Exhausted by Iraq ... a complete poem.

From "Dead Hua Lian Liu Yong", I lean on a dangerous building, looking forward to spring sorrow, and the sky is dark. In the afterglow of grass and smoke, no one can rely on the meaning of silence. I plan to get drunk on the map of madness and sing songs for wine, which is strong and tasteless. I don't regret that my belt is getting wider and wider, which makes people haggard for Iraq. Note (1) This word was originally a song by Don Jiao Fang, and it was renamed to take the meaning of Jian Wendi's sentence "Stepping over the steps and falling in love with butterflies". Also known as "Magpie Stepping on the Ground" and "Wu Fengqi". Two tones, sixty characters, and rhyme. (2) Dangerous buildings: high-rise buildings. (3) gloomy: unknown. (4) plan: plan. Boring: careless and wild, out of place. (5) Sing a song about wine: Talk about Cao Cao's Short Songs. The meaning of "when" is the same as "right". (6) strong: reluctantly. Le Qiang: Force a smile. (7) The belt is gradually widened: it means that people are gradually getting thinner. The Chinese version of "Ancient Poetry" says: "The day of parting is far away, and the day of wearing clothes is slow." A brief analysis of this is a perceptual word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow, and the sky was dark." "Spring sorrow" means to bid farewell to sadness with a vision for the future. It is not that "spring sorrow" is hidden in the heart, but it is born from the distant horizon. On the one hand, it tries to avoid platitudes, trying to turn intangible into tangible, abstract into concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky. Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts. In the next film, the hero decided to drink a crazy song to get rid of his troubles: "I'm going to get drunk." However, forcing a smile will eventually make you feel "tasteless." From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. The knot "the belt is getting wider and wider" writes tenderness with a healthy pen and swears that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's resolute character and persistent attitude, and thus the realm of poetry can be sublimated. He Shang's Wrinkled Shuixuan Poem holds that Wei Zhuang's Four Towns says, "Who is a young romantic stranger? I doubt whether I will get married and rest all my life. Even if you are mercilessly abandoned, you can't be ashamed. This is "decisive speech is wonderful"; The last two sentences of this word are based on Wei's words, but "the spirit is gentle" In fact, Yan Feng has said in "A Magpie Treading on the Moon" that "wine is often ill before flowers bloom every day, and you are not afraid of thinness in the mirror". Although the language is decadent, it also belongs to its category. Later, Wang Guowei said in The Tales of the World that "those who have achieved great success in ancient and modern times must go through three realms when asked by universities", and he borrowed it to describe the "second realm" as "clothes are getting wider and wider, but they never regret it, and people are haggard for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences. The appreciation of the first poem adopts the expression of "winding path leading to a secluded place", which is lyrical and sincere. Cleverly combine the loneliness of wandering in a foreign land with the lingering feelings of nostalgic lovers. "it's ok to rely on dangerous buildings." It is said that going upstairs caused "spring sorrow". The only narrative in the whole poem highlights the external image of the protagonist like paper-cutting. "The wind is very thin", with a scene, adds a little background to this silhouette and makes the picture come alive immediately. "Looking at the spring sorrow, the sky is dark", looking at the end of the world, a kind of "spring sorrow" arises spontaneously. "Spring Sorrow" points out the season again. For the specific content of this "sorrow", the poet only said "born in the sky", which shows that what scenery in the sky touched his sorrow. Judging from the next sentence "grass smokes", it is spring grass. The lush grass is still alive, which is easy to remind people of endless sadness and hatred. Liu Yong borrowed spring grass to show that he was tired of traveling and homesick, and also expressed his yearning for his loved ones. How did the spring grass in the sky affect the poets' "spring worries"? However, the poet stopped there and said nothing more. "In the afterglow of the grass, no one can write the loneliness and desolation of the protagonist with silence." The previous sentence points out the time with the description of the scenery, and you can know that he stood on the roof for a long time and was reluctant to leave at dusk. "Smoke and Light on Grass" is about the extremely vivid and lifelike spring scenery. Spring grass, covered all over the floor, looks up and down, and in the afterglow of the sunset, it flashes like a misty light. A beautiful scenery, plus the word "residual