Poetry describing flying sky

1. Poems about Feitian (What are the poems about Feitian)

Poems about Feitian (What are the poems about Feitian) 1. What are the poems about Feitian

1. I don’t have the magic to fly, and I can control the air around the eight extremes

Definition: I don’t have the magic to fly, and the air control around me is all around.

Author: Lu You

From: "Reminiscences of My First Visit to Xizhou"

2. Thinking about being a romantic man, the crane goes with people, and I am always a flying immortal uncle

Definition: Thinking Thinking of where virgins play, cranes follow people and fly, and when they are old they become flying immortals

Author: Xin Qiji

From: "Nian Nujiao"

3 , He will definitely soar into the sky, breaking through the autumn sky with a bit of green

Definition: He will definitely soar into the sky, breaking through the autumn sky with a bit of green

Author: Han Xiang

From: "Reply to Cong Shuyu"

4. The flying fairy mountain is high and the traces are left in the clear abyss

Definition: Flying to the fairy mountains and high, the traces are left in the blue sky Yuan

Author: Wen Tianxiang

From: "Posting Questions on Qin Gaotai"

5. I would like to pass on the magic of flying immortals and wash away the cramped sadness

Definition: I am willing to be taught the art of flying immortals to wash away my cramped sorrow

Author: Chen Yuyi

From: "Northern Expedition"

6. Not as good as on the ground Chickens can steal medicine and follow them to the flying immortals

Definition: Not as good as roosters on the ground, they can steal elixirs and fly to the sky to become flying immortals

Author: Yang Weizhen

From: "The Crane is Flying"

7. On the thirty-sixth day of the Jade Sky, the Six Brahmas gather to fly as immortals

Interpretation: On the thirty-sixth day of the Jade Sky, the Six Brahmas can fly into the sky and become immortals

Author: Bai Yuchan

From: "Four Chapters of Buxu"

8. The flying immortal will not return to the Zhou prince, but will be connected to the young grandson in Chongfu

Interpretation: Feitian, as a fairy, does not return to the Zhou prince, and is connected to the young grandson in Chongfu

Author: Su Che

From: "The Three Jue Goushan Temple in Dengfeng Dao"

2. What are the poems about "Flying in the Sky"

1. "Farewell at the Jingmen Gate" Year: Tang Author: Li Bai

Crossing far away from the Jingmen Gate, coming Travel from Chu State.

The mountains end with the plains, and the river flows into the wilderness.

In the flying sky realm under the moon, the clouds are forming sea towers.

I still feel sorry for the water in my hometown, and send my boat sailing thousands of miles away.

2. "Zhang Tianshi Thatched Cottage" Year: Tang Dynasty Author: Chang Jian

Feasting in the clear sky on the Lingxi River, leaning against withered pine roots.

Anthers circle the abbot, and waterfalls fly to the door.

The four qi are closed and hot, and the two cliffs change to bright and dusk.

The moon is shining brightly late at night, and the moon is shining brightly in the pavilion at noon.

Faith is the residence of heaven and humans, quiet and quiet.

Tens of thousands of valleys echo the sound of the chime, and all peaks receive one soul.

Then he went to the Fairy Valley, where he was drunk and had a bottle of wine.

The jade book is opened in season, reflecting the words of Feitian.

When the mind melts away, there is no shadow, and the eyesight becomes tired and troubled.

Suddenly, Xiaohan and Xiaohan were alone in Nanxuan.

3. "Accompanying the Marshal in the Pavilion in the River" Era: Tang Dynasty Author: Wen Tingyun

Leaning on the lantern and worrying about being independent, I feel ashamed that I am not a scholar of the Song Dynasty. The mountain light shakes the sword and halberd, and the waves around the city move the towers. Birds are flying in the sky, the sun is setting outside, and people are reflected in their hearts when they cross the bridge.

How much hatred has been added to the five lakes, the willow flowers are floating like winter plums

4. "Fortress" Era: Song Author: Tan Yongzhi

Autumn Wind in Hanbei The wild geese are flying in the sky, riding alone around Helan. Moraine is dark and there are no shadows of rocks and trees.

There are wild burn scars on the ground. The mink's coat is cold and the clothes are cold, and the sword is covered with frost, which is cold in the box.

Sooner or later, he will be like a flying captain, and he will go deep into the foreign land.

The sun is setting toward the west by the edge of Bolue City, but tourists are recalling the old mountains and returning.

The cows and sheep gather together and walk in water smoke, and the osprey is surrounded by empty snow. The hunting and riding are quiet and the atmosphere is weak, and the garrison is cold and the smoke is faint at dusk.

Running wild is always a man's business, sooner or later it will happen again like Han Fei.

