others hold swords and spears, and their images are vivid. These artistic techniques greatly inspired and influenced the stone carving and brick carving of Han painting.

Third, China's painting history:

It has a long history. As early as 2000 years ago in the Warring States period, there was a kind of painting on silk-silk painting. Before that, there were primitive rock paintings and painted pottery paintings. The most famous silk painting in the Spring and Autumn Period and the Warring States Period is the Imperial Dragon Map. It is painted on silk. These early paintings laid the foundation for later Chinese paintings to take lines as the main modeling means. During the Han, Wei, Jin, Southern and Northern Dynasties, the impact and integration of foreign culture and local culture led to the formation of religious painting at this time, and the depiction of local historical figures and literary works also accounted for a certain proportion, and landscape painting and flower-and-bird painting also sprouted at this time. During the Sui and Tang Dynasties, social economy and culture were highly prosperous, and painting also showed all-round prosperity. Landscape painting and flower-and-bird painting have matured, religious painting has reached its peak, and there has been a tendency of secularization; Portraits mainly show aristocratic life, with characters with characteristics of the times. By the Five Dynasties and the Song Dynasty, it was more mature and prosperous, figure painting had turned to depicting secular life, religious painting had gradually declined, and landscape painting and flower-and-bird painting had become the mainstream of painting. The appearance of literati painting and its development in later generations greatly enriched the creative concept and expression method of Chinese painting. During the Yuan, Ming and Qing Dynasties, ink and wash landscapes, freehand brushwork flowers and birds got outstanding development, and literati painting and genre painting became the mainstream of Chinese painting. With the gradual stability of social economy and unprecedented prosperity in the field of culture and art, many great painters who love life and admire art have emerged. Painters of all ages have created famous paintings that will last forever.

There are many schools in Paintings of Ming Dynasty, each of which is in the lead. In the early Ming Dynasty, the monarch passed a series of political and economic reforms, which provided a guarantee for national unity, social stability and the recovery and development of productive forces. By the time of Jiajing and Wanli in Ming Dynasty, the economy and culture tended to be prosperous, and the level of productive forces reached the peak of feudal society. The traditional scientific and technological achievements are gradually summarized, which includes the factors towards modern times; The ideological and cultural fields are colorful and new changes have taken place.

With the changes in Yuan Dynasty, the painting circle in Ming Dynasty has been constantly evolving and developing, and literati painting and genre painting have become a torrent, forming many schools. Landscape, flowers and birds are popular, and figure painting is declining; The continuous innovation of ink painting techniques has further enriched the ability of ink painting expression; The purpose of creation emphasizes the expression of subjective interest and Mo Yun's pursuit. In the early days of Paintings of Ming Dynasty, some literati paintings inherited the ink painting method of Yuan Dynasty. Palace "courtyard" painting; "Zhejiang School" Painting founded by Dai Jin and Wei Wu. Representative painters are Ni Duan, Shang, Li, Bian Jingzhao,,, Dai Jin, and Zhang Lu. In the middle period, the "Four Schools of Wumen" emerged in Suzhou, and Shen Zhou formed a powerful "Wu Pai", which carried forward the tradition of literati painting. Tang Yin, with his eclecticism of "academic school" and literati painting, formed a new look. Representative painters are: Zhou Chen, Shen Zhou, Wen Zhiming, Tang Yin, Chou Ying and Wen Jia. In the later period, landscape painting became the mainstream, and literati freehand flower-and-bird painting also developed rapidly, with Wu Pai as the head of the painting circle. Representative painters are: Xu Wei, Chen Chun, Lan Ying, Xiang Shengmo, Ding, Chen Hongshou, Cui Zizhong and Zeng Whale.

