What is the difference between modern poetry and new poetry (Yongming style)?

Modern poetry: Modern poetry refers to metrical poetry formed in the Tang Dynasty. At that time, in order to distinguish it from the non-metrical poems in the past, metrical poems were called modern poems or modern poems.

Modern poetry can be divided into three types: metrical poetry, quatrains and arranger.

Rhymes are divided into five-character rhymes and seven-character rhymes. Each poem has eight sentences, and every two sentences are called couplets. The first two sentences are called couplets, three or four are called couplets, five or six are called couplets, and seven or eight are called couplets. The two couplets in the middle must be right. Rhymes at the end of sentences (usually rhymes, and the first sentence may or may not rhyme). Every word.

The Creation of Yongming Poets and the Characteristics of "Yongming Style" Poems

Yongming poets not only have theories, but also have a lot of poetry creation. "Biography of Lu Jue in Southern Qi Dynasty" said: "At the end of the Ming Dynasty, there were essays, Chen Tiao, and Lang Rong pushed each other, and Confucianism and courage were good at knowing rhyme. All essays were palace merchants, and the four tones were equal and could not be increased or decreased."

The representative writers of "Yongming Style" have always been considered as Shen Yue, Xie Tiao and Wang Rong. Shen Yue has the largest number of poems, and his theoretical exposition represents the idea of "eternal style", but his actual creative achievements are not as good as Xie Tiao's. The latter is good at starting with epigrams, taking advantage of Xie Lingyun and Bao Zhao's description of scenery and lyricism, thus avoiding the importance and neglecting the importance. Among them, new style poetry accounts for about one third. These poems have the rudiment of five-character poems, but they only rhyme. The rhythm of sentences and articles is still uncertain. Although there is still some confusion in the rhythm of his poems, it can be seen that they have gradually begun to take shape. For example, his poem "Parting Night":

Jade rope hides tall trees, leans on the terrace, stays in the hall for candles, and doesn't play the piano.

Saving the day and knowing hate is a cup of old friends.

Except for the words "Gao" and "Zhi", the melody of the four couplets in this poem is almost qualified, but the couplets have never been glued together. Song Yu Yan's Cang Lang Shi Hua spoke highly of Xie Tiao, saying: "Xie Tiao's poems all have the appearance of Tang people."

Shen Yue also wrote many good poems, such as "To Van Ann":

Life is a teenager's day, and it is easy to break up in the early stage.

Don't say a bottle of wine, it will be difficult to get it tomorrow. If you don't know the way in your dream, how can you comfort your homesickness?

This poem is easy to understand and picturesque. Finally, citing the allusions in Han Feizi, it shows that during the Warring States period, Zhang missed high, searched in his dreams and got lost halfway. Clever and appropriate, without revealing the trace of axe and chisel, embodies Shen Yue's proposition that poetry should be "three changes" (things are allusions), "easy to read" and "easy to read"

A close reading of the new variant poems of Xie Tiao, Shen Yue and Wang Rong shows that many of them are on the verge of maturity according to the standard of metrical poetry form, and can be regarded as prototypes in the process of completing metrical poetry form. Without these prototypes, there is no way to get the final prototype.

Look at the quatrains again. Those folk songs from the Eastern Jin Dynasty to the Southern Dynasties are all five unique styles, but the melody is pure natural and not up to standard. Scholars have also written some, but the artistic level is not high. In the hands of Yongming poets, they reached a new stage. During this period, Xie Tiao and Shen Yue Xie Tiao first showed their outstanding achievements in the five-line quatrains: "Taking the king as the master and thinking in the book". Few people traveled that month. "Five quatrains, such as" Two Poems of Wandering Immortals "in the next part:" Out of reach, the wind is different, summer clothes don't need to be sewn, brocade doesn't need to be woven. "Both poems have constructed meaningful images in extremely precise language, reaching the height of the Tang Dynasty in artistic style, but the upper and lower couplets are not attached, so they are still there.

In addition to the above three people, Fan Li and others also wrote many good poems, whose poetic style is similar to that of Xie and Shen. He Xun, Wu Jun, Liu Yun and Liu Xiaozhuo, who became famous only in the Liang Dynasty, also had their own families. He Xun's poetic style is also close to that of Xie Tiao, and Wu Yun is more quaint and distinctive. Xiao Yan, one of the eight friends, later became the founding emperor of the Liang Dynasty and wrote some beautiful and readable poems, but he didn't agree.

To sum up, the characteristics of "Yongming Style" poems are as follows:

First, the emphasis on rhythm and rhyme is quite elegant, mainly in that most people bet on rhyme, which is very strict. As for rhyme, many people are close to the Tang Dynasty.

Second, the length of the poem has been greatly shortened, and the sentence patterns have gradually been finalized, mainly five words and four sentences, five words and eight sentences, and also five words and ten sentences.

Third, writing skills, pay attention to parallelism and antithesis, a large number of French sentences have appeared, and some allusions are naturally integrated into poetry.

Fourth, get rid of the rigid style of Liu Song Yuan Jia style poetry and pursue the poetic style of circular beauty and easy to understand.

Fifth, emphasize the integrity of the beginning and end of the poem, emphasize the ingenious conception, pursue the artistic conception of the poem, and organically combine the scenery with lyric.