photo", adds a layer of sentimental color, which sets the tone for the next lyric. "No one can rely on the meaning of silence", because no one understands his feeling of climbing high and looking far, so he is silent. There is nothing to say about "spring sorrow". Although it is not the content of "Spring Sorrow" itself, it adds to the sad taste of "Spring Sorrow". The author didn't say what his "spring worry" was, but turned to pen and ink, complaining that others didn't understand his mood. The author put down his pen and wrote down how he found pleasure in pain. "Sorrow" is naturally painful, so forget it and be happy! "I'm going to get drunk" and write his plan. He has deeply realized the depth of "spring sorrow", and it is difficult to get rid of it by his own strength, so he wants to drown his sorrows by drinking. The poet made it very clear that the purpose was to "get drunk with a picture." In order to pursue this kind of "drunkenness", he was "confused and crazy" and didn't stick to anything as long as he was drunk. Not only should you drink hard, but you should also "sing to the wine" and express your sadness by singing loudly. But the result is that "strong music is still tasteless", and he did not restrain "spring sorrow". Pretending to be happy and "tasteless" shows the persistence of "spring sorrow". At this point, the author reveals that this "spring worry" is a kind of unswerving feeling. The reason why his melancholy lingers is precisely because he not only doesn't want to get rid of this "spring worry", but even willingly suffers from it. Even if he gradually looks haggard and emaciated, he will never regret it. "I am pining for Iraq" is the only problem: the poet's so-called "spring sorrow" is nothing more than the word "acacia". The beauty of this word lies in its tight extension of "spring sorrow", that is, "lovesickness", but it refuses to go straight to the subject. It just revealed some news to the readers between the lines, but when it was about to be written, it stopped and turned the pen and ink, so elusive, confusing and tortuous, until the last sentence, the truth was made clear. When the love of lovesickness reached its climax, the words came to an abrupt end, the passion echoed and the appeal was stronger. Appreciation 2 This is a sentimental word. In the last film, it was written about climbing high and looking far, leaving sorrow and parting. "Stay in a dangerous building" and "dangerous building" imply that the lyric hero has a high foothold and must swim far. Yi shows the hero's long-standing and deep nostalgia. But I didn't expect that the result of "leaning" was "looking forward to spring sorrow and gloomy clouds." "Spring sorrow" is to leave sorrow to the longing for the future. It is not that "spring sorrow" is hidden in the heart, but it is born from the distant horizon. On the one hand, we strive to avoid mediocrity, turn the intangible into the tangible, turn the abstract into the concrete, and increase the visual and flowing sense of the picture; On the other hand, it is also because its "spring sorrow" is caused by the scenery in the sky. Then, the phrase "grass is smoke" explains what the hero sees when he looks at the horizon. The phrase "who can speak for themselves" is not only a feeling of self-reliance, but also a lament of not seeing Iraqis and having no regrets. The word "speechless", if there are thousands of thoughts. In the next film, in order to get rid of his troubles, the hero decided to drink crazy songs: "I'm going to get drunk." However, trying to be cheerful will eventually make you feel "tasteless". From "quasi-handle" to "tasteless", the brushwork is turbulent and quite turbulent. Nodes "the belt is getting wider" write tenderness with a healthy pen, and swear that I am willing to be thinner and haggard for missing Iraqis. "Never regret", that is, "I will never regret when I die", shows the hero's perseverance and persistent attitude, and the poetic realm is sublimated. He Shang's Wrinkled Shuixuan Poem holds that Wei Zhuang's Four Towns says, "Whoever is a romantic teenager in a foreign land, my concubine is suspected of marrying for life. Even if you are mercilessly abandoned, you can't be ashamed. These sentences are "decisive speech is really wonderful"; The last two sentences of this word are based on Wei's words, but they are "angry and elegant". "In fact, Yan Feng has said in" The Magpie Treads on the Moon "that" wine often gets sick before the flowers bloom every day, and it is not shameful to have a mirror flower ".Although the language is decadent, it also belongs to its category. Later, Wang Guowei said in "The Tales of the World" that "the great cause of ancient and modern times, the great scholar of a university must pass through three realms", and what he borrowed to describe the "second realm" was that "clothes are getting wider and wider, and people are gaunt for Iraq". This is probably a persistent and firm character and persistent attitude summed up by Liu Yong's two sentences.