Since the Tang and Song Dynasties, the painter's innovation in Chinese painting has continued to this day, and his style has been constantly innovated on the basis of inheritance. The star-studded "Wu Pai" in the Ming Dynasty not only represented the highest level, but also set a new precedent for future generations in the exploration of reference and innovation. In the late Five Schools, Suzhou painters, represented by Zhang Hong, found a new way in literati landscape painting and created works full of life flavor. On the basis of inheriting the characteristics of Wu Pai's painting style, they created paintings full of life, reflecting the unique spiritual realm. The picture is fresh and elegant, and the artistic conception is ethereal and clear.

Fourth, classification:

Chinese painting is mainly divided into figures, flowers and birds, and landscapes. On the surface, Chinese paintings are divided into these categories by subject matter, but in fact, they use art to express an idea and thought. The so-called "painting is divided into three subjects", which summarizes three aspects of cosmic life: figure painting shows the relationship between human society and people; Landscape painting shows the relationship between man and nature, and integrates man and nature; Flower-and-bird painting is to show all kinds of life in nature and live in harmony with people. The reason why Chinese painting is divided into figures, flowers and birds, and landscapes is actually a philosophical reflection on artistic sublimation. The combination of the three constitutes the whole universe, which complements each other. This is the true meaning of art..

Verb (abbreviation of verb) complements the sentence praising the painting:

1, Xu Beihong took French classical realistic painting, advocated the use of "realism" to transform Chinese painting, emphasizing "meticulous brushwork, wide speech", "vivid expression" and "direct imitation of nature", especially his theory that sketch is the basis of all plastic arts, which had an epoch-making influence in the history of painting and declared that red ink was used in painting for more than 1000 years from Gu Kaizhi to Ren Bonian. His realism thought and "socialist realism" introduced from the Soviet Union were integrated into one, and became the largest mainstream painting school in this century.

2. I like drawing Chinese paintings. I like painting thin leaves and sparse knots of bamboo best, and I like her indomitable spirit and open mind best. I also love to draw lotus leaves in the pond. I am deeply moved by the spirit of being clean, neat and not evil. I also like painting goshawk with wings spread and flying, and learn its indomitable spirit of going forward on the rugged road ... The creation of Chinese painting has unlimited fantasy space, and the connotation of Chinese painting is a kind of cultivation. This makes me deeply love Chinese painting, especially freehand brushwork. Chinese painting itself not only brings people infinite physical and mental pleasure, but the key is to feel the shock it brings to our hearts through the artistic conception of Chinese painting ... It takes a long time and decades of tempering for China painters to reach the perfect state before they can integrate their spiritual understanding with the scenery of nature, which is deity and materialization.

3. After thousands of years of vicissitudes, Chinese painting is still full of artistic charm, which makes people feel that painting is always new and ordinary. The fundamental reason is that it has a wonderful Chinese flavor. So, what is the wonderful Chinese flavor of Chinese painting? In short, it is' soil'. Chinese painting is a wonderful flower growing in this ancient and magical land of China, which contains China people's beliefs, wisdom, philosophical thoughts, life feelings, aesthetic habits and so on.

4, thick ink, outline; Light ink, contrast; Light color, rendering. Step by step along the stone steps that inexplicably extend from the clouds, slowly upward. Surrounded by lush, unknown small trees, they are winding and jumping towards the light. Where the leaves of the mountain stream are hidden, the quaint feet of the house are faintly revealed, and smoke billows from the kitchen, spreading leisurely from the gap in Ye Er ... In the distance, there is a long black Meishan, and the cloud devours its feet, but it is very happy to let itself disappear in the dreamlike smoke cloud. After the rain, the small bridge on the running water showed clear flexibility. Needle-shaped drizzle mended the coat of the earth, but inadvertently lifted the crystal laughter on the river. Are the people on the lonely boat just looking at the blue satin river or the distant mountains? This is a picture on paper and a scene in my heart.

5, Chinese painting, framing layout, broad vision, not limited to focus perspective; According to the forms of expression, there are murals, screens, scrolls, picture books, fans and other frame forms, supplemented by traditional mounting techniques. According to the materials and methods of expression, it can be subdivided into ink painting, heavy color, light crimson, meticulous painting, freehand brushwork and line drawing. There are many forms of Chinese painting, such as long scrolls, horizontal curtains, banners, nave, book pages, folding fans and fan paintings. I come from China. I love painting Chinese painting, and I am proud of it.

