What is the future of China animation industry? discuss

I think everyone knows the situation of the domestic animation industry. I think the current domestic animation is not a lack of plot content, but a matter of domestic policy, domestic animation market and age. What is shown on TV often doesn't conform to our 15 age group, which also involves domestic policy issues. Sun Lijun advocated banning Japanese films mainly to protect the growth and development of Chinese children. Anyone who has seen many Japanese movies knows that there are a lot of meat slices in Japanese movies at present, such as "kill or die" scenes emerge one after another. I think letting children see it really has a great impact. Therefore, after the introduction of domestic radio and television policy, many plots of domestic animation have also been restricted. On the other hand, I also learned from domestic animators that domestic animators are not worse than those in Japan, but the credibility of the market. Nowadays, the animation of shanzhai mentally retarded plot has almost become synonymous with domestic animation. Many people think that the current domestic animation is not good-looking, so they don't support domestic animation, and going to Japan has caused a huge blow to the domestic animation market. Without the market, domestic animators will have no funds. How can they make good animations without funds? Animations like Happy and Big Big Wolf have captured the market where domestic policies prohibit broadcasting and pay attention to children's development needs, which has made them brilliant today. If producers want to meet our times, they must deal with the cost problem. If they can't do well or meet everyone's requirements, they will face the pressure of being scolded. Therefore, many domestic animation producers who can survive have decreased a lot, and many producers feel that outsourcing is not as good as doing it directly.

It's not that China doesn't have good works. Many cartoons are animated on the basis of cartoons. China's cartoon industry is not bad, and most of the plots satisfy us, but the problems lie in animation production, domestic policies and market. I think it is a great breakthrough that Qin Yue can be broadcast on TV, but there are still some shortcomings in the production of Qin Yue, such as dubbing, which makes people feel completely unprofessional. In the character scene, the paper drawn by individuals is not the basic scope. They all want to make a profit from the endless stream of cottage works in China, but they don't want to satisfy our ideas at all.

Personally, I think that the strength of domestic animation industry to Japan and other countries is long-term. To develop domestic animation well, we must rely on a strong, United and innovative production team to establish a reputation in the domestic animation industry; Second, we must rely on the support and promotion of people who love animation; Third, to make works that satisfy the public and are suitable for all ages, it is best to meet the needs of Chinese teenagers and above; As for the fourth one. . . Then it is necessary to crack down on the piracy industry (though reluctantly. . Now, if the piracy industry prevails, the works produced by the production team will face great pressure on cost. I think many people would rather buy 7 or 8 pirated CDs than expensive genuine ones. . Just like everyone is waiting for PSV to crack now. . Therefore, the production team will encounter market pressure in terms of funds. Without funds, there is no need to do animation. . Therefore, the prospect of domestic animation is slowly broken by time. . After all, China's animation industry has just started, and it can't be compared with this second-tier country.

The above is my arbitrary consciousness, please forgive me! You can talk to me privately if you have any questions.

It will be year of the snake soon. Happy new year to you all!