The film reviews of Myth (Jackie Chan, Kim Hee Seon) and Titanic should be as long as possible, preferably no less than 2,000 words.

Myth is doomed to disillusionment.

I finished the second half of "Gossip" last night.

There is no denying that I am disappointed.

At first, I was fascinated by the history of the Qin Dynasty, the legend of Qin Shihuang's mausoleum, the Terracotta Warriors and Horses, and so on. What fascinates me most is the fantasy stories that travel through time and space, through ancient and modern times. So I still have a little expectation before watching this movie.

But it turns out that after reading it, it feels like eating chicken ribs.

You can't say it's completely bad, but you can't say it's good.

In terms of plot, it's too old-fashioned.

Those scenes, those conversations, were completely unexpected. And I always feel that Kim Hee Seon's love for Jackie Chan is abrupt and unnatural.

Although love at first sight is being staged all over the world, as far as movies are concerned, the mythical love obviously lacks the details of 1-2. So I feel very uncomfortable when I watch it. Therefore, it will make people feel that their love foundation that has been entangled for more than 2,000 years is too weak. As a bystander, it will be very uncomfortable to accept it, which naturally weakens the weight of moving.

Seeing Jackie Chan's freezing period, I thought, maybe we should arrange for Kim Hee Seon to take off his coat to warm him up. It turned out to be true. There is no suspense. That's what movies are like. Once there is no suspense, once the plot can be predicted, all the fun is gone. The attraction is greatly reduced.

On the contrary, Kim Hee Seon sewed Jackie Chan's wound with her own hair, which surprised me. I remember my internship experience in the emergency room of the hospital. At that time, I often worked as a doctor's assistant, sewing wounds for trauma patients. When I saw this, I thought, this is really creative. But, can you sew? Could it be that the ancient people's hair was particularly flexible and elastic?

Besides, actors.

I have never had any special feelings for Jackie Chan. He has seen many movies, not many. I won't look for it on purpose.

I saw reports and introductions about "myth" in entertainment news before. I heard that he played a general in the Qin Dynasty, so some people suspected that his temperament was far from such a role. Totally inappropriate.

I confirmed this when I watched the movie. The shape is not pretty at all. I don't feel that way. It feels a little funny.

Besides, Jackie Chan is really old. Looking at his hard performance on the screen, my heart was filled with emotion. Heroes are bound to die.

He plays a hero, maybe he can barely pass the test, but his interpretation of love is absolutely a failure.

Seeing his manner and expression when he faced Kim Hee Seon, I couldn't find a trace of warmth. His eyes are the feeling of extinguished flames, lacking love and dull expression. It's more like Qian Fan. It's quiet inside. Perhaps, he is really not suitable for co-acting in literary dramas.

As for Kim Hee Seon, I think this role is quite suitable for her. Especially when she was flying in the air in white, the lens was really beautiful. Such as flying fairy, light spirit and dust.

I prefer the waterfalls and hanging coffins.

I never thought that the mausoleum of Qin Shihuang would look like this. I was surprised.

Because this is a mystery that has not been solved for thousands of years, any imagination is allowed to play.

Seeing chariots and figurines suspended in the air, as well as the Heavenly Palace, I feel that this film is not completely unworthy of watching. Finally found some surprises.

This is the best part of the whole movie.

Besides, what I think is good is the part about Guo. That Di Sha woman is still very beautiful, especially when she takes a group of women in white for morning exercises, which is not bad. At first glance, I thought she was practicing yoga. That posture is really nice. ......

I don't like fighting scenes very much.

The action is not wonderful enough and the scene is not big enough. This may be because this is not an army battle.

I don't think Jackie Chan's death was arranged. Just stab a sword in your heart. Why behead, behead, and die without losing everything? It's so ugly. I don't know why, but I always feel that it weakens the tragic beauty.

I don't like that ending either.

It's like a person talking to a screeching halt. I left a half sentence and didn't swallow it back.

This story is obviously not finished. The ending is hasty and far-fetched, with a beginning and no end.