6. Appreciating the painter's huge Chinese painting, an outstanding feeling is its "vivid charm". Vivid charm is the visual image of "rhythm of life" or "rhythmic life" shown in the picture, and it is also the feeling of "doing it at one go" and "being natural" formed by the organic connection between various elements in a painting. Please see, every scene in the picture is moving, clouds are steaming, the sun is moving, mountains are moving, cities are moving, waterfalls are moving, birds are singing and flowers are fragrant, but all these "movements" are helping the high-speed rail to move.

7. China's painting has a long history and is an important part of China culture. It takes the ink pen and lines as the skeleton, combines realism with ideographic expression, and emphasizes the artistic conception and charm of painting, which is both concise and profound, forming the unique style of China's painting. And lines are the essence of Chinese painting. It is the skeleton that expresses the structure of objects, the most basic, concise and general artistic language in China's paintings, and it has unique artistic charm. The unique artistic charm of Chinese painting is reflected in the following aspects: Chinese painting attaches importance to the use of blank space and has the effect of "virtual and real"; Chinese painting attaches importance to the relationship between art and nature, emphasizes "writing spirit with form" and pays attention to artistic conception and charm; China's calligraphy and painting have a deep origin, that is, "the same origin of calligraphy and painting" and "the same method of calligraphy and painting"; Chinese painting has something in common with poetry, so it advocates "poetry in painting"; Chinese paintings often use seals, which are embellishments to add charm and beauty.

8. Chinese painting, as its name implies, is China's painting, the pride of China and the pride of China people. Of course, I am also proud of Chinese painting. Contemporary Chinese painting has its own system in the world art field. According to its subject matter and object of expression, it can be roughly divided into figure painting, landscape painting, flower-and-bird painting, boundary painting, flowers, fruits, feathers, animals, insects, fish and so on. According to the methods of expression, there are techniques such as meticulous brushwork, freehand brushwork, sketching, color setting and ink painting, and color setting can be divided into jade, turquoise, boneless, splash color, light color and light crimson. Mainly using the changes of lines and ink color, the image and business place are depicted by hook, left, dot, dye, thick, light, dry, wet, yin, yang, direction, back, virtual, real, sparse, dense and empty.

9. Teacher Zhang creatively integrated the visual elements of western modern art into Chinese painting with flowing brush strokes, and showed the artistic conception of China's traditional aesthetics to the world; He painted many colors, which made his watercolor painting full of the charm of Chinese painting. The painter once again proved his idea to the world with his unique posture-painting watercolor with the brush and ink skills of Chinese painting and enriching the brush and ink of Chinese painting with the texture skills of watercolor painting. This is a belief, an innovation, and also represents the perfect harmony and interdependence of watercolor ink painting. It is also a unique "wild" shown by Zhang Wanqi, forming his own "Zhang's wild school".

10, Chinese painting was invented by our ancestors and circulated for thousands of years. From painting materials, pens, ink, paper and inkstone to painting theory, techniques and aesthetics, a complete, grand, systematic, exquisite and even advanced art system has been formed. To innovate Chinese painting, we can only seek a more perfect pen and ink language that is more suitable for the painter's personality in our own artistic system.

1 1, Chinese painting is characterized by "qi", which forms the basis of Chinese painting. There is an inevitable relationship between water and qi, and there are multiple channels for mutual transformation. Turning water into gas is not only a natural physical imagination, but also implies the unique variation of China's painting art; It is not only an artistic creation, but also represents the unity of man and nature. Water, as an object and a composition, is directly linked with the spirit of Chinese painting, which finally gives Chinese painting a spiritual form. After the water dries up on the rice paper, the traces left behind constitute a completely "transparent" painting, a blank painting of water completely different from western painting.

