What is the approximate plot?

"Storm" Jiang He is a good person.

Jiang He appears to be a businessman, but is actually an underground organization member. He has multiple arduous tasks. On the one hand, he has to contact his comrades, on the other hand, he has to deal with the traitor Wang Liwen played by Wang Qianyuan. Playing the lover's relationship with Wang Zixuan.

The biggest reversal in "Storm" is the character of Jiang He. Jiang He appears as a good guy who gives up love for his career and is double monitored by Wang Liwen and Chen Jiadong. In the middle period, his identity remained a mystery. It can be said that in order to save his daughter's life, he betrayed the party's joint operations again and again, holding on to the code book and refusing to hand it over. It can also be said that he pretended to defect to Wang Liwen in order to cover the party's secret communication line. In the end, he used his body as bait and teamed up with Chen Jiadong to annihilate the traitor Wang Liwen.

Plot synopsis of "Storm"

In the 1930s, the streets of Shantou seemed to be peaceful and peaceful, but in fact there was a hidden struggle. As a revolutionary, Wang Liwen (played by Wang Qianyuan) participated in the uprising and was living in Shantou. Chen Jiadong (played by William Chan) risked his life to save him, and the two formed a brotherly relationship. After Wang Liwen was arrested, he betrayed his superiors and set up a trap in Wuhan to kill Lao Lu and other comrades.

He then came to Shantou in order to block the remaining secret communication line in the south, reunited with Chen Jiadong again, and extended an olive branch to him. However, the fate of "having different paths and not working together" brought the two brothers to extreme tensions, and they staged a desperate game of "guessing undercover agents, fighting for feelings, judging right from wrong, and pursuing beliefs."

As a Cantonese film, this film carries the genes of a Hong Kong-style hard-core action film, combining suspense, tool warfare and other commercial elements. At the same time, the film has the title of a commercial film with the main theme. The characters in the play become more vivid, the scenes are more intense, and the plot setting is more ups and downs. It is highly educational, inspiring and entertaining, and opens the door for Hong Kong directors to create red-themed commercial films in the Mainland. A new direction.