Poems about Yang Guifei

Ma Wei fell in love with Liu Yan and saw Luan Jiaxing return to Shu.

One should have something to say under the spring. This time, it is more difficult to blame Yang Fei.

Luo Yin, a poet in the Tang Dynasty, wrote this poem "Xing Shu Emperor", expressing his attitude towards the death of Yang Guifei from the fact that Huang Chao army captured Chang 'an in 8865438 (88 1 year) and fled Shu. This poem is unique in conception and wonderful in expression. The meaning of the expression is very clear, that is, to satirize and criticize those views that put the Anshi rebellion on Yang Guifei. During the Tongzhi period of the Qing Dynasty, Zhao Changling wrote a poem "Ma Wei": "I don't believe in the new Lushan Mountain in Qujiang, and the Shu Valley in Yuyang shocked Qin Guan. Curse is the revelation of the king, why blame Yuhuan for dumping the country? It means the same thing. This poem is concise and straightforward, with clear views. It is not difficult for readers to know who is to blame for the Anshi rebellion.

Li Yi was an outstanding poet in the middle Tang Dynasty. He passed Maweigang twice, reminiscing about the past and expressing his feelings, and wrote three poems, one of which, Passing Mawei, wrote:

Han will be outspoken as a cloud, and Koulai will be guilty.

I beg you to stop washing lotus blood and leave a thousand years of tears on my body.

At that time, the Anshi rebellion had been exposed, and people of insight had seen it. But in the civil and military affairs of the Qing Dynasty, no man stood up and changed the situation. It is obviously unfair and unreasonable to put the blame on Yang Guifei when the two capitals fell and the ministers fled to the west. It's not because the poet didn't express his grievances to Yang Guifei that he "remembered the tears of a thousand-year-old concubine". The deep grievances and grievances are beyond words. The poet wrote again in another poem, Crossing the Horse:

The golden armor and silver are the same, and the wide sleeves are separated from the dust.

There is no reason to hate the soul because of the lingering fragrance.

Nannei Zhenai Hall. The alchemist Ai Dong asked Penglai.

Leave only the slope to bend around the moon and send the residual light into the night platform.

Chang 'an recovered, Xuanzong returned to Beijing, and everything remained the same. Only the bones of Yang Guifei are left in Maweipo. She is lonely and full of resentment. The emotion expressed by the poet can easily attract people's attention.

The poem Ma Wei written by Li Shangyin, a great poet in the late Tang Dynasty, can be cited as the same strain as Li Yi. His poems reveal the essence, and put the responsibility of "An Shi Rebellion" entirely on Tang Xuanzong, which cleared up many fogs. There is a sentence in his "Two Poems of Ma Wei" that says:

Ji Ma moved Yan rhinoceros to the ground, buried red powder and turned it into ashes. If the king can pour out the country, what can he do if he doesn't cut it?

The first sentence of this poem summarizes the scene of "An Shi Rebellion" at the beginning, and the second sentence is written from two sides, which is correct in theory. First, Yang Guifei's death was caused by Xuanzong. Besides, it was his own fault that he escaped to the west and lost his throne in Shu. All this is self-inflicted, and finally it was pointed out that the responsibility lies with Tang Xuanzong himself. This poem has profound implications, dialectical views and insight into the essence, which is a rare masterpiece in Yang Guifei's poems.

In ancient times, many people thought that Yang Guifei was the chief culprit of the Anshi Rebellion. Many poets also hold this theory that "women bring disaster to the country and the people". Among the poems that hold this view, Du Fu's "Northern Expedition" has the greatest influence:

Recalling the mess of the past, we should say goodbye to the past.

Treacherous court officials have gone astray and gone astray.

Don't smell the summer sound, praise yourself.

Zhou Han has been resurrected, and the glory of the fruit is wise.

General Chen of Huan Huan fought fiercely.

I am a person who has done everything wrong and is still alive in this country.

Desolate Datong hall, lonely white beast Lu.

Everyone looks at Cui Hua and is eager to go to Goldfinch.

There are innate gods in the garden, and there is no shortage of sweeps.

Huang Huang Taizong's industry has established a great reputation.

In his poems, Du Fu reviewed the mutiny of that year and the historical development after the mutiny. This paper makes a simple evaluation of "Ma Wei mutiny", and the intention of Tang Xuanzong to defend Tang Xuanzong is obvious. In his view, the responsibility for the decline of the fate of the Tang Dynasty is not "Ming Di" Li Longji, but Yang Guifei and her family. Obviously, Du Fu demonstrated with Confucianism from the standpoint of the feudal ruling class. In this concept, the wise son of heaven is always wise and blameless, and even Tang Xuanzong's embarrassing escape from Shu is "farewell to ancient times"

There are also some poets who hold similar views with Du Fu. Liu Yuxi has a poem in his "Ma Wei Xing", "The army punishes Qi, and the emperor abandons the enchantress". "Qi" and "Demon Ji" refer specifically to Yang and Ji Guifei. The author's ideological tendency is obviously manifested in the praise and criticism of words.

