How to make sound penetrating

Singing organs include chest cavity, throat cavity, pharynx cavity, oral cavity and nasal cavity. According to the sound characteristics and vocal areas, there are head cavity, mouth cavity and chest cavity respectively.

When singing, our voice passes through all the singing cavities in our bodies, causing * * * vibration, which is * * * singing. * * * Singing plays a role in beautifying the sound. Any excellent singer's voice and wonderful singing skills are based on this, so this is a very important link!

Extended data:

Practice the method of sounding with chest cavity:

A, breathing training method:

Breath is the power and foundation of human voice. The speed, flow and pressure of breathing are directly related to the size, strength, length and * * * of sound. It can be said that if you want to speak fluent English, you must learn to control your breathing.

The so-called breath control is learning abdominal breathing. Abdominal breathing should first take a deep breath and inhale the air into the diaphragm (waist) at the bottom of the lung. Generally, it is inhaled through the nose to let the ribs expand naturally. When the abdomen feels bloated, the lower abdomen gradually contracts; When exhaling, it is very important to keep the diaphragm dilated. Don't let the diaphragm sink as soon as you exhale. When the breath is released at once, the voice loses its breath support, which leads to the breath support of the first few words and the lack of breath support of the words behind. It is not only laborious, but also difficult to last.

The steps of breathing training are as follows:

(1) Sit up straight, meditate, lean forward slightly, keep your head straight and relax your shoulders;

(2) the lower abdomen is miniaturized, and the tip of the tongue is against the upper palate. Breathe in calmly like smelling flowers, and feel that the airflow seems to go down the spine, and the lower back gradually feels full.

(3) The ribs expand outward, and the lower abdomen gradually becomes tense, and the inhalation is 70% to 80% full; Control for a second or two, then exhale slowly, and the breath will flow out evenly and slowly.

(4) Repeat the above exercises, and the expiratory time should be gradually extended until it reaches 25-30 seconds.

(5) Please get up early in the morning to practice, the effect is better.

Second, chest * * * Ming training method:

Although the method of breath pronunciation can save effort, it is necessary to learn the method of chest * * * to make English more cadence, sonorous, loud and magnetic.

(1) monotone training method:

◆ Shut your mouth and yawn before pronouncing.

◆ While exhaling and pushing out, open the chest, and the vowel [i:] (or [u:] [] [a:] is long in the mouth, as long as possible (30 seconds -60 seconds).

◆ Imagine the chest opening in your mind (imagine the bellows opened by the accordion or the eagle spreading its wings ...)

Repeated practice can get the effect of chest.

(2) Long sentence (paragraph) training method

Take an abdominal breath before pronunciation to smell the flowers.

◆ While introducing breath, start to read sentences (paragraphs) in your mouth, try not to breathe, and persist for 30 seconds to 60 seconds.

◆ Imagination and experience in mind: chest opening or accordion bellows opening.

Only by practicing repeatedly can you get the effect of chest cavity.

(3) "cork" training method

Clean the cork, then put it on the root of the tooth, and feel the oral space increase.

Do abdominal breathing.

Breathe out and start reading sentences (paragraphs).

Imagination and experience in the mind: the imagination of opening the chest or accordion bellows.

Only by practicing repeatedly can you get the effect of chest cavity.

Singing skills:

1. Singing posture is very important.

Stand up straight and evenly with the support of your legs. The position of the head is more important than that of the body. Some people raise their heads when singing high notes, as if to save energy when singing, but they are not. Hold your head up. The pitch is tense. The throat will be tight but not loose.

The correct way is to keep your head a little lower, but not too low. There are many * * * sounds in the head, and the sound is loud when the * * * sounds are produced in the head. The movement of the head should be opposite to the melody. The higher the head, the lower the head, and the sound seems to go down to the chest.

2. Try to avoid using muscles unrelated to singing.

When controlling the diaphragm to breathe, try not to involve other muscles or exert too much force, which will close all the chambers and turn off the sound. Don't be nervous when singing, sing naturally, relax your shoulders, don't make small moves, and sing with your diaphragm.

Open your throat

It's easy to open your voice. When you are sleepy, you yawn while talking, and then your throat opens. Opening your voice is more important than opening your mouth! Singing like this is brighter than just opening your mouth without opening your throat, so open your mouth with your throat, and it's better to open it up at the back! Just like using an inverted funnel, the big mouth is at the neck and throat, and the funnel tip is at the mask. If the sound position has all entered the mask, the sound can be sung from the lightest to the strongest.