Moreover, the whole story shows that many plots are jumping, without foreshadowing and internal connection, and they are all explained by one or two sentences behind or in front of the characters. A little distracted, I missed a sentence, and I saw it inexplicably later. I don't know what the people in the cinema are like. I replayed it several times before and after to connect the plot. Maybe it's the problem of late splicing? Oh, I don't know.

Myth, oh, it doesn't hurt to look at it. At least one line is good. Jackie Chan said, "People's things should be returned to others, not put in our own museums, but kept for others ...". Only this sentence is impressive.

I have always been interested in archaeology. I always feel sad to see China's cultural relics lost overseas, looted, stolen and sold. Among my favorite Egyptian museums, the British Museum, the Louvre and the United States, which one doesn't have the Egyptian Pavilion? Their collection of Egyptian cultural relics is even higher than that of Cairo Museum in quantity and value. Whether the obelisk is planted in Europe or America, it looks so ridiculous.

In addition, the soundtrack of the myth is good, and the theme song is also very nice. Sun Nan Han Hong's version and Jackie Kim Hee Seon's version are both good. I downloaded it and listened to it I especially like that Korean choir. Although I don't understand, it is enough to have artistic conception.

After watching this movie, I always feel that it is really much worse than the movie "Qin Zhan Gu Jin" I saw a few years ago.

When I saw that movie, I was still in the third grade of primary school, but I have always been obsessed with such a movie. Meng in Zhang Yimou and Gong Li are vivid images in my memory.

Later, in 1997 or 1998, I happened to see the novel edition in the bookstore, only to know that the screenwriter was Li Bihua. Can only say that novels are better than movies. It was then that I fell in love with Li Bihua's writing. I was not surprised to see Chen Kaige's Farewell My Concubine and know that it was written by her. I think only she can write such a book and such a plot.

However, no matter which story, no matter how touching the myth, it is doomed to disillusionment.

The immortality of Qin Shihuang is a myth, the eternal inheritance of the empire is a myth, and the eternal love is a myth. However, in the footsteps of historical migration, they were ruthlessly disillusioned. Inevitable.

Then I thought, maybe, only things that will be disillusioned can be called myths. Who knows? ...

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The following are supplements for you to choose from:

The film review Myth is an epic masterpiece created by Emperor Jackie Chan at a cost of HK$1.60 billion. It is jointly contributed by international movie star Jackie Chan, Korean actress Kim Hee Seon, Indian sexiest actress Marika, famous Hong Kong movie star Tony Leung Ka Fai, famous mainland movie stars Sun Zhou, Shao Bing and Yu Rongguang. The "myth" shot on the spot in the terracotta warriors and horses of Qin Shihuang's mausoleum presents you with a love epic that spans 2000 years.

Against the background of an earth-shattering war, the film tells an unforgettable love cycle: greed, betrayal, struggle and love, and writes the history of mankind for thousands of years. At the invitation of his good friend William (Tony Leung Ka Fai), Jack (Jackie Chan) begins an archaeological journey that lingers on the edge of life and death, and slowly implicates the secret of the beauty of dreams from the magical floating force of precious stones in Qin Dynasty. The closer you get to the truth, the more difficult it is to explain and the more difficult it is to extricate yourself. Myth is actually inseparable from the most realistic nature of love, hate and greed. At the end of his life, Mr. Gu, who was ruined by greed, did not change his true colors and died tragically. William, who wanted to be remembered forever, lost his way and decided to make amends with death. Some people compete for fame and profit, while others seek profit. Will Jack give up the present for love and embrace the past with Korean princess Yu Shu (Kim Hee Seon) and stay together forever?

The film's director, Tang Jili, has directed many films, such as Never Give Up III- Super Police, Hong Fan District, China Commando and so on. And won the Asian Media Leader Award from the Asian Business Association of the United States, and won the Best Action Director Award from the Hong Kong Film Awards for "Pink Zone".

