Are there any classic sketches in the past that are deeply memorable to you?

Pan Changjiang is short and slender, Gong Hanlin is tall and thin, Zhu Shimao has thick eyebrows and big eyes, Chen Peisi has a bald head and has a detailed look, Cai Mingai makes a middle-aged and elderly voice, and Guo Da next to him always adds a "Ahh~" full of northern Shaanxi flavor.

The applause and laughter of distant times come like waves, making the New Year’s Eve no longer lonely.

When those sketches were born, life outside the TV was still simple, and every knowing joke could relieve the stress of the whole year.

Contradicting the county magistrate is like "a rat works as an escort for a cat to make money without your life", looking down on the working people is like "you don't have food and clothing, why are you so stinky", and the most depressing thing in life is "no money is spent" It’s over, everyone is gone.”

At the end of the 1995 sketch "Uncle Cow Picks Up the Stem", Zhao Benshan pulled out a bunch of turtle eggs from the pile of dishes, "I have learned nothing else, but I have learned to bullshit."

During the early stage of repeated reviews, this paragraph was not included, and Zhao Benshan only showed it during the live broadcast. The leader was furious and helpless. And it is said that the sketch was very effective, and the behavior of cadres going to the countryside to ask for food and drink dropped sharply.

After filming "Uncle Niu Lifting the Gan" and "Red Sorghum Model Team", Fan Wei went on a business trip to Guizhou.

That year, he was not popular yet. When the airport checked his documents, he proudly said, "I was acting in a sketch with Zhao Benshan," and reminded others, "Bullshit, bullshit, that one," and performed the first step on the spot.

In the era when Teacher Fan was still just jumping around, people's hearts were as simple as a piece of paper, and a single joke could rule the year.

At the beginning of the 1990s, Huang Hong named his child Shaolin Temple Turpan. At the end of the 1990s, Zhao Benshan asked Song Dandan whether I can still board your broken ship with this old ticket.

Every sentence is like a beacon in time.

In 2010, Shi Lin, the language chief planner of the Spring Festival Gala, went on a business trip to the south, and the restaurant was still singing "Palace Yuye Wine, One Hundred and Eighty-One Glass". Zhao Lirong had passed away for ten years at this time.

After the millennium, Zhao Jiaban began to control the laughter throughout the year. Laughing to the fullest on New Year's Eve can shake off the dust of the year.

After using a cane, sitting in a wheelchair, and lying on a stretcher, Fan Wei finally became popular as he wished.

In the underground discotheques of Northeast China, the most popular dance music in those years was neither hip-hop nor Korean wave, but an adapted version of "Hua La Gua La, Kidnapping La".

A few years later, he accompanied Zhao Benshan in "Ma Dashuai". No matter how difficult the world is, Brother Biao will still play his cards according to the routine.

The rare time he got angry was when someone called his cell phone, and he broke a statue in order to answer the call. Brother Biao picked up the phone and said angrily: "The owner is angry, please call again later."