12, the first half of the picture seems to be in a dynamic trend, but it is not stable when it is "moving", so the painter skillfully arranges a large piece of calm water in the middle and lower part of the picture, so that the viewer can clap his hands and exclaim at the same time, and enjoy the peace like water. The purpose of the painter's composition is to connect the various "potentials" of the painted objects and images to form a unified "potential", which is the genius of Chen Lizhong's landscape painting.

13, the Chinese flavor of Chinese painting is mainly manifested in the lines of brush and ink, giving full play to the flexible and special properties of tools such as brush, water, ink and rice paper, and the artist's personal sensibility and artistic skill of calligraphy, so that the lines of Chinese painting have ever-changing interest in brush and ink, forming an artistic beauty full of fun and charm. Instead of painting Chinese paintings like Lang Shining, a western missionary, although the image is vivid, it lacks the beauty of lines with China charm.

14, spring, spring in China. Painters, especially flower and bird painters, are also the "revival" of everything. After returning from this lecture, he injected new elements into his creation. He organically combined western art with Chinese painting tradition and skillfully integrated it; He is no longer limited to depicting flowers with broken branches, but consciously draws lessons from broad abstract forms, which strengthens the momentum of his China flower-and-bird paintings and expands the extension of images. Since then, Zhang Wanqi's traditional flower-and-bird painting in China has obviously taken on abstract significance.

For thousands of years, the Chinese nation has created splendid ancient culture, and Chinese painting is a brilliant pearl in China's traditional culture and art. Chinese painting, also known as Chinese painting, has a history of more than 5000 years. It uses the shape of lines and the change of ink color to describe objects. The main painting tools are brush, ink, pigment and rice paper, which is called "Four Treasures of the Study". The content of Chinese painting is very extensive, including figures, landscapes, flowers and birds ... A complete Chinese painting consists of three parts: picture, signature and seal. Then, through mounting, the works are dressed up as exquisite, solemn and attractive treasures, such as hand scrolls, horizontal curtains, banners, nave, album pages, bucket squares and so on. Traditionally, the highest level of evaluating Chinese painting is "Hua", that is, for the painter's subjective initiative, it includes two aspects, one is the absorption and digestion of traditional culture, and the other is the absorption and digestion of real life. Only between the two can a painter learn from nature and get the source of his soul, that is to say, artistic conception is the result of dialectical unity between the author's subjective intention and real life, and it is the soul of painting. At the same time, it is the sum of artists' artistic accomplishment, life accumulation, moral quality and painting skills.

16, a piece of drawing paper, full, leaving no blank, is a western oil painting. A piece of drawing paper with a few strokes of Bai Xuan's painters on it is a Chinese painting. Van Gogh's thick ink and heavy color has become a stunning masterpiece, and Qi Baishi's ink and wash is also a legend in the painting world. Western enthusiasm, China's elegance. A colorful picture reflects not only the scenery and vegetation. Among them, there is a more secular Fiona Fang way. The highest state of Chinese painting is that ink and wash remain white. The highest state of Chinese is to leave three points in the voice.

17, he studied painting in his early years, and the conditions were very difficult. At first, I painted Chinese painting, and later I transformed to watercolor painting. Therefore, Mr Zhang's works are his own. Chinese painting contains the color and taste of western painting, while watercolor painting contains the charm and artistic conception of Chinese painting. Later, Mr. Zhang studied abstract ink painting, and the latest abstract ink painting is his own proud painting style. He said that he didn't understand abstract art before, which made him

18, the clouds are in the sky and the water is on the ground. In order to find a broader creative question bank, the painter has visited almost all the famous mountains and rivers in China. He used to look for sorghum by the Songhua River and get close to buffalo by the Lancang River. He also chased horses in the Inner Mongolia prairie and greeted the sunrise on the rocks of Zhoushan Islands. In his works, the green and pure creek beach, fragrant mountain stream, bamboo by the river and wisteria on the ridge are all like the gushing mountain springs in his works, which will always rise from the cordial imprint of childhood life.

