Why can the play "Da Zhai Men" get everyone's praise?

Since many people have Hamlet in their eyes, I'll talk about my opinion on The Big House Gate. Subjective, of course. It must be very limited.

I don't know how many times I've seen the mansion door. From primary school to junior high school, I will watch it on CCTV. Sometimes I watch it by myself, and sometimes my family pulls it together. Now it seems that "Zhai Men" is still a classic, well-made, with a strong cast, in which all the characters, large and small, are well shaped, and the acting skills of a walk-on can not be underestimated.

The specific plot of "The Gate of a Mansion" may be written all night, and each character can be dragged out separately to say a good sentence. Dazhaimen can be said to be a microcosm from the late Qing Dynasty to the Republic of China, which is quite a bit of a "grand view garden". What are people of different classes like in the era of social unrest and change? It can be said that all the people in the government are in place, and the children of the Eight Banners, royalty, businessmen, soldiers, actors, kiln sisters and beggars are specially displayed.

My favorite characters are Yang Jiuhong and Bai Yuting, two women who dare to love and hate. Cai Fei and Jiang were so beautiful in those days, and their gestures were so simple.

What I'm talking about here is still the first part of Dazhaimen. Personally, I think the second one is not as good as the first one. Jison's temperament can't compare with Xiang Xiu's feeling in the first film. The only line I remember is that Zhang Shaohua's grandmother yelled at her grandson all day. "study hard!" Later, my family imitated that tone and shouted at me all day.