4. Focus

When singing, be loud, focus, and focus on the mask. Not too far, not too close. Everyone has their own best voice point. The sound will get louder and louder when the points are concentrated. The sound disappeared without a click. At the beginning, * * * should be small, then spread it out and sing, and the bigger it is. This method of making sound is very quiet, as if there is a mirror behind the lamp, which can make the light shine further. Forehead, sinuses and other places are empty singing cavities, so make good use of them.

breathe

When singing, use the breathing method when lying down and sleeping. Among chest breathing and abdominal breathing (diaphragm), I prefer abdominal breathing, which inhales deeply and quickly. But no matter what kind of breathing method, you can't use it at the same time! This is contradictory, just like stepping on the brakes and stepping on the accelerator.

Train your voice.

You find the best notes first, and then sing up and down. Don't move your mouth or throat. Try to understand and imitate the best sound when singing adjacent sounds. This is called "self-imitation". Everyone should have a "sound memory". Pay special attention to the feeling of voice and throat. Singing is very abstract, so we must pay attention to the technical state of vocal organs such as throat muscles. The memory of sound not only refers to tone, but also includes sound quality, timbre and strength. We should pursue the unification of the upper, middle and bass areas.

7. Vocal Music Foundation

First of all, the laryngeal muscles should make the Adam's apple slightly lower, which is better than the upward voice in terms of roundness and volume. Secondly, keep an air column when singing. Contrary to the natural sound, on the basis of the air column, the sound becomes wider and louder in the high-pitched area. When I say open your voice, I mean open your voice and let the voice go in and out freely without suppression or interference.

Open the nasal cavity, enter the head cavity, vibrate freely and make a * * * sound. You need breathing support to get the maximum * * * effect, not to say that if you open your throat and press it, your voice will turn white. If we can find a correct position, the sound will automatically enter the mask correctly.

8. Vocal position

Vocal cords are like rubber bands, which can be stretched and widened. However, if a person does not play his true sound quality normally, but deliberately supports the sound in the middle and bass areas, then such high notes cannot be sung. Even if you sing it, the sound is swaggering.

The correct sound position is to set the volume and position of the bass according to the width limit and the position of the treble, instead of deliberately raising the bass to practice. When singing the first note, put down the Adam's apple, then sing the second note up, control the Adam's apple, practice the second note well, and then practice the third and fourth notes up gradually.

9. Throat

The relationship between the stability of larynx opening and Adam's apple and the exertion of muscles on both sides of larynx. The neck muscles on both sides of the larynx are relatively strong, which requires the muscles on both sides to help the larynx open instead of pinching the throat.

The correct way to open your throat is to feel your neck expand around. The easiest way is to sing while talking and yawn naturally. Another way is to smile when singing. Pouting and pulling the chin make the mouth form a vertical ellipse, and the throat is easy to tighten.

10. Sound change point

How to solve the problem of changing the sound point? The sound in the mid-bass area should be as wide as the high-pitched area, so it is easy to transition. If the bottom is too wide, the transition sound will be difficult to pass. When you start singing in the low and middle voice, you should first think about the position of the high voice and sing according to this position, so that you can pass the test smoothly. Because the position of the sound is always kept in the mask. When singing transition, don't use force, but sing softly and smoothly.

1 1. A faint voice

When singing a weak voice, you should still have a mask, and the sound quality and timbre should be the same as when singing a strong voice. When singing high notes, the voice is loud and bright in the mask. When singing low notes, it should also have this effect, but it is much softer.

12. treble

Be careful not to open your mouth when singing high notes. When singing high notes with abdominal breathing, the upper abdomen should be slightly outward.

13. Don't be afraid to lower your voice!

Many people want to raise their voices when singing alto. Don't do this, the sound should be nice, the position should be high and the sound quality should be high. Because the diaphragm is always lazy, it is difficult to keep the position unchanged.

15. Electric sales

Sing HC, weak. Don't sing with your mouth open, you will run halfway and you will feel blue! The art of singing is the art of inhaling, that is, inhaling a lot and singing as slowly as possible. Vibrate the vocal cords with little air. The trick is to make it smaller! If you sing too loudly, you will die.

16. Sing with originality

Don't try hard when singing the bass, be simple and knock it out like a small hammer; When singing high notes, there seems to be Jason Chung in it, especially the lyric soprano. Sing where you hum. What matters is the position, not the effort.

17. Happy ending

You can sing the high note at the end better, take a breath, hit it at once, the point is very small, and then extend it to enlarge.

18. Diaphragm

When breathing, the diaphragm looks around and expands, especially the diaphragm in front is very solid. Remember, you must breathe through the diaphragm!