Why do crosstalk pay attention to three points and seven points?

Teasing is like telling a joke. Most of the narrative, foreshadowing, contradiction and climax of the story are really completed by teasing. Bangbang needs to ensure that the audience understands these burdens, for example, by repeating jokes, by "playing dumb" and by "spitting", and don't dumb these burdens. For example, in a talk show, the actor's jokes are so elegant that the audience doesn't catch the punch line. Isn't this embarrassing? For example, imagine a person standing on the stage and saying to you, "I bought a horse, and the horse was replaced by a cricket. The cricket jumped into the tea bowl and drowned." Is it funny? The joke is that people who listen to the story question the protagonist of the story over and over again, and then the protagonist repeats over and over again that "the horse fell into the tea bowl and drowned", creating contradictions. The joke of "Rain hits ten thousand pits on the beach" lies in that it is a "jujube garden" that repeatedly asks why this eight-fan screen wind is teased to a climax through a large section of irrigation with "ten thousand pits". Judging from these two traditional cross talks, due to the initial local performance conditions, dancers and funny people need to tease each other and even quarrel and bicker to attract the attention of passers-by. Although stand-up comedy is wonderful without the role of Bangbang, there are too few actors who can speak stand-up comedy. Good companions are hard to find. It is as difficult to say it as to tease it, but both are indispensable. If we want to make the burden of crosstalk ring, we should pave the way for Tik Tok to turn over the seam. If any link is not done well, it will not work. It depends on the tacit understanding between teasing and teasing, and no one can do without anyone. Of course, when the average crosstalk performer starts to learn, he has to practice from the basic skills, whether he is a crosstalk performer or a comedian. Comedians should be able to hold it, and comedians should be funny. In phonology, it is called "lame". Of course, some actors may focus on teasing, and some actors are born like comedians, so they may focus on comedians, but this does not mean that they can only tease but not hold, or they can only hold but not hold. The art of crosstalk is really strange. It seems simple, but it's really not easy to learn well. It really needs talent, interest and hard work. All three are indispensable!