Liu Zhenyun's one-day trip to Sanqiu

? Liu Zhenyun is probably my favorite writer besides Murakami. Everyday, simple and meaningful narrative style is what I want. I can understand his article ~

? From "a sentence is worth ten thousand sentences" to "a day in Sanqiu", there is a Yanjin. The difference is that the former pays more attention to reality, focusing on Wu Moses, and it shows the whole world as soon as it comes out. However, the latter has a magical part. The appearance of characters such as Hua Erniang and bright cherry mother, who have been playing the dream of the golden man for three thousand years, is an important reason for the novel's attraction. It is not difficult to see the shadow in front of Uncle Liu from his postmodern paintings and serial works. For example, the colleagues of the troupe, the white snake cherry played by the partners in the play, Chen Changjie of Fahai, Liang Liang, the son of Chen Changjie, and so on.

? What you see in a day is like Sanqiu-Sanqiu in a day, shallow and profound. The death of Bright Mother Cherry forced him and his father to go to Wuhan, and his grandmother's death brought him back to Yanjin. Finally, because of his wife Ma Xiaomeng's disgraceful past in Beijing, his family came to Xi. As long as the gears of time turn, they will meet. Running between Yanjin, Wuhan and Xi seems to be born with destiny in the dark. What you want to hide, no matter how long, will be remembered everywhere. So even after Sanqiu, even after Yanjin, I was still with Hua Ernian, telling jokes. ...

? This is a joke book and a crying book. In the final analysis, it is a bloody book. This is a joke with human life.