Is Mei Lanfang good or not?

Let's talk about grades first. Here, I am very responsible to tell you that this is a very good movie. If I had to score, I would score 90 points. Of course, it does not rule out that a person's preference for Peking Opera and Mei Lanfang is added to the score.

At this point, some people may ask, where is my farewell my concubine? Let's just say that Cheng Dieyi showed her crazy love for Peking Opera, while Mei Lanfang showed her persistence in patience. Both Peking Opera and Chen Kaige, high marks. Farewell My Concubine is not a portrait, it is better to play. Mei Lanfang is a true story, which is more difficult to express and refine.

First, tell a story. The story is good, smooth and attractive. The rhythm is compact from beginning to end, which can be said to be one go. The two-and-a-half-hour movie didn't make us feel boring and dramatic at all. Our mood has been ups and downs with Mei Lanfang's fate, and we often have tears in our eyes. From this point alone, the story of this film is very successful.

The film Mei Lanfang extracts several stories, one is the young Mei Lanfang and the famous actress Jia Langsi at that time, the other is Mei Meng's love in adulthood, the third is Mei Lanfang's visit to the United States, and the fourth is Mei Lanfang's beard inscription. Except for the last part of the beard inscription, the rhythm is good. If I want to say what is the key to film storytelling, I must choose the rhythm. The rhythm is too important.

Secondly, speaking of actors, I think Dawn acted very well. I read a lot of comments before, saying that Dawn looks different. Now it's half cold, but I feel good after reading it.

The good thing about Dawn's performance is that it shows the strength behind Mei Lanfang's weakness and her persistence under forbearance. Just like the theme of the movie, all the actors wear paper shackles, no matter how red they are, they should always be patient, so as not to pierce the fragile paper shackles and cause great disaster. Dawn's performance properly showed this point, which was implicit and could not be expressed. Playing Mei Lanfang is Dawn's biggest difficulty. From the beginning to the end, there is no passionate drama, and there is no long-winded confession, so that Dawn shows Mei Lanfang's character. It is really difficult to convey the inner character of this drama star only by looking at ordinary tricks and styles, but Dawn did it, at least from beginning to end. I don't think he is Dawn, but I decide it is.

Zhang Ziyi's performance is surprisingly good. The love between Mei and Meng is subtle and profound. Zhang Ziyi's patience in propaganda and giving up under deep love are just the opposite of the performance characteristics of Dawn. Under Zhang Ziyi's unyielding stubbornness, you can feel the helplessness of not being loved in your heart, which is very touching and emotional.

Sun honglei

It is said that there was a joke. After seeing Mei Lanfang's poster, our friends looked at it several times, but they didn't see Sun's stills. So he called Sun and said that Chen Kaige had gone too far. Why don't you even give a straight face to the poster for such a heavy role? Sun said no, you took a picture of me with your mobile phone, and his friend took a picture with his mobile phone and passed it on to Sun. Sun smiled after reading it. . . . . In Mei Lanfang, Sun Yi plays Qiu, Mei Lanfang's mentor, contrary to his usual style, and his outstanding performance is the biggest attraction of the play.

Wang Xueyin:

Wang Xueyin's Thirteen Swallows really has everyone's demeanor. When watching the trailer "Flowers and Propaganda", they said that there were 38 records of Wang Xueyin and continuous shooting, but they were also worried about the old drama bones, fearing that they would stumble. Unexpectedly, Wang Xueyin's performance was so wonderful, especially the scene of racing, which made me hooked up.

Yu Shaoqun

Young Mei Lanfang almost made me ecstatic. Yu Shaoqun's clear, handsome, clean and natural performance showed no signs of affectation. It's really pleasant to look at. One-third of Mei Lanfang is a play by Yu Shaoqun and Wang Xueyin, which covers the most wonderful part of Mei Lanfang's whole performing arts.

Chen Hong is still an acting school. Naturally, all kinds of roles are won one after another, but there is no more aura. Let nature take its course! Old.

Moreover, in the background, Feng read the pure Beijing dialect of Uncle Mei Lanfang's letters, which also added a lot of color to the film.

This is a very serious film. Everyone, every link, can feel the effort and effort. I was moved to tears several times. Of course, my feelings are only individual, because I like this kind of movie and this way of telling stories.

I saw someone criticizing Mei Lanfang as a man and a woman who are full of stories on stage and off stage. This movie is too superficial. In my opinion, for Mei Lanfang, a famous Beijing opera actress, there is nothing too mysterious and profound, only the loneliness of being an ordinary person after devoting herself to art, which is exactly what this film shows most fully. Mei Lanfang, standing in the center of the stage so lonely, leaving love so lonely and facing power so lonely, has always been the most profound life of a dramatic actor.

Some people criticized that Mei Lanfang's image was raised in the second half of the film. I think this kind of promotion is well-deserved for a drama artist like Mei Lanfang.

Although the whole movie is slightly flawed, it is beautiful, emotional and full of cultural sense. We shouldn't be stingy with our praise for a film that was made so seriously and performed Mei Lanfang's dramatic life so brilliantly.

After watching this movie, I think Mei Lanfang is worthy of respect, and so is Chen Kaige.

I respect everyone who takes art seriously and devotes himself to it.

Everyone chooses to go to the cinema. It is rare to make a good domestic film. Even in the economic crisis, we should support it.

PS: classic lines

First, "the real drama is that people break the rules." (Mei Lanfang changed her play)

Second, "only the cleanest person in my heart can express lust so perfectly." (Mr. Qiu's first impression of Mr. Mei Lanfang)

Third, "it is not shameful to lose, but it is shameful to be afraid." (Thirteen grandfathers pass it to Mei Lanfang)

Fourth, "Your time has come." (Mr Qiu's encouragement to Mr Mei Lanfang)

Five, "just 10 thousand, no matter what, can be invincible." (Mr. Qiu's encouragement to Mr. Mei Lanfang who is afraid of losing)

No matter who wins or loses in the war, Mei Lanfang should be immortal. (Japanese military officers and fans' comments on Mr. Mei Lanfang)

7. "Germany occupied Britain, but Britain didn't sing Shakespeare?" (During the Sino-Japanese War of 1894-1895, Mr. Mei Lanfang temporarily left the stage, and Mr. Qiu persuaded Mr. Mei Lanfang to leave. )

8. "Whoever destroys his loneliness will destroy Mei Lanfang". (Mr. Qiu's defense of Xiaodong Meng)

Nine, "he is not yours, nor mine, but the audience's." (Movie theme: Mr. Mei Lanfang belongs to the audience)

Ten: "My grandfather, Thirteen Swallows, let me fight for a position for the singer". (Mr. Mei Lanfang's contribution to China's plays)

Eleven: "Does anyone want to see dirty Mei Lanfang?" (1937, when the Japanese army occupied Beiping, Mei Lanfang was invited to act, and Mei Lanfang said calmly)

Twelve: "Crazy, crazy, the world is crazy, all crazy". When Mei Lanfang's performance in America was a complete victory, Qiu looked at the American audience who applauded warmly. )