Please introduce the Japanese film Seven Samurai?

The Seven Samurai explained the collapse of social hierarchy and the irrationality of backward tradition in that chaotic and dangerous era, and also questioned the distinction between samurai and robbers, good and evil.

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This is a long masterpiece equivalent to the first, second and third episodes. A Japanese film critic believes that this film promotes China's ancient philosophy: a sly rabbit dies and a running dog cooks; The birds are exhausted, and the bow is hidden. Of course, this is a one-sided view. The Seven Samurai is a unique masterpiece in martial arts films. Its success lies not in martial arts, but in the description of many lifelike characters, each of whom has his own side.

This film can be roughly divided into four parts: The first part is based on Zuo Wu's personal experience. After the performance, the mountain village will inevitably be attacked by mountain thieves, and the villagers will be in a state of panic. The main battle and the main battle have their own advantages and disadvantages. The old man insisted on resisting to death by hiring warriors. The second part is from four representatives to seven warriors coming to the mountain village one by one. The third part is the deployment and training of the follow-up battle, and the victory after sacrifice in the fierce battle. The fourth part is the conclusion.

Relatively speaking, the first two films are more exciting, especially the second one, which describes the seven samurai fields. It can be said that the seven samurai "walked" one by one, and they all "walked" to the audience from their own roads.

From the beginning, the film attracted the audience: more than 40 mountain thieves, strong men and strong horses, well-armored and well-armed. Faced with such a powerful enemy, farmers are unarmed. Opposing it is like throwing eggs at a stone. If you want to fight, how can you win? The audience can't help wondering.

The way to carry out this determination is to send someone out to hire a few warriors who can only eat. Can such a warrior be employed? Is it useful for a samurai who is willing to come with the lowest conditions? This is the bottom that the audience should see anyway.

Then, the film takes the audience into a suspicious plot that seems to have nothing to do with hiring samurai. Are these four farmers' representatives singing and watching with others? The thief took the only son of a rich farmer as hostage. How to save the children has become the most concerned thing for the onlookers, and it is also the thing for the four farmers to see the results. As for the audience, I want to see how these four representatives hire samurai. At the moment, I am also attracted to see what happened. A monk, a middle-aged warrior, with hair loss and robes, certainly puzzled the audience. Finally, he understood that because of the samurai's outstanding wisdom and superb door-opening skills, he subdued the robbers and rescued the children. When he said goodbye to his master, the young soldier had to say goodbye to his master. When he said his name was Kanbee, he couldn't accept his disciples after his last meal. Only then did the audience realize that they could "hire" the first knight. The director's description of Camby's appearance only made the audience feel suspicious. For Kanbee's wit (pretending to be a monk near a robber), courage (grasping the white blade with his bare hands), modesty (not accepting an apprentice, fighting many battles) and honesty (admitting that he ate the last meal and learned the next meal), the director proved it not in a word, but through the actions of the characters themselves.

The most successful description is one of the samurai, the protagonist of this film, Qing Chiyo. He was a fake soldier and a farmer, and his father died at the hands of robbers. He longs for the temptation and support of a real soldier. His first appearance was in the farm yard, sitting in a big barrel to see how Jane saved the child. The child was saved, and he wanted to follow him with Kanbee. But he is slow and not good at expressing himself. Later, I learned that the regular brand goods were inferior, so I made a genealogy of others and made a joke. Those real warriors looked down on him and taunted him, but he was magnanimous and never cared. He is witty and brave, humorous, and his perseverance is particularly valuable. Those real warriors ignored him. He came with him. He sees things realistically and has original opinions. What made him stand out was the scene of knocking on the alarm bangzi. Farmers don't have warriors. Find warriors. On the flag made by Pingba, six circles represent six warriors, and his land is triangular, but he deeply mourns the lonely grave of Pingba. He fought bravely and resourcefully. He is the spy who killed the mountain thief, the man who attacked the mountain thief's stronghold, and the man who went deep into the enemy's rear to pay the ware alone. Just when he was about to achieve great success, he still risked his life to fight with the enemy with a big spear and hacked him to death before he fell. But after his sacrifice, people were still confined to traditional bad habits and did not regard him as a soldier. He can't put a knife on the grave like other soldiers. I thanked Katsushiro for his justice, saying that he was an "excellent soldier" and stuck my knife in him.

Ju Qian is a real farmer. When he realized that he was a decent soldier, he looked back at the shortcomings or limitations of farmers and naturally knew them like the back of his hand. It was he who persuaded the peasants to contribute the armor and weapons that killed and defeated the samurai, and always defended them from the standpoint of the villagers. He thinks that farmers are like this and there is nothing to make a fuss about. Farmers are cunning and stingy, so they hide when they have something. On one occasion, they passionately pointed out that this character was entirely caused by warriors, that is, by the government. He showed no mercy to the samurai.

If Kanbee's appearance is described from the perspective of soldier's blood, then first of all, Kuzang's attendance rate is described from the perspective that soldiers must have superb martial arts. That big tramp is a scoundrel. He forced Cuzzo to fight with the real guy, and Cuzzo knocked him down after only two rounds.

The appearance of warriors who are unwilling to contribute to the peasants is carefully conceived and designed by one person, while some characters have devoted all their love.

The arrangement of martial arts in the film is just right, not a fight to the end, and there is no annoying extra "fight". The difference is that this kind of martial arts is a fight between mountain thieves on horseback and farmers on foot, which is much more difficult. Kurosawa filmed these scenes with a camera. For a camera, it is difficult to get good results in intense action at the same time. In many movies, the fighting of cavalry is horizontal, although it is difficult, it is a real life-and-death duel. Shooting the scene of mountain thieves running towards the village with a wide-angle lens makes warriors and farmers suddenly jump out in front of the running horses, making the horses in a dilemma and unique in the rain.

Unfortunately, this film portrays farmers as stupid and timid, as if they always live in fear. Knowing that the enemy would come to plunder after the wheat harvest, he panicked and was at a loss, kowtowing to the samurai for protection. This obviously devalues the peasants' ambition to fight against the enemy. The history of the world is not like this, nor is the history of Japan, and the farmers in Japan during the Warring States period are not ignorant. If we explain that the peasants were timid at first, and later became strong and smart under the training and exercise of the warriors, the peasants had one or two leaders of their own, which is in line with historical reality. Unfortunately, the director didn't pay attention.

Despising farmers will inevitably exaggerate the role of samurai and describe them as the saviors of farmers. Kanbee's statement that "we finally won the battle" has profound illogical significance. It is obviously the samurai who won the war, but the benefits brought by victory are related to the samurai, who have only a little spiritual satisfaction. It is precisely because the warriors did not get any practical benefits that they proved their noble spirit, which is the director's original intention. 1982, British pictures and sounds listed this film as the third "best film" since it was born 10.