Sentences describing nature

White jade is not carved, and beautiful beads are not written.

Ann's "Huai Nan Zi Shuo". Text: Same as "pattern", which means to decorate with pattern color. White jade does not need carving, and beautiful pearls do not need decorative patterns. White jade and beautiful beads, naturally beautiful, are pleasing to the eye even if they are not carved or written. Why chisel again, just to increase the craftsman spirit! These words and "harmony" are not decorated with colorful colors; The pearls of the Sui Dynasty and the later dynasties are similar, and there is no silver and yellow decoration. Similarly, there is "Dan lacquer does not write, white jade does not carve" ("Confucius said it would be good to live"), which can use natural beauty to discuss things without artificial carving; It can also be used to explain good poetry and good writing, as long as there is aesthetic feeling, and you don't have to care too much about the gorgeous words.

Liu An, the king of Huainan, the royal family of the Western Han Dynasty, Huainanzi said Xun Lin.

Like the lotus of water, it has the nature of nature.

Tang Li Bai's "After the chaos, God's grace flowed in Yelang, recalling old books and giving them to Jiang Taishou and being good at slaughter". Lotus: the ancient name of lotus. The general idea of these two sentences is: like a lotus flower that just grows clear water and is open, it has a natural charm without traces of artificial carving and decoration. Li Bai praised Wei Taishou for his fresh and natural poetic language and vivid metaphors, and also expressed his aesthetic views and pursuit of poetry. Looking at all Li Bai's creations, we can also see that the poet really practiced his own ideas. It can be discussed that poetry creation should be quoted when the language is fresh and natural, or used to praise some poetry works that are fresh and natural without fake carvings.

Li Bai, a poet in the Tang Dynasty, "After the chaos, the grace of heaven flowed to Yelang, and I remembered old books and gave them to Jiang."

It's plain, just go to a natural place. Gepang

A natural song is extraordinary, and thousands of pearls fall on a jade plate.

Che Yuquan by Tang Taixu. Extraordinary and ordinary music spring bed # # flows, playing extraordinary natural movements, like millions of pearls, falling into a glittering and translucent jade plate. Bai Juyi once described music as "pearls pour on jade plates" in Pipa Story, and the author takes his poems here to describe the endless spring sound as "pearls pour on jade plates". The sound of pipa is played artificially, while the sound of spring comes from nature. It is as beautiful as Yue Xian and more beautiful than the sound of pipa in white poems. Can be used to describe the sound of springs and waterfalls.

Che Yuquan by Taoist Cheng Taixu in Tang Dynasty

Don't be disgusting, you know, witty remarks speak naturally. Famous sayings about nature

Mu's course of learning poetry (I). Disliking the heart and removing the lungs: it describes digging one's brains and doing one's best. The general idea of these two sentences is never to dig out your heart and carve it deliberately, but you should know that wonderful language comes from nature. Beautiful language is often simple and natural, as if from the heart. If the literary thought is exhausted, even if it is disgusting and carved into sentences, it will inevitably have no vitality and appeal. From this, it can be seen that going deep into life and developing literary thinking are the foundation of writing witty remarks.

Du Mu, a bibliophile in Ming Dynasty, studied poetry.

Tao Yuanming's language is plain, natural and natural, abandoning the applied fiber, revealing the true beauty of simplicity and making reading always new.

See Jin Yuanhao's Thirty Poems (4). Nature: nature. Luxury: refers to gorgeous rhetoric. A word from nature can make people feel eternal and fresh, abandon luxury and show true and pure style. Tao Yuanming's poems have always pursued simplicity, naturalness and simplicity. Later generations commented on Tao Yuanming's poems, mostly praising his style of abandoning sculpture and letting nature take its course. Here, Yuan Haowen strongly affirmed the "nature" and "purity" of Tao poetry and called it "eternal new", which not only highly praised Tao poetry, but also expressed his artistic proposition of advocating nature and opposing carving. It can be used as a reference to discuss the nature of literary and artistic creation, and can also be used to evaluate other simple, natural, fresh and beautiful poetry works.

Yuan Haowen, a poet and historian in the late Yuan Dynasty and early Yuan Dynasty, asked about Thirty Poems.