"Myth" is Jackie Chan's first epic myth masterpiece in costume, and it is a fairy tale with oriental style. Among more than 900 stunts in the whole film, thousands of terracotta warriors and horses plummet from the air and other spectacular scenes are definitely classic images that people expect. The film is bold and novel, shuttling back and forth from ancient times to modern times, taking you to appreciate an epic classical love created by Jackie Chan and Kim Hee Seon. The film is full of stars and the lineup is luxurious. Chinese and Korean stars joined forces brilliantly, and invited Marika, a famous Hollywood superstar in India, to join us for the first time, which brought us a completely international movie-watching experience. Since its debut at Cannes Film Festival, the trailer has been well received by filmmakers and media from all over the world, and it is a China blockbuster with international standards.

This grand investment reception, jointly organized by Poly Bona Film Distribution Company and Bona Film Media, the distributor of Myth, kicked off the publicity of Myth. Bona Film Media is committed to the integration and promotion of China film market resources, and provides professional communication methods and marketing services for film promotion and film media market. The film investment reception will provide more innovative ways of joint promotion and cooperation for enterprises supporting the film industry in China.

Myth, to the past.

Myth was written by Jackie Chan and Tang Jili. Like New Never Lose, Jackie Chan's rejection of humorous juggling routines is the core. Jackie Chan's challenge to emotional drama is that he wants to make a good film with some depth too much. When you are old, you naturally need to be mature. Let's drink to the past.

Whether it is Jackie Chan's myth or Jackie Chan's myth, this is the origin of this film. The problem seems to be man-made, but it is as mysterious and natural as birth and death, spring, summer, autumn and winter.

The focus of "Myth" should be on the ancient time and space of movies, but the funny thing is that movies are actually excellent in modern time and space. The problem lies in the level of director Tang Jili. If it is Chen Musheng or Chen Desen, Jackie Chan's literary tone will be more appropriate, because "Never Give Up" and "Unexpected Spy" are at least the most literary works in Jackie Chan's movies. Tang Jili and Jackie Chan's blockbusters are clones of Hollywood action movies, and the story has no purpose from beginning to end. Therefore, when he publicizes myths, he will exaggerate love and beauty, and never forget the box office in the international market, instead of the word-of-mouth that Jackie Chan has been expecting: Jackie Chan can make decent literary films!

The confusion of the film is due to the parallel narration similar to the play. The story of "myth" can really capture the nerves and expectations of the audience. I think it's just an "amazing discovery" about cracking the first imperial tomb, but it's beyond Tang Jili's ability, so the film will end in a hurry. The most representative parallel narrative in Hong Kong's recent films is Infernal Affairs 3, which gives an expressive description of time and space. But in the myth, Jackie Chan looked serious in ancient time and space, only reasonable, somewhat regrettable. Although Jackie Chan's focus is to "spark love" with Kim Hee Seon, what can easily impress the audience is his pride in life and death as a general. And Kim Hee Seon's eyes constantly appear lens, let the audience see but is the eldest brother that dull old face.

There are not many wonderful fights in mythology, lacking the so-called epic spirit. If it's to show people whether the black raccoon horse with black wind is stunted, it's a pity that this horse has already stolen the limelight. In modern time and space, ending with Mount Li is the most shining scene. Myth is our great first imperial tomb, an immortal mystery handed down from generation to generation, and a huge imagination space. If there is no imperial tomb in the air, it will definitely make foreigners who make treasure-hunting movies such as "National Treasure" laugh their teeth off, and the movie should be renamed "Joke".

Jackie Chan didn't create an ideal myth, because this story is much more difficult than Never Say Never. But Jackie Chan has a clear direction and is always worth looking forward to. Even as he grows older, he will still strive to realize an immortal legend. This is the "myth" itself.

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Titanic

think it over

1997 I didn't meet Titanic. I only remember a high summary of a "classic love story". It is an ethereal space separated by years. Catch up with the majestic body of this masterpiece at the end of 2007. Wrong body for ten years. After reading it, I can understand why so many people cried in those days. Inside and outside the theater. A deep sense of crying.