19 As Shi Tao said, "When writing this paper, my heart fell into the Chunjiang River, which bloomed with me and rose with me." Only by reaching this state of "God and materialization, things and I forget each other", unlike literary works, which can depict plots or subtle details and impress people, but rely entirely on the painter's spiritual temperament in a very limited picture and inject the painter's emotions at the same time, painting will become a silent poem, even if it is a grass and a tree, it will be endless and intriguing, and the Chinese flavor of Chinese painting will be wonderful! Otherwise, the painting can only be superficial, who can be emotional about it? !

20. The galloping horse he painted was dripping with ink, unrestrained and uninhibited, and galloped in the painting world with the wind and thunder of the times, bringing fresh, vigorous and vigorous breath to the painting world in China at that time. At present, the newly-built "Yixing Xu Beihong Memorial Hall" in Xu's hometown of Yixing, Jiangsu Province displays Mr. Xu Beihong's paintings and calligraphy works in different historical periods (including works in his youth, works after becoming famous, letters, etc.). The horses he painted, whether running, riding, drinking water or herding horses, were endowed with abundant vitality.

2 1. There is another remarkable feature in this painting "Spring under Yunyang Mountain". Lidong Chen has taken a new step in exploring the modernity of China's landscape painting, which makes the creation of landscape painting more in line with the spirit of the times. Different from many landscape paintings before Lidong Chen, this painting highlights the role of people in changing the world. There are emerging cities, skyscrapers, elevated bridges and speeding motor trains in the picture.

22. In his paintings, tradition and "wildness" are often mixed. However, it is this unsuitability that gives his paintings a unique artistic sense. In particular, his familiarity and roots in the countryside make his paintings have deep feelings for his hometown and mountain village. Most of his paintings are based on mountains, rivers, flowers and grass in his hometown, and his paintings have a unique flavor. For example, his "Chrysanthemum" is different from many painters. It reveals a game that takes you into the mountains where streams are gurgling and wild chrysanthemums are in full bloom.

23. His traditional Chinese paintings are orderly in chaos and strange in clumsiness. Every flower and bird he painted is full of his own unique thoughts and feelings, and every painting shows a kind of emotional appeal, which has aroused the audience's * * * voice. The work "Looking at Autumn" won the gold medal in China Fan Painting and Calligraphy Art Exhibition.

24. Especially in the xiaoxiang rain, the bamboo branches are tall and vigorous, and the ink is light and strong. The bamboo leaves were swept by a bald pen and leaned in accordance with the wind. When the wind and rain come, they are almost parallel, which effectively shows the situation of the wind blowing wildly. At this time, two finches flew in and scribbled on the rocks next to the bamboo with wide pens, blending with the bamboo, highlighting the indomitable bamboo pole standing in the wind, giving strong support, showing the strong opposition between the two forces and praising the indomitable struggle spirit of bamboo and the wind.

25, wisps of ink linger in the depths of the soul, gorgeous colors are rendered on the surface of rice paper, a delicate seal comes into view, and the water in the cup reflects a subtle figure ... Chinese painting works, hanging high on the wall, this is my favorite interest. Looking back at China's long history, many famous China painters are like stars, and their outstanding works are as beautiful as rainbows. What I know is Wu Daozi's "A picture of a heavenly king sending a child" in the Tang Dynasty; The Riverside Scene at Qingming Festival by Zhang Zeduan in the Northern Song Dynasty and Landscape by Zhang Daqian in modern times; Qi Baishi's Shrimp; Xu Beihong's Horse; The figure painting by Chen Hongshou, a famous painter from Qiao Feng in Zhuji, our hometown, and the plum blossom painting by Wang Mian are also famous.

26. China's unique innovation and unprecedented creation in flower-and-bird painting made Zhang Wanqi a great success. His paintings often participate in national art exhibitions and are collected by art galleries at all levels. His painting style has gradually become a new style with obvious personality and beautiful style in China's flower-and-bird paintings. In fact, over the years, Zhang Wanqi has played a practical role in enlightening and leading the innovation and development of flower-and-bird painting in China.