5. "Xijiang Moon·Turn the Feitian Wonderful Book" Year: Yuan Author: Gao Daokuan

Turn the Feitian Wonderful Book and refine a grain of cinnabar. Pick Taoist tea in the morning and evening. It’s only ten days of perfection. Yuheng entwines the teachings to set the right, and moves the clouds on all sides. Sitting alone in the small nunnery, I am a fairy. Except for sleeping, there is no chance of death.

How many Powerpuff Girls are there? What are their names?

There are three of them, named Huahua, Bubble and Maomao.

3. What are the ancient poems about "Flying in the Sky"

1. I think of a romantic man in the distant past, the crane goes with people, and he always becomes the flying immortal uncle. ——"Nian Nujiao" by Xin Qiji of the Song Dynasty

Translation: I think about where lay people travel, the cranes and people leave together, and when they grow old, they become flying immortals.

2. Si Weng is not old, and he is now a flying immortal. —— Su Shi of the Song Dynasty, "The Drunken Old Man"

Translation: I have only thought of you for a few years, and now you are flying into the sky and becoming an immortal.

3. On the thirty-sixth day of the Jade Heaven, the Six Brahma gathered the flying immortals. ——Bai Yuchan of the Song Dynasty, "Four Chapters of Buxu"

Translation: On the thirty-sixth day of the Jade Clear Sky, the Six Brahma's gathered to fly to become immortals.

4. The flying immortal will not return to the Zhou prince, but will be connected to his young grandson in Chongfu. ——Song Dynasty Su Che's "Three Wonders in Dengfeng Dao: Guoshan Temple"

Translation: The immortal is no longer the prince of Zhou Dynasty, and the heavy fu is connected with the grandson of the young family.

5. The plain girl is flying in the sky in love, and the white jade is jagged with the sound of phoenix. ——Two Poems on Nong Yu by Bao Rong of the Tang Dynasty

Translation: The plain girl had the idea of ??becoming a flying fairy, and the white jade interlaced with each other to make the sound of a phoenix.

6. Why call for clouds when you come, and fly into the sky when you go? My name is not a dragon, how can I rain in the fields? ——Wang Ling of the Song Dynasty, "Twelve Questions and Answers Poems Sent to Manzi Quan and His Seven Water Chariots Asking the Dragon"

Translation: Why do you have to summon the clouds when you come, why do you have to fly to the sky when you go? My name is not dragon, so how can I control the wind and rain?

7. Weng Jin is a flying immortal, and this intention is in the human world. ——Su Shi's "The Drunkard Man" in the Song Dynasty

Translation: Today you have become a flying immortal, but your intention is still in the human world.

8. From now on, go east, west, north, south, and become a flying fairy. ——"The Great Sacred Music" by Lu You of the Song Dynasty

Translation: From today on, no matter the east, west or south, be a flying fairy.

4. Are there any classic poems about flying in the sky?

Volume 622 of the Song Dynasty's "Taiping Yulan" quoted from "The Immortal Products": "Flying in the clouds, deified and light, I think I am an immortal. , "Yiyun Feitian"

The origin of the name of Dunhuang Feitian is that in Buddhism, the divine figures who are reborn in the pure land of heaven are called "Heaven", such as "Great Brahma", "Gongde Tian", "Shen". Caitian", "Thirty-Three Heavens", etc. It is said in the "Golden Guangming Sutra" of the Tang Dynasty: "Foreign gods are also called heaven." In Buddhism, the gods flying in the sky are called Feitian. Flying apsaras are often painted in Buddhist cave murals. In Taoism, mythological figures who ascend to heaven are called "immortals", such as "leading immortals", "celestial immortals", "barefoot immortals", etc., and gods who can fly in the air are called flying immortals. . Volume 622 of Song Dynasty's "Taiping Yulan" quoted from "The Immortal Products": "Flying in the clouds, deified with light movements, thinking of heavenly immortals, and also flying immortals."

Flying immortals are often painted in tomb murals. It symbolizes that the soul of the owner of the tomb can ascend to heaven. After Buddhism was introduced to China, it communicated and merged with Chinese Taoism. In the Wei, Jin, Southern and Northern Dynasties, when Buddhism was first introduced, the flying gods in murals were also called flying immortals. There was no distinction between flying immortals and flying immortals. Later, with the further development of Buddhism in China, although the flying gods of Buddhism and the flying immortals of Taoism were integrated with each other in artistic images, in terms of names, only the flying gods in Buddhist cave murals were called flying gods. Dunhuang Feitian is the flying god painted in the Dunhuang Grottoes, and later became a special term for Dunhuang mural art.

In terms of origin and function, Dunhuang Feitian is not a god. It is a complex of gandharva and kumbhaka. Gandharva is the transliteration of Indian Sanskrit, and the free translation is the God of Heavenly Song.