Eighty-four years later, Rose, a centenarian, still clearly remembers that short and wonderful time. Memory is often the best wealth, and it is constantly appreciating. Under the control of modern high technology, the Titanic was salvaged. We can see that the most luxurious ship is so lonely and buried at the bottom of the sea. This broken and dilapidated thing is just an eroded king's body to outsiders. Once brilliant, it can't escape the tragic decline after all. However, in Ross's eyes, this broken wall-like torso can be redrawn by memory. The sound and light drunken shadow of that year is still there. Are hidden in the network grid of eyes and thoughts. Brilliant wealth belongs to1945 April 12 days ago. You will still remember the light dance at that time, right? Do you remember spending a lot of money at that time? Remember that dance banquet at that time? Like quicksand. It's far. It's gone.

Rich people don't need to miss it. They never need it. We can't be elegant, but Rose can do it. This woman, who doesn't yearn for aristocratic life in her bones, decided that her pale heart would look down on all this before she got on the boat. Someone impeached her to be picky. But who can solve the taste of imprisonment? Titanic is a slave ship to her. Her rich fiance is rude and cold, and her mother will only bet on her climbing the dragon and attaching the phoenix. There is nothing like this in the world. In her world, there is the desolation of Zhang Ailing. Life in a cage full of lice under a robe is worse than death. Just unwilling. So just now, I will have a glorious opportunity with this prodigal Jack. Her inner rebellion and venting seem to be well organized, which makes people happily like the release of this somewhat wayward third-class woman. Her anger, provocation and primitiveness. It turns out that it's not those ladies who have many fetters. It's enough to have this Jack in this world. The so-called morality is too decadent and smelly.

It will give people deep hope. When you get off the boat, you will have sex freely outside the cage. It's just that the boat hit an iceberg. If we can't be together, we can only achieve another kind of sadness and greatness unconsciously. Posters in Hong Kong say "Heaven and earth move".

In Rose's view, the moment the lifeboat was lowered, Jack in her eyes was destined to go further and further. This is the most terrible feeling. So she was going to run away. So much for the puppet-like temptation to live. Two people together are more precious than anything else. It seems very impulsive this time, and my mind should be clear. It makes people feel very warm. This warm breath extends into the cold sea water. The struggle in the disaster makes people worry, but it also makes people feel strong and warm all the time.

"You jump, I jump" has long been defiled by vulgar people with vulgar tone. Without that scene, we can't really appreciate the power of this sentence, which has changed from a joke to a promise. Death can best verify the truth of feelings. They should be true love, which broke out in a short time, but it seems like a long-term marriage that they have known for many years. Lonely for a long time, and then fell in love with the first man who broke the deadlock in life. This seems a bit like a hasty move because there is no choice, which makes people wonder whether this love can stand the screening of time. However, this love at first sight is more sober than the procrastination of long-distance running. It can be entrusted for life in a few days, which is a firm promise from God.

However, God didn't get what he wanted. After the catastrophe, he continued her survival in the cold of bone erosion with his own life. She finally buried her lover who died helplessly for her in the vast sea. She said "I promise". She survived, living beyond 84 years old. In the tug-of-war between life and death, he stayed with her and she prolonged his life. There are many secrets hidden in a woman's heart, just like the ocean. This relationship originally belonged to her and Jack. It's nobody's business. She doesn't have his portrait or photo, but the specific memory itself is enough to make people cherish life. The road ahead is no longer lonely.

Such a sacrifice is indescribable without greatness. When you die, you can always show a person's incomparably deep vulnerability. Jack achieved such a great success with his persistence between screens. More romantic than anything.

Commitment is inherently weak. So there is no need for commitment. When your own blood flows into other people's lives, it will be the most harsh and merciful arrangement in heaven. Cruelty, mourning. The living often carry more than the dead. Xie Chang, the opponent, made his debut by himself, and one person had to bear the debts of two people. This sweetness has always been amazing.

A lot of love lasts forever and needs to be separated from life and death. Just like Brokeback Mountain, you have to use a person's death to complete this frightening love. This is the ultimate romance. We are mortal, so don't suffer.

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