27. For thousands of years, literati painters have been exposed to the strict barriers of secular politics, relying on Mei Lan, Zhu Ju and landscape, resisting the mental depression caused by the darkness of officialdom and alien oppression with high artistic taste and artistic conception, and enriching the wings of Chinese culture with personal value and dignity. Therefore, literati painting has always been an artistic carrier for talented people, hermits, upright civil servants and intellectual aristocrats to express their feelings.

28. Xu Beihong advocates "to be subtle and broad" in his painting creation; As for Chinese painting, he advocates that "those who are good at the ancient law should be preserved, those who are not good should be continued, those who are not good should be changed, those who are insufficient should be increased, and those who can adopt western painting should be integrated". His paintings can integrate ancient and modern Chinese and foreign techniques in one furnace and have their own unique style. He is not only good at Chinese painting, but also has high attainments and achievements in sketch and oil painting. Characters pay attention to realism and convey the spirit; The paintings of flowers, birds, landscapes and animals are concise and lively, especially the paintings of horses are well-known at home and abroad.

29. Some power revealed in the picture will bring your thoughts to an unexpected level of consciousness. Here, we can also see that he converted to human nature and was deeply worried about the fate of mankind. In constant spiritual questioning, he burned his conscience, passion, wisdom and life, and some even permeated with a tearing pain, surging with a torrent of love sympathetic to human suffering.

30. The famous oil paintings "Come with me" and "Tian Heng 500 Scholars" include "Nine Square Heights", "Gong Yu Mountain" and "Meeting with Tokyo", which are the most important. Painting horses is world-famous, with vigorous brushwork, great boldness of vision and avoidance of color, all of which are new.

3 1, draw the "spring clouds floating in the air, autumn water walking on the ground" of the times, and write the "dry autumn wind and moist spring rain" of life. For the life of art, for the art of life, I left my own "Spring and Autumn Pen and Ink", and wrote a new "Spring and Autumn Pen and Ink" with fine works and classics, with energy and spirit.

32. Spring and autumn are time, years, history, life, sowing and harvesting. Pen and ink is not only the art of calligraphy and painting itself, but also writing life, recording history, depicting the times and showing the soul. Whether you use ink pen or colored pen, whether it is colorful and elegant ink or heavy oil paint.

33. Xu Beihong (1895- 1953) is an outstanding painter and art educator in modern China. He loves art and his motherland, leaving thousands of excellent works to the people all his life, cultivating and bringing up a large number of talents, and is worthy of being a master in the history of China fine arts.

34. The works of art that have had a shocking effect on people's soul and flesh in history are nothing more than the visual development of human nature and the bloody lyric consciousness. What he cares about is always the ultimate problem of mankind. He embraced the whole world, organized the world according to his own wishes, revealed the world and provided people with some philosophical understanding.

35. Chinese painting is characterized by "Qi", which forms the basis of Chinese painting. Water and Qi are inevitably related and have multiple channels of mutual transformation. Turning water into gas is not only a natural physical imagination, but also implies the unique variation of China's painting art; It is not only an artistic creation, but also represents the unity of man and nature. Water, as an object and a composition, is directly linked with the spirit of Chinese painting, which finally gives Chinese painting a spiritual form. After the water dries up on the rice paper, the traces left behind constitute a completely "transparent" painting, a blank painting of water completely different from western painting.

36. The first painting and calligraphy collection museum in Nenjiang County, during the torch relay of the Beijing Olympic Games, "ignited passion and passed on dreams", gave people a brilliant spring. Although this glory may come later, although it is inevitable that there will be dead leaves and branches in the spring in the northland, after all, with the concerted efforts of Qi Xin, a colleague in the painting and calligraphy circles, she is still the first artistic flower in Heihe, a cold black soil and cities and counties.