How to write emotional novels

The first is the background setting. The background setting includes the background of the protagonist. What's her family background? What did she go through before the novel happened? These contents are mainly outside the story, and of course they can also be used as memories or background explanations. Setting the content outside the story is mainly to make the protagonist's character more distinct.

Generally speaking, the background setting of the protagonist can be divided into three categories:

One is trauma.

The other is warm and considerate.

The last category is to seek a sense of existence.

Under the three background settings and conventional role models, people with different feelings can also cross and combine.

Real life setting is manifested in three states: professional life, personal life and private life.

Professional life: refers to the part that directly passes through the main plot of the story.

Personal life: including relationships with friends and family.

Private life: Most novels are inner monologues. This part is the part that can best reflect the deep personality of the characters.

The above three parts: professional life, personal life and private life, * * * isomorphism has become the characters that readers directly see in the novel. These three are indispensable, because the lack of some descriptions will greatly reduce the credibility of the characters and make the script look rough.

Using the above methods, we can build a multi-level character with the possibility of story development.

The background setting is to let readers know more about the inner world of the characters. However, as the principle of drama conflict, characters should have superficial personalities that are contrary to their hearts.

For example, if we decide that the character is essentially a lonely and quiet person, then her performance should be more sunny and cheerful. In this way, when she can't help crying alone, she will feel nervous.

In the shaping of the protagonist, we can't construct the characters in a conflicting way. Especially campus writing. Because the author's ability to control is limited, if the protagonist is regarded as a person with contradictory personality, he is likely to write neither fish nor fowl.

But in emotional stories, the conflict of characters' own personalities is indispensable.