Shi Chuanxi, a poet of the Ming Dynasty, wrote in the poem "Ma Wei Nostalgia":

The beauty of jade is so true that I sent a letter to my pet at that time.

Hu Er forgot his mother in advance, forcing the demon Ji to make a guest appearance.

Li Huanan, a poet in Qing Dynasty, also expressed this view in The Tomb of Yang Guifei. Poetry cloud:

Neck muscles are beautiful, and a song is absolutely pitiful.

Who let Wang Xi get away? At that time, he also gave the money to Xi Er.

These two poems focus on Yang Guifei's beauty and her dissolute and corrupt life, holding that she is "ruling the country by color" and blaming Yang Guifei for the "An Shi Rebellion".

In many poems about Yang Guifei, in addition to two completely different attitudes, some poets have expounded their views from other different angles.

In the seventh year of Daoguang reign (A.D. 1827), Lin Zexu passed by Ma Wei and wrote "The Tomb of Taizhen" (eight poems), the first of which read:

No matter where the Sixth Army is stationed, I will die for the king.

Throw away the Emei soldiers and the world will be reborn.

In the tone of Yang Guifei, Shi Lin expressed the valuable quality of being willing to sacrifice herself to save the fate of Xuanzong and even the whole Tang Dynasty, and raised Yang Guifei's death realm to a new height. At the same time, the last sentence implies the helplessness of one's own destiny and the condemnation of Tang Xuanzong's impetuousness and betrayal. Feeling gloomy and thought-provoking.

Wang Shizhen, a famous poet in Qing Dynasty, wrote a poem "Ma Wei Nostalgia" in Yu Yang Xu, saying:

Where is autumn in the Palace of Eternal Life? It flows eastward relentlessly.

The sweet soul is not as good as that of Huang Youchuo, but it still occupies a Lishan soil.

Huang Zanzhuo was the best person in Chang 'an in the prosperous Tang Dynasty, and a musician in Liyuan. His witty wisdom won the favor of Emperor Xuanzong of Tang Dynasty, and he was buried in Lishan Mountain after his death. Poetry is natural and fluent, with deep feelings. Yang Guifei, who wrote "only three thousand in one", was buried on a barren slope after her death, not as good as a disciple of Liyuan, and her sadness and disappointment were beyond words.

Tang Yin (Tang Bohu), a painter and writer in the Ming Dynasty, wrote in a poem entitled "The True Picture":

In ancient times, the appearance of flowers indicated that fairy moths were unlucky.

Before the Song Dynasty was over, the Golden Temple appointed Ma Yipo early.

Tang Yin's poems lament the unfortunate beauty of Yang Guifei.

Three Clouds of Du Mu's Three Poems of Crossing Huaqing Palace;

Wantu is drunk, leaning on the sky, and the temple is bright and clear.

An Lushan dragged his fat body and danced "Pure Land Dancing", which caused Yang's laughter to fly over the peaks.

This poem describes the scene in which Emperor Xuanzong of the Tang Dynasty and Yang Guifei deliberately rebelled in the palace during the Anshi Rebellion and made them drink, which is very ironic. This is a satire and a whipping to Li and Yang. They were so drunk that they couldn't tell who was a loyal minister and who was a traitor.

Chen Baozhen, a poetess in Qing Dynasty, expressed another view in Yang Taizhen:

Death can teach the country peace, and it is worth living in front of a horse.

If a beauty is old, a king may not be unfaithful.

This theory is self-contained. First, I said that Yang Guifei's death was valuable, and then from the perspective of women, I questioned whether she could spend the rest of her life with Tang Xuanzong even if she did not die.

And so on, to name a few.

Among many poems about Yang Guifei, two cannot but be mentioned in particular.

The first poem is Yang Fei, written by Zhen Shanmin, a recluse poet in the late Song Dynasty. The content of this poem is as follows:

Saburo hid his face from Ma Weibo, and he was helpless about life and death.

What do you hate about the earth station? Many bones were buried in Tongguan War.

What is commendable about this poem is that the poet broke through Li Yang's story and shed tears of sympathy for the soldiers who fought against the rebels and died in the battlefield. Compared with all the poems immersed in praising the beauty of Li Yang's love and lamenting the unfairness of Yang Guifei, this poem by Zhenshanmin is undoubtedly much higher in conception.

The other is Yuan Mei's "Ma Wei" in the late Qing Dynasty, and its fourth cloud:

Don't sing the song of everlasting regret, the world also has its own galaxy.

In Shihao Village, the husband and wife say goodbye and shed more tears than in the Palace of Eternal Life.