Because he emits fragrance all over his body, he is also called the God of Fragrance. Kinnara is the transliteration of ancient Indian Sanskrit, and the free translation is the God of Tianle. Gandharva and Kinnara were originally the gods of entertainment, singing and dancing in ancient Indian mythology and Brahmanism. Myths and legends say that one of them is good at singing and the other is good at dancing. They are inseparable and harmonious. They are a loving couple. Later, they were absorbed by Buddhism and transformed into two gods among the eight gods of Tianlong. Hui Lin of the Tang Dynasty explained in "Sounds and Meanings": "Zhendala, an ancient Kinnara, has a subtle sound, can make subtle sounds, and can sing and dance. The male has a horse head and a human body, and can sing; the female is upright, Able to dance. This goddess is often married to Gandharva. "Gandharva and Kinnara are included in the eight deities of heaven and dragon in Buddhism. With the development of Buddhist theory, artistic aesthetics and artistic creation, they were originally The ferocious appearance of the Horse-headed Man Peak has gradually evolved into a celestial being with beautiful features, pretty eyes, dancing gracefully, and soaring in the sky. Gandharva and Kinnara originally had different functions among the eight gods of Buddhism. Gandharva, the God of Music, has the task of dispersing fragrance in the Buddhist Pure Land, offering flowers, treasures, and praises to the Buddha, living in flowers, and flying in the heavenly palace. Kinnara, the God of Song, has the task of spreading fragrance in the Pure Land of Buddhism. In the world, they played music, sang and danced for the Buddha, Bodhisattvas, gods, and gods. They lived in the heavenly palace and could not fly in the sky. Later, the functions of Gandharvas and Kinnara were mixed into one; Gandharvas also played musical instruments, sang and danced; Naluo also rushed out of the heavenly palace and flew into the sky. Gandharvas and Kinnara are men and women, they merge into one body and become the Dunhuang Feitian in later generations. During the Western Wei Dynasty, Feitian, who played music and sang and danced, appeared in Mogao Grottoes. After the Sui Dynasty, Gandharvas and Kinnara became one and they were indistinguishable. It's just that when writing articles in the music and dance circles, in order to distinguish them from musicians, the Gandharvas who played music in the early Tiangong were named Tiangong Musicians, and the Feitian who later merged into one and held music, sang and dance was named Feitian Musicians. From the artistic image of Dunhuang Feitian, it is not the artistic image of one culture, but a complex of multiple cultures. Although the hometown of Feitian is in India, Dunhuang Feitian is the culmination of Indian culture, Western Region culture, and Central Plains culture. It is a flying apsara with Chinese cultural characteristics that has been integrated into one through long-term exchanges and events between the Indian Buddhist celestial beings and the Chinese Taoist celestial beings, as well as the flying apsaras from the Western Regions and the flying apsaras from the Central Plains. It is a flying apsara that has no wings, no feathers, no round light, relies on colorful clouds instead of relying on colorful clouds, and relies mainly on fluttering dresses and flying ribbons. Dunhuang Feitian can be said to be the most genius creation of a Chinese artist and a miracle in the history of world art.

5. Poems about flying in the sky

"Gift Peng Zi" Era: Modern Times Author: Lu Xun Suddenly a flying fairy descended into the blue sky, and two cloud chariots picked up the soul boy.

Poor Pengzi is not the emperor, so he runs away to suck the north wind. Vernacular translation: Ms. Mai was worried about her husband being separated during the war. She suddenly descended from the sky like a fairy, as if riding on two cloud cars, carrying a naive and ignorant fairy child with her.

Unfortunately, we only saw Yao Pengzi, who was in trouble. She went to Yao's house to find her husband, but her search was in vain. She had no choice but to continue searching on the seashore in Shanghai, hungry and cold, and running for her life in the chaos of war.

Extended information: Overall Appreciation The poem is lively and full of wit. The author Lu Xun uses a joking style of writing to depict Mai as a "flying fairy" riding on a cloud chariot who suddenly arrives and carries a "spiritual boy" with him.

It constitutes the strange realm of "suddenly flying immortals descend into the blue sky, and two cloud chariots pull out the soul boy". These two poems describe the scene when Mai suddenly appeared at Yao Pengzi's house in search of a husband.

Because she was a flying fairy who suddenly descended from the blue sky, the son she brought with her was also called a "spirit boy". This is the consistency of the image before and after, and this is where the playful element comes from.

However, the main part of the joke lies in the last two sentences: "Poor Pengzi is not the emperor, he runs away to suck the north wind." The last two lines of the poem say that Mrs. Mai suddenly came to Yao Pengzi's house in search of her husband Mu Mutian. Unfortunately, there was no Mu Mutian here, only Yao Pengzi, so she had to run around against the wind to find her again.

This is the original intention of the poem, but the author used an exaggerated way of writing it to make it more interesting.

The "Emperor" here refers to the story of the Emperor of Zhou, King Mu of Zhou, who drove a chariot of eight horses to the Kunlun Mountains to meet the Queen Mother of the West in "The Biography of Emperor Mu".

Since the husband Mai is looking for is "Mu Mutian", which is the same as the character "Mu" for King Mu and the character "天" for "Emperor", which constitutes "Emperor". "Poor Peng Zi is not the Son of Heaven." The two characters "子" are just opposite to each other. Adding the character "Fei" in the middle makes it a natural sentence. It is also consistent with the facts, and it becomes a natural and good sentence.

6. Poems about flying in the sky

The plain girl is in love with the flying sky, the white jade is jagged with the sound of phoenix, the angel borrows the girl's wings to fly. - "Two Poems on Nongyu" Year: Author of the Tang Dynasty: Bao Rong

Three thousand girls in the light dancing hall, twelve misty flying platforms. There must be immortals coming to plant jade, and there will be less wandering in Lantian.

- "To the Snow" "Two Poems" Year: Song Dynasty Author: Mao Pang

Why call for clouds when you come, why fly into the sky when you go. My name is not a dragon, how can I rain in the fields. ——"Twelve poems on questions and answers are sent to the full Zi Quan's Seven Water Chariots and Asking the Dragon" Era: Song Dynasty Author: Wang Ling

The fragrance has flown up to the sky, and the phoenix flute is still heard in the middle of the moon. - "Three Poems of Diao Yingying" Era: Song Dynasty Author: Wang Shan

Weng Jin is a flying immortal. This meaning is in the human world. - "Drunken Old Man Cao" Era: Song Dynasty Author: Su Shi

From now on, let's go east, west, north, south, and make a Flying Immortal.——"Great Holy Music" Era: Song Dynasty Author: Lu You

I recall that when I was a scholar, the crane followed people, and I always became a flying immortal uncle.——"Niannujiao" Era: Song Dynasty Author: Xin Qiji

7. Ancient poems about Feitian

The poems describing "Flying Apsara" include 1. "Twenty-eight Songs of Songs for Court Meetings at Suburban Temples in Jianlong and Qiande Dynasties" Era: Sui Author: Anonymous people are vigilant and the sun is working hard, and the hidden workers are leaping into the abyss.

Advocate for the best strategy, and be the backbone of the general. The lawsuit in the field returns to Sunday, and the folk song is in the year of Shun.

The wind and clouds are self-conscious, and Jiahui is flying into the sky. 2. "Farewell at the Jingmen Gate" Year: Tang Dynasty Author: Li Bai crossed the Jingmen Gate to visit the Kingdom of Chu.

The mountains end with the plains, and the river flows into the wilderness. Under the moon, in the flying sky realm, clouds form sea towers.

I still feel sorry for the water in my hometown, and send my boat sailing thousands of miles away. 3. "Farewell at the Jingmen Gate" Year: Tang Dynasty Author: Li Bai crossed the Jingmen Gate to travel from the Kingdom of Chu.

The mountains end with the plains, and the river flows into the wilderness. Under the moon, in the flying sky realm, clouds form sea towers.

I still feel sorry for the water in my hometown, and send my boat sailing thousands of miles away. 4. "Accompanying the Marshal in the Pavilion in the River" Era: Tang Dynasty Author: Wen Tingyun leaned against the lantern, worried about being independent, and felt that he was not a talented scholar of the Song Dynasty when he wanted to write poems.

The mountains are full of light shaking swords and halberds, and the waves surrounding the city are shaking the towers. Birds are flying in the sky, the sun is setting outside, and people are reflected in their hearts when they cross the bridge.

How much hatred has been added to the five lakes, and the willow flowers are floating like winter plums. 5. "On the Fortress" Year: Song Dynasty Author: Tan Yongzhi In the autumn wind, wild geese from northern Han Dynasty fly into the sky, riding alone they can circle Helan.

There are no shadows of rocks and trees in Qi dark, and there are wild burn scars on the ground. The mink's coat is cold and the clothes are cold, and the sword is covered with frost, which is cold in the box.

Sooner or later, he will be like a flying captain, and he will go deep into the foreign land. The sun is setting toward the west near the city of Bolue, but tourists are recalling the old mountains and returning home.

The cows and sheep gathered together and were covered in water smoke, and the eagles and ospreys were surrounded by empty plates and snow. The hunting and riding are quiet and the air is thin, and the garrison is cold and the smoke is faint at dusk.

Running wild is always a man's business, sooner or later it will happen